Creative South East a Global Centre of Excellence for Creative Industries 02 Creative South East – a Global Centre of Excellence for Creative Industries

Total Page:16

File Type:pdf, Size:1020Kb

Creative South East a Global Centre of Excellence for Creative Industries 02 Creative South East – a Global Centre of Excellence for Creative Industries Creative South East A Global Centre of Excellence for Creative Industries 02 Creative South East – A Global Centre of Excellence for Creative Industries Contents UK Overview 03 Creative 05 South East 05 Commercial Opportunities 12 Digital Media & Design 14 Gaming 17 Screen 25 Academic & Training Facilities 34 Professional Networks 45 Soft-landing Space 49 UK Government 54 UK Overview ©VisitBritain / Martin Brent ©VisitBritain 04 Creative South East – A Global Centre of Excellence for Creative Industries Creativity is a UK strength The UK combines a world class creative talent base with an established tech sector, an ecosystem of innovators and a big market opportunity. The UK’s Creative industries are Support for the UK’s growing three times faster than Creative Industries the rest of the UK economy, fuelled by: The UK Government and its partners support this continued — A multi award winning industry rapid growth of the Creative built on a globally recognised Industries through: talent base — R&D Tax Credits and catalyst — Strong domestic demand for funding for technology creative content and services innovation through Innovate UK; — Access to an EU marketplace — Attractive Government tax with a combined population of incentives for companies to 500M produce films, television — World class creative clusters in programmes, games and Scotland London, Creative South East, animation. See HMRC for Bristol, Tech North, Cardiff Creative Tax Relief details: and Scotland — One to one support from UKTI and partners to help you set-up and expand in our ‘Tech’ North creative clusters. Creative excellence Market Established Opportunity tech sector Cardiff London Bristol Creative South East Innovation ecosystem See next page 7 for enlarged map Creative South East The Global Differential ‘the perfect environment’ Monument Valley – Ustwo Valley Monument Hertfordshire Oxfordshire Bucks 60 22 41 51 55 23 38 50 31 58 21 14 43 37 30 59 5 29 40 2 35 27 46 42 3 35 8 20 32 48 24 10 49 11 33 Berkshire 25 26 19 18 12 13 4 7 6 15 52 53 Surrey 34 28 39 Hampshire Sussex 54 16 45 17 36 9 57 47 1 56 44 Creative & Media Companies Production Studios 42. The Next Gen Skills Academy 43. University of West London 1. Digital Exchange, Brighton 22. Vicon, Oxford 44. Oxford Brookes University (COMET) 2. Oxford Digital & Creative Incubator/Hub 23. Audiomotion 45. University of Brighton 3. Avid Technology Inc. (Pinewood) 24. Ex Cantibus Gaudium (ECG), Reading 46. University of Sussex 4. Koch Media, Basingstoke 25. Shepperton Studios 47. Pinewood Diploma in Studio 5. Thinkable, nr Oxford 26. Halliford Film Studios Management 6. Electronic Arts, Guildford 27. Fleetwood Studios 48. Advanced Research Group 7. Sony Computer Entertainment, 28. Black Hangar Studios 49. University of Reading Guildford 29. Elstree Film Studios 50. Journeys Across Media (JAM) 8. TT Games Publishing, Maidenhead 30. BBC Film Studios, Elstree 51. University of Hertfordshire 9. Unity Technologies, Brighton 31. Audiomotion Studios 52. Gaming & Virtual Effects Research 10. Konami Digital Entertainment, Windsor 32. Warner Bros Studios, Leavesden Laboratory 11. Kalypso Media, Bracknell 33. Longcross Film Studios 53. University of Surrey 12. Lionhead Studios 34. Wailing Banshee Studio 54. University of Creative Arts 13. Ubisoft Reflections, Guildford 35. Pinewood Studios 55. Southampton Solent University 14. Natural Motion, Oxford 56. Digital Oxford 15. n-Dreams, Farnborough Universities 57. Wired Sussex 16. Multiplay, Southampton 58. Brighton Fuse (Report) Network 17. Disney - Black Rock Studio, Brighton 36. National Film and TV School (NFTS) 59. Oxford Technology & Media Network 18. All Hail Guildford – ‘the Hollywood of 37. Brighton Film School 60. Oxford Digital Economy video games’ 38. Buckinghamshire New University Collaboration Group 19. 22 Cans 39. Amersham and Wycombe College 61. Film Friendly Partnership’s 20. Nintendo Europe, Windsor 40. University of the Creative Arts 21. Rebellion 41. School of Audio Engineering ©VisitBritain / Britain on View Creative South East – A Global Centre of Excellence for Creative Industries 07 Our Geography “The creative economy is particularly highly concentrated in London & the South East. In particular, London & the South East of England account for 43% of employment in the UK’s creative economy”. The Geography of the UK’S Creative & High-tech economies (2015) Bakhshi, Davies, Freeman & Higgs‘