Raglan Road Irish Pub and Restaurant Wdwradio – Podcast# 538 Post Answer to Bonus Question in Comments Below

Total Page:16

File Type:pdf, Size:1020Kb

Raglan Road Irish Pub and Restaurant Wdwradio – Podcast# 538 Post Answer to Bonus Question in Comments Below Raglan Road Irish Pub and Restaurant WDWRadio – Podcast# 538 Post answer to bonus question in comments below. Copyright © 2019 - Created by JamesD ([email protected]) 1 2 3 4 5 6 7 1 8 9 10 2 3 11 4 5 6 7 12 13 14 15 8 9 16 17 18 19 20 21 22 10 23 11 12 Raglan Road Jazz Cookes Nicole Edge Kavanagh True False Major Dublin Guinness Sean Ryan Ireland lamb upside down Sinead Paul Nolan John Cooke Kevin Dundon pork Rollicking Rhythms Grand Belfast Music Great Irish Hooley Scotland Bono triskele no ★ The famous Irish poet, Patrick Kavanagh (1904-1967), is honored with a ______ ______ on a bench in front of the restaurant. _ _ _ _ _ _ _ _ _ _ _ _ Across Down 4. Is the figure on the bench in the Bonus Question 1. What is the name of the other co-owner (in wearing his hat? addition to #13 Across) of Raglan Road? (full 5. A brand new stage show started this season, name) called “_______ of Raglan 2018.” 2. The main difference in this restaurant's 10. What is the full name of the Irish Pub in Disney "Sheperd's Pie" is the combo of beef and what Springs? (______ ____ Irish Pub and other meat? Restaurant) 3. In addition to St. Patrick's Day every year, this 11. What was the name of Raglan Road's Master Labor Day weekend tradition involves special Chef and cofounder? (full name) Irish shows and dance groups. 16. Most of the entertainment takes place in the 6. What is the current name of the Director of _____ Room, which is in the middle of the Operations at Raglan Road? restaurant. 7. Among the many photos and portraits of Irish 18. Some of the bars and fixtures in Raglan Road musicians, you can find this lead singer of the are as old as 130 years and come directly from supergroup, U2. what country? 8. What unique club was replaced by #10 Across 19. Raglan Road is the top seller in the U.S. of in 2005? (Pleasure Island ____ Co.) ___________ beer. 9. You can find many photos and memorabilia on 22. A counter service location can be found on the the walls in this room in the Pub, which is outside of Raglan Road, and is called _____'_ of directly opposite the main stage in #16 Across? Dublin. 10. The name of the highly popular Sunday Brunch 23. What is the name of one of the co-owners of is the "__________ Raglan Weekend Brunch." Raglan Road? (full name) 12. In the early days of this restaurant, what was unusual about the holiday decorations in this restaurant? (tree was ______ ____) 13. True or False: A majority of the beers on tap at Raglan Road come from countries other than Ireland. 14. Raglan Road was inspired by the famous Irish poet, Patrick _________. 15. Raglan Road's logo is a symbol known as a ________ and is composed of three interlocking spirals representing the ancient Celtic concept of the interrelation between earth, water, and sky. 17. Raglan Road is not just the name of an Irish pub in Disney Springs, but it is also the name of a famous road in ______, Ireland. 20. What was the name of the server that waited on the Mongellos during their Live Review, posted on Dec. 3, 2018? 21. True or False: The name 'Raglan Road' is the name of a street in Dublin, as well as a famous poem, "On Raglan Road" by #14 Down?.
