Academy Performance Group Theatre Company

Total Page：16

File Type：pdf, Size：1020Kb

Academy Performance Group Theatre Company Academy Performance Group is our first level audition only theatre company for those ATA students who have a true passion for musical theatre performance and wish to advance their theatrical training to a more intensive level. Members of Academy Performance Group Theatre Company have the ability to perform in their own full- length production in March as well as being the showcase performers in both the January and May ATA school showcases. They are also able to attend the Shea’s Broadway Jr. Celebration in Spring 2017 and Broadway Bound with YPA Conference in June. The APG Theatre Company is the musical theatre equivalent of a sports travel or tournament team and APG company members MUST be committed and take their placement and responsibility to the company very seriously. Mandatory Rehearsal Hours: Monday 4:30pm – 7:30pm: Vocal Performance and Dance Thursday 4:30pm – 6:00pm: Dance and Acting First Saturday of each month 9:00am – 12:00pm: Dance Workshop (For September, the Dance workshop will take place on Saturday, September 12) Extra rehearsal hours as scheduled/needed for specific productions (Extra rehearsal schedule to be handed out at beginning of 2015/2016 season) Tuesday 7:30pm-8:15pm: Introduction to Tap (optional) Important Dates: January Mid-Season School Showcase: January 19-22, 2017 APG Musical “Anything Goes.”: March 16-18, 2017 May School Showcase: May 18-21, 2017 Shea’s Broadway Jr. Celebration: Spring 2017 (Specific Date TBA) Broadway Bound with Young Performers of America Conference: Saturday, June 10, 2017 Cost: $175/month Audition Dates: Tuesday, June 28, 2016 5:30pm-7:00pm or Thursday, June 30, 2016 5:30pm-7:00pm If you would like to audition for the Academy Performance Group Theatre Company; Please email us at [email protected] to sign up for an audition time and to receive audition information. Because there are only a specific amount of spots to be filled for APG, If you are not accepted into the APG Theatre Company for the 2016/2017 season; a regular class schedule for the 2016/2017 season will be given to you. You must fill out and complete an ATA registration form that will be emailed the first week of June prior to audition date. .

Copy Link

Recommended publications

THE PRODUCERS Matt Byrne Media
www.theatreguide.com.au Supporting live theatre in Adelaide PO Box 10278 [email protected] ADELAIDE BC SA 5000 ABN : 93 297 960 525 THE PRODUCERS Matt Byrne Media Arts Theatre Until 4 August 2007 (Shedley Theatre 9-11 August) Review by John Wells I could smell hubris in the air. An Adelaide company doing “The Producers” – the Mel Brooks show that took Broadway by the scruff of its neck and was showered with Tonys? Could an Adelaide amateur company do this show? Attempting a production of this impeccable and brilliantly-credentialed show is remarkably ambitious. With two films and the wildly successful stage musical already seared into the public consciousness, it is impossible to create an original rendering. Add to this the limited budget of amateur theatre and the risks of presenting a spectacular dud are high. But this is no dud. “The Producers” is by no means perfect, but it is an enjoyable, tight and funny show. With disciplined performances, and comical and precise characterisations, Director Glenn Vallen must take the credit for the success of this production. “The Producers” is the story of the failed, bombastic Broadway producer Max Bialystock and his mousy accountant Leo Bloom. They plan to raise millions of dollars to produce a sure-fire flop, and then run off with the investors’ cash when the show closes. When they find “Springtime for Hitler”, a musical honouring the Fuhrer by a local Nazi, they think they’ve found their perfect turkey. “The Producers” depends primarily on Bialystock and Bloom. If they are ineffective, the show cannot succeed.
