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Green Banking in China – Emerging Trends with a Spotlight on the Industrial and Commercial Bank of China (ICBC)
Green Banking in China – Emerging Trends With a spotlight on the Industrial and Commercial Bank of China (ICBC) CPI Discussion Brief August 2020 Supported by the UK Government In collaboration with: AUTHORS June Choi [email protected] Donovan Escalante [email protected] Mathias Lund Larsen, IIGF ACKNOWLEDGMENTS The authors of this report would like to acknowledge the financial support received from the UK PACT Programme which made this work possible and the contributions of Joyce Guo and Beibei Jiang (UK Embassy China), Yin Hong and Jingwen Zhang (ICBC), Professor Tom Heller (Stanford University), Mathias Lund Larsen and Liu Nan (IIGF), Professor Yao Wang (IIGF/ CUFE), Xu Jiaxuan (Tsinghua University) and Bella Tonkonogy, Elysha Davila, Josh Wheeling and Rob Kahn (CPI). ABOUT CPI Climate Policy Initiative is an analysis and advisory organization with deep expertise in finance and policy. Our mission is to help governments, businesses, and financial institutions drive economic growth while addressing climate change. CPI has six offices around the world in Brazil, India, Indonesia, Kenya, the United Kingdom, and the United States. SECTOR Climate Finance REGION China KEYWORDS Green banking, China, Sustainable investing, Green credit, Decarbonization and net-zero goals RELATED CPI WORKS Green Bonds in China Copyright © 2020 Climate Policy Initiative www.climatepolicyinitiative.org All rights reserved. CPI welcomes the use of its material for noncommercial purposes, such as policy discussions or educational activities, under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. For commercial use, please contact [email protected]. Green Banking in China - Emerging Trends EXECUTIVE SUMMARY This report provides an overview of the development of green banking practices in China, identifying major policies and practices, performance to date, as well as barriers to further expansion. -
30Th Conference (Pdf, 1.55MB)
30th Conference of the OIE Regional Commission for Asia, the Far East and Oceania Putrajaya, Malaysia, 20-24 November 2017 FINAL REPORT World Organisation for Animal Health12 rue de Prony, 75017 Paris, France • Phone: 33 (0)1 4.15.18.88 Fax : 3 (0)1 42.67.09.87 • www.oie.int • [email protected] CONTENTS Page § List of abbreviations ............................................................................................. iii Introduction .......................................................................................................... 1 1-3 Monday 20 November 2017 Opening ceremony ................................................................................................. 1 4-5 Approval of the Agenda and Programme ................................................................... 2 6 The OIE Sixth Strategic Plan and its implementation in the Asia, the Far East and Oceania region ................................................................ 2 7-9 Review of the “Regional Work Plan Framework 2016-2020” ...................................... 2 10-12 Presentation by Malaysia ........................................................................................ 4 13-14 Tuesday 21 November 2017 Appointment of the Conference Committee .............................................................. 4 15 Appointment of Session Chairpersons and Rapporteurs .............................................. 5 16 Analysis of the animal health situation in Members in the region during 2016 and 2017 ......................................................................................... -
Democracy in East Asia and Taiwan in Global Perspective
An International Conference on Democracy in East Asia and Taiwan in Global Perspective Session VI: Democracy in China Taiwan and Mainland China’s Democratic Future Yun-han Chu Distinguished Research Fellow, Institute of Political Science, Academia Sinica; Professor of Political Science, National Taiwan University� [email protected] � � � � � � � � � � � ������������������������������������������������������� This is only a draft. Please do not cite or quote without the author’s permission. Paper prepared for delivery at an international conference on Democracy in East Asia and Taiwan in Global Perspective, organized by the Department of Political Science at National Taiwan University, Taipei, ROC, August 24-25, 2011. 316 � Taiwan and Mainland China’s Democratic Future � � � Yun-han Chu � � Abstract Taiwan is important for its objective (analytical) relevance, i.e., for its heuristic value in projecting China’s political future. Taiwan’s unique mode of democratic transition illustrates a viable exit strategy for a hegemonic party to engineer a peaceful and gradual transition from one-party authoritarianism on the basis of its successful record of economic modernization. Taiwan is also important for its subjective relevance, i.e., its demonstration effect in the eyes of both the citizens on the mainland and the leaders of the Chinese Communist Party (CCP). In addition, Taiwan is important because many Taiwan-based political and social actors also serve as agents of change. Many of the island’s social actors have helped China’s political liberalization, in particular through the transmission and dissemination of information, ideas and practical knowledge. The political predicament the CCP leadership faces today is quite similar to what had confronted the KMT elite during the 1970s and early 1980s. -
