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OZ 17 Richard Neville Editor
University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 12-1968 OZ 17 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1968), OZ 17, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 17 Description Editor: Richard Neville. Design: Jon Goodchild. Writers: Andrew Fisher, Ray Durgnat, David Widgery, Angelo Quattrocchi, Ian Stocks. Artists: Martin Sharp, John Hurford, Phillipe von Mora. Photography: Keith Morris Advertising: Felix Dennis, REN 1330. Typesetting: Jacky Ephgrave, courtesy Thom Keyes. Pushers: Louise Ferrier, Felix Dennis, Anou. This issue produced by Andrew Fisher. Content: Louise Ferrier colour back issue/subscription page. Anti-war montage. ‘Counter-Authority’ by Peter Buckman. ‘The alH f Remarkable Question’ - Incredible String Band lyric and 2p illustration by Johnny Hurford. Martin Sharp graphics. Flypower. Poverty Cooking by Felix and Anson. ‘The eY ar of the Frog’ by Jule Sachon. ‘Guru to the World’ - John Wilcock in India. ‘We do everything for them…’ - Rupert Anderson on homelessness. Dr Hipocrates (including ‘inflation’ letter featured in Playpower). Homosexuality & the law. David Ramsay Steele on the abolition of Money. ‘Over and Under’ by David Widgery – meditations on cultural politics and Jeff uttN all’s Bomb Culture. A Black bill of rights – LONG LIVE THE EAGLES! ‘Ho! Ho! Ho Chi Mall’ - the ethos of the ICA. Graphic from Nottingham University. Greek Gaols. Ads for Time Out and John & Yoko’s Two Virgins. -
2017-2018 (Pdf)
University of Massachusetts Department of English ANNUAL NEWSLETTER 2017 1 TABLE OF CONTENTS Department of English Annual Newsletter is published by the Department of Welcome from the Chair ..............................................3 English, University of Massachusetts New Faculty .................................................................4 Amherst. Department News ........................................................5 Department Chair Randall Knoper Program Reports ........................................................10 Editor Affiliated Programs .................................................... 14 David Toomey Returning Alums ........................................................19 Associate Editors Sarah Patterson, Janine Solberg Spotlights .................................................................. 20 Student Interns Aliza Abolafia, Alvin Buyinza Books ........................................................................ 22 Giving ........................................................................24 2 WELCOME FROM THE CHAIR Dear Friends and Alums, our new hires, the prominent awards for In October, the Department of English writing and teaching that our colleagues held its 12th biennial faculty retreat. have received, and the long list of new These retreats have always been occasions books by faculty members through our to rethink and revise the department’s renewed efforts to guide our undergrad- aims. This year’s retreat produced uates toward careers and demonstrate the an exhilarating level of -
CHELSEA Space for IMMEDIATE RELEASE
PRESS RELEASE CHELSEA space FOR IMMEDIATE RELEASE We are watching: OZ in London Private view: Tuesday 13 June, 6-8.30pm Exhibition continues: 14 June – 14 July 2017 OZ 22 (1969) cover by Martin Sharp, Richard Neville (Editor). ‘They [the conservative elite] were overly terrified, and that somehow in the fluorescent pages of our magazine in which we dealt with revolutionary politics, drugs, sexuality, racism, trying to be much more candid about these matters and very very defined, I think at last they felt if they could shut us up, if the could stop Oz, that they could somehow stop the rebellion.’ Richard Neville, ‘The Oz Trial, Innocents Defiled?’, BBC Radio 4, 17 May 1990 OZ magazine (London, 1967-1973), has come to be known as a publication that typified the Sixties, through its experimental approach to design, editorial and the lifestyle it depicted, often through its contributors whose lives became enmeshed in the publication as it gained popularity and notoriety. CHELSEA space 16 John Islip Street, London, SW1P 4JU www.chelseaspace.org PRESS RELEASE CHELSEA space FOR IMMEDIATE RELEASE The exhibition, We Are Watching: OZ in London, will explore the creative output of a range of the magazine’s contributors over the six years that it was based in London, where it provided a voice to young journalists, artists and designers. This international network included Richard Neville, Martin Sharp, Felix Dennis, Jim Anderson, Robert Whitaker, Philippe Mora and Germaine Greer. Several other individuals were also fundamental in the success of OZ, their hard work unaccredited at the time, including Marsha Rowe and Louise Ferrier. -
