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THE PRODUCERS Matt Byrne Media
www.theatreguide.com.au Supporting live theatre in Adelaide PO Box 10278 [email protected] ADELAIDE BC SA 5000 ABN : 93 297 960 525 THE PRODUCERS Matt Byrne Media Arts Theatre Until 4 August 2007 (Shedley Theatre 9-11 August) Review by John Wells I could smell hubris in the air. An Adelaide company doing “The Producers” – the Mel Brooks show that took Broadway by the scruff of its neck and was showered with Tonys? Could an Adelaide amateur company do this show? Attempting a production of this impeccable and brilliantly-credentialed show is remarkably ambitious. With two films and the wildly successful stage musical already seared into the public consciousness, it is impossible to create an original rendering. Add to this the limited budget of amateur theatre and the risks of presenting a spectacular dud are high. But this is no dud. “The Producers” is by no means perfect, but it is an enjoyable, tight and funny show. With disciplined performances, and comical and precise characterisations, Director Glenn Vallen must take the credit for the success of this production. “The Producers” is the story of the failed, bombastic Broadway producer Max Bialystock and his mousy accountant Leo Bloom. They plan to raise millions of dollars to produce a sure-fire flop, and then run off with the investors’ cash when the show closes. When they find “Springtime for Hitler”, a musical honouring the Fuhrer by a local Nazi, they think they’ve found their perfect turkey. “The Producers” depends primarily on Bialystock and Bloom. If they are ineffective, the show cannot succeed. -
YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito
Youth Musical Theater Company FOR IMMEDIATE RELEASE Press Inquiries: Laura Soble/YMTC Phone 510-595-5514 Email: [email protected] Website: https://www.ymtcbayarea.org YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito Berkeley, California, September 27, 2019—Youth Musical Theater Company (YMTC) will launch its 15th season of acclaimed regional theater with the rock musical Rent. The show opens Sunday, November 3, at the Performing Arts Theater, 540 Ashbury Ave., El Cerrito. Its run consists of a 5:00 p.m. opening (11/3), two 2:00 p.m. matinees (11/9, 11/10), and three 7:30 p.m. performances (11/7, 11/8, 11/9). Rent is a rock opera loosely based on Puccini’s La Boheme, with music, lyrics, and book by Jonathan Larson. Set in Lower Manhattan’s East Village during the turmoil of the AIDS crisis, this moving story chronicles the lives of a group of struggling artists over a year’s time. Its major themes are community, friendship, and survival. In 1996, Rent received four Tony Awards, including Best Musical; six Drama Desk Awards; and the Pulitzer Prize for Drama. In 1997, it won the Grammy Award for Best Musical Show Album. Its Broadway run lasted 12 years. Co-Director Jennifer Boesing comments, “Rent is a love story and a bold, brazen manifesto for young artists who are trying not just to stay alive, but to stay connected to each other, when the mainstream culture seems to be ignoring signs of destruction all around them. Although the show today is a period piece about a very specific historical moment—well before the earliest memories of our young performing artists—they relate to it deeply just the same. -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
INTO the WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim
PRESENTS INTO THE WOODSIN CONCERT Book by James Lapine Music and Lyrics by Stephen Sondheim Directed by Michael Torontow NOVEMBER 14 -16, 2019 Georgian Theatre, Barrie | 705-792-1949 www.tift.ca Presented by | Season Partner Artistic Producer Arkady Spivak INTO THE WOODS Book by James Lapine Music and Lyrics by Stephen Sondheim Director Michael Torontow Music Director Wayne Gwillim Choreographer Lori Watson Set and Lighting Designer Joe Pagnan Costume Designer Laura Delchiaro Production Manager Jeff Braunstein Stage Manager Dustyn Wales Assistant Stage Manager Sam Hale Sound Designer Joshua Doerksen Props Master Vera Oleynikova CAST OF CHARACTERS Cast Baker-------------------------------------------------------------------------------------------------------------------------------Aidan deSalaiz Cinderella’s Prince, Wolf, Lucinda------------------------------------------------------------------------------------Griffin Hewitt Witch---------------------------------------------------------------------------------------------------------------------------------Alana Hibbert Rapunzel’s Prince, Florinda, Milky White-------------------------------------------------------------------------Richard Lam Baker’s Wife---------------------------------------------------------------------------------------------------------------Jamie McRoberts Jack’s Mother, Stepmother, Granny, Giant------------------------------------------------------------------Charlotte Moore Jack, Steward------------------------------------------------------------------------------------------------------------------Justin -
