Dance in Canada Magazine No 54 Winter 1987-88
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Arbez Drama Fringe 2017 Company Bios
Arbez Drama Projects in association with The Toronto Fringe Festival 2017 THE OLD WOLF and the SACRED TROUT by Donald Molnar COMPANY HISTORY & BIOS Arbez Drama Projects Arbez Drama Projects is a not-for-profit theatre company based in Toronto. Our mandate is to pursue theatre projects that we feel passionate about. We create, develop, and produce new Canadian plays. The creation of our company is intimately connected to Sara's Cave by Donald Molnar, which was accepted into the City of Brampton’s 2nd Annual NewWorks Playwright Festival (2005). In order to produce the play, Donald Molnar, John Sader, and Alicia Payne created Arbez Drama Projects. Arbez Drama Projects now has several plays at various stages of development and has produced readings and workshop presentations at theatre festivals as well as social justice and academic conferences including: Readers’ Theatre of New Works at the National Black Theatre Festival, Winston Salem, North Carolina (2013 and 2015); 33rd Annual Teaching Public Administration Conference, Grand Rapids, Michigan (2010); Innocence Network Conference, at the South Texas College of Law, Houston, Texas (2009); and the rock.paper.sistahaz 7 festival, Toronto (2008). Anna Braumberger – Wolf Masks Anna Braumberger delights in the whimsical and bizzare which suits her very well in her work in the Vancouver Film industry set decoration department (IATSE Local 891). Having been professionally tasked in the last two years with everything from fabricating 80's neon art to occult decorated cow skulls for use in TV shows she still finds time for the occasional personal project. Starting in 2003 Anna began in a community Shakespeare group called "The Pressgang Theater Company" which worked every year on a shoestring budget to produce a play under the funding of the Society for Creative Anachronism. -
We're All on a Journey
FOR 5O YEARS JEWISH FOUNDATION OF MANITOBA you've made a difference 2014 ANNUAL REPORT We thank you. Your community thanks you. We’re all on a journey. Volunteers at 12/14 Staff at 06/15 Board of Directors Committees of Scholarship Committee Marsha Cowan Alex Serebnitski, Chair Chief Executive Officer We’re all on a journey. Executive the Foundation Danita Aziza Joseph J. Wilder, Q.C., Ian Barnes Audit Committee Richard Boroditsky President Chief Financial Officer Michael Averbach, Chair Ahava Halpern Steven J. Kroft, Celia (Ceci) Gorlick, Q.C. Rishona Hyman Marla Aronovitch Past President Steven Kohn Mirtha Lopez Grants & Distributions Anita Wortzman, Jeff Norton Maylene Ludwig Officer President-Elect reflections on impact Rimma Pilat Aaron Margolis Dr. Eric Winograd, Patti Boorman Danny Stoller Rimma Pilat Secretary-Treasurer Director of Operations Eric Winograd Rocky Pollack Celia (Ceci) Gorlick, Q.C. Lonny Ross Stephanie Casar Sherman Greenberg Endowment Book of Life Jerry Shrom Administrative Assistant Larry Vickar Committee Ruth Carol Feldman, Chair Leandro Zylberman Katarina Kliman Members of the Board Morley Bernstein Special Awards Committee Manager of They say that a journey of 1,000 These three men first gathered in individuals who are on their own Michael Averbach Terri Bernstein Steven Hyman, Chair Donor Relations miles begins with the first step. As the October 1963 to lay the groundwork journeys. To help some organizations Cynthia Hiebert-Simkin Susan Halprin Bonnie Cham Pamela Minuk 50th anniversary year of the Jewish for what was to become the JFM. A and individuals take that all-important David Kroft Peter Leipsic Sherman Greenberg Development Assistant Foundation of Manitoba draws to a year later, their dream became a reality. -
PROGRAM GUIDE Spring/ Summer 2020