[Show full text]
YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito
Youth Musical Theater Company FOR IMMEDIATE RELEASE Press Inquiries: Laura Soble/YMTC Phone 510-595-5514 Email: [email protected] Website: https://www.ymtcbayarea.org YMTC to Present the Rock Musical Rent, November 3–10 in El Cerrito Berkeley, California, September 27, 2019—Youth Musical Theater Company (YMTC) will launch its 15th season of acclaimed regional theater with the rock musical Rent. The show opens Sunday, November 3, at the Performing Arts Theater, 540 Ashbury Ave., El Cerrito. Its run consists of a 5:00 p.m. opening (11/3), two 2:00 p.m. matinees (11/9, 11/10), and three 7:30 p.m. performances (11/7, 11/8, 11/9). Rent is a rock opera loosely based on Puccini’s La Boheme, with music, lyrics, and book by Jonathan Larson. Set in Lower Manhattan’s East Village during the turmoil of the AIDS crisis, this moving story chronicles the lives of a group of struggling artists over a year’s time. Its major themes are community, friendship, and survival. In 1996, Rent received four Tony Awards, including Best Musical; six Drama Desk Awards; and the Pulitzer Prize for Drama. In 1997, it won the Grammy Award for Best Musical Show Album. Its Broadway run lasted 12 years. Co-Director Jennifer Boesing comments, “Rent is a love story and a bold, brazen manifesto for young artists who are trying not just to stay alive, but to stay connected to each other, when the mainstream culture seems to be ignoring signs of destruction all around them. Although the show today is a period piece about a very specific historical moment—well before the earliest memories of our young performing artists—they relate to it deeply just the same.
[Show full text]
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA
[Show full text]
Into the Woods Character Descriptions
Into The Woods Character Descriptions Narrator/Mysterious Man: This role has been cast. Cinderella: Female, age 20 to 30. Vocal range top: G5. Vocal range bottom: G3. A young, earnest maiden who is constantly mistreated by her stepmother and stepsisters. Jack: Male, age 20 to 30. Vocal range top: G4. Vocal range bottom: B2. The feckless giant killer who is ‘almost a man.’ He is adventurous, naive, energetic, and bright-eyed. Jack’s Mother: Female, age 50 to 65. Vocal range top: Gb5. Vocal range bottom: Bb3. Browbeating and weary, Jack’s protective mother who is independent, bold, and strong-willed. The Baker: Male, age 35 to 45. Vocal range top: G4. Vocal range bottom: Ab2. A harried and insecure baker who is simple and loving, yet protective of his family. He wants his wife to be happy and is willing to do anything to ensure her happiness but refuses to let others fight his battles. The Baker’s Wife: Female, age: 35 to 45. Vocal range top: G5. Vocal range bottom: F3. Determined and bright woman who wishes to be a mother. She leads a simple yet satisfying life and is very low-maintenance yet proactive in her endeavors. Cinderella’s Stepmother: Female, age 40 to 50. Vocal range top: F#5. Vocal range bottom: A3. The mean-spirited, demanding stepmother of Cinderella. Florinda And Lucinda: Female, 25 to 35. Vocal range top: Ab5. Vocal range bottom: C4. Cinderella’s stepsisters who are black of heart. They follow in their mother’s footsteps of abusing Cinderella. Little Red Riding Hood: Female, age 18 to 20.
[Show full text]
Rachel Chavkin Takes on Broadway
Arts & Humanities High Art, High Ideals: Rachel Chavkin Takes on Broadway The Tony Award-winning director of Hadestown may be theater’s most forward- thinking artist. By Stuart Miller '90JRN | Fall 2019 Zack DeZon / Getty Images Making her way to the stage of Radio City Music Hall to accept the 2019 Tony Award for best direction of a musical, Rachel Chavkin ’08SOA was thinking about time. She had all of ninety seconds to get to the microphone and deliver her speech, which was written on a much-creased piece of paper folded in her hands. Seven months pregnant, Chavkin, thirty-eight, was not about to sprint. As she told Columbia Magazine days later, “I warned my husband: if they call my name, I won’t have time to hug you!” Hadestown, an enthralling, profoundly moving retelling of the myth of Orpheus and Eurydice, would, by night’s end, capture eight awards, including best original score and best musical. The accolades were not only hard won — Chavkin, a leading light of experimental theater, and Anaïs Mitchell, a singer-songwriter from Vermont, shaped and refined Hadestown for seven years — but also, some might say, overdue. In seventy-three years of the Tony Awards (named after Antoinette Perry, an actress, director, and theater advocate), Chavkin became just the fourth woman to win for best direction of a musical, joining Julie Taymor (The Lion King), Susan Stroman (The Producers), and Diane Paulus ’97SOA (Pippin). And in 2019, out of twelve new musicals on Broadway, Hadestown was the only one directed by a woman. The show, playing at the Walter Kerr Theatre on West 48th Street, is set mostly in a New Orleans–style barrelhouse at a time of economic and environmental decay.