Wiz1mac-Manual
Acknowledgements ~~ ~7h l?-rgert~n.de~vor, people clo~e to the pr!ncipals often contribute so much Disclaimer th a err pa rcrpatron cannot go without mention. Without the many hours that lik~st~ fhe~i~~ have spent, Wizardry might never have been. The authors would Neither SIR-TECH SOFTWARE, ING., the author(s), distributors(s) or seller(s) of this product shall have any liability The original Wizardry play-testers or responsibility to the purchaser or any other person or entity Roe "Hawkwind" Adams Virginia Drake Valerie Phillips with respect to any liability, loss or damage caused or alleged Ja.Y.Banks Brenda Garno to be caused directly or indirectly by this product, including but Elizabeth Rowe Wrllram "Bleeb" Bensburg Jerry Lazar Ami Silberman not limited to any interruption in service, loss of business and Jo.h~ Day Susan Lee Robert Sirotek anticipatory profits or consequential damages resulting from Wrllram Dewhurst Helen Murphy Linda Sirotek the use or operation of this product. This product will be Lee Drake Paul "Ghost" Murphy exchanged if defective in manufacture, labeling or packaging, The Wizardry Advanced Research Group (W.A.R.G) but except for such replacement the sale or subsequent use of Robert Delfavero this program material is without warranty or liability. Joshua Mittleman Sam Pottle The Macintosh Wizardry ALPHA testers This product is copyrighted and all rights are reserved. The distribution and sale of this product are intended for the Brenda Garno Margot Comstock Linda Sirotek personal use of the original purchaser only and for use on only one computer system. -
Hippie Hippie Shake by Richard Neville Pete Steedman [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online Counterculture Studies Volume 1 | Issue 1 Article 9 2018 [Review] Hippie Hippie Shake by Richard Neville Pete Steedman [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Steedman, Pete, [Review] Hippie Hippie Shake by Richard Neville, Counterculture Studies, 1(1), 2018, 98-116. doi:10.14453/ ccs.v1.i1.9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] [Review] Hippie Hippie Shake by Richard Neville Abstract The 60s, ew are constantly told, were a time of rebellion, a time of change, a time of hope, or just a self- indulgent game of the "me" generation, depending on point of view. The 60s ra e currently decried by a younger generation, jealous of the alleged freedoms and actions of the baby boomers who have supposedly left them nothing to inherit but the wind. Revisionist writers go to extraordinary lengths to debunk the mythology of the 60s, but in essence they mainly rail against the late 60s early 70s. In their attacks on the baby boomers they conveniently forget that the oldest of this demographic grouping was only 14 in 1960, and the vast majority of them were not even teenagers! Keywords hippies, counterculture, OZ Creative Commons License Creative ThiCommons works is licensed under a Creative Commons Attribution 4.0 License. Attribution 4.0 License This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol1/iss1/9 Richard Neville, Hippie Hippie Shake: The Dreams, The Trips, The Trials, The Screw Ups, The Love Ins, The Sixties, Heinemann, London, 1995, 384p. -
Punk · Film RARE PERIODICALS RARE
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly. -
America in Revolt: the Art of Protest