PROGRAM GUIDE Spring/ Summer 2020 Spring Highlights: Page 6 Music ‘N’ Mavens Page 8 Winnipeg International Jewish Film Festival Page 19 Summer Day Camps Page 43 Spring & Summer Swim Programs Registration Begins: Spring: March 3 Members | March 10 Non-Members Summer: June 2 Members | June 4 Non-Members A MEMBER OF THE JCC ASSOCIATION Call (204) 477-7510 or visit radyjcc.com Partner Agency of the Jewish Federation /radyjcc @radyjcc rady_family_and_fitness OF WINNIPEG Message from the President VISION STATEMENT & the Executive Director The Rady Jewish Community Centre aspires to be a vibrant and welcoming community where Jewish culture and The Rady JCC (YMHA) recently values flourish, where families and celebrated its 100th anniversary. To this friendships are strengthened, where day, it remains a primary destination healthy and active lifestyles are for Jewish engagement, learning and encouraged and where we contribute to celebration and a connector to Jewish the well-being of the entire community life: a place where individuals and by ensuring our programs and services families can encounter Jewish ideas, are available to all. principles, practices and values; where Lindsay Sawyer Fay Rob Berkowits they encounter Israel and explore MISSION STATEMENT President Executive Director important conversations both within The Rady Jewish Community Centre’s the Jewish and broader community. mission is to be the centre of the The Rady JCC embraces all definitions of living Jewishly, and prides ourselves community providing the best in Jewish on welcoming all the rich traditions and voices of Jewish identity. It is our culture, fitness and wellness programs privilege to help individuals identify with what being Jewish means to them and for all stages of life. -
Papa Haydn Soundtracks Live Valentine's Special
Photographer: Lisa Marie Mazzucco Bella Hristova, violin PAPA HAYDN SOUNDTRACKS LIVE wso.ca I 204-949-3999 VALENTINE’S SPECIAL MESSAGE FROM THE CHAIR OF THE WSO BOARD As the New Year begins, let me wish you all a very happy and healthy year. And, a musical year.What better way is there to bring happiness into your life than with music, especially the music of our own, fabulous WSO? I would like to introduce myself as the new President of the Board of Directors.This is my sixth year as a member of the Board and my first as President. Music has always been a part of my life. My tastes are eclectic, ranging from “old-school”rock and roll to folk to jazz and opera, and, of course, classical. Giving back to my community is also something that is important in my life. So, when, I was asked to join the Board of the Symphony, in 2011, I didn’t hesitate.To be chosen, this past September, as President of one of the jewels of Winnipeg’s renowned cultural scene is a great honour. The Board has two principal roles. One is to provide oversight of the management of the Orchestra to ensure that it continues to operate.The fact that, in a few weeks, it will be seventy years since the incorporation of the WSO attests to the success of past and present Boards in this goal.The second responsibility is to play a significant role in ensuring financial stability.The WSO depends on three sources of income: ticket sales, government grants and charitable donations.With much competition for entertainment dollars, there is a limit to the amount to be raised through ticket sales.With so many demands on public resources, the same is true of government funding. -
Transmissions and Traces: Rendering Dance
INAUGURAL CONFERENCE Transmissions and Traces: Rendering Dance Oct. 19-22, 2017 HOSTED BY THE DEPARTMENT OF DANCE Sel Fou! (2016) by Bebe Miller i MAKE YOUR MOVE GET YOUR MFA IN DANCE AT THE UNIVERSITY OF MICHIGAN We encourage deep engagement through the transformative experiences of dancing and dance making. Hone your creative voice and benefit from an extraordinary breadth of resources at a leading research university. Two-year MFA includes full tuition coverage, health insurance, and stipend. smtd.umich.edu/dance CORD program 2017.indd 1 ii 7/27/17 1:33 PM DEPARTMENT OF DANCE dance.osu.edu | (614) 292-7977 | NASD Accredited Congratulations CORD+SDHS on the merger into DSA PhD in Dance Studies MFA in Dance Emerging scholars motivated to Dance artists eager to commit to a study critical theory, history, and rigorous three-year program literature in dance THINKING BODIES / AGILE MINDS PhD, MFA, BFA, Minor Faculty Movement Practice, Performance, Improvisation Susan Hadley, Chair • Harmony Bench • Ann Sofie Choreography, Dance Film, Creative Technologies Clemmensen • Dave Covey • Melanye White Dixon Pedagogy, Movement Analysis Karen Eliot • Hannah Kosstrin • Crystal Michelle History, Theory, Literature Perkins • Susan Van Pelt Petry • Daniel Roberts Music, Production, Lighting Mitchell Rose • Eddie Taketa • Valarie Williams Norah Zuniga Shaw Application Deadline: November 15, 2017 iii DANCE STUDIES ASSOCIATION Thank You Dance Studies Association (DSA) We thank Hughes, Hubbard & Reed LLP would like to thank Volunteer for the professional and generous legal Lawyers for the Arts (NY) for the support they contributed to the merger of important services they provide to the Congress on Research in Dance and the artists and arts organizations. -