The Dinner Theatre of Columbia
The Dinner TheaTre of Columbia Presents SepTember 11 - november 15, 2015 The Dinner TheaTre of Columbia Presents Ragtime, the Musical Book by Terrence McNally Music by Lyrics by Stephen Flaherty Lynn Ahrens Based on “Ragtime” by E.L. Doctorow Directed & Staged by Toby Orenstein & Lawrence B. Munsey Musical Direction by Ross Scott Rawlings Choreography by Ilona Kesell Set Design by Light Design by Sound Design by David A. Hopkins Lynn Joslin Mark Smedley Costumes by Lawrence B. Munsey Ragtime, the Musical is presented through special arrangement with Music Theatre International, 421 West 54th Street, New York, NY 10019. 212-541-4684 www.MtiShows.com Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Fog & Strobe effects may be used in this performance. Toby’s Dinner Theatre of Columbia • 5900 Symphony Woods Road • Columbia, MD 21044 Box Office (410) 730-8311 • (301) 596-6161 • (410) 995-1969 www.tobysdinnertheatre.com PRODUCTION STAFF Directors .................................................................. Toby Orenstein & Lawrence B. Munsey Music Director/ Orchestrations............................................................ Ross Scott Rawlings Production Manager ................................................................................. Vickie S. Johnson Choreographer .................................................................................................. Ilona Kessell Scenic Designer ........................................................................................ -
Broadway Balances America
FOR IMMEDIATE RELEASE JANUARY 15, 2016 “BROADWAY BALANCES AMERICA” SERIES GIVES YOU A BEHIND-THE-SCENES LOOK AT WHAT IT TAKES TO BE A QUADRUPLE THREAT WITH THE CAST OF ROUNDABOUT THEATRE COMPANY’S TONY AWARD®-WINNING CABARET AIRING EXCLUSIVELY ON “THE BALANCING ACT®” ON LIFETIME® TELEVISION TUESDAY, JANUARY 26nd AT 7:30AM (ET/PT) CABARET concludes Season Two of six-part “Broadway Balances America” Series New York, NY - Broadway Across America’s collaboration with the award-winning morning show “The Balancing Act®” on the Lifetime® Channel continues with the last Season Two installment of the six-part series “Broadway Balances America” featuring Roundabout Theatre Company’s 50th anniversary production of Tony Award®-winning CABARET. This new episode debuts on Tuesday, January 26 at 7:30AM (ET/PT) and will re-air on Tuesday, February 2 at 7:30AM (ET/PT). Roundabout Theatre Company’s CABARET, comes to Milwaukee as part of the 2015/2106 Associated Bank Broadway at the Marcus Center Series. Performances at the Marcus Center run February 23-28. Tickets are on sale now at the Marcus Center Box Office, 929 North Water Street, by phone at 414-273-7206 or online at Ticketmaster.com or MarcusCenter.org. Groups 10 or more should call Group Sales at 414-273- 7121 x210. “The Balancing Act®” correspondent Amber Milt asks you to leave your troubles outside and take a peek behind the curtain into the world of Roundabout Theatre Company’s CABARET. In this segment, you get a glimpse of a day in the life of a few cast members that make up the Kit Kat Girls of CABARET. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
The Maple Shade Arts Council Summer Theatre the MAPLE SHADE Announces Our Summer Children's Show ARTS COUNCIL Once Upon a Mattress PROUDLY PRESENTS
