UK Manufacturer & Supplier List 2019
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PARENT-STUDENT HANDBOOK St. Frances Cabrini School Academic
PARENT-STUDENT HANDBOOK St. Frances Cabrini School 2215 E. Texas Avenue Alexandria, LA 71301 (318) 448-3333 Fax (318) 448-3343 www.cabrinischool.com Academic Year 2015-2016 Diocese of Alexandria Founded in 1948 Approved by the Louisiana State Department of Education Member of the National Catholic Educational Association Association for Supervision and Curriculum Development Revised, July 2015 Knowledge through virtue; virtue through love. - 2 - TABLE OF CONTENTS St. Frances Cabrini School Academics……………………………..... 15 Mission …………………………………...5 Supply Lists……………………………...16 Philosophy ...………………….…………..5 Homework Policy………………………..16 History…………………………………….5 Assessment……………………………….16 Administrative Structure …………………...6 Field Trips………………………………..17 Admission Policies Textbooks………………………………...18 Non-Discriminatory Policy……….............7 Report Cards/Student Progress Reports….18 Entrance Requirements …………………..7 Grading Scale…………………………….18 Registration ………………………………7 Honor Roll……………………………….19 Priorities for Admission ………………….8 Promotion/Retention……………………..19 Participating, Involved Catholics ………...8 Make-Up Work/Test Policy……………...20 Withdrawals ……………………………...8 Transfer Students………………………...20 Dismissal ………………………………... 8 Policies on Records and Reports…………20 Parent Cooperation Statement…………… 8 Class Section Assignments………………21 Financial Information Academic Probation……………………...21 Tuition and Fees……………………..........9 Awards Assemblies………………………21 Tuition Policy…………………...………...9 Student Discipline Policy FACTS Tuition Management………........10 Rules of -
What to Do When Your Child Refuses to Put on Winter Clothes
www.autism-mi.org 40th Anniversary 1976-2016 email: [email protected] Autism Society of Michigan 2178 Commons Pky Okemos, MI 48864 517-882-2800 What to Do When Your Child Refuses to Put on Winter Clothes Many people—kids and adults—find putting on winter clothes to be a pain. But sensory processing issues can make it a real misery. Kids who are hypersensitive or who are tactile defensive may literally scream if they put on clothes that don’t feel right. The clothes might be too tight, too bulky, too itchy or too hot. And that can make everyday life difficult for the whole family. Getting your child with sensory processing issues to wear winter clothes isn’t impossible. But it can take time, compromise and some creativity. The strategies you use will depend on your child’s age and his particular challenges and sensitivities. But giving him choices and some sense of control is key. Here are some tips to consider: Buy sweaters and sweatshirts with loose collars. (If your child prefers his clothes to be close to his skin, do the opposite and get tighter-fitting items or even turtlenecks.) Settle on hoodies instead of a coat. Hooded sweatshirts are a great compromise item because they can be layered over T-shirts and worn unzipped. If your child doesn’t mind warmth or weight, buy some extra-fleecy ones. Remove all tags. That goes for hats, mittens, scarves, sweaters—coats, too. Even if a tag is touching a layer of clothing rather than skin, it can be annoying to some kids. -
Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
Modh-Textiles-Scotland-Issue-4.Pdf
A TEXTILES SCOTLAND PUBLICATION JANUARY 2013 AN ENCHANTING ESCAPE IN SCOTLAND FABULOUS FABRIC AND DETAILED DESIGN FASHION FOUNDRY NURTURING SCOTTISH TALENT contents Editor’s Note Setting the Scene 3 Welcome from Stewart Roxburgh 21 Make a statement in any room with inspired wallpaper Ten Must-Haves for this Season An Enchanting Escape 4 Some of the cutest products on offer this season 23 A fashionable stay in Scotland Fabulous Fabric Fashion Foundry 6 Uncovering the wealth of quality fabric in Scotland 32 Inspirational hub for a new generation Fashion with Passion Devil is in the Detail 12 Guest contributor Eric Musgrave shares his 38 Dedicated craftsmanship from start to fi nish thoughts on Scottish textiles Our World of Interiors Find us 18 Guest contributor Ronda Carman on why Scotland 44 Why not get in touch – you know you want to! has the interiors market fi rmly sewn up FRONT COVER Helena wears: Jacquard Woven Plaid with Herringbone 100% Merino Wool Fabric in Hair by Calzeat; Poppy Soft Cupsilk Bra by Iona Crawford and contributors Lucynda Lace in Ivory by MYB Textiles. Thanks to: Our fi rst ever guest contributors – Eric Musgrave and Ronda Carman. Read Eric’s thoughts on the Scottish textiles industry on page 12 and Ronda’s insights on Scottish interiors on page 18. And our main photoshoot team – photographer Anna Isola Crolla and assistant Solen; creative director/stylist Chris Hunt and assistant Emma Jackson; hair-stylist Gary Lees using tecni.art by L’Oreal Professionnel and the ‘O’ and irons by Cloud Nine, and make-up artist Ana Cruzalegui using WE ARE FAUX and Nars products. -
