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Old St. Peter's Protestant Episcopal Church, Philadelphia: an Architectural History and Inventory (1758-1991)
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991) Frederick Lee Richards University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Richards, Frederick Lee, "Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991)" (1992). Theses (Historic Preservation). 349. https://repository.upenn.edu/hp_theses/349 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Richards, Frederick Lee (1992). Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991). (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/349 For more information, please contact [email protected]. Old St. Peter's Protestant Episcopal Church, Philadelphia: An Architectural History and Inventory (1758-1991) Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Richards, Frederick Lee (1992). Old St. Peter's Protestant Episcopal Church, Philadelphia: -
American Historical Association
ANNUAL REPORT OF THE " AMERICAN HISTORICAL ASSOCIATION FOR THE YEAR 1909 . \) I "' 9' ., WASHINGTON 1911 .' LETTER OF SUBMITTAL. SMITHSONIAN INSTITUTION, Washington, D. 0., January 10, 1911. To the Oongress of the United States: In accordance with the act of incorporation of the American His torical Association, approved January 4, 1889, I have the honor to submit to Congress the annual report of the association for the year 1909. I have the honor to be, Very respectfully, your obedient servant, CHARLES D. WALCOTT, ,. Secretary . " 3 , , . - AOT OF INOORPORATION. Be it enacted by the Senate and House of Repre8entative8 of the United State8 of Ame'liea in Oongre88 a88ernlJled, That Andrew D. White, of Ithaca, in the State of N ew York; George Bancroft, of Washington, in the District of Columbia; Justin Winsor, of Cam bridge, in the State of Massachusetts; William F. Poole, of Chicago, in the State of Illinois; Herbert B. Adams, of Baltimore, in the State of Maryland; Clarence W. Bowen, of Brooklyn, in the State of New York, their associates and successors, are hereby creatBd, in the Dis trict of C~lumbia, a body corporate and politic by the name of the American Historical Association for the promotion of historical studies, the collection and preservation of historical manuscripts, and for kindred purposes in the intBrest of American history and of history in America. Said association is authorized to hold real and personal estate in the District of Columbia so far only as may be necessary to its lawful ends to an amount not exceeding five hundred thousand dollars, to adopt a constitution, and make by-laws not inconsistent with law. -
2017 Pipe Organ Report
ORGAN REPORT 2604 N. Swan Blvd., Wauwatosa, WI 53226 JUNE 1, 2017 “Beauty evangelizes, and a new organ will strengthen the Christ King mission to proclaim Christ and make disciples in the world.” Table of Contents A Letter From the Organ Committee.................Pg. 2 The Organ Committee Process..........................Pg. 3 Addendum 1 of 2: Riedel Organ Condition Report..................Pg. 4-15 Addendum 2 of 2: Type of Organs.............................................Pg.16-20 From theTHE Committee... PIPE ORGAN AT CHRIST KING PARISH The Organ Committee at Christ King Parish was formed in 2015 at the request of the Pastoral Council and the Worship Committee to evaluate the condition of our current organ, plus its present and future role in our community. This report will provide details on the failing condition of our organ, the cost for refurbishment vs the cost of replacing the instrument and the vetting of organ building companies. In 2007, the United States Conference of Catholic Bishops (USCCB) issued a document entitled, “Sing to the Lord: Music in Divine Worship”. Drawing from several centuries of organ use in the Catholic Church the Bishops stated the following about organs: 87. Among all other instruments which are suitable for divine worship, the organ is “accorded pride of place” because of its capacity to sustain the singing of a large gathered assembly, due to both its size and its ability to give “resonance to the fullness of human sentiments, from joy to sadness, from praise to lamentation.” Likewise,” the manifold possibilities of the organ in some way remind us of the immensity and the magnificence of God” 88. -
Trinity's Organ
