42Nd Annual NC West District 2020 Journal
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) MEJOR ACTRIZ SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) MEJOR ACTOR DE REPARTO MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey - "THE LOVELY BONES" (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MEJOR ACTRIZ DE REPARTO PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MEJOR ELENCO AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. J.T. -
Applying a Rhizomatic Lens to Television Genres
A THOUSAND TV SHOWS: APPLYING A RHIZOMATIC LENS TO TELEVISION GENRES _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by NETTIE BROCK Dr. Ben Warner, Dissertation Supervisor May 2018 The undersigned, appointed by the dean of the Graduate School, have examined the Dissertation entitled A Thousand TV Shows: Applying A Rhizomatic Lens To Television Genres presented by Nettie Brock A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________________________ Ben Warner ________________________________________________________ Elizabeth Behm-Morawitz ________________________________________________________ Stephen Klien ________________________________________________________ Cristina Mislan ________________________________________________________ Julie Elman ACKNOWLEDGEMENTS Someone recently asked me what High School Nettie would think about having written a 300+ page document about television shows. I responded quite honestly: “High School Nettie wouldn’t have been surprised. She knew where we were heading.” She absolutely did. I have always been pretty sure I would end up with an advanced degree and I have always known what that would involve. The only question was one of how I was going to get here, but my favorite thing has always been watching television and movies. Once I learned that a job existed where I could watch television and, more or less, get paid for it, I threw myself wholeheartedly into pursuing that job. I get to watch television and talk to other people about it. That’s simply heaven for me. A lot of people helped me get here. -
Think Christian – a Theology of the Office
A Theology of the office 8½ x 11 in 20 lb Text 21.5 x 27.9 cm 75 GSM Bright White 92 Brightness 500 Sheets 30% Post-Consumer Recycled Fiber RFM 20190610 TC TABLE OF CONTENTS Introduction by JOSH LARSEN 1 The Awkward Promise of The Office by JR. FORASTEROS 3 Can Anything Good Come Out of Scranton? by BETHANY KEELEY-JONKER 6 St. Bernard and the God of Second Chances by AARIK DANIELSEN 8 The Irrepressible Joy of Kelly Kapoor by KATHRYN FREEMAN 11 Let Scott’s Tots Come Unto Me by JOE GEORGE 13 The Office is Us by JOSH HERRING 16 Editors JOSH LARSEN & ROBIN BASSELIN Design & Layout SCHUYLER ROOZEBOOM Introduction by JOSH LARSEN You know the look. Someone (usually Michael) says something cringeworthy and someone else (most often Jim) glances at the camera, slightly widens his eyes, and imperceptibly grimaces. That was weird, his face says, for all of us. That look was the central gag of The Office, NBC’s reimagining of a British television sitcom about life amidst corporate inanity. The joke never got old over nine seasons. Part of the show’s conceit is that a documentary camera crew is on hand capturing all this footage, allowing the characters to break the fourth wall with a running, reaction-shot commentary. A textbook example can be found in “Koi Pond,” from Season 6, when Jim (John Krasinski) finds the camera after Michael (Steve Carell) makes yet another inappropriate analogy during corporate sensitivity training. Don’t even try to count the number of times throughout The Office that eyebrows are alarmingly raised. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H. -
THE TUFTS DAILY Est
Where You Mostly Sunny Read It First 40/34 THE TUFTS DAILY Est. 1980 VOLUME LXI, NUMBER 19 THURSDAY, FEBRUARY 24, 2011 TUFTSDAILY.COM Nuclear proliferation experts BY ELLEN KA N To me, an academic environment is Daily Editorial Board the ideal place for the candid, open exchange of ideas.” Speakers at last night’s “Religion, Teichman stressed the importance and Ethics,kick and offthe Bomb” EPIICpanel initi- relevancysymposium of this year’s symposium’s theme, ated the 25th Anniversary Norris and “Our Nuclear Age: Peril and Promise.” Margery Bendetson EPIIC International “We’re trying to subject this complex issue Symposium with a discussion of the to an interdisciplinary prism . ... What would intersection of nuclear weaponry and be distinctive about it is the salience and the the spheres of religion and ethics. importance of this theme, which has been The panel marked the start of the marginalized,” he said. “Our speakers have five-day-long annual symposium that articulated very forcefully why it is impera- brings together prominent speak- tive to deal with such a critical issue.” ers and experts as the culmination of Last night’s panelists discussed the rel- the Education for Public Inquiry and evance of religion on a personal and com- International Citizenship (EPIIC) collo- munity level in dealing with the issue of quium, sponsored by the Institute for nuclear weapons. Global Leadership (IGL). David Cortright, director of policy stud- “We’re looking for what we have called ies at the University of Notre Dame’s Kroc all these years passionate scholarship,” Institute for International Peace Studies, IGL Director Sherman Teichman said. -
“We Can't Even Play Ourselves”: Mixed-Race Actresses in the Early