The Hand-Loom in Ulster's Post-Famine Linen Industry: the Limits of Mechanization in Textiles' 'Factory Age'
Textile History, 35 (2), 178-191, 2004 The Hand-Loom in Ulster's Post-Famine Linen Industry: The Limits of Mechanization in Textiles' 'Factory Age' KEVIN J. JAMES This article explores conditions in the Ulster linen trade which sustained hand-loom weaving through the second half of the nineteenth century. In particular, it investigates the role and limits of technology in this process, and the impact of the American Civil War and its aftermath on mechanization. INTRODUCTION The historiography of the Irish litien trade in the second half of the nineteenth cen- tury has focused on its mechanization, while acknowledging the continuing presence of hand-lootn branches in the sector.' Generally, the structure of hand production in the Irish linen sector after 1850 has received less attention than tnechanized weaving, although there is a growing historiography on co-extensive hand- and tnechanized weaving in other branches of textile tnanufacture in the United Kingdotn.^ Partly this neglect of the hand-lootn results frotn greater interest in technological developments which so quickly transformed the spinning sector in the 1820s and 1830s.^ In spin- ning, the displacement of hand production by machine was relatively swift and com- plete — even the small demand in Ireland for super-fine yarn after the 1820s was largely met by imported hand-spun continental varieties.* Indeed, contemporary observers claimed that weaving was developing in the same direction — but their predictions of the hand-loom's obsolescence proved inaccurate and premature. In 1852, for instance, the Belfast and Province of Ulster Directory quoted J. MacAdam's comments in the Joumal of Design in which he predicted the hand-loom's demise: There are many reasons for believing that the future progress of the Irish linen trade will at least keep pace with its past development. -
The British Linen Trade with the United States in the Eighteenth and Nineteenth Centuries
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1990 The British Linen Trade With The United States In The Eighteenth And Nineteenth Centuries N.B. Harte University College London Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Harte, N.B., "The British Linen Trade With The United States In The Eighteenth And Nineteenth Centuries" (1990). Textile Society of America Symposium Proceedings. 605. https://digitalcommons.unl.edu/tsaconf/605 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. -14- THE BRITISH LINEN TRADE WITH THE UNITED STATES IN THE EIGHTEENTH AND NINETEENTH CENTURIES by N.B. HARTE Department of History Pasold Research Fund University College London London School of Economics Gower Street Houghton Street London WC1E 6BT London WC2A 2AE In the eighteenth century, a great deal of linen was produced in the American colonies. Virtually every farming family spun and wove linen cloth for its own consumption. The production of linen was the most widespread industrial activity in America during the colonial period. Yet at the same time, large amounts of linen were imported from across the Atlantic into the American colonies. Linen was the most important commodity entering into the American trade. This apparently paradoxical situation reflects the importance in pre-industrial society of the production and consumption of the extensive range of types of fabrics grouped together as 'linen*. -
CORDURA® NYCO Fabric. the Toughness You Need Without Sacrificing Comfort