Trinity’s Organ The organ at Trinity was dedicated on October 23, 1994. In many ways it can be thought of as a reflection of our own congregation. There are 2,395 pipes in the organ. Trinity congregation, in 1994 was very close to that number in membership and has since then far surpassed it. The pipes in the organ actually form a “congregation of singers” made up of many different shapes and sizes. Some are short, some are tall. Some sing high, some sing low. Some are loud, some are soft. Each person in our sanctuary can combine his or her voice with others to offer up prayers and songs of praise. Each pipe in the organ “building” works along side of others to produce sounds for accompanying our songs of praise. We each have a mouth to sing God’s praise. Each pipe in the organ also has a mouth. The straight edge at the top of a pipe’s mouth is called the upper lip. The bottom edge is the lower lip. Pipes have “feet”, “bodies”, “ears”, and “tongues.” The pipes “sing” in much the same way as humans. Sound is produced when air causes something to vibrate. The sound then comes out through a mouth for all to hear. The pipes receive their breath for singing from a windchest. The sound produced by the pipes is thus a sound that is vibrant – “alive”! The organ at Trinity is an instrument allowed by God to be built for worship – an instrument whose breath will combine with ours to set in motion pipes for praise. -
Seeking Cavaillé-Coll Organs in North America We Are Forging Ahead, Indeed, and with No Little Palatable AGNES ARMSTRONG Success
VOLUME 59, NUMBER 1, WINTER 2015 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY ORGAN HISTORICAL SOCIETY•JUNE 28-JULY 3 THE PIONEER VALLEY - WESTERN MASS. Join us for the 60th Annual OHS Convention, and our first visit to this cradle of American organbuilding. WILLIAM JACKSON (1868) CASAVANT FRÈRES LTÉE. (1897) C.B. FISK (1977) JOHNSON & SON (1892) JOHNSON & SON (1874) EMMONS HOWARD (1907) Come! Celebrate! Explore! ALSO SHOWCASING THE WORK OF HILBORNE ROOSEVELT, E. & G.G. HOOK, AEOLIAN-SKINNER, AND ANDOVER ORGAN WWW.ORGANSOCIETY.ORG/2015 SKINNER ORGAN CO. (1921) HILBORNE L. ROOSEVELT (1883) 2015 E. POWER BIGGS FELLOWSHIP HONORING A NOTABLE ADVOCATE FOR examining and understanding the pipe or- DEADLINE FOR APPLICATIONS gan, the E. Power Biggs Fellows will attend is February 28, 2015. Open to women the OHS 60th Convention in the Pioneer and men of all ages. To apply, go to Valley and the Berkshires of Western Mas- HTTP: // BIGGS.ORGANSOCIETY.ORG sachusetts, June 28 – July 3, 2015, with headquarters in Springfield, Mass. Hear and experience a wide variety of pipe or- gans in the company of organ builders, professional musicians and enthusiasts. 2015 COMMITTEE The Fellowship includes a two-year member- SAMUEL BAKER CHAIR TOM GIBBS VICE CHAIR ship in the OHS and covers these convention costs: GREGORY CROWELL CHRISTA RAKICH ♦ Travel ♦ Meals PAUL FRITTS PRISCILLA WEAVER ♦ ♦ Hotel Registration LEN LEVASSEUR LEN ORGAN HISTORICAL SOCIETY WWW.ORGANSOCIETY.ORG PHOTOS J.W. STEERE & SON (1902) A DAVID MOORE INC World-Class Tracker Organs Built in Vermont Photos Courtesy of J. O. Love A Gem Rises We are pleased to announce that our Opus 37 is nearing completion at St Paul Catholic Parish, Pensacola, Florida. -
A PROFILE of CHARLES M. RUGGLES, BUILDER of HAND-CRAFTED MECHANICAL ACTION ORGANS by Mark A. Herris Submitted to the Faculty Of
A PROFILE OF CHARLES M. RUGGLES, BUILDER OF HAND-CRAFTED MECHANICAL ACTION ORGANS by Mark A. Herris Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2016 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Janette Fishell, Research Director ______________________________________ Christopher Young, Chair ______________________________________ Eric J. Isaacson ______________________________________ Elisabeth Wright April 6, 2016 ii Copyright © 2016 Mark A. Herris iii Dedicated to Christy, Ryan, and Sam iv Acknowledgements I am thankful for all of the support I have received in completing this project. It has been an honor to work extensively with Charles M. Ruggles over the past several months, and this project would not have been possible without his substantial support and time. I would like to thank my research director, Professor Janette Fishell, for her feedback and direction as this project came to fruition. I cannot thank her enough for challenging me to do my best. I am also indebted to Professors Christopher Young, Eric J. Isaacson, and Elizabeth Wright for graciously agreeing to serve on the committee for this paper. I am grateful for my organ teachers who have helped me get to this point, including Christopher Young, Craig Cramer, Gail Walton, and Jack Vogelgesang. I would like to acknowledge David Kazimir and Bob Finley for their assistance in developing my understanding of organ building. Special thanks goes to Leslie Weaver for her expeditious editing of my paper. -
GREAT ORGAN Technical Details Feet Pipes 1 Double Diapason
