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Herbicide Persistence and Toxicity in the Tropical Marine Environment Mr
Herbicide persistence and toxicity in the tropical marine environment Mr. Philip Mercurio III MSc, BSc (Honours) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Medicine National Research Centre for Environmental Toxicology (Entox) Faculty of Medicine and Biomedical Sciences Abstract Agricultural herbicides are ubiquitous in the nearshore water bodies of the World Heritage listed Great Barrier Reef (GBR). The main transport mechanism for herbicides is via offsite migration during intense monsoonal rainfall events of the wet season. However, some herbicides can be detected year round, indicating potentially long persistence. Despite the high mobility and potential toxicity of herbicides, there is very little information on the degradation of herbicides in the marine environment. This study was comprised of 4 major components: (i) flask experiments to test herbicide degradation over 60 days; (ii) an extended flask experiment for 365 days including light and temperature treatments; (iii) an outdoor open tank experiment for 365 days with light and sediment treatments; and (iv) experiments to examine the potential toxicity of transformation products. The flask degradation experiments were designed to mimic natural conditions including low herbicide concentrations, relevant temperatures and light and the inclusion of natural microbial communities. Very little degradation was recorded over the standard 60 d period (Experiment 1). The second experiment over 365 d revealed half-lives of PSII herbicides ametryn, atrazine, diuron, hexazinone and tebuthiuron were consistently greater than a year. The detection of atrazine and diuron metabolites and longer persistence in mercuric chloride-treated seawater confirmed that biodegradation contributed to the breakdown of herbicides. -
Comfest Volunteer Party at Hot Times Friday, September 9 Hot 6 PM to Midnight Wear Your 2016 T-Shirt Times Check in at the Comfest Table Festival in Volunteer Central
COMFEST.COM COMMUNITY FESTIVAL 2016 3 Welcome to ComFest 2016 WHAt’s INSIDE? Welcome to ComFest! Welcome ........................................................ 3,4 In a world that claims to offer many “alternatives”—music, media, food, Festival Rules .................................................... 5 you name it—this festival is unlike any in Columbus and unique among Spirit and Purpose ...................................7, 24-27 similar festivals across the country. Who We Are ...................................................... 8 It began as Community Festival in 1972 in the University District as an artistic and political celebration of alternatives to mainstream culture. It ComFest Principles/Meeting Schedule ............... 9 grew from an early coalition of counter-cultural organizations—food co-op, Honored Community Activist .............................11 health center, tenants union, underground newspaper, and phone information This Year's Slogan: Powered By Community.......13 center—addressing needs not being met by the larger culture. Working with Honored Community Organization ...................15 owners of small businesses such as import and clothing stores, head shops, Information Station/Field Guide .......................16 and jewelers, the group organized a two-day festival at 16th & Waldeck in Clean-up & Recycling ........................................17 the University area. Volunteer Thank Yous ................................18 - 23 The principles around which the coalition organized remain the guiding ideals -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
Könnyűzene” Történetéből Sinkó Dániel Tartalomjegyzék
14 kiemelkedő év a „könnyűzene” történetéből Sinkó Dániel Tartalomjegyzék: Előszó ….......................................................................…….. 3 1979-Pink Floyd, The Wall...................................................... 6 1980-Genesis, Duke ............................................................. 17 1981-Szabó Gábor, Femme Fatale........................................... 25 1981- King Crimson, Discipline …………………………….. 30 1982-Miles Davis, We want Miles.......................................... 39 1983-Yes, 90125 ....................................................................... 46 1983- Manfred Mann Earth Band, Somewhere in Africa ….... 53 1984-Pat Metheny, First circle …............................................… 60 1985- Dire Straits, Brothers in Arms …...................................… 67 1986-Peter Gabriel, So …........................................................... 75 1986-Paul Simon Graceland…………………………………….. 85 1987-U2, The Joshua tree.......................................................... 96 1987-Sting, Nothing Like the sun............................................. 105 1988-Pink Floyd, Delicate Sound of thunder............................. 114 1989-Jeff Beck, Guitar shop. …............................................... 123 1990- Phish, Lawn Boy …....................................................... 129 1991- U2, Achtung Baby........................................................ 134 1992- R.E.M., Automatic for the people …............................ 146 1992- Mike Oldfield, Tubular -