The Origin and Evolvement of Chinese Characters
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Portal Czasopism Naukowych (E-Journals) BI WEI THE ORIGIN AND EVOLVEMENT OF CHINESE CHARACTERS Writing, the carrier of culture and the symbol of human civilization, fi rst appeared in Sumer1. Like other ancient languages of Egypt and India, ancient Sumerian symbols have been lost in the process of history, but only Chinese characters still remain in use today. They have played a signifi cant role in the development of Chinese lan- guage and culture. This article intends to display how Chinese characters were creat- ed and how they were simplifi ed from the ancient form of writing to more abstract. Origin of Chinese characters Chinese characters, in their initial forms, were beautiful and appropriately refl ected images in the minds of ancient Chinese that complied with their understanding of reality. Chinese people selected the way of expressing meaning by fi gures and pic- tures, and Chinese characters begun with drawings. Three Myths in Ancient Times It is diffi cult to determine the specifi c time when the Chinese characters emerged. There are three old myths about the origin of Chinese characters. The fi rst refers to the belief that Chinese characters were created by Fu Xi – the fi rst of Three Sovereigns2 in ancient China, who has drew the Eight Trigrams which have evolved into Chinese characters. The mysterious Eight Trigrams3 used for divination are composed of the symbols “–” and “– –”, representing Yang and Yin respectively. 1 I.J. Gelb, Sumerian language, [in:] Encyclopedia Britannica Online, Encyclopedia Britannica, re- trieved 30.07.2011, www.britannica.com. -
Supplementary Materials for the Article: a Running Start Or a Clean Slate
Supplementary Materials for the article: A running start or a clean slate? How a history of cooperation affects the ability of cities to cooperate on environmental governance Rui Mu1, * and Wouter Spekkink2 1 Dalian University of Technology, Faculty of Humanities and Social Sciences; [email protected] 2 The University of Manchester, Sustainable Consumption Institute; [email protected] * Correspondence: [email protected]; Tel.: +86-139-0411-9150 Appendix 1: Environmental Governance Actions in Beijing-Tianjin-Hebei Urban Agglomeration Event time Preorder Action Event Event name and description Actors involved (year-month-day) event no. type no. Part A: Joint actions at the agglomeration level MOEP NDRC Action plan for Beijing, Tianjin, Hebei and the surrounding areas to implement MOIIT 2013 9 17 FJA R1 air pollution control MOF MOHURD NEA BG TG HP MOEP NDRC Collaboration mechanism of air pollution control in Beijing, Tianjin, Hebei and 2013 10 23 R1 FJA MOIIT R2 the surrounding areas MOF MOHURD CMA NEA MOT BG Coordination office of air pollution control in Beijing, Tianjin, Hebei and the 2013 10 23 R2 FJA TG R3 surrounding areas HP 1 MOEP NDRC MOIIT MOF MOHURD CMA NEA MOT BG Clean Production Improvement Plan for Key Industrial Enterprises in Beijing, TG 2014 1 9 R1 FJA R4 Tianjin, Hebei and the Surrounding Areas HP MOIIT MOEP BTHAPCLG Regional air pollution joint prevention and control forum (the first meeting) 2014 3 3 R2, R3 IJA BEPA R5 was held by the Coordination Office. TEPA HEPA Coordination working unit was established for comprehensive atmospheric BTHAPCLG 2014 3 25 R3 FJA R6 pollution control. -
Wang Guowei, Gu Hongming and Chinese Philosophical Modernity
WANG GUOWEI, GU HONGMING AND CHINESE PHILOSOPHICAL MODERNITY Jinli He Abstract: This paper aims to explore the issue of modernity in Chinese philosophy in the early 20th century. The case study focuses on modern scholar Wang Guowei 王國維 (1877-1927)’s criticism of his contemporary Gu Hongming 辜鴻銘 (1857-1928)’s English translation of the classical Confucian text Zhongyong. I argue that Wang Guowei and Gu Hongming’s case in fact demonstrates two alternative approaches towards philosophical dialogue and cultural exchange. Wang’s approach is a very cultural context-sensitive one: understanding the differences and selecting what is needed for cultural inspiration and reformation—we could call this approach nalaizhuyi 拿來主義 (taking-inism)—borrowing without touching the cultural essence. Gu’s approach is more a songchuzhuyi 送出主義 (sending-outism). It is a global-local context sensitive one: searching for the local’s path towards the global. Reevaluating Gu’s not very exact cultural translation can provide an opportunity to look beyond