“WE CAN’T EVEN PLAY OURSELVES”: MIXED-RACE ACTRESSES IN THE EARLY TWENTY-FIRST CENTURY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES AUGUST 2017 By Valerie M. Lo Dissertation Committee: Robert Perkinson, Chairperson Mari Yoshihara Jonna Eagle Konrad Ng Jonathan Okamura Keywords: Mixed race, Ambiguity, Post-Racial, Color-blind, Film ACKNOWLEDGEMENTS This project has been a test of my resiliency and grew from my desire to add a small contribution to the ongoing discussion of mixed race representations in film and television. Many people have come into my life in the last several years and encouraged my studies, talked excitedly with me, and subtly (or blatantly) pushed me to continue when I thought the road ahead looked too ominous. In 2005, at San Francisco State University’s Asian American Studies banquet, my Master’s thesis chair, Wei Ming Dariotis, remarked that a PhD was in the stars for me. Those words stayed close to me during my graduate work at the University of Hawai'i. My first teaching assistantship with Isabelle Peluad at San Francisco State University in Asian American Literature showed me exactly what I wanted to immerse myself in for the rest of my life. Graduate courses with Russell Jeung and Madeline Hsu reaffirmed my desire to work within the field of Asian American Studies and continue on to a doctorate program. My coursework in American Studies was rigorous and pushed me out of my comfort zone in the best way. -
Academy of Motion Picture Arts and Sciences
Academy of Motion Picture Arts and Sciences Reminder List of Eligible Releases for Distinguished Achievements during 2006 http://www.oscars.org/79academyawards/reminder/ Reminder List of Productions Eligible for Awards All films that have qualified for consideration for 2006 Academy Awards in the non-specialized categories are listed alphabetically by title. Voters making selections in their own branch categories list only film titles on their ballots, not the individuals responsible for the various achievements. For that reason, as well as for reasons of printing time and convenience of using this pamphlet, full credit rosters are not provided for the listed films. An exception to the above exists in the four Acting categories, where simply listing titles would not provide enough voting information. Actors Branch members filling out their Nominations ballots must indicate both titles and the particular performers they are voting for. For that reason, the Reminder List provides a listing of up to fifty cast members for each film. Pictures eligible in the Animated Feature Film, Documentary Feature and Foreign Language Film categories are also eligible in the Best Picture category, provided they meet the qualifications for the category. Foreign Language films are eligible for awards in other categories provided they meet the requirements of Awards Rules Two and Three. Copyright © 2006 by the Academy of Motion Picture Arts and Sciences Oscar statuette copyright 1941 by, and registered trademark of, Academy of Motion Picture Arts and Sciences. All rights reserved. ISBN 0-942102-49-5 First published in 2006 Printed in the United States of America ABOMINABLE Matt McCoy. -
2011 Network Responsibility Index
celebrating 25 years nri 2011 network responsibility index glaad network responsibility index 2011 Page 1 nri table of contents 3-5..........Executive Summary 6-7..........ABC 8-9..........CBS 10-11......The CW 12-13......Fox 14-15......NBC 16-17......ABC Family 18-19......A&E 20-21......AMC 22-23......FX 24-25......HBO 26-27......Showtime 28-29......SyFy 30-31......TBS 32-33......TNT 34-35......USA 36-37......Additional Cable Overview 38...........GLAAD’s Entertainment Media Team Page 2 glaad network responsibility index 2011 For the purpose of this report, each EXECUTIVE representation of an LGBT person, or significant discussion of an LGBT issue, during the course of an hour counts as one ‘impression.’ If one nri LGBT character appeared on 12 episodes, for SUMMARY example, this character made 12 impressions. The GLAAD Network Responsibility Index (NRI) p.m. Eastern and Pacific (10:00 Central and If a single episode addressed marriage is an evaluation of the quantity and quality of Mountain), Monday through Saturday. On equality, for example, in a secondary storyline, images of lesbian, gay, bisexual and transgen- Sunday, primetime begins at 7:00 p.m. East- it was counted as one minor ‘impression.’ der (LGBT) people on television. It is intended ern and Pacific (6:00 Central and Mountain). Based on the overall quantity, quality and to serve as a road map toward increasing fair, Fox and The CW do not air network program- diversity of LGBT representations, a grade was accurate and inclusive LGBT media represen- ming during the last hour of primetime, nor assigned to each network: Excellent, Good, tations. -
WORST COOKS in AMERICA: CELEBRITY EDITION Contestant Bios (2018)
Contact: Lauren Sklar Phone: 646-336-3745; Email: [email protected] WORST COOKS IN AMERICA: CELEBRITY EDITION Contestant Bios (2018) CATHERINE BACH Catherine Bach is a true American original. Kicking butt in short-shorts as Daisy Duke in the Dukes of Hazzard was the breakout role that made her a pop icon and sex symbol—and got those shorts into the Smithsonian. However, throughout her career, Catherine has proven her acting chops working alongside some of the best in the business: legends such as Robert Mitchum (African Skies), her mentor Burt Lancaster (The Midnight Man), Clint Eastwood (Thunderbolt and Lightfoot) and Burt Reynolds (Hustle, Cannonball Run II). Catherine has a unique focus and creative energy that enables her to see opportunities for success when it comes to character work and taking the banal to the extraordinary. It is thanks to Catherine’s own sense of style and imagination that Daisy Dukes are now part of the popular vernacular—her character was initially supposed to wear a poodle skirt, but Catherine asked the producers for a shot at creating the character’s wardrobe, with the idea of a more edgy look for an independent character. Catherine’s famous pin-up poster that she styled has outpaced other contemporary beauties and sold over 5 million copies. Catherine is not afraid of adventure and activism; while portraying the lead in African Skies, the first American show filmed in South Africa after Apartheid, she spearheaded the cause of preserving the endangered Black Rhinoceros and testified before U.S. Congress to protect them. She was instrumental in lobbying for the Black Rhino and Tiger Preservation act, which was passed in 1996.