15! Phish—Comprised of Trey Anastasio on Guitar and Lead Vocals
Phish—comprised of Trey Anastasio on guitar and lead vocals; Mike Gordon on bass and vocals; Page McConnell on piano, keyboards, and vocals; and Jon “Fish” Fishman on drums and vocals—formed at the University of Vermont (UVM) in the early ‘80s and became one of the most successful rock bands ever. Their success story is built upon a rare combination of raw talent, strategic business acumen, and various moments of rock and roll serendipity. An abbreviated synopsis of Phish’s formation helps to place their trajectory and subsequent press coverage in context. Recognized as the first Phish gig, Anastasio, Gordon, Fishman, and brief member Jeff Holdsworth played as Blackwood Convention at a UVM cafeteria on December 2, 1983. In late 1984, they adopted the name Phish, reportedly in homage to Fishman. Through this period in the early-‘80s they were also joined by brief member Marc “Daubs” Daubert on percussion and occasional guest Steve Pollack, “The Dude of Life.” In May, 1985, nearby Goddard College student Page McConnell joined the band for the first concert collaboration of what would eventually become the four constant Phish members. McConnell was invited to join the band permanently in September that year. In spring of 1986, Holdsworth graduated from UVM and left the band. With the departure of Holdsworth, Phish’s current four-member lineup emerged (Mockingbird, 2004, p. 5). Gehr (1998) explained that “Phish had covered several Dead tunes during their first couple of years together but soon dropped them to avoid the onus of being pigeonholed as yet another Dead cover band” (p. -
"You'll Get Used to It!": the Internment of Jewish Refugees in Canada, 1940–43
"You'll Get Used to It!": The Internment of Jewish Refugees in Canada, 1940–43 by Christine Whitehouse A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Carleton University Ottawa, Ontario © 2016, Christine Whitehouse Abstract After the fall of France in 1940, when German invasion of the British Isles seemed imminent, some 2000 Jewish refugees from Nazi oppression were detained by the British Home Office as dangerous "enemy aliens" and sent to Canada to be interned for the duration of the war. While the British government admitted its mistake in interning the refugees within months of their arrest, the Canadian government continued to keep them behind barbed wire for up to three years, reflecting its administration's anti-semitic immigration policies more broadly. Instead of using their case as a signpost in Canada's liberalizing immigration history, this dissertation situates their story in a longer narrative of class and ethnic discrimination to show the troubling foundations of modern democracy. As one tool in the nation state's normalizing project, incarceration attempted to mould the Jewish men in the state's eye. How the refugees pushed back in a joint claim of selfhood forms the material basis of this study. Through their relationship with the spaces of internment, work and leisure, sexual desire and gender performance, and by protesting governmental power, the refugees' identities evolved and coalesced, demonstrating the fluidity of modern selfhood despite the limiting power of nationhood. The internees' evolving sense of self played a large role in their experience and the development of their collective postwar narrative which trumpets their own success in Canada; while the state differentiated them from its own citizenry, the Jewish refugees pushed back in order to be seen as valuable contributors to the national body. -
Music, Sound and the Networked Performance
MUSIC, SOUND AND THE NETWORKED_PERFORMANCE BLOG BY HELEN THORINGTON For the Extensible Toy Piano Symposium “Play!: Contemporary Composition, Technology and Listening” Clark University, November 5, 2005 Introduction In July 2004, Michelle Riel, Assistant Professor of New Media at California State University Monterey Bay (CSUMB), Jo-Anne Green, my colleague at Turbulence.org, and I originated the networked_performance blog.1 It was our intent to chronicle current network-enabled practice, to obtain a wide-range of perspectives on issues and to uncover commonalities in the work. For our purpose, we defined networked_performance as any live event that is network enabled. We included any form of networking in which computational devises speak to each other and create a feedback loop. What the blog revealed and continues to reveal in its over 1900 entries is an explosion of creative experimental pursuits2 made possible by the migration of computation out of the desktop pc and into the physical world, where it is becoming increasingly woven into the