the “modernization complex,” deconstruct westernization “spell,” and build a new internationalism. I further argue that Gu’s case represents a kind of risky songchuzhuyi and a false internationalism which makes the native culture speak in the other’s terms while Wang’s cultural stand and his “journey” back to his own cultural sensibility sticks to its own terms and discovers the value of the culture. I then further look at Wang Guowei’s ideal of shenshengzhuyi 生生主 義 (live-life-ism) which was originally expressed in his Hongloumeng Pinglun 《红楼梦 评论》(Critique of A Dream of Red Mansions, 1904) and claim that not only can the ideal of shengshengzhuyi explain the underlying reason for an essential turn in Wang’s academic interests from Western philosophy to Chinese history and archaeology, but it can also be applied positively to the contemporary world. -
Power, Identity and Antiquarian Approaches in Modern Chinese Art
Power, identity and antiquarian approaches in modern Chinese art Chia-Ling Yang Within China, nationalistic sentiments notably inhibit objective analysis of Sino- Japanese and Sino-Western cultural exchanges during the end of the Qing dynasty and throughout the Republican period: the fact that China was occupied by external and internal powers, including foreign countries and Chinese warlords, ensured that China at this time was not governed or united by one political body. The contemporary concept of ‘China’ as ‘one nation’ has been subject to debate, and as such, it is also difficult to define what the term ‘Chinese painting’ means.1 The term, guohua 國畫 or maobihua 毛筆畫 (brush painting) has traditionally been translated as ‘Chinese national painting’. 2 While investigating the formation of the concept of guohua, one might question what guo 國 actually means in the context of guohua. It could refer to ‘Nationalist painting’ as in the Nationalist Party, Guomindang 國民黨, which was in power in early 20th century China. It could also be translated as ‘Republican painting’, named after minguo 民國 (Republic of China). These political sentiments had a direct impact on guoxue 國學 (National Learning) and guocui 國粹 (National Essence), textual evidence and antiquarian studies on the development of Chinese history and art history. With great concern over the direction that modern Chinese painting should take, many prolific artists and intellectuals sought inspiration from jinshixue 金石學 (metal and stone studies/epigraphy) as a way to revitalise the Chinese -
Rendering the Regional
Rendering the Regional Rendering the Regional LOCAL LANGUAGE IN CONTEMPORARY CHINESE MEDIA Edward M.Gunn University of Hawai`i Press Honolulu Publication of this book was aided by the Hull Memorial Publication Fund of Cornell University. ( 2006 University of Hawai`i Press All rights reserved Printed in the United States of America 111009080706654321 Library of Congress Cataloging-in-Publication Data Gunn, Edward M. Rendering the regional : local language in contemporary Chinese media / Edward M. Gunn. p. cm. Includes bibliographical references and index. ISBN 0-8248-2883-6 (alk. paper) 1. Language and cultureÐChina. 2. Language and cultureÐTaiwan. 3. Popular cultureÐChina. 4. Popular cultureÐTaiwan. I. Title. P35.5.C6G86 2005 306.4400951Ðdc22 2005004866 University of Hawai`i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by University of Hawai`i Press Production Staff Printed by The Maple-Vail Book Manufacturing Group Contents List of Maps and Illustrations /vi Acknowledgments / vii A Note on Romanizations /ix Introduction / 1 1 (Im)pure Culture in Hong Kong / 17 2 Polyglot Pluralism and Taiwan / 60 3 Guilty Pleasures on the Mainland Stage and in Broadcast Media / 108 4 Inadequacies Explored: Fiction and Film in Mainland China / 157 Conclusion: The Rhetoric of Local Languages / 204 Notes / 211 Sources Cited / 231 Index / 251 ±v± List of Maps and Illustrations Figure 1. Map showing distribution of Sinitic (Han) Languages / 2 Figure 2. Map of locations cited in the text / 6 Figure 3. The Hong Kong ®lm Cageman /42 Figure 4. Illustrated romance and pornography in Hong Kong / 46 Figure 5. -
The Chinese People's Liberation Army at 75
THE LESSONS OF HISTORY: THE CHINESE PEOPLE’S LIBERATION ARMY AT 75 Edited by Laurie Burkitt Andrew Scobell Larry M. Wortzel July 2003 ***** The views expressed in this report are those of the authors and do not necessarily reflect the official policy or position of the Department of the Army, the Department of Defense, or the U.S. Government. This report is cleared for public release; distribution is unlimited. ***** Comments pertaining to this report are invited and should be forwarded to: Director, Strategic Studies Institute, U.S. Army War College, 122 Forbes Ave., Carlisle, PA 17013-5244. Copies of this report may be obtained from the Publications Office by calling (717) 245-4133, FAX (717) 245-3820, or via the Internet at [email protected] ***** Most 1993, 1994, and all later Strategic Studies Institute (SSI) monographs are available on the SSI Homepage for electronic dissemination. SSI’s Homepage address is: http:// www.carlisle.army.mil/ssi/index.html ***** The Strategic Studies Institute publishes a monthly e-mail news- letter to update the national security community on the research of our analysts, recent and forthcoming publications, and upcoming conferences sponsored by the Institute. Each newsletter also pro- vides a strategic commentary by one of our research analysts. If you are interested in receiving this newsletter, please let us know by e-mail at [email protected] or by calling (717) 245-3133. ISBN 1-58487-126-1 ii CONTENTS Foreword Ambassador James R. Lilley . v Part I: Overview. 1 1. Introduction: The Lesson Learned by China’s Soldiers Laurie Burkitt, Andrew Scobell, and Larry M. -
