2007 Big Idea Inc. VEGGIETALES ®, Character Names
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SHREK the MUSICAL Official Broadway Study Guide CONTENTS
WRITTEN BY MARK PALMER DIRECTOR OF LEARNING, CREATIVE AND MEDIA WIldERN SCHOOL, SOUTHAMPTON WITH AddITIONAL MATERIAL BY MICHAEL NAYLOR AND SUE MACCIA FROM SHREK THE MUSICAL OFFICIAL BROADWAY STUDY GUIDE CONTENTS INTRODUCTION 3 Welcome to the SHREK THE MUSICAL Education Pack! A SHREK CHRONOLOGY 4 A timeline of the development of Shrek from book to film to musical. SynoPsis 5 A summary of the events of SHREK THE MUSICAL. Production 6 Interviews with members of the creative team of SHREK THE MUSICAL. Fairy Tales 8 An opportunity for students to explore the genre of Fairy Tales. Feelings 9 Exploring some of the hang-ups of characters in SHREK THE MUSICAL. let your Freak flag fly 10 Opportunities for students to consider the themes and characters in SHREK THE MUSICAL. One-UPmanshiP 11 Activities that explore the idea of exaggerated claims and counter-claims. PoWer 12 Activities that encourage students to be able to argue both sides of a controversial topic. CamPaign 13 Exploring the concept of campaigning and the elements that make a campaign successful. Categories 14 Activities that explore the segregation of different groups of people. Difference 15 Exploring and celebrating differences in the classroom. Protest 16 Looking at historical protesters and the way that they made their voices heard. AccePtance 17 Learning to accept ourselves and each other as we are. FURTHER INFORMATION 18 Books, CD’s, DVD’s and web links to help in your teaching of SHREK THE MUSICAL. ResourceS 19 Photocopiable resources repeated here. INTRODUCTION Welcome to the Education Pack for SHREK THE MUSICAL! Increasingly movies are inspiring West End and Broadway shows, and the Shrek series, based on the William Steig book, already has four feature films, two Christmas specials, a Halloween special and 4D special, in theme parks around the world under its belt. -
Summit Guide Guide Du Sommet Guía De La Cumbre Contents/Sommaire/Sumario
New Frontiers for Creators in the Marketplace 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA www.copyrightsummit.com Summit Guide Guide du Sommet Guía de la Cumbre Contents/Sommaire/Sumario Page Welcome 1 Conference Programme 3 What’s happening around the Summit? 11 Additional Summit Information 12 Page Bienvenue 14 Programme des conférences 15 Autres événements autour du sommet ? 24 Informations supplémentaires du sommet 25 Página Bienvenidos 27 Programa de las Conferencias 28 ¿Lo que pasa alrededor del conferencia? 38 Información sobre el conferencia 39 Page Sponsor & Advisory Committee Profiles 41 Partner Organization Profiles 44 Media Partner Profiles 49 Speaker Biographies 53 9-10 June 2009 – Ronald Reagan Center – Washington DC, USA New Frontiers for Creators in the Marketplace Welcome Welcome to the World Copyright Summit! Two years on from our hugely successful inaugural event in Brussels it gives me great pleasure to welcome you all to the 2009 World Copyright Summit in Washington, DC. This year’s slogan for the Summit – “New Frontiers for Creators in the Marketplace” – illustrates perfectly what we aim to achieve here: remind to the world that creators’ contributions are fundamental for cultural, economic and social development but also that creators – and those who represent them – face several daunting challenges in this new digital economy. It is imperative that we bring to the forefront of political debate the creative industries’ future and where we, creators, fit into this new landscape. For this reason we have gathered, under the CISAC umbrella, all the stakeholders involved one way or another in the creation, production and dissemination of creative works. -
Phil Vischer: Faith Driven Entrepreneur