fabric of our lives*, and by the continuing advances in internet technologies, wireless telecommunications, sensor technologies and Geographic Information Systems (GIS). In these explorations artists are utilizing pervasive, ubiquitous computing technologies that are inexpensive, readily available, and most importantly, mobile and wirelessly networked. These include technologies, devices, and protocols such as mobile phones, PDAs, GPS cards, Wi-Fi, Bluetooth, sensors, and open source software. The blog further reveals that these technologies are being utilized by a growing generation of programming capable artists and artistically minded engineers and computer scientists. In virtually all of this new work, the ephemeral conceptual art practices that came into existence during the 50s and 60s – with John Cage, Happenings, Fluxus, the Situationists, and others – and that re-emerged as participatory works on the Internet in the early ‘90s, are now proliferating as new ways of working and experiencing. -
Best Paws Forward Among Grads with Operating New Life Chances
CYAN MAGENTA YELLOW BLACK » TODAY’S ISSUE U DAILY BRIEFING, A2 • TRIBUTES, A6 • CLASSIFIEDS, B6 • VALLEY GROWS, D1 • PUZZLES & TV, D3 FOOD, FUN AND FIREWORKS JOINING THE PENGUINS DOW HITS 22K 50% City preps for Italian fest Athlete in Steubenville case walks on Apple drives up average OFF VALLEY 24 | C6 SPORTS | B1 BUSINESS | A10 vouchers. DETAILS, A3 FOR DAILY & BREAKING NEWS LOCALLY OWNED SINCE 1869 THURSDAY, AUGUST 3, 2017 U 75¢ Strike talk again at YSU as contract talks continue process beginning Friday ties reject the report in the union members could walk Faculty union, board of trustees in which mediator Susan two weeks after its issuance, off their jobs if an agreement to take part in fact-fi nding process Grody Ruben of the National negotiations can continue isn’t reached. Academy of Distinguished and the union is allowed to University spokesman Ron By AMANDA TONOLI knowledge of the union’s Neutrals of Cleveland begins strike, according to the Ohio Cole said “unfortunately” at [email protected] position. VINDICATOR listening to presentations. Civil Service Employees this time the contract ne- YOUNGSTOWN Whether the university’s EXCLUSIVE Once presentations are Association. gotiations call for a media Youngstown State Univer- chapter of the Ohio Educa- Ruben finished, Ruben then will However, a source told The blackout and he must up- sity’s faculty is making prep- tion Association hits the have 10 days to issue a re- Vindicator the OEA’s strike hold it. arations to strike before the picket lines will be deter- The OEA and the YSU port from the fact-finding committee met Wednesday No details from the cur- start of the 2017-18 academ- mined by current negotia- Board of Trustees will par- session. -
Ntra Annual Report to the Membership | 2006-2007
NTRA ANNUAL REPORT to the MEMBERSHIP | 2006 -2007 NTRA MEMBER ASSOCIATIONS Map Key NTRA Member Track NTRA Member Horsemen’s Association NTRA Member Off-Track Betting Association NTRA Affiliate Founding Members • Tampa Bay HBPA United States Stampede Park LOUISIANA OHIO Breeders’ Cup Limited • Texas Horsemen’s Equestrian Federation Woodbine Fair Grounds Beulah Park Partnership LLP Keeneland Association United States Polo Entertainment Group Harrah’s, Louisiana Thistledown • Virginia HBPA Association National Thoroughbred Downs • Washington HBPA COLORADO OKLAHOMA Association United States Trotting National THA Association Arapahoe Park MARYLAND Remington Park Oak Tree Racing • Television Games Laurel Association Delaware THA DELAWARE OREGON • Illinois THA Network Pimlico The Jockey Club Delaware Park Portland Meadows • Maryland THA Racetracks Thoroughbred Owners MASSACHUSETTS • New Jersey THA FLORIDA and Breeders ARKANSAS Suffolk Park PENNSYLVANIA Association • New York THA Oaklawn Park Calder Race Course The Meadows Thoroughbred Owners Gulfstream Park MICHIGAN Philadelphia Park Horsemen’s of California CALIFORNIA Tampa Bay Downs Great Lakes Downs Associations Bay Meadows PUERTO RICO Off-Track Betting IDAHO MINNESOTA Hipodromo Camarero Kentucky Thoroughbred Organizations California Authority of Racing Fairs Les Bois Park Canterbury Park Association TEXAS Connecticut OTB Del Mar National HBPA, Inc. ILLINOIS NEBRASKA Lone Star Park • Arizona HBPA Montana Simulcast Fairplex Park Partners Arlington Park Horsemen’s Park • Arkansas HBPA Golden -
Digital Program