AMERICA IN REVOLT: THE ART OF PROTEST February 3nd – February 27th, 2016 Private View: Tuesday, February 2nd, 6 – 8.30pm Shapero Modern is delighted to present AMERICA IN REVOLT: THE ART OF PROTEST, an exhibition of original posters and artwork created by students and activists during the landmark ‘Berkeley demonstrations’ in California in the early 1970s. Drawn from the archive of the late publisher Felix Dennis, and curated by the revered writer and counterculture historian Barry Miles, the collection is comprised of more than 150 posters, each one capturing the incendiary spirit of that time. While the demonstrations were initially sparked by the massacre of four unarmed student protesters at Kent State University by the Ohio National Guard on May 4th, 1970, they were also a response to the reinstatement of the military draft by President Nixon, and the escalation of the Vietnam War into Cambodia. AMERICA IN REVOLT: THE ART OF PROTEST is made up of 50 works from the Felix Dennis collection, which was recently acquired by Shapero Rare Books. All of the posters demonstrate the swift organisation of the student body. Just days after the Kent State shooting, the Berkeley Political Poster Workshop, made up of art, design and political students, took over a small space donated by a sympathetic contingent of the faculty. Here they quickly disseminated their message through an ad-hoc production line. Posters were silkscreened onto recycled computer paper and psychedelic calendars; others went straight onto cardboard to be used immediately at demonstrations. Only a few of each of these posters were made and most did not survive, such was their immediate necessity. -
The Underground Press
Catalog #4 The Underground Press Boo-Hooray Catalog #4: The Underground Press Terms: Usual. Not onerous. Boo-Hooray is proud to present our fourth catalog, dedicated to the 1960s and ‘70s underground press. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encour- age visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. The newspapers and magazines presented here–along with innumerable peer publications–established a trans-Atlantic network of underground press. This network provided an alternative to mainstream news and culture outlets, which had proved to be inept at covering the rapidly evolving social and political landscapes in Western Europe and Amer- ica. Though each had its own focus, these publications share histories of government prosecution, censorship, and surveillance; an animating mission of pushing the boundaries of cultural and political discourse; and shoestring budgets. Taken as a whole, these publications present a wide view of the countercultural zeitgeist of the 1960s and 70s. Catalog prepared by Beth Rudig, Director of Archives; Evan Neuhausen, Archivist; and Daylon Orr, Director of Rare Books & Manuscripts. Layout and design by Maya Fell. Please direct all inquiries to Daylon ([email protected]). All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. -
The Shock of Presence.’ Brook Articulated This Very Clearly in His Essay on Gurdjieff, ‘The Secret Dimension,’
ABSTRACT This thesis investigates the social, political, and cultural climate which facilitated the emergence of Peter Brook and Jerzy Grotowski as the most influential theatre directors in the Fig. 1. Unknown. Last photograph taken of George Gurdjieff. 1948. second half of the Twentieth Century. Jeremy Johnson This thesis is submitted in fulfillment of the requirements for the degree of Master of Arts THE SHOCK OF (Research) Department of Theatre and Performance Studies. Faculty of Arts and Science, University of Sydney November 2017 PRESENCE Peter Brook & Jerzy Grotowski - The Reinvention of Australian Theatre I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. 1 Table of Contents Prologue 2 Introduction 4 Part 1 1.1 Stanislavski and the Russian Soul 13 1.2 A Challenge to Prevailing Ideologies: 20 How the Cultural Landscape was shaped to receive the Ideas of Gurdjieff in the 1920s and Brook and Grotowski in the 1960s 1.3 Jerzy Grotowski: hic et nunc. The Sacred Aim. 31 1.4 Peter Brook: An Orthodoxy within the Mysticism 37 Part 2 2.1 1960: The Time is Not Yet Ripe 51 2.2 1970: Australia and the Shock of Identity in an Overdue Cultural Revolution 56 2.3 Larrikins, Ockers and the Empty Space 62 2.4 Freestyle Upstream to Jerzy Shore 73 Part 3 3.1 Poor Theatre, Women’s Theatre, and Take No Prisoners 79 3.2 Conclusion: The Socio-Political and Spiritual Legacy 86 Endnotes 96 Bibliography 100 2 Prologue Even at a superficial level, looking at Peter Brook and Jerzy Grotowski, one cannot help but see two sides of the same coin: Brook re-evaluating theatre as an empty space for ritual practice, Grotowski re-evaluating the empty soul of ritual practice and making it theatre. -
Hippie Hippie Shake by Richard Neville Pete Steedman [email protected]