Phil Vischer: Faith Driven Entrepreneur Luke Bubar, Matthew Thomas, Grayson Boyer, Joseph McCann Phil Vischer: Faith Driven Entrepreneur Introduction Servant Leadership Luke Bubar Matthew Thomas Grayson Boyer Life Before Big Idea Joseph McCann Big Idea Bankruptcy November 10, 2020 Reorganization Present Day Works Cited Works Cited Phil Vischer: Faith Introduction Driven Entrepreneur Luke Bubar, Matthew Thomas, Grayson Boyer, Joseph McCann Introduction Servant Leadership Life Before Big Idea Big Idea Bankruptcy Reorganization 1 Phil Vischer, founder of Big Idea Productions, Inc. Present Day and Jellyfish Labs, and creator of VeggieTales and other Works Cited cartoon series[3]. Works Cited 1Now Big Idea Entertainment, LLC This is quite literally the opposite of the other types of leadership, which is part of what makes it so effective; not being afraid to serve those below lets those below you see that you are humble, honest, and have high moral integrity. Phil Vischer: Faith Servant LeadershipI Driven Entrepreneur Luke Bubar, Matthew Thomas, Grayson Boyer, Servant leadership can be one of the easiest and most Joseph McCann effective management/leadership styles that a person can Introduction use. The main focus for them is to put themselves below Servant Leadership those who they are leading and to allow themselves to Life Before Big become \one with the heard" so that they can better Idea understand situations and create solutions that are Big Idea custom-tailored to those below them. Bankruptcy Reorganization Present Day Works Cited Works -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
In the United States Bankruptcy Court for the District of Delaware
Case 21-10457-LSS Doc 237 Filed 05/13/21 Page 1 of 2 IN THE UNITED STATES BANKRUPTCY COURT FOR THE DISTRICT OF DELAWARE Chapter 11 In re: Case No. 21-10457 (LSS) MOBITV, INC., et al., Jointly Administered Debtors.1 Related Docket Nos. 73 and 164 NOTICE OF FILING OF SUCCESSFUL BIDDER ASSET PURCHASE AGREEMENT PLEASE TAKE NOTICE that, on April 7, 2021, the United States Bankruptcy Court for the District of Delaware (the “Bankruptcy Court”) entered the Order (A) Approving Bidding Procedures for the Sale of Substantially All Assets of the Debtors; (B) Approving Procedures for the Assumption and Assignment of Executory Contracts and Unexpired Leases; (C) Scheduling the Auction and Sale Hearing; and (D) Granting Related Relief [Docket No. 164] (the “Bidding Procedures Order”).2 PLEASE TAKE FURTHER NOTICE that, pursuant to the Bidding Procedures Order, the Debtors conducted an auction on May 11-12, 2021 for substantially all of the Debtors’ assets (the “Assets”). At the conclusion of the auction, the Debtors, in consultation with their advisors and the Consultation Parties, selected the bid submitted by TiVo Corporation (the “Successful Bidder”) as the Successful Bid. PLEASE TAKE FURTHER NOTICE that, on May 12, 2021, the Debtors filed the Notice of Auction Results [Docket No. 234] with the Bankruptcy Court. PLEASE TAKE FURTHER NOTICE that attached hereto as Exhibit A is the Asset Purchase Agreement dated May 12, 2021 (the “Successful Bidder APA”) between the Debtors and the Successful Bidder. PLEASE TAKE FURTHER NOTICE that a hearing is scheduled for May 21, 2021 at 2:00 p.m. -
A World of Entertainment Entertainment One Ltd
A world of entertainment Entertainment One Ltd. Annual Report and Accounts 2014 We are Entertainment One. Contents Strategic Report 1 Highlights Entertainment One’s goal is to be 2 Group at a Glance 4 Chairman’s Statement the world’s leading independent 6 Chief Executive’s Summary 8 Group Objectives and Strategy entertainment group, through the 10 Business Model 12 Market Overview production and acquisition of 14 Film Review 18 Television Review entertainment content rights for 22 Financial Review 26 Principal Risks and Uncertainties exploitation across all consumer 30 Corporate Social Responsibility media throughout the world. Corporate Governance 32 Board of Directors 34 Corporate Governance 40 Audit Committee Report 44 Directors’ Remuneration Report 61 Nomination Committee Report 62 Directors’ Report: Additional Information 64 Statement of Directors’ Responsibilities Consolidated Financial Statements 65 Index to