Zavirukha Ukrainian Dance School 45 Anniversary Season Faculty 2015-2016
Zavirukha Ukrainian Dance School 45th Anniversary Season Faculty 2015-2016 Jennifer Doroniuk, Artistic Director Jenn began her love of dance with the Selo Ukrainian Dancers, then moved to the Zavirukha Ukrainian Dance School, and from 2002 - 2011 was a performing member and soloist with the Rusalka Ukrainian Dance Ensemble. In the summer of 2011 along with a collective of Ukrainian Dancers, Jenn became a founding member of the Verba Ukrainian Dance Company. She has studied ballet and jazz with the Stoney Brook Dance Company and the Royal Winnipeg Ballet School (Rec. Division). Jenn has completed her Level III Certificate at the Pavlo Virsky Choreographic School, in conjunction with the University of Arts & Culture in Kyiv, Ukraine. Jenn has performed nationally in three Canada’s National Ukrainian Festival’s, the Pan American Games Closing Ceremonies, the Bloor Street Festival and numerous local cultural events. In 2009 she performed in the Razom Western Canadian Tour featuring Rusalka, Cheremosh & Tryzub Ensembles, as well as with the Royal Winnipeg Ballet in their production of Swan Lake. In late 2015, she will be performing with Verba and alongside the Chai Folk Ensemble in “Meridian”. Internationally Jenn performed in Scotland for the Aberdeen Youth Festival, with Rusalka in their production “Legend of Rusalka”. Jenn brings over fifteen years of teaching experience gathered from working with various schools including the Zavirukha Ukrainian Dance School, the Sarto Polevnyi School, the Sopilka School of Ukrainian Dance, and the St. Anne Ukrainian Dance School. She has previously adjudicated the Dauphin Zirka Festival and the Svoboda Ukrainian Dance Festival. Jenn is thrilled to be part of the Zavirukha Family and hopes to share her passion of Ukrainian Folk Dance with all its members. -
Box # # of Items in Folder Name of Organization
Box # of Name of Organization (note: names that are underlined are filed by the underlined word in alphabetical order) Location # Items in Folder 1 1 Feike Asma. Organ recital. Toronto Toronto 1 ARS NOVA presents Theatre of Early Music presents "Star of Wonder" A Christmas Concert. Knox Presbyterian Church, Ottawa Ottawa. 1 ARS Omnia with Contemporary Music Projects presents The Inspiration of Greece and China. A trans-cultural Toronto contemporary music event. Kings College Circle, University of Toronto. 1 2 ARS Organi. Montreal 1 L'ARMUQ Quebec 1 1 A Benefit Concert for Women's College Hospital. John Arpin, [Pianist.]. Women's College Hospital 75th Anniversary, Toronto 1911-1986. Roy Thomson Hall, Toronto. 1 1 A Space - Toronto. Toronto 1 L'Academie Commerciale Catholique de Montreal. Montreal 1 1 L'Academie Des Lettres Et Des Sciences Humaine de la Society Royal Du Canada. [Ottawa?] 1 1 Academy of Dance. [Brantford, Ontario?] 2 Acadia University. Wolfville, Nova Scotia. Nova Scotia 1 2 ACME Theatre Company. Toronto 1 2 Acting Company. Toronto. Toronto 1 1 The Actors Workshop. Toronto. Toronto 1 1 Acustica International Montreal. Montreal 1 1 John Adams. New Music for synthesizers, solo bass and grand pianos by John Adams & Chan Ka Nin. Premiere Dance Toronto Theatre. New Music Concert. [Toronto.] 1 1 Adelaide Court Theatre. Toronto. Toronto 1 1 The Aeolian Town Hall. The London School Of Church Music. A Concert to honour the Silver Jubilee of Her Majesty London, Ontario Queen Elizabeth II. 1 Aetna Canada Young People's Concerts. Toronto. Toronto 1 2 Afternoon Concert Series. The Women's Musical Club of Toronto. -
Dance in Canada Magazine No 48 Summer 1986