Digital Media and Radical Politics in Postsocialist China
UNIVERSITY OF CALIFORNIA SANTA CRUZ DIGITAL EPHEMERALITY: DIGITAL MEDIA AND RADICAL POLITICS IN POSTSOCIALIST CHINA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in FEMINIST STUDIES by Yizhou Guo June 2020 The Dissertation of Yizhou Guo is approved: __________________________ Professor Neda Atanasoski, co-chair __________________________ Professor Lisa Rofel, co-chair __________________________ Professor Xiao Liu __________________________ Professor Madhavi Murty __________________________ Quentin Williams Acting Vice Provost and Dean of Graduate Studies Copyright © by Yizhou Guo 2020 Table of Contents List Of Figures And Tables IV Abstract V Acknowledgements V Introduction: Digital Ephemerality: Digital Media And Radical Politics In Postsocialist China 1 Chapter One: Queer Future In The Ephemeral: Sexualizing Digital Entertainment And The Promise Of Queer Insouciance 60 Chapter Two: Utopian In The Ephemeral: ‘Wenyi’ As Postsocialist Digital Affect 152 Chapter Three: Livestreaming Reality: Nonhuman Beauty And The Digital Fetishization Of Ephemerality 225 Epilogue: Thinking Of Digital Lives And Hopes In The Era Of The Pandemic And Quarantine 280 Bibliography 291 iii List of Figures and Tables Figure 1-1 Two Frames From The Television Zongyi Happy Camp (2015) 91 Figure 1-2 Color Wheel Of Happy Camp’s Opening Routine 91 Figure 1-3 Four Frames From The Internet Zongyi Let’s Talk (2015) 92 Figure 1- 4 Color Wheel Of The Four Screenshots From Figure 1.3 94 Figure 1-5 Let’s Talk Season -
CHINESE COMMUNISM and the RISE of a CLASSIFICATION EDDY U Luminos Is the Open Access Monograph Publishing Program from UC Press
CREATING the INTELLECTUAL CHINESE COMMUNISM AND THE RISE OF A CLASSIFICATION EDDY U Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Creating the Intellectual The publisher and the University of California Press Foundation gratefully acknowledge the generous support of the Sue Tsao Endowment Fund in Chinese Studies. Creating the Intellectual Chinese Communism and the Rise of a Classification Eddy U UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2019 by Eddy U This work is licensed under a Creative Commons CC BY license. To view a copy of the license, visit http://creativecommons.org/licenses. Suggested citation: U, E. Creating the Intellectual: Chinese Communism and the Rise of a Classification. Oakland: University of California Press, 2019. DOI: https://doi.org/10.1525/luminos.68 Library of Congress Cataloging-in-Publication Data Names: U, Eddy, author. Title: Creating the intellectual : Chinese communism and the rise of a classification / Eddy U. -
Hubei Sanonda Co., Ltd
2015 Semi-annual Report of Hubei Sanonda Co., Ltd. HUBEI SANONDA CO., LTD. 2015 Semi-annual Report July 2015 1 2015 Semi-annual Report of Hubei Sanonda Co., Ltd. Section I. Important Reminders, Contents & Explanation The Board of Directors, the Supervisory Committee as well as all directors, supervisors and senior management staff of Hubei Sanonda Co., Ltd. (hereinafter referred to as “the Company”) warrant that this report is factual, accurate and complete without any false record, misleading statement or material omission. And they shall be jointly and severally liable for that. All directors attended the board session for reviewing this report. The Company plans not to distribute cash dividends or bonus shares or turn capital reserve into share capital. An Liru, company principal, Liu Anping, chief of the accounting work, and Tu Zhiwen, chief of the accounting organ (chief of accounting), hereby confirm that the Financial Report enclosed in this report is factual, accurate and complete. This report is prepared in both Chinese and English. Should there be any discrepancy between the two versions, the Chinese version shall prevail. 2 2015 Semi-annual Report of Hubei Sanonda Co., Ltd. Contents 2015 Semi-annual Report .................................................................................................................. 1 Section I. Important Reminders, Contents & Explanation ............................................................ 2 Section II. Company Profile .............................................................................................................