CORDURA® NYCO Fabric. The toughness you need without sacrificing comfort. CORDURA.COM CORDURA® NYCO Fabrics for Workwear In line with the CORDURA® brand team’s commitment to developing innovative and protective fabrics for the workwear industry, a new range of CORDURA® NYCO fabrics from Malaysian based Penfabric, part of the Japanese Toray Group of companies, will be introduced to the European workwear market. The innovative range includes four fabrics, each in an intimate blend of 75 percent cotton, 25 percent high strength INVISTA T420 nylon 6,6. The fibres are staple in nature and intimately blended in both the warp and weft direction. The fabrics are available in twill and canvas constructions in weights of 325gr/m2 and 380gr/m2. Comfortably durable CORDURA® NYCO fabrics are suitable for a wide range of garment types such as trousers, jackets, coveralls and bib & braces, and are particularly valuable for harsh working conditions especially in areas where high stress is imparted on the garment. Such conditions are commonly found in industries such as construction and supporting trades, plant and vehicle maintenance, heavy engineering, butchery and transportation. The workwear market has traditionally been serviced by polyester/cotton fabrics over many years, whether polyester rich or cotton rich in nature. The new CORDURA® NYCO fabric workwear portfolio from Penfabric has been specifically developed to provide exceptional durability and comfort characteristics to innovative garment designs. In terms of durability, the CORDURA® NYCO fabric workwear range has high levels of abrasion resistance. Independent laboratory testing demonstrates that 325 gr/m2 and 380 gr/m2 CORDURA® NYCO fabrics based on 25%/75% cotton INVISTA T420 nylon 6,6 blends can reach levels of 250,000 rubs under the Martindale woolen abrasion test method with 12 kPa (ISO – 12947-2). -
Superfast Worcestershire Spring 2017 Newsletter
Click here to sign up now! Spring 2017 News Welcome to the spring edition of our Superfast Worcestershire newsletter “Superfast Worcestershire is taking coverage even further than we had originally envisaged. Thousands more Worcestershire households and businesses can look forward to a fibre broadband boost thanks to a £3.7 million pound expansion. This latest announcement shows the commitment of the partnership to ensuring that Worcestershire is connected. It is great news that more people will be able to benefit from the new communications technology that is often taken for granted by those who already have access to superfast speeds.” Cllr Ken Pollock, Cabinet Member responsible for Economy, Skills and Infrastructure With spring around the corner we’re delighted to announce that around 245,000 premises in Worcestershire are able to connect to fibre broadband. Of these, over 62,000 premises are able to connect as a result of the Superfast Worcestershire Broadband Programme, and the number continues to rise. In this edition of our newsletter, find out: • How we’re expanding fibre broadband coverage • Which Worcestershire businesses are loving fibre broadband • Where we are delivering Fibre to the Premises ...and much, much more! Superfast Worcestershire is a partnership between Thousands more households and businesses to get fibre broadband boost thanks to £3.7 million pound expansion We are delighted to announce a major £3.7 million pound expansion that will enable over 3,000 more households and businesses to access superfast broadband for the first time. Additional communities across all six districts in Worcestershire have been earmarked for upgrades as part of the multi-million pound roll-out, including parts of Wickhamford, Throckmorton, Wick, Heightington, Teme Valley including Eardiston and Stockton on Teme, Holt Fleet, Shelsley Beauchamp and Berrow Green. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Winchester School of Art Banal and Splendid Form: revaluing textile makers’ social and poetic identity as a strategy for textile manufacturing innovation Volume 1 by Clio Padovani Critical commentary for the degree of Doctor of Philosophy July 2019 University of Southampton Abstract Faculty of Arts and Humanities Winchester School of Art Critical commentary for the degree of Doctor of Philosophy Banal and Splendid Form: revaluing textile makers’ social and poetic identity as a strategy for textile manufacturing innovation by Clio Padovani This is a submission for the Award of PhD by Published Works. The commentary on three published submissions organises a programme of work focussed on reframing traditional textile craft skills within the context of innovation and knowledge exchange policies. -
Materials and Fabrics