Lawrence Adams 145 George St. Toronto ON M5A 2M6 -----~~~~· ~1:,. ~ .. (V O V N V O) ~ s •~J. B / ? A N A D A) Published quarterly by the Dance in Canada Association. Issue Number 48 Summer 1986 Ete June/juin Steve Dymond COVER STORY: Executive Director 4 Christopher House: Susan Hilary Cohen A Choreographer Fascinated With Structure Founding Editor and Form Sandra Evan-J ones Pat Kaiser Editor Robert Donald 12 Vancouver DANCEWEEK 1986: Art Director Does It Reflect a Cultural Coming-of-Age? Patty Margolcse Jamil Brownson A dv ertising Rep 1'esentative Circulation Manager 21 Talking With Susan Macpherson © Copyright by the Dance in Canada Association. Paula Citron All rights reserved. The views expressed in this publication do not necessarily refkct thost of the Dance in Canada Association. Erik Bruhn 1928-1986 Dance in Canada publishes articles in offu:ial language of origin. 26 Unsolicited manuscripts should be accompanied by a stamped, self-addressed envelope. While the publishers will take all DANCE ON TRACKIDANSE reasonable care, Dance in Canada will not be responsible for loss 28 of or damage to unsolicited materials. ENTR'ACTE Address all corresponde,,ce to Dance in Canada, 38 Charles Street East, Toronto, Ontario M4Y 1 Tl. Shaping the Climate of the Dance Community (416) 921-5169. Today and Tomorrow Second class mail regislracion number 03874. Return postage guaranteed. Cathy Levy and Julie Poskitt The publication of Dance in Canada is made possible, in part, with the assistance of the Governmem of Canada through the Department ofCommunicatiom and 1/ie Canada Council; the 39 Dance at the Canada Pavilion: Govern ment of Ontario througl-, the .\1inistry of Citizenship and C ultu re and the O ntario Arts Council; the Govern ment of On View for the World at Expo 86 Alberta thro uih Alberta C ulture; the City of Toronto th roug h the T oronto Arts Council; and the Municipality of Metropolitan Cathy Levy Toro nto. -
2014 Keynote Panels & Workshops
2014 KEYNOTE PANELS & WORKSHOPS KEYNOTE ADDRESS - NICOLE ROSE BOND Nicole Rose Bond began her formal dance training at York University, graduating cum laude with a BFAH in Dance in 2005. Since graduating, Nicole has felt privileged to perform in works by esteemed dance artists, choreographers and companies including Patricia Beatty, Coleman Lemieux et Compagnie, Dance Theatre David Earle, Danny Grossman Dance Company, Learie McNicholl, Susan Cash and Yvonne Ng. In the fall of 2012, Nicole was invited to work with Toronto Dance Theatre as a guest artist. Since that time, she has felt privileged to be a part of two cross-country tours of Christopher House’s Rivers, as well as many performances in Toronto, including Rare Mix, and Christopher House’s newest creation: Eleven Accords. Nicole feels incredibly grateful to be able to dance professionally in Canada, and deeply honoured to be working within a community of such gifted artists, whom inspire her every day. Q&A Play An interactive session to help establish your own goals for the day. And to give you a quick introduction to some of the other people in the room. Amanda Hancox is a graduate of the Arts Educational School in England. Over her 30 year performance career she worked extensively across Canada as a dancer and an actress in theatre, film, and television. Amanda has been Executive Director of the Dancer Transition Resource Centre since 2006. Throughout her tenure at the DTRC, Amanda has contributed her expertise to a number of major international and national conferences. Additionally she acts as a consultant and presents workshops on career transition within and outside the arts community. -
2013 Keynote Panels & Workshops
2013 KEYNOTE PANELS & WORKSHOPS KEYNOTE ADDRESS - MICHAEL CALDWELL Michael Caldwell is a Toronto-based choreographer/performer. A graduate of The School of Toronto Dance Theatre, he has interpreted roles for many of Canada’s esteemed dance creators and companies, including Peggy Baker, Sylvie Bouchard, Danny Grossman, Guillaume Côté, Maxine Heppner, Sasha Ivanoch- ko, James Kudelka, Tedd Robinson, Coleman Lemieux & Compagnie, Corpus Dance Projects, Dusk Dances, and Kahawi Dance Theatre, among others, and has performed across Canada and the United States, in Europe, Asia, and Australia. Michael was an interpreter at Le Group Dance Lab, studying with the iconic Peter Boneham. He has also initiated a solo-commissioning project, performing in the work of established choreographers – Conrad Alexandrowicz, Danny Grossman, and Karen Jamieson. Michael is quickly emerging as a skilled, and critically acclaimed choreographer. His recent works include: Ash Unravel, an acclaimed solo based on his journey to Vietnam, The Horologium, a whimsical