Recommended publications
  • 3 Failure, Guilt, Confession, Redemption? Revisiting
    Journal of Psychosocial Studies Volume 10, Issue 1, May 2017 Failure, guilt, confession, redemption? Revisiting unpublished research through a psychosocial lens MARCUS FREE Abstract This article offers some critical reflections on a case of failure to bring a qualitative research project to completion and publication earlier in the author’s career. Possible explanations are considered in light of insights derived from the ‘psychosocial’ turn in qualitative research associated particularly with Hollway and Jefferson’s Doing Qualitative Research Differently (2001/2013). The project was an interview-based study of the life experiences of middle aged and older Irish emigrants in England, conducted in the late 1990s in Birmingham and Manchester. The article considers the failure as a possible psychic defence against the anxiety that completion and publication would be a betrayal of the interviewees, many of whom described experiences distressing to themselves and the interviewer. The psychoanalytic concepts of ‘transference’ and ‘countertransference’ are used to speculate as to the role of the unconscious at work in the interview encounters and how, despite class and generational differences, psychodynamic fantasies relating to both interviewees’ and interviewer’s migration histories and experiences may have impacted upon each other. Introduction Many researchers leave unfinished projects behind them and experience varying degrees of regret and uncertainty as to the reasons for reluctance or inability to bring the research to fruition. This article concerns a qualitative research project from earlier in my career that never reached completion and remains a source of guilt and shame for me. It revisits the research critically using a psychosocial lens in an attempt to identify and consider the possible underlying reasons for this failure.
    [Show full text]
  • "The Given Note": Traditional Music and Modern Irish Poetry
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements .................................................................................
    [Show full text]
  • Ruins, Runes and Tunes
    2020 Spirit of Ireland: A Healing Journey Ruins, Runes and Tunes Glenveigh Castle, Glenveigh National Park, County Donegal, Ireland Tour Dates: June 13-24, 2020 Tour Destination: This year’s trip will take us to County Donegal (with a day in County Antrim and the Giant’s Causeway) to see many magical sights which we don’t normally visit on the Spirit of Ireland Tours, as well as immerse in the wonderful Irish culture. This is a tour NOT to be missed. What Makes Our Tours So Special: We come together on this sacred pilgimage as a group of healers, from all walks of life, to bring healing energies of love and compassion to the energetic Celtic ley lines (also known as farie lines) located at various sacred sites in Ireland. We participate in several sacred ceremonies including poetry, music, meditation and songs to connect heart to heart in this most magical place called the Emerald Isle. Traditional music is a big part of this tour, for the most authentic Irish expereince. People often say that traveling to Ireland is like stepping back in time to a land steeped in rich culture, history and spirituality; a less rushed lifestyle in a magical setting, where people meet you with a smile and a twinkle in their eye. Everyone who has traveled with us on previous excursions describes this trip as a life-changing event in their lives; the memories and friendships forged will last a lifetime. Tour Itinerary: Our tour itinerary is still being finalized, but sights on the agenda include the Beltane Stone Circle, Glenveagh National Park, Slieve League, Giant’s Causeway, Carrick-a-Rede Rope Bridge, Dunluce Castle, Leo’s Tavern, and lots of great traditional Irish music.
    [Show full text]
  • The Government's Executions Policy During the Irish Civil
    THE GOVERNMENT’S EXECUTIONS POLICY DURING THE IRISH CIVIL WAR 1922 – 1923 by Breen Timothy Murphy, B.A. THESIS FOR THE DEGREE OF PH.D. DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF IRELAND MAYNOOTH HEAD OF DEPARTMENT: Professor Marian Lyons Supervisor of Research: Dr. Ian Speller October 2010 i DEDICATION To my Grandparents, John and Teresa Blake. ii CONTENTS Page No. Title page i Dedication ii Contents iii Acknowledgements iv List of Abbreviations vi Introduction 1 Chapter 1: The ‗greatest calamity that could befall a country‘ 23 Chapter 2: Emergency Powers: The 1922 Public Safety Resolution 62 Chapter 3: A ‗Damned Englishman‘: The execution of Erskine Childers 95 Chapter 4: ‗Terror Meets Terror‘: Assassination and Executions 126 Chapter 5: ‗executions in every County‘: The decentralisation of public safety 163 Chapter 6: ‗The serious situation which the Executions have created‘ 202 Chapter 7: ‗Extraordinary Graveyard Scenes‘: The 1924 reinterments 244 Conclusion 278 Appendices 299 Bibliography 323 iii ACKNOWLEDGEMENTS I wish to extend my most sincere thanks to many people who provided much needed encouragement during the writing of this thesis, and to those who helped me in my research and in the preparation of this study. In particular, I am indebted to my supervisor Dr. Ian Speller who guided me and made many welcome suggestions which led to a better presentation and a more disciplined approach. I would also like to offer my appreciation to Professor R. V. Comerford, former Head of the History Department at NUI Maynooth, for providing essential advice and direction. Furthermore, I would like to thank Professor Colm Lennon, Professor Jacqueline Hill and Professor Marian Lyons, Head of the History Department at NUI Maynooth, for offering their time and help.