the Consolidated Financial Statements 66 Independent Auditor’s Report 69 Consolidated Income Statement 69 Consolidated Statement of Comprehensive Income 70 Consolidated Balance Sheet 71 Consolidated Statement of Changes in Equity 72 Consolidated Cash Flow Statement 73 Notes to the Consolidated Financial Statements Television Chief Executive’s Summary Film Review Darren Throop’s review of the year A review of our Film Division for the is set out on pages 6 and 7. year is set out on pages 14 to 17. Television Review A review of our Television Division for the year is set out on pages 18 to 21. Film entertainmentone.com ANNUAL -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Flouting Maxim Used by the Main Characters in the Boss Baby Movie
FLOUTING MAXIM USED BY THE MAIN CHARACTERS IN THE BOSS BABY MOVIE SKRIPSI Submitted In Partial Fulfillment of the Requirements For the Degree of Sarjana Pendidikan (S.Pd) English Education Program By ELITA NUR OCTALIANTY NPM. 1402050352 FACULTY OF TEACHERS’ TRAINING AND EDUCATION UNIVERSITY OF MUHAMMADIYAH SUMATERA UTARA MEDAN 2018 ABSTRACT Octalianty, Elita Nur. 1402050352. Flouting Maxim Used By The Main Characters In The Boss Baby Movie. A Thesis. English Department of Faculty of Teacher Training and Education University of Muhammadiyah Sumatera Utara. (UMSU). 2018. The objective of this research were to discover the types of flouting maxim, the dominant flouting maxim, and to explain the implicature of the flouting maxim in The Boss Baby movie. This research was done only on Tim and the Baby utterances because they are the main characters. There were 59 of flouted maxim as the data for this research. The descriptive qualitative design was used to analyze the data. The results of the analysis shows that all types of maxim were flouted; 31 utterances flouted maxim of relevance (52.5%), 12 utterances flouted maxim of quality (20.3%), 9 utterances flouted maxim of quantity (15.3%), and 7 utterances flouted maxim of manner (11.9%). The maxim of relevance was dominant type of maxim that was flouted by the main characters. The implication of the maxim was the people who covered his truthfullness, trick, irrelevance, ambiguity, and so on. Keyword : pragmatics, flouting maxim, movie. i ACKNOWLEDGMENTS Firstly, the researcher would like to express her greatest gratefulness to Allaah Subhanahu Wata’ala, the most gracious and the most merciful who gave her the patience, the strength and the time to finish this study. -
Making Great Things Happen N G
M a k i Making great things happen n g g Corus Entertainment 2007 Annual Report r e a t t h i n g s h a p p e n C o r u s E n t e r t a i n m e n t I n c . 2 0 0 7 A n n u a l R e p o r t “Our Core Values give us clarity, focus and drive – we are proud to live them each day. ” Cheryl Bechtel, Controller, Corus Radio and a 2007 Corus Samurai Award winner Initiative Innovation Teamwork Accountability Knowledge We empower employees to We are committed to We believe the greatest We do what we say We believe in continuous make great things happen creative thinking that leads value is realized when we we’ll do – no excuses learning and the sharing of to breakthrough ideas and work together our insights and ideas superior results www.corusent.com Revenues Segment profit (in millions) (in millions) 768.7 240.9 726.3 666.8 683.1 214.1 643.9 195.3 165.3 90.4 0304050607 0304050607 Financial highlights (millions of Canadian dollars except per share amounts) 2007 2006 2005 2004 2003 REVENUES 768.7 726.3 683.1 666.8 643.9 SEGMENT PROFIT 1 240.9 214.1 195.3 90.4 165.3 NET INCOME (LOSS) 107.0 35.5 71.1 (23.1) 40.0 EARNINGS (LOSS) PER SHARE Basic $2.53 $0.84 $1.66 $(0.54) $0.94 Diluted $2.47 $0.82 $1.65 $(0.54) $0.94 Total assets 1,937.0 1,842.2 1,928.4 1,871.9 1,940.6 Total long-term financial liabilities 673.8 666.4 660.4 690.9 693.5 CASH DIVIDENDS DECLARED PER SHARE Class A Voting $1.00250 $0.4525 $0.065 $0.04 – Class B Non-Voting $1. -
Movie Program Family Movies in Canada Exclusively the BEST NEW SUMMER MOVIES at ACF!