[Show full text]
Meet the Company of RSVP's Spamalot!
Meet the Company of RSVP’s Production of Monty Python’s Spamalot! The Cast: Sammie Joe Baltes (Laker Girl/Frenchie) is excited to spend another summer with RSVP! She has been seen in numerous RSVP productions including Gypsy, Annie Get Your Gun, and The Sound of Music. Sammie Joe was most recently seen tapping for scholarships in Dancing with the Randolph Stars. “Many thanks and lots of love to my Squad!” Karissa Carpenter (Laker Girl/Frenchie) is an upcoming freshman and cheerleader at Catawba College with a major in theatre and psychology. She has been in various RSVP productions including A Midsummer Night’s Dream, Annie Get Your Gun, The Sound of Music, and The Wizard of Oz. She is honored to be involved with such a wonderful cast. “It has truly been an amazing experience.” Casey Daniel (Sir Robin) is so happy to be a part of Spamalot as his first production here at RSVP. He wants to thank his family, friends, and professors for pushing him to work hard. He would also like to add "Chipotle is love, Chipotle is life." Lydia Davis (Lady of the Lake) is a graduate of UNCG where she was involved in Women's Glee and the acapella group, the UNCG Sapphires. This is her first show with RSVP and she is excited about the opportunity! She thanks the cast, crew, and production staff for a wonderful and fun-filled experience! RSVP Community Theatre’s Production of MONTY PYTHON’S SPAMALOT, July-August 2015, Asheboro, NC; www.rsvptheatre.org Reagan England (Laker Girl/Frenchie), 18 years old, plans to attend UNC-Charlotte this fall.
[Show full text]
Into the Woods
Clifton Park Senior Community Center – Town of Clifton Park 6 Clifton Commons Court, Clifton Park, NY 12065 518-383-1343 Monday – Friday 9:00 AM – 4:00 PM The Barrington Stage Company presents Into the Woods Book by JAMES LAPINE Music & Lyrics by STEPHEN SONDHEIM Originally Directed on Broadway by JAMES LAPINE Orchestrations by JONATHAN TUNICK Musical Direction by DARREN R. COHEN Directed by JOE CALARCO Anything can happen in the woods. This is the promise, and premise, of the much-loved Tony-Award winning musical. A childless baker and his wife endeavor to lift their family curse by journeying into the woods, where they encounter Rapunzel and her mother, Cinderella, Jack (of the Beanstalk fame), Little Red Riding Hood and other classic fairy tale characters. Their stories become entangled in unexpected ways-revealing what happens after “happily ever after.” The wickedly witty score weaves a magical spell, warning “be careful what you wish for.” This is a fabulous show and NOT the children’s stories that we grew up with. We’ll start with lunch at the Highland Restaurant in Pittsfield MA Wednesday, June 26 ~ 10:30 am Departure – 5:30 pm Return $83 members / $89 non members All trips must be paid for in full when signing up for the trip. Unless otherwise stated, all trips will begin and end at the Clifton Park Ice Arena, 16 Clifton Common Blvd, Clifton Park, NY 12065 There are no Refunds unless the trip is cancelled. All checks should be made payable to the Town of Clifton Park and mailed to 6 Clifton Common Court, Clifton Park.