Counterculture Studies Volume 1 | Issue 1 Article 9 2018 [Review] Hippie Hippie Shake by Richard Neville Pete Steedman [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Steedman, Pete, [Review] Hippie Hippie Shake by Richard Neville, Counterculture Studies, 1(1), 2018, 98-116. doi:10.14453/ ccs.v1.i1.9 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] [Review] Hippie Hippie Shake by Richard Neville Abstract The 60s, ew are constantly told, were a time of rebellion, a time of change, a time of hope, or just a self- indulgent game of the "me" generation, depending on point of view. The 60s ra e currently decried by a younger generation, jealous of the alleged freedoms and actions of the baby boomers who have supposedly left them nothing to inherit but the wind. Revisionist writers go to extraordinary lengths to debunk the mythology of the 60s, but in essence they mainly rail against the late 60s early 70s. In their attacks on the baby boomers they conveniently forget that the oldest of this demographic grouping was only 14 in 1960, and the vast majority of them were not even teenagers! Keywords hippies, counterculture, OZ Creative Commons License Creative ThiCommons works is licensed under a Creative Commons Attribution 4.0 License. Attribution 4.0 License This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol1/iss1/9 Richard Neville, Hippie Hippie Shake: The Dreams, The Trips, The Trials, The Screw Ups, The Love Ins, The Sixties, Heinemann, London, 1995, 384p. -
Rock and Roll Music
Rock & Roll Michael Hardaker, HRDMIC006 A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts specialising in Creative Writing Faculty of the Humanities University of Cape Town 2017 This work has not been previously submitted in whole, or in part, for the award of Universityany degree. It is my ownof work.CapeEach significant Town contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: 2017-08-21 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ABSTRACT Through unfolding, fragmentary memoirs, the disconnected odyssey of Nick Numbers, a rock music critic working in London and LA through the 1970s into the early 1980s, Rock & Roll explores the multiple realities that exist between documentary, documentable fact and supposedly pure fiction. Real people and verifiable occurrences are interwoven with invented characters and situations in a way that blurs any clear distinction between the two. The book also sees how the power of additions such as images and footnotes can add, or perhaps undermine, authority and credibility to a story. Meanwhile, stories connect the twin musical and lyrical strands, black rhythm and blues and the writings of the Beat generation, that somehow merged in the mid-1960s to produce rock music. -
Breaking New Ground: Celebrating
BREAKING NEW GROUND: CELEBRATING BRITISH WRITERS & ILLUSTRATORS OF COLOUR BREAKING NEW GROUND: Work for New Generations BookTrust Contents Represents: 12 reaching more readers by BookTrust Foreword by My time with 5 Speaking Volumes children’s Winter Horses by 14 literature by 9 Uday Thapa Magar Errol Lloyd Our Children Are 6 Reading by Pop Up Projects Reflecting Grandma’s Hair by Realities by Ken Wilson-Max 17 10 the Centre for Literacy in Primary Education Feel Free by Irfan Master 18 Authors and Illustrators by Tiles by Shirin Adl 25 62 Location An Excerpt from John Boyega’s 20 Paper Cup by Full List of Authors Further Reading Catherine Johnson and Illustrators 26 63 and Resources Weird Poster by Author and Our Partners Emily Hughes Illustrator 23 28 Biographies 65 Speaking Volumes ‘To the woman crying Jon Daniel: Afro 66 24 uncontrollably in Supa Hero the next stall’ by 61 Amina Jama 4 CELEBRATING BRITISH WRITERS & ILLUSTRATORS OF COLOUR BREAKING NEW GROUND clear in their article in this publication, we’re in uncertain times, with increasing intolerance and Foreword xenophobia here and around the world reversing previous steps made towards racial equality and social justice. What to do in such times? The Centre for Literacy in Primary Education and BookTrust, who have also contributed to this brochure, point to new generations as the way forward. Research by both organisations shows that literature for young people is even less peaking Volumes is run on passion contribution to the fight for racial equality in the representative of Britain’s multicultural society and a total commitment to reading as arts and, we hoped, beyond.