2011 Network Responsibility Index
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Southern Comfort
FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience. -
2010 16Th Annual SAG AWARDS
CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. -
A Comparative Analysis of the Alternative Coming-Of-Age Motion Picture
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of-Age Motion Picture Matthew J. Tesoro The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1447 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of-Age Motion Picture By Matthew Tesoro A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2016 © 2016 MATTHEW TESORO All Rights Reserved ii Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of-Age Motion Picture By Matthew Tesoro This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts ____________ ________________________ Date Robert Singer Thesis Advisor ____________ ________________________ Date Matthew Gold MALS Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Screening Male Crisis: A Comparative Analysis of the Alternative Coming-of- Age Motion Picture By Matthew Tesoro Advisor: Robert Singer This thesis will identify how the principle male character in select film narratives transforms from childhood through his adolescence in multiple locations and historical eras. -
QTPOC Pop Culture Quiz 1. This Transgender Actor Appeared on The
QTPOC Pop Culture Quiz 1. This transgender actor appeared on the cover of Time Magazine in 2014 with the title “The Transgender Tipping Point” A. Jamie Clayton B. Laverne Cox C. Harmony Santana D. Isis King 2. What was the first openly black lesbian novel published in the United States (1974)? A. Alice Walker’s The Color Purple B. Ann Allen Shockley’s Loving Her C. Gloria Naylor’s The Women of Brewster’s Place D. Ntozake Shange’s Sassafrass, Cypress, and Indigo 3. In 2014, transgender activist, ____________ published the book Redefining Realness. A. Tiq Milan B. Janet Mock C. CeCe McDonald D. Marsha P. Johnson 4. Marsha P. Johnson was an African American transgender activist and a leader in the Stonewall riots. She, along with her friend, Latinx transgender activist Sylvia Rivera co- founded what organization? A. Street Transvestite Action Revolutionaries B. Strong Transvestite Activism Radicals C. Street Transgender Action Revolutionaries D. Strong Transgender Activism Rally 5. At Alma College, which student organization increases awareness about gender and sexuality? A. Gay and Lesbian Alliance B. Queer Scots C. Gender and Sexuality Diversity Club D. Kappa Iota 6. ____________ is the first openly gay black man to win an Emmy for Outstanding Lead Actor in a Drama Series. A. Don Lemon B. Billy Porter C. Lee Daniel D. Daryl Stephens 7. POSE is a FX drama starring all but the following transgender women or nonbinary people of color: A. Dominique Jackson B. Indya Moore C. MJ Rodriguez D. Laverne Cox 8. In 2019, this popular South Asian YouTuber came out as bisexual. -
42Nd Annual NC West District 2020 Journal
42nd Annual NC West District 2020 Journal *No Formal Conference Proceedings were held because of the Covid-19 Pandemic* 42nd Annual District Journal *No District Conference was held for the year 2019-20 because of the world-wide Coronavirus Pandemic. Therefore, no historical records or documentations of proceedings from an Annual Conference will be recorded for this year. However, a record of operations, activities of officers, ministries and financial records are contained in this document. Compiled and edited by: Printed by: The office of the NC West District Print Plus, Inc. Of The Wesleyan Church 38 Milpond Lane Greensboro, NC 27455 336-706-0342 TABLE OF CONTENTS General Information Statement of Certification Page 1 Dedication Page 2 District Map Page 3 Denominational Directory Page 4 District Directory / District Boards and Committees Pages 5-6 Zone Divisions Page 7 Church Directory Pages 8-13 Personnel Directory / Spouses of Deceased Ministers Pages 14-33 Ministerial Personnel by Classification Pages 34-37 District Conference Standing Rules and Policies Pages 38-43 Memoriam of Ordained Ministers Pages 44-46 Roll of the Honored Dead Pages 47 Conference Reports District Superintendent Report Pages 49-55 Assistant District Superintendent Report Pages 56-58 Auditing Committee Report Page 59 District Treasurer Report Pages 60-68 District Trustee Report Page 69 Auxiliaries and Committee Report Page 70 Children’s Ministry Director Report Page 71 Kid’s Camp Treasurer Report Page 72 District Youth President Report Page 73 District Youth -
CARLA PATULLO “They Stand, Seducing out of Shadows
CARLA PATULLO “They stand, seducing out of shadows. Playing romantic and www.carlapatullo.com heartbreaking song stories that tie together obsession, desire and [email protected] dream with a voice that curls like smoke.” - Big Takeover Magazine 1.310.746.7664 Carla Patullo is an American composer, who also records and performs as WHITE WIDOW. She has created rich and diverse soundscapes for film and television productions that have won awards including a Daytime Emmy, a BAFTA, an Independent Spirit Award, and a GLAAD Media Award. She has musical directed shows featuring artists Sandra Bernhard, Liza Minnelli, Rufus Wainwright, Leisha Hailey, and Justin Vivian Bond. In 2019, the Sundance Film Institute invited Carla to perform at the Sundance Film Festival. Skywalker Sound and the Sundance Institute also selected Carla as a Composer Fellow for the Sundance Film Music and Sound Design Lab, during which she developed her haunting and vocally-driven score to Keola Racela’s horror comedy PORNO which premiered at SXSW in 2019, and is set for a theatrical release in April 2020 (Fangoria). According to Variety Magazine, “Carla Patullo’s score is a nicely poker-faced channeling of fantasy-action soundtrack tropes from a generation ago.” Carla’s recent credits include MY NAME IS MARIA DE JESUS (HBO), TEEN TITANS GO! (Cartoon Network), PORNO (SXSW), the Independent Spirit award-winning film SPA NIGHT (Sundance, Netflix), the award-winning film JEANNE CORDOVA (Outfest), LETTER TO ANITA (Outfest), PIZZA FACE (San Diego Comic-Con), and LOTTE THAT SILHOUETTE GIRL (2018 IDA Shortlist). She is currently working on the feature film SHADOWMAKER (Trick Studio) about animation pioneer Lotte Reiniger; and Gregorio Davila’s LGBTA documentary LA: A QUEER HISTORY. -
GOOD WIFE by Robert King & Michelle King
THE GOOD WIFE by Robert King & Michelle King January 29, 2009 TEASER A VIDEO IMAGE of... ...a packed press conference. A lower-third chyron trumpets “Chicago D.A. Resigns” as the grim D.A. approaches a podium, his wife beside him. He clears his throat, reads: DAVID FOLLICK Good morning. An hour ago, I resigned as States Attorney of Cook County. I did this with a heavy heart and a deep commitment to fight these scurrilous charges. At the same time, I need time to atone for my private failings with my wife, Alicia, and our two children. Oh, one of those press conferences. Scandal. In the key of Elliott Spitzer. DAVID FOLLICK (40) is a back-slapping Bill Clinton: smart, funny, calculatedly seductive, and now at the end of his career. But he’s not our hero. Our hero is... ...his wife, ALICIA (late-30s) standing beside him. Pretty. Proper. She’s always been the good girl-- the good girl who became the good wife, then the good mom: devoted, struggling not to outshine her husband. We move in on her as we hear... DAVID FOLLICK (CONT’D) I want to be clear. I have never abused my office. I have never traded lighter sentences for either financial or sexual favors. Ugh. We suddenly enter the video, and we’re there with... Alicia as she looks out at the excited reporters, the phalanx of cameras all clicking, boring in on her. DAVID FOLLICK (CONT’D) But I do admit to a failure of judgment in my private dealings with these women. -
GLAAD Where We Are on TV (2020-2021)
WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today.