[Show full text]
Download Urinetown Theatre Program
From the Director Welcome to the UAH campus and thank you for joining us tonight. Now that the cold dark days of winter are fading, we are here to celebrate the coming of spring with a fun Broad- way musical. This talented and devoted cast of players, artists, directors and technicians have been toiling through the winter months to prepare this wonderful piece of theatre to share with you, our humble audience. UAH Theatre is proud to be a part of this rich artistic community and privileged to offer this creative study to our students. Please enjoy the show and be sure to tell your friends that we are here producing live theatre at Huntsville’s own University. David Harwell - Director About the Musical Winner of three Tony awards and one of the most uproariously funny musicals in recent years, URINETOWN is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides he’s had enough, and plans a revolution to lead them all to freedom! Inspired by the works of Bertolt Brecht and Kurt Weill, URINETOWN is an irreverently humorous satire in which no one is safe from scrutiny. Greg Kotis had the idea for Urinetown while traveling in Europe.
[Show full text]
FOR IMMEDIATE RELEASE Jennifer Carr Marketing and PR Manager Stages Theatre Company Phone: (952) 979-1121 Email: [email protected]
1111 Mainstreet ● Hopkins, MN 55343-7552 Phone: (952) 979-1123 ● Box Office: (952) 979-1111 CONTACT: FOR IMMEDIATE RELEASE Jennifer Carr Marketing and PR Manager Stages Theatre Company Phone: (952) 979-1121 Email: [email protected] This summer Stages Theatre Company presents ANNIE, JR. June 24 - July 31, 2016 HOPKINS, Minn. – Stages Theatre Company (STC) presents the musical Annie, jr., directed by Sandy Boren-Barrett. This beloved musical is based on Little Orphan Annie (permission of The Media Tribune Services, Inc.,) book by Thomas Meehan, music by Charles Strouse, and lyrics by Martin Charnin. This heart-warming musical bounds back on our stage for the third time as plucky and positive Annie charms her way into your heart. Join her fun-filled adventure as she finds a new home with billionaire Oliver Warbucks, his secretary Grace, and a loveable mutt named Sandy. With all the music you know and love, including “Tomorrow,” “You’re Never Fully Dressed Without a Smile,” and “Hard Knock Life.” This production brings audience favorites and Annie veterans back to our stage! Marilee Mahler (Minnetonka) returns to Stage Theatre Company as Miss Hannigan for the second time. Marilee previously appeared as Miss Hannigan in STC’s first production of Annie in 1990. Bruce Rowan (Hopkins) also reprises his role as Daddy Warbucks, having appeared in the 2011 production of Annie, jr. Approximately 200 talented youth auditioned for roles in this production of Annie, jr., and we are excited to announce the lead role of Annie will be played by Caiah Rodgers (Eden Prairie.) Caiah previously appeared in our 2014 production of The Wiz.
[Show full text]
Teacher Resource Guide Falsettos.Titlepage.09272016 Title Page As of 091516.Qxd 9/27/16 1:51 PM Page 1
Teacher Resource Guide Falsettos.TitlePage.09272016_Title Page as of 091516.qxd 9/27/16 1:51 PM Page 1 Falsettos Teacher Resource Guide by Nicole Kempskie MJODPMO!DFOUFS!UIFBUFS André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning in association with Jujamcyn Theaters presents Music and Lyrics by William Finn Book by William Finn and James Lapine with (in alphabetical order) Stephanie J. Block Christian Borle Andrew Rannells Anthony Rosenthal Tracie Thoms Brandon Uranowitz Betsy Wolfe Sets Costumes Lighting Sound David Rockwell Jennifer Caprio Jeff Croiter Dan Moses Schreier Music Direction Orchestrations Vadim Feichtner Michael Starobin Casting Mindich Chair Tara Rubin, CSA Production Stage Manager Musical Theater Associate Producer Eric Woodall, CSA Scott Taylor Rollison Ira Weitzman General Manager Production Manager Director of Marketing General Press Agent Jessica Niebanck Paul Smithyman Linda Mason Ross Philip Rinaldi Choreography Spencer Liff Directed by James Lapine Lincoln Center Theater is grateful to the Stacey and Eric Mindich Fund for Musical Theater at LCT for their leading support of this production. LCT also thanks these generous contributors to FALSETTOS: The SHS Foundation l The Blanche and Irving Laurie Foundation The Kors Le Pere Foundation l Ted Snowdon The Ted and Mary Jo Shen Charitable Gift Fund American Airlines is the Official Airline of Lincoln Center Theater. Playwrights Horizons, Inc., New York City, produced MARCH OF THE FALSETTOS Off-Broadway in 1981 and FALSETTOLAND Off-Broadway in 1990. TABLE OF CONTENTS INTRODUCTION . 1 THE MUSICAL . 2 The Story . 2 The Characters . 4 The Writers . 5 Classroom Activities .