    [Show full text]
  • Prescribed Material for English in the Leaving Certificate Examination in 2011
    Rannóg Pholasaí, Cháilíochtaí, Qualifications, Curriculum and u Churaclaim agus Mheasúnachta, Assessment Policy Unit, An Roinn Oideachais agus Department of Education and Eolaíochta, Science, Bloc 2 (Bunurlár), Block 2 (Ground Floor), Sráid Maoilbhríde, Marlborough Street, Baile Átha Cliath 1 Dublin 1 (01) 809 5020 Fax (01) 809 5048 Circular Letter 0003/2009 To: Management Authorities of Second Level Schools Prescribed Material for English in the Leaving Certificate Examination in 2011 1. The Department of Education and Science wishes to inform the management authorities of second level schools that the prescribed material for English in the Leaving Certificate Examination in 2011 is as indicated on the attached list. 2. Please bring this circular and the attached list to the notice of the teachers concerned. 3. Please provide a copy of this circular to the appropriate representatives of parents and teachers for transmission to individual parents and teachers. Margaret Kelly Principal February 2009 Leaving Certificate Examination, 2011 English Herewith is the list of prescribed texts for the Leaving Certificate Examination, 2011 As the syllabus indicates, students are required to study from this list: 1. One text on its own from the following texts: - BINCHY, Maeve Circle of Friends (O) BRONTË, Emily Wuthering Heights (H/O) IBSEN, Henrik A Doll’s House (H/O) JOHNSTON, Jennifer How Many Miles to Babylon? (O) MONK KIDD, Sue The Secret Life of Bees (O) MURPHY, Tom A Whistle in the Dark (H/O) O’CASEY, Sean The Plough and the Stars (O) SHAKESPEARE, William Hamlet (H/O) STEINBECK, John The Grapes of Wrath (H/O) • One of the texts marked with H/O may be studied on its own at Higher Level and at Ordinary Level.
    [Show full text]
  • TUNE BOOK Kingston Irish Slow Session
    Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected].
    [Show full text]
  • Catering & Events
    NO ONE PARTIES LIKE THE IRISH Catering & Events RÍ RÁ: A place or state where exuberance and revelry prevail, where music and merriment compete and the conversation flows smooth as the Guinness ebbs in the glass. Rí Rá comes from “Rí Rá agus Ruaile Buaile,” a phrase translated roughly as devilment, good fun or any sociable activity that improves with fine food, a nice pint of Guinness or a dram of Uisce Beatha (whiskey). 1080 PEACHTREE STREET NE, SUITE 1 - ATLANTA, GA 30309 [email protected] PHONE: 404.477.1700 FAX: 404.477.1701 RIRA.COM/ATLANTA RIRA.COM / FOLLOW THE CRAIC page ATLANTA No.2 no one parties like the irish “If more of us valued food and cheer and song above hoarded gold, it would be a merrier world.” ATLANTA(JRR Tolkein) No.2 no one parties like the irish Are you looking for a place to have a casual, fun event? Rí Rá, the Irish Pub & Restaurant can provide “If more of us valued food and cheer and song abovecocktail hoarded parties, gold, it would buffet be a dinners merrier world.”and plated dinners (JRR inTolkein) an authentic Irish pub! Whether you are looking to host a business social, client mixer, milestone Are youcelebration, looking for a fund-raiser place to have aor casual, holiday fun party, our staff can event? Rí Rá, the Irish Pub & Restaurant can provide cocktailhelp parties, plan abuffet memorable dinners andevent! plated dinners in an authentic Irish pub! Whether you are looking to hostSmaller a business parties social, andclient events mixer, milestoneare held in the Harbor Bar, ATLANTA No.2 no one partiescelebration, likefeaturing the irish fund-raiser a beautifully or holiday restored party, our bar staff from can Portstewart, help Countyplan a memorable Derry.