The Maple Shade Arts Council Summer Theatre THE MAPLE SHADE announces our summer children's show ARTS COUNCIL Once Upon A Mattress PROUDLY PRESENTS PERFORMANCES: August 6 @ 7:30PM August 7 @ 7:30PM August 8 @ 2:00PM and 7:30PM Tickets: $10—adults $8—children/senior citizens Visit www.msartscouncil.org to purchase tickets today! For more information about the Summer Theatre program and how to register for next year, email [email protected] Bring in your playbill or ticket to July 10, 11, 12, 17, 18, 19 @ 7:30PM 114-116 E. MAIN ST. receive a 15% discount off your Maple Shade High School MAPLE SHADE, NJ 08052 bill. Valid before or after the (856)779-8003 performances on July 10-12 and Auditorium 17-19. Not valid with any other coupons, offers, or discounts. 2014 Sponsors OUR MISSION STATEMENT The Maple Shade Arts Council wishes to express our sincere gratitude to the many sponsors to our organization. The Maple Shade Arts Council is a non-profit organization We appreciate your support of the Arts Council. comprised of educators, parents, and community members whose objective is to provide artistic programs and events that will be entertaining, educational, and inspirational for the community. The Arts Council's programming emphasizes theatrical productions and workshops, yet also includes programming for the fine and performing arts. Maple Shade Arts Council Executive Board 2014 President Michael Melvin Vice President Jillian Starr-Renbjor Secretary AnnMarie Underwood Treasurer Matthew Maerten Publicity Director Rose Young Fundraising Director Debra Kleine Fine Arts Director Nancy Haddon *ALL CONCESSIONS WILL BE SOLD PRIOR TO THE SHOW BETWEEN 6:45PM-7:25PM—THERE WILL ONLY BE A BRIEF 10 MINUTE BATHROOM/SNACK BREAK AT INTERMISSION. -
Monty Python's SPAMALOT
Monty Python’s Spamalot CHARACTERS Please note that the ages listed just serve as a guide. All roles are available and casting is open, and newcomers are welcome and encouraged. Also, character doublings are only suggested here and may be changed based on audition results and production needs. KING ARTHUR (Baritone, Late 30s-60s) – The King of England, who sets out on a quest to form the Knights of the Round Table and find the Holy Grail. Great humor. Good singer. THE LADY OF THE LAKE (Alto with large range, 20s-40s) – A Diva. Strong, beautiful, possesses mystical powers. The leading lady of the show. Great singing voice is essential, as she must be able to sing effortlessly in many styles and vocal registers. Sings everything from opera to pop to scatting. Gets angry easily. SIR ROBIN (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. Ironically called "Sir Robin the Brave," though he couldn't be more cowardly. Joins the Knights for the singing and dancing. Also plays GUARD 1 and BROTHER MAYNARD, a long-winded monk. A good mover. SIR LANCELOT (Tenor/Baritone, 30s-40s) – A Knight of the Round Table. He is fearless to a bloody fault but through a twist of fate discovers his "softer side." This actor MUST be great with character voices and accents, as he also plays THE FRENCH TAUNTER, an arrogant, condescending, over-the-top Frenchman; the KNIGHT OF NI, an absurd, cartoonish leader of a peculiar group of Knights; and TIM THE ENCHANTER, a ghostly being with a Scottish accent. -
FOR IMMEDIATE RELEASE Press Contact: Kathy Kahn
FOR IMMEDIATE RELEASE Press contact: Kathy Kahn, [email protected], 510-418-8523 Theater contact: Harriet Schlader, [email protected], 510-531-9597 Woodminster Summer Musicals AUGUST 2015 -- CALENDAR INFORMATION WHAT: The Producers PERFORMED BY: Woodminster Summer Musicals by Producers Associates, Inc. WHERE: Woodminster Amphitheater in Joaquin Miller Park, 3300 Joaquin Miller Road, Oakland WHEN: August 7-16, 2015 PERFORMANCES: August 7, 8, 9, 13, 14, 15, 16 - 8 p.m. TICKETS: 510-531-9597, or www.woodminster.com, $28-$59 (Discounts for children, seniors, groups) PREVIEW PERFORMANCE: August 6, 8 p.m., All tickets $18 at the door. (Since it's a rehearsal, the show may be stopped to solve technical problems.) A New Mel Brooks Musical, Book by Mel Brooks and Thomas Meehan, Music and Lyrics by Mel Brooks, Based on the 1968 Film, Original direction and choreography by Susan Stroman, Produced by arrangement with Music Theatre International. Photo caption: Greg Carlson* as Max Bialystock, Melissa Reinerston as Ulla, and John Tichenor* as Leo Bloom. PRESS RELEASE The Producers Opens August 7 at Woodminster Summer Musicals Stage Musical is Adapted from Mel Brooks' Classic Comedy Film July 20, 2015, Oakland, CA -- Producers Associates, Inc. announces that the 2015 season of Woodminster Summer Musicals will continue with The Producers, the hit Broadway musical based on the 1968 Mel Brooks film of the same name. It will run August 7-16 at Woodminster Amphitheater in Oakland's Joaquin Miller Park, located at 3300 Joaquin Miller Road in the Oakland hills. The Producers tells the story of a down-on-his-luck Broadway producer and his nervous accountant, who together come up with a scheme to make a million dollars (each) by producing the worst flop in Broadway history.