[Show full text]
Urinetown Cast and Crew List Read This Page Carefully
URINETOWN CAST AND CREW LIST READ THIS PAGE CAREFULLY FOR EVERYONE: THERE IS A FULL CAST & CREW MEETING NEXT TUESDAY, DEC 22nd FROM 4-5:15 IN THE THEATER followed by a FULL CAST READ THROUGH UNTIL 7 (Tech Crew is invited to stay for the read through but you do not have to) If you have a conflict and cannot come, see Mr. Flam during office hours (posted below) CAST NOTES: Thank you to everyone who auditioned! Read the cast list carefully, some actors are listed more than once. If you are not on the cast list it is because you indicated on your audition form that you would not accept an ensemble role and that was the only part available. If you were not cast and do not appear on the tech crew list, you can sign up for tech crew by e-mailing Mr. Flam. If you would like to discuss your audition and get feedback for future auditions, you may meet with Mr. Flam during office hours posted below. If you have any new or updated rehearsal conflicts, e mail the Stage Managers: [email protected] - Looking forward to a GREAT show! - Mr. Flam, Allie & Jenny FLAM’S OFFICE HOURS: Wednesday, 12/16: 3-3:45 Thursday 12/17: 2:45-3:30 Friday 12/18: 2:45-3:30 CAST LIST OFFICER LOCKSTOCK LITTLE SALLY Evan Wagner Helena Kim BOBBY STRONG HOPE CLADWELL Edward Stafford Olivia Pierce MR. CLADWELL PENELOPE PENNYWISE Benjy Cunningham Jocelyn Cubstead OFFICER BARREL SENATOR FIPP Jasper Wolf Sam Sorensen URINE GOOD COMPANY EXECUTIVES MR.
[Show full text]
Stephen Sondheim's Company (1970): Deconstructing Traditional Conventions in the American Musical
FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado Stephen Sondheim’s Company (1970): Deconstructing Traditional Conventions in the American Musical Autor: Ethan Goñi García Tutora: Olga Barrios Herrero Salamanca, Julio 2016 FACULTAD DE FILOLOGÍA UNIVERSIDAD DE SALAMANCA FACULTAD DE FILOLOGÍA GRADO EN ESTUDIOS INGLESES Trabajo de Fin de Grado Stephen Sondheim’s Company (1970): Deconstructing Traditional Conventions in the American Musical This thesis is submitted for the degree of English Studies Julio 2016 Tutora: Olga Barrios Herrero Vº Bº Signature ABSTRACT [EN] This paper is an attempt to analyze Stephen Sondheim’s work in an insightful and thought provoking manner in order to reveal the uniqueness of his theatrical works. In the same way academic courses on Arthur Miller, Tennessee Williams or William Shakespeare continue to be taught, Sondheim’s intellectual, ironic and thoughtful lyrical work demands an absolute need for his oeuvre to be given the same literary attention it deserves, as is the case with other more well-known dramatists. As Sondheim’s contributions to musical theatre have so far received little academic attention, this paper will examine how Sondheim’s first work as both lyricist and composer for the musical Company (1970) problematizes both conventions of genre (of musical theatre) and gender, marking a shift from the traditional representation of relationships in American musicals, and reveals Sondheim’s ability to redefine the heteronormative structure of the American musical theatre. Furthermore, this paper presents an original theme, as critics have only focused on the feminine characters of Sondheim’s oeuvre, missing the complex portrayal of male characters.
[Show full text]