    [Show full text]
  • In This Issue
    In this issue Page 2 - HILLSBOROUGH Page 3 - IRISH STEREOTYPES Page 4 - DONAL McGRATH DECEMBER 1988 "SOp- Page 5 - TABLE TALK Page 6 - IRISH SONGS Page 7 - BOOK REVIEWS Page 8 - DONAL MacAMHLAIGH Release Irish political prisoners say Russians DAVID Mellor Minister of Health of the Tory Goverment has recently been to Czechoslovkia where be was. reprimanding the Czechs for their "Human Rights' record. Before that Mr Mellor was lecturing the Israelis for doing on the West Bank what British has been doing in Northern Ireland for HELP END twenty years. Mrs Thatcher the most reactionary head of state in Europe has been BANKS BLAMED FOR EMIGRATION THE MISERY opposing the Soviet proposal to hold the next Human Rights Conference in WHILE Mr Hume MEP has been ranting and railing about the advantages of 1992 and Mr THE money spent in Northern Ireland Moscow, in 1991. She says that the by the British Government is wasted. Russians must conform to the Helsinki Taylor Unionist and MEP has been making hysterical attacks on the 26, Counties Bishop The way it is spent is causing more principles on Human Rights which she misery, deaths and destruction every claims they have not yet done. The Murphy of Cork and Ross has been taking a sober look at realities behind the Common Market Russians have replied by drawing ballyhoo. year. It causes young people to do attention to the lack of "Human desperate deeds in seeking remedies. Rights" in Northern Ireland. "Is our country to become merely the retiremept home for burnt-out capitalists from Europe?" the Bishop Money spent in promoting Connolly Gennady Gerasimov the Foreign aSked.
    [Show full text]
  • Dáil Éireann
    Vol. 963 Tuesday, No. 1 12 December 2017 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES DÁIL ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) 12/12/2017A00100 Road Traffic (Amendment) Bill 2017: Second Stage (Resumed) 2 12/12/2017U00300Leaders’ Questions 22 12/12/2017X00600Order of Business 31 12/12/2017AA02750Comptroller and Auditor General (Amendment) Bill 2017: First Stage 40 12/12/2017BB00800Health Insurance (Amendment) Bill 2017 [Seanad]: Financial Resolution (Resumed) 41 12/12/2017CC00100Intoxicating Liquor (Breweries and Distilleries) Bill 2016: Financial Resolution 41 12/12/2017CC00400Ministerial Rota for Parliamentary Questions: Motion 42 12/12/2017CC00700European Parliament and Council Directive: Referral to Joint Committee 42 12/12/2017CC01000Fifteenth Report of Committee of Selection: Motion ���������������������������������������������������������������������������������������������43 12/12/2017CC01300Ceisteanna - Questions 43 12/12/2017CC01400Departmental Operations 43 12/12/2017DD02200Brexit Negotiations 47 12/12/2017HH01500Topical Issue Matters
    [Show full text]
  • The Irish Pub: Past, Present – Whither the Future?
    The Irish Pub: Past, Present – Whither the Future? Submitted By: Audrey Naughton Submission Date: 1st September 2011 Statement: This dissertation is submitted in partial fulfillment of the requirements for achieving a Master of Business in Strategy and Innovation Management at the Galway- Mayo Institute of Technology. Year: 2011 Declaration: I hereby declare that this dissertation is my own work. Signature: ________________________ I Acknowledgements I wish to record my appreciation and thanks to all who helped me in the preparation of this dissertation and in the pursuit of my Master‘s studies generally. I thank especially my supervisor Monica Nielsen for all her time, support and advice throughout the academic year. To all the staff in the School of Business at the Galway-Mayo Institute of Technology for their assistance in the completion of this study. I thank Kevin Heffernan, Ivan Mc Phillips and Eamonn O‘Regan for their words of advice, support and encouragement. I am indebted to all my family, friends and colleagues for their kindness and understanding. To my beautiful son Daniel, thank you for your patience. A special thanks to my parents Brendan and Della, my sisters Pamela, Anne-Marie and Niamh, brothers David and John and to Aiden. I thank Mark Campbell from eMedia Interactive Limited in the Innovation in Business Centre for giving me the time off work to complete my dissertation and to all the interview participants for their willingness to partake in my research. II Executive Summary The purpose of this research is to examine the main economic, legislative, and socio- cultural factors that are currently influencing the pub trade in Ireland and their specific impact on a sample of publicans in both Galway city and county.