2016 INTERNATIONAL WFTDA PLAYOFFS N AT I FRI•SAT•SUN E R O N T A N L I AUGUST 19-21 WFTDA.com/Tournaments WICHITA, KS W S F F T F D O A P L A Y #3 Speed O' Houston Roller Derby #10 Enigma Kansas City Roller Warriors HOSTED BY: ICT Roller Girls Jet City Rollergirls, WASHINGTON, USA • Houston Roller Derby, TEXAS, USA • Nashville Rollergirls, TENNESSEE, USA • Brandywine Roller Derby, PENNSYLVANIA, USA • Kansas City Roller Warriors, KANSAS, USA • Tucson Roller Derby, ARIZONA, USA • Blue Ridge Rollergirls, NORTH CAROLINA, USA • Boulder County Bombers, COLORADO, USA • Chicago Outfit Roller Derby, ILLINOIS, USA • Carolina Rollergirls, NORTH CAROLINA, USA PHOTO: DANFORTH JOHNSON ADS/COPY N AT I O E R N T A N L I nothing TO BEING THERE W S F compares T T N D E A M TO U R N A WELCOME 2016 WFTDA DIVISION 2 PLAYOFFS On behalf of the WFTDA Board of Directors, Officers, and staff, I am excited to welcome you to the 2016 International WFTDA Division 2 Playoffs. Nothing compares to being here. Plain and simple. The fantastic feats of athleticism on the track, the excitement and emotion in the stands, the concentration and attention to detail on the dais, and the enticing goods in the vendor village. This is roller derby. We are roller derby. So who will you be today? Will you be persistent and powerful, strong and swift, a leader on the track? Will you be fierce and fast and forceful, a goal setter…a record breaker? Will you be focused and creative? Will you capture that amazing shot? Will you paint your face and put on your colors? Will you chant and sing and cry and scream? One thing is clear—whether you’re a Skater, Official, photographer, announcer, or fan (or any combination thereof), TODAY YOU WILL BE ROLLER DERBY! This weekend wouldn’t be possible without the tremendous amount of support and time our hosts, ICT Roller Girls, and all of their volunteers have put in. -
For Meeting Location, Dates and Times: 2021
COMFEST.COM VIRTUAL COMMUNITY FESTIVAL 2020 3 Virtual Welcome 2020 In any other year, this Welcome would be a greeting to you upon entering Goodale Park, a physical space that has been ComFest’s home for almost three decades. But this isn’t any other year. It’s a year of what happened and what didn’t happen, of pandemic, uncertainty, lockdowns, and social distancing. A year of cancelled or diminished arts events, concerts, worship services, athletic competitions, conventions, graduation ceremonies, weddings, memorial services. Another year of a president who is the embodiment of 1984’s Newspeak. Another year of those in charge of the federal government continuing their assaults on democracy. A year that has filled the streets with angry protests against police violence WHAT’S INSIDE? and racism. Katelyn Ratajczak Logo .....................Front Cover Nonetheless, welcome to 2020’s virtual ComFest. Paul Volker Logo .............................................. 2 Since 1972’s original Community Festival, the concept of Welcome Virtually ......................................... 3-4 community has been central to this annual celebration. The small group of artists, craftspeople, political activists, small businesspeople, ComFest Principles/Mission Statement ............. 5 and musicians who organized that first festival on 16th Avenue ComFest 365 ................................................... 6 in 1972 had, over a number of years, developed a counter-culture ComFest During Covid-19 and George Floyd .. 7-8 supporting alternative lifestyles that rejected militarism and Spirit & Purpose ............................................... 8 consumer culture, nurtured collective effort, and supported liberation movements here and abroad. They hoped to enlarge the word ComFest Grants ................................................ 9 community beyond description of a physical, geographic space to a Honored Community Organization .................10 psychological space that offered a different way of relating to each Organize For Justice other and the world. -
UT to Celebrate Rocky's 50Th Birthday at Homecoming
utnews.utoledo.edu OCT. 10, 2016 VOLUME 17, ISSUE 8 UT to celebrate Rocky’s 50th birthday at Homecoming By Carly Weigand et your party hats on: “Rocky’s 50th Golden a night of Las Vegas-style entertainment. GBirthday Celebration” is the theme of The Uni- Exchange fun money for tokens to use to versity of Toledo’s Homecoming. play at blackjack and Texas hold ’em tables, Homecoming is something different for everyone, money wheels and slot machines. Or swap according to Katie Smith, UT senior and Homecoming tokens for Chinese auction raffle tickets for a director. chance to win prizes. “For students, it is a chance to learn more about • Midnight Breakfast, 9 to 11 p.m., Student UT traditions and to make memories. And for alumni, Union South Dining Hall. Countdown to it’s a chance to return to UT and reminisce about the Rocky’s birthday during this midnight memories they made years ago,” Smith said. breakfast. Ice Cream Militia will perform. “I hope that the community gets a better Admission is a meal swipe or donation for understanding of The University of Toledo and its rich the Make-A-Wish Foundation. history and traditions. There are many opportunities to TUESDAY, OCT. 11 participate in this year’s Homecoming, and I’d love to • Outdoor Roller Skating Rink, 6 to 8 p.m. see people out making memories of their own.” in parking lot 8 behind Carter Field. Roller Homecoming week activities planned this year skate with Rocky during his disco birthday include: party that will feature classic hits such as MONDAY, OCT.