group piece created for Dusk Dances, Boogie Back, a community work for non-dancers in Porch View Dances, and Mary, a dynamic new solo for Stéphanie Tremblay Abudo. With a bachelor’s degree in film and art history from Syracuse University, Michael seeks to incorporate cinematic sensibilities in all his work. Upcoming, Michael will begin creation on a new group choreography, based on loneliness and isolation. Michael’s teaching experience varies from professional level contemporary technique classes to inten- sive workshops for youth, the elderly, and the disabled. He has taught at various locations in Toronto, and across Ontario. He currently sits on the board of The School of Toronto Dance Theatre, is the chair of the Canadian Alli- ance of Dance Artists - Ontario Chapter, and is a Metcalf Foundation Performing Arts Intern for Moon- horse Dance Theatre/Claudia Moore, specifically for Older & Reckless. -
Heartsurge (100)
§ 56 BPM monitor Artists' Play dance theatre II (100) aR HeartSurge (100) What happens when, in the beat of a heart, the inner rhythms that drive us change? FOR IMMEDIATE RELEASE: May 19, 2009 is back at it… What happens when, in the beat of a heart, the inner rhythms that drive us change? A joyful Viennese waltz is interrupted by a heart murmur. Three dancers morph into a sinewy pulsating heart, magnifying the physical representation of heart surgery. Through powerful elevated duets, heartfelt struggle becomes a mutual push to recovery. Based on a true story, Alan Page shared his experience of emotions, physical being and factual, medical information associated with his own heart surgery. The first incarnation of HeartSurge was shown at fFida 2006 and now incorporates dance theatre, while intertwining social waltz with contemporary dance. Elizabeth Dawn Snell’s choreography brings passion and empathy to the piece, and as her second year at the Fringe, she brings a fresh, new experience to the stage. Fringe 2008, the Toronto Star’s Susan Walker said, “Snell can dance,” and she can—catch her in a short preview of Love & Life alongside the performance of HeartSurge. “Through the metaphor of lyrical, emotional movement… the piece made a strong impact…” —Paula Citron, The Globe and Mail ~Artists’ Play Dance Theatre presents HeartSurge at the 2009 Toronto Fringe~ Choreography by: Elizabeth Dawn Snell Original Music by: Jason Vanstone and Al Bee Dancers/Collaborators: Tanya Crowder, Tyler Evan Webb, Sarah McQueston, Jason Vanstone, and Elizabeth Dawn Snell LOCATION: The George Ignatieff Theatre, 15 Devonshire Place (East of St. -
Full Program
Welcome to IMPULSE 2015. This is an ambitious main-stage performance of ensemble works, showcasing dancers from all three years of the Professional Training Program. Tonight you will see an exciting collection of new choreography as well as renowned revivals. PLEASE NOTE: • Latecomers will not be admitted to the theatre until there is a break in the performance. • The use of cameras, video cameras, or camera phones is strictly prohibited. • Please turn off your cell phones, or set to silent mode. Ripple (1995) Choreography: Julia Sasso Rehearsal Assistance: Andrea Roberts Music: String Quartet No. 4 (Buczak 3), Philip Glass, performed by the Kronos Quartet Lighting Design: Jennifer Lennon after Ron Snippe Costume Design: Jennifer Dallas Dancers: • Olivia Arcangeli, Samantha Bauer, Sophia Bush Anderson, Matheus Da Silva Santos, Adeline Faucher, Momoko Kawada, Brooke Lewis, Mario Ma, Chihiro Nukuto, Katelyn Olsen, Katie Over, Madison Ruff, Kendra Shorter, Devon Snell, Roberto Soria, Sasha Speed, Kristen-Innes Stambolic, Tyra Temple-Smith Created in tandem with my first professional full-length work, my first commissioned dance for the School’s PTP shares choreographic passages and imagery with Sporting Life. Ripple’s student interpreters have included Ric Brown, Val Calam, Alana Elmer, Evadne Kelly, Andrea Roberts, and Lise Vachon. A remount of Sporting Life (March 3-5, 2016) features PTP alumni Matthew Cuff and Mateo Galindo Torres. They, and the earlier cast members of Ripple, are shining examples – all – of the School’s considerable achievements. - JS TALK schooloftdt.org @SchoolofTDT /schooloftdt @SchoolofTDT TO US! What fools (November 26, 2015) Choreography: Marc Boivin Rehearsal Direction: Andrea Roberts Music: Violin Concerto #3 Mvt.