    [Show full text]
  • Northern Ireland
    26/09/2021 Real Heritage Pubs Online Guide Using this guide The descriptions in this guide make clear the significance of each interior. The pubs fall into two distinct categories: On the National Inventory of Historic Pub Interiors for pubs that remain wholly or largely intact since before World War Two, or are exceptional examples of intact post-war schemes completed before 1970, or which retain particular rooms or other internal features of exceptional historic importance. On the Regional Inventory of Historic Pub Interiors for the Northern Ireland . Inclusion criteria are lower than for the National listings but the same principles apply, with the emphasis on the internal fabric and what is authentically old. In the section More to Try are pubs that are considered to be of 'some regional importance', meaning that the criteria for a full Regional Inventory entry is not satisfied in terms of the overall layout and fittings, but that specific features are of sufficient quality for the pub to be considered noteworthy. Contents Cead mille failte (a hundred thousand welcomes) Belfast & Lisburn Pubs - see under Belfast; Falls (Belfast); Lisburn; Ormeua (Belfast) County Antrim Pubs - see Ballycastle; Ballyeaston; Bushmills; Cushendall; Cushenden; Mallusk (near Belfast); Portrush; Randlestown. in More To Try section - see Ahoghill; Ballymena; Carncastle County Antrim Pubs - Closed Pubs More to Try Cead mille failte (a hundred thousand welcomes) ‘’The Irish Pub’ is a must-do attraction for any visitor to Northern Ireland. Here you will find a huge variety of them – big and small, town and country, the richly embellished and the very simple.
    [Show full text]
  • THE POETICS of IRISHNESS: 2Oth-CENTURY ANGLO-IRISH POETRY TRANSLATED INTO GREEK
    THE POETICS OF IRISHNESS: 2Oth-CENTURY ANGLO-IRISH POETRY TRANSLATED INTO GREEK by Theodora Valkanou A thesis submitted to the Department of Translation and Intercultural Studies, School of English, Faculty of Philosophy, Aristotle University of Thessaloniki, Greece, in fulfillment of the requirements for the Degree of Doctor of Philosophy September 2012 Table of Contents Acknowledgments v Abstract vii Abbreviations ix INTRODUCTION 0.1 The Scope of Research: Initial Definitions 1 0.2 Aims of the Study 3 0.3 Method and Limitations 5 0.4 Significance of the Thesis 6 0.5 Chapter Outline 11 0.6 Notes 13 0.6.1 The Concept of Anglo-Irish Literature 13 0.6.2 A Note on Punctuation, Capitalization, and 14 Transliteration CHAPTER 1 – IDENTITY AND TRANSLATION Introduction to the Chapter 16 1.1 The Quest for Irishness: An Identity Quest 17 1.2 The Concept of Identity 18 1.3 The Construction of Identity 19 1.4 National Identity (and Its Connection to Ireland) 22 1.5 The Formation of Irish Identity 24 1.5.1 Ireland Imagined as England’s Other 24 1.5.2 Historical Overview of Irishness 28 1.5.3 Why is Interest in National Identity So Accentuated 35 in Ireland? 1.5.4 Ireland’s Colonial/ Postcolonial Experience 39 1.6 National and Cultural Identity: The Traits of Irishness 41 1.7 Is National Identity a Suitable Unit for Cultural Analysis? 48 1.8 Literatures Defined as “National” : The Case of Irish 50 Literature 1.9 The Role of Literature for Irish National Identity: 53 Representation 1.10 Cultures in Contact 56 1.11 The Translation of Culture and Cultural
    [Show full text]