Call us now at The best copyright Exclusive access to the 1 800 289-8887 coverage for your largestlargest selectionselection ofof Movie Program family movies in Canada Exclusively THE BEST NEW SUMMER MOVIES at ACF! The best blockbusters available! 1 800 289-8887 ★ www.acf-film.com ★ [email protected] Fax: 514-493-9058 COPYRIGHT MOVIE LICENSING ABOUT US WHAT DOES THE LAW SAY? Founded in 1966, Audio Cine Films Inc. is one of the The Canadian Copyright Act applies in all cases, even if films are: largest rights representatives in Canada, and is Purchased from retail stores or online vendors. Obtained from personal collections or borrowed from the exclusive Canadian non-theatrical distributor for public libraries (for example). numerous major studios, producers and thousands of Shown freely, for charity purposes or to small groups. films. As such, it issues performance licenses that legalize Complete information on copyrights can be found at the public presentation of commercially available films. www.acf-film.com. ACF HAS EXCLUSIVE RIGHTS IN CANADA No other entity in Canada or the United States is allowed to issue public performance licenses from our partner studios (among others) and their movies. Licenses obtained from organizations outside of Canada do not cover or allow for the presentation of movies from the studios we represent in Canada. A complete listing of studios exclusively represented by ACF in Canada is available in this document. 100% Canadian . Since 1966. HOW TO OBTAIN A LICENSE? Simply complete the application form included -
Antz Bee Movie El Dorado Flushed Away Kung Fu Panda How to Train Your Dragon Madagascar Madagascar: Escape 2 Africa Monsters Vs
YOU ARE CORDIALLY INVITED TO THE OPENING RECEPTION FOR an exhibition of visual development and production artwork from DreamWorks DreamWorlds Animation’s feature films. PLEASE JOIN DREAMWORKS ANIMATION ARTISTS AND EXECUTIVES, ART CENTER PRESIDENT LORNE BUCHMAN, ART CENTER TRUSTEE ALYCE WILLIAMSON, ILLUSTRATION DEPARTMENT CHAIR ANN FIELD AND WILLIAMSON GALLERY DIRECTOR STEPHEN NOWLIN FOR THE OPENING OF DreamWorlds, a behind-the-scenes look at the artistry and imagination of animated filmmaking. THURSDAY, MARCH 4, 2010 7–8 PM PANEL DISCUSSION Ahmanson Auditorium 8–9 PM WILLIAMSON GALLERY RECEPTION Panel Discussion: Kathy Altieri DreamWorks Production Designer for the soon-to-be-released How to Train Your Dragon (March 26, 2010), Art Center alumna, ILLU ’81 Kendal Cronkhite DreamWorks Production Designer, Madagascar films, Art Center alumnus, ILLU ’87 Sam Michlap DreamWorks Visual Development Artist and DreamWorlds co-curator Alyce de Roulet Williamson Gallery Art Center College of Design | 1700 Lida Street | Pasadena, CA 91103 (Once on campus, please follow the signs for parking information.) featuring artwork from: ANTZ BEE MOVIE EL DORADO FLUSHED AWAY KUNG FU PANDA HOW TO TRAIN YOUR DRAGON MADAGASCAR MADAGASCAR: ESCAPE 2 AFRICA MONSTERS VS. ALIENS OVER THE HEDGE PRINCE OF EGYPT SHARK TALE SHREK SHREK 2 SHREK THE THIRD SINBAD SPIRIT: STALLION OF THE CIMARRON EXHIBITION DATES: MARCH 5 – MAY 9, 2010 DreamWorlds has been made possible through the support of DreamWorks Animation, Williamson Gallery Patrons and the Pasadena Art Alliance. Art Center extends a special thanks to all DreamWorks staff who have contributed to the exhibition’s development — in particular Angela Lepito, Sam Michlap, Brian Smith and Beverly Herman, without whose expertise, patience and commitment this project would never have been realized.. -
Shrek Jr. (Ages 6-18; All Youth Are Cast)
Shrek Jr. (ages 6-18; all youth are cast) Beauty is in the eye of the ogre in Shrek The Musical JR., based on the Oscar-winning DreamWorks Animation film and fantastic Broadway musical. It's a "big bright beautiful world" as everyone's favorite ogre, Shrek, leads a cast of fairytale misfits on an adventure to rescue a princess and find true acceptance. Part romance and part twisted fairy tale, Shrek JR. is an irreverently fun show with a powerful message for the whole family. Once upon a time, in a faraway swamp, there lived an ogre named Shrek. One day, Shrek finds his swamp invaded by banished fairytale misfits who have been cast off by Lord Farquaad, a tiny terror with big ambitions. When Shrek sets off with a wisecracking donkey to confront Farquaad, he's handed a task — if he rescues feisty princess Fiona, his swamp will be righted. Shrek tries to win Fiona’s love and vanquish Lord Farquaad, but a fairytale wouldn't be complete without a few twists and turns along the way. Storytellers Wonderful roles for performers with natural stage presence and big, clear voices. These characters are important for setting up the world and moving the story forward. Bold, energetic young actors. Gender: Any Shrek He may be a big, scary, green ogre to the rest of the world, but as the story reveals, he's really just a big fellow with a big heart. Excellent actor and strong singer with comedic chops. Gender: Male Fiona She may appear to be an ideal princess straight from the fairy tale books, but there is more to her than that stereotypical image.