GREAT ORGAN Technical Details Feet Pipes 1 Double Diapason & Bourdon 16 56 2 Large Open Diapason 8 56 3 Small Open Diapason 8 56 4 Stopped Diapason 8 56 5 Harmonic Flute 4 56 6 Principal 4 56 7 Twelfth 2 2/3 56 8 Fifteenth 2 56 9 Mixture, 4 ranks 224 10 Posaune 8 56 SWELL ORGAN 11 Bourdon 16 56 12 Open Diapason 8 56 13 Stopped Diapason 8 56 14 Salicional 8 56 15 Suabe Flute 4 56 16 Principal 4 56 17 Twelfth 2 2/3 56 18 Fifteenth 2 56 19 Mixture, 2 ranks 112 20 Cornopean 8 56 21 Oboe 8 56 22 Clarion 4 56 CHOIR ORGAN 23 Open Diapason 8 56 24 Stopped Diapason 8 56 25 Cone Gamba 8 56 26 Dulciana 8 56 27 Wald Flute 4 56 28 Principal 4 56 29 Flautina 2 56 30 Clarionet 8 56 PEDAL ORGAN 31 Sub-Bourdon 32 30 32 Open Diapason wood 16 30 33 Open Diapason, metal 16 30 34 Bourdon 16 30 35 Violone 8 30 36 Fifteenth 4 30 37 Trombone 16 30 COUPLERS Great to Pedal Swell to Pedal Choir to Pedal Swell to Great Swell to Choir Total number of pipes 2,114 COMPOSITION PEDALS 3 to Great Organ 2 to Swell Organ The Harrison & Harrison Organ The next organ was completed for Dedication by the Vicar, then Canon Gillson, M.A., at Evensong on 24th March, 1924. The gift of Dame Monica Wills, in memory of her husband, this organ had been designed in consultation with the organist, Mr. -
HOST Review-1
The 23rd Annual Historic Organ Study Tour (HOST) by Katherine Crosier From August 29 through September 7, I participated in the 2016 Historic Organ Study Tour (HOST) to Lorraine, France, which was organized and directed by Bruce Stevens and Bill Van Pelt and led by Christophe Mantoux. Since 1996, when I last traveled with this group (at that time under the auspices of the Organ Historical Society) to Denmark, Sweden, and Germany, the tour dates often conflicted with the beginning of the school year. Now that I am retired and no longer bound to the academic and liturgical year, I was eager to explore and play historic organs in Europe once again. Except, perhaps, for the six Australians in the group, I may have had the longest travel time to join the tour, for it took me 30 hours to travel from Honolulu to the destination of Metz, the meeting point some 205 miles (330 km) northeast of Paris. We were a diverse group of 39 organists and organ enthusiasts from the U.S., Ireland, and Australia, but we were bound together by our common quest and love for historic pipe organs. The routine for visiting up to three churches each day was to board the chartered tour bus early in the morning and drive out into the rural, less well-traveled countryside, where we would find that the tallest structure in town was the local church. As we entered the church, group members would indulge in a kind of feeding frenzy, snapping photos of the organ, altar, stained glass windows, and other beautiful features. -
Bowdoin Alumnus Volume 4 (1929-1930)
Bowdoin College Bowdoin Digital Commons Bowdoin Alumni Magazines Special Collections and Archives 1-1-1930 Bowdoin Alumnus Volume 4 (1929-1930) Bowdoin College Follow this and additional works at: https://digitalcommons.bowdoin.edu/alumni-magazines Recommended Citation Bowdoin College, "Bowdoin Alumnus Volume 4 (1929-1930)" (1930). Bowdoin Alumni Magazines. 4. https://digitalcommons.bowdoin.edu/alumni-magazines/4 This Book is brought to you for free and open access by the Special Collections and Archives at Bowdoin Digital Commons. It has been accepted for inclusion in Bowdoin Alumni Magazines by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. THE BOWDOIN ALUMNUS Member of the American Alumni Council Published by Bowdoin Publishing Company, Brunswick, Maine, four times during the College year Subscription price, $1.50 a year. Single copies, 40 cents. With Bowdoin Orient, $3.50 a year. Entered as second-class matter, Nov. 21st, 1927, at the Postoffice at Brunswick, Maine, under the Act of March 3, 1879. Philip S. Wilder '23, Editor O. Sewall Pkttingill, Jr., '30, Undergraduate Editor Ralph B. Hirtle '30, Business Manager ADVISORY EDITORIAL BOARD Arthur G. Staples '82 William H. Greeley '90 Dwight H. Sayward 'i6 Albert W. Tolman '88 Alfred E. Gray '14 Bela W. Norton '18 William M. Emery '89 Austin H. MacCormick '15 Walter F. Whittier '27 Contents for November 1929 Vol. IV Xo. i PAGE Bowdoin—An Appraisal—James L. McConaughy, A.M., 'n i Bowdoin's 124TH Commencement—John W. Frost '04 3 Several New Men on Faculty 5 The Alumni Council Athletic Report . -
Tracing Seven Hundred Years of Organ Registration 1300 – Present ---SCW (2010)