MATERIALS AND FABRICS Note: The information contained in this document is for general purposes. It only represents technical opinions at the time of publishing. It does not guarantee any item or effect any product warranties given. ACCUMOLD A process in the manufacture of holsters and many other products from Bianchi. The make-up of Accumold is a laminate material which includes an outer layer of tough nylon fabric, a layer of polyfoam and an inner layer of liner material bonded together under heat and pressure. The resulting product retains its shape well and is not significantly deformed by weight or pressure of its contents. ACCUMOLD ELITE Accumold Elite is similar to Accumold in the manufacturing process except the outer layer is a smooth material that looks like leather. ANILINE A colorless, oily liquid with an aromatic, pungent odor. It is used, among many other things, in the manufacture of resins, varnishes, printing inks, cloth marking inks, explosives and dyes. CABRETTA A leather produced from the skins of sheep that have hair instead of wool i.e., straight-haired sheepskins. The leather is produced in China, South America and Africa. This material offers all of the features required to manufacture gloves, which include a thin tough structure giving strength and dexterity and is hard wearing and comfortable. Much of the tanned product comes from Pittards Tannery in England. CLARINO Manufactured by Kuraray Co. Ltd., Clarino is a man-made, synthetic leather which offers several surface types which, among others, include high gloss and a suede surface texture. The suede is used in gloves and is soft and flexible, breaths like leather and is washable and easy to care for. -
Thesis Understandingfootball Hooliganism Amón Spaaij Understanding Football Hooliganism
UvA-DARE (Digital Academic Repository) Understanding football hooliganism : a comparison of six Western European football clubs Spaaij, R.F.J. Publication date 2007 Document Version Final published version Link to publication Citation for published version (APA): Spaaij, R. F. J. (2007). Understanding football hooliganism : a comparison of six Western European football clubs. Vossiuspers. http://nl.aup.nl/books/9789056294458-understanding- football-hooliganism.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 AUP/Spaaij 11-10-2006 12:54 Pagina 1 R UvA Thesis amón Spaaij Hooliganism Understanding Football Understanding Football Hooliganism Faculty of A Comparison of Social and Behavioural Sciences Six Western European Football Clubs Ramón Spaaij Ramón Spaaij is Lecturer in Sociology at the University of Amsterdam and a Research Fellow at the Amsterdam School for Social Science Research. -
Design and Development of Denim Fabrics with Improved Strength and Impact Abrasion Resistance for Motorcyclist Clothing
Onur Kurtulmuş, Semin Güner, Design and Development of Denim Fabrics M. Şahin Akkaya, Burçak Karagüzel Kayaoğlu* with Improved Strength and Impact Abrasion Resistance for Motorcyclist Clothing DOI: 10.5604/01.3001.0010.7797 Istanbul Technical University, Abstract Faculty of Textile Technologies and Design, This study aims to design and develop denim fabrics with enhanced mechanical and impact Department of Textile Engineering, abrasion resistance performance using different materials, yarn types and fabric construc- Istanbul, Turkey tions. It was aimed to reach the standard impact abrasion resistance requirements of motor- * E-mail: [email protected] cycle protective clothing for Level 1 in high impact areas of the body (zones 1 and 2), such as hip and knee areas. The existence of cotton/Cordura® yarn in warp and T400 polyester yarn in the weft and the use of higher yarn densities increased the performance in tensile strength and impact abrasion resistance, compared to a classical cotton denim fabric. The use of coarser yarns and fabrics with a double weave construction increased impact abrasion resistance compared to single layer cloths. The double and backed cloth samples developed with cotton/Cordura® and Kevlar®/polyester yarns in their construction showed impact abrasion resistance times over 4 s and reached the “EN 13595-2:2002 Level 1 abrasion resistance” standard requirement. Key words: denim fabric, Kevlar®, Cordura®, impact abrasion, strength, motorcyclist. ® Introduction The series of standards of EN 13595 as- and Lycra , a polyurethane elastomer, sess the requirements, such as abrasion have been utilised in fabrics used for Motorcycle clothing is designed to pro- resistance or cut resistance, for motorcy- protective motorcyclist clothing [1, 9].