Tracing Seven Hundred Years of Organ Registration 1300 – Present ---SCW (2010) . portions used for ALCM Conference workshop, “This, That, Neither, or Both,” June 2012, Bethlehem, PA, So, this all started when a student asked me questions about Spanish music about which I had not a clue . just think what would happen if they asked me about something really complicated!! _________________ 12 th century Theophilus, a monk, documented an organ that contained an ensemble of pipes speaking in octaves and fifths known as a Blockwerk , literally a ‘block of sound’ from which individual ranks could not be separated. 14 th and 15 th centuries – Late Medieval Organs Multiple manuals and split-chest systems enabled separating the Principal ranks from the higher Mixture sounds. By the 14 th century, there were pedals, fully chromatic keyboards, and tripartite façade arrangements accommodating large ‘bourdon’ or ‘tenor’ pipes. By the 2 nd half of the 14 th century, there was the addition of secondary manual and pedals on separate actions and wind chests. For organs built c. 1350-1400 (which can be translated to modern organs): >simple organ would be a Blockwerk of Mixtures, probably based on 4-foot pitch >double organ would add an octave lower at 8-foot pitch >RH would probably feature a decorative treble voice on the Blockwerk sound, while the LH on the ten lowest keys would sound the tenor on sustained Principals >the organ could be played so that only the ten tenor keys of the main manual were doubled an octave lower >4-foot Principal stops on a separate manual is an option >8-foot plenum for the tenor on one keyboard with other voices on the 4’ plenum Organ built in 1361, renovated in 1498, described by Praetorius: >two upper manuals were called Diskant with 22-note chromatic compass >third manual or Bassklavier had 12 keys from B to b >pedal had the same one-octave compass The Principal chorus of inseparable registers is the most heavily documented type of late- medieval organ. -
Martini Lutheran Church: Heart and Soul. the 150Th Anniversary History
Dedicated May 10, 1868 Martini Lutheran Church: Heart and Soul The 150th Anniversary History Sandra Lee Harper Church Historian Martini Lutheran Church, Baltimore, Maryland Dedicated November 6, 1977 March 21, 2018 Martini Lutheran Church: Heart and Soul The 150th Anniversary History Sandra Lee Harper Church Historian, Martini Lutheran Church Baltimore, Maryland I Am The Church I am the Church. I am the best friend you ever had; I am sung about with sweet memories, Memories of brides, Memories of mothers Memories of boys and girls. I am blessed with loving thoughts, Crowned with helping hands and hearts; I have safeguarded you in your paths; I have lifted the fallen and strengthened the weak; I have helped the distressed; I have shown mercy; I bestowed kindness and offer a friendly hand; I am fellowship, friendship and love. Sometimes, someday in the near future, You will yearn for the touch of my hand. I am your comforter, and your best friend; I am calling you now; I am the Church. TABLE OF CONTENTS Introduction .................................................................................................................................... 7 The Beginning.................................................................................................................................. 8 LIFE IN BALTIMORE IN THE EARLY DAYS ..................................................................... 10 German Immigrants Come To America ........................................................................................ 10 Carl F. Louis -
Roosevelt Long Worth Wedding President Urges
but bronittr. _ by Samuel Motter in 1879. TEPMS-$1.00 a Ycar in Advance. W. H. TROXELL, Editor & Publisher. Established N040 EMMITSBURG-, MARYLAND, FRIDAY. FEBRUARY 23, 1906. VOL. XXVII. NEWS CONDENSED Lincoln's Orderly Mind. CREATIVE VOCATION. Montgomery Roosevelt, Mr. Roosevelt A WEEK'S Lincoln's mind was orderly, though Schuyler, Mr. Kenneth Robinson and PRESIDENT URGES Wednesday, February 14. JOHN A. ITCALL tab methods were not. He neglected It is a Com:tout Tonle as Well Ms a ROOSEVELT and Perpetual Delight. Mr. and Mrs. W. Emien Rooseyelt Governor Stokes, of New Jersey, has details because his thought, which was area Mrs. to be contented and their two daughters; Mr. appointed Edward G. Roberts a mem- "as direct as flight," passed instantly If you want Mr. and Mrs. Rob- PASSES AWAY if you want to experience a LONG WORTH Cornelius Roosevelt, LOCK CANAL ber of the state board of education. to the vital spot, and all else seemed happy, erhomas New- as you go along, ert Goelet, Mr. and Mrs. William M. Evans, a prominent fur- unimportant. "If I can free this case perpetual satisfaction Mr. and Mrs. Ex-President of New York Life Dies vocation. A routine bold, Miss Mary Newbold, niture merchant of New Castle, Pa., from technicalities and get it properly choose a creative WEDDING Hoppin, Mr. and Mrs. sends Engineers' Report to Congress, he used life where there es nothing new, noth- William Warner was killed by a fall down a cellarway. at Lakewood, N. J. swung to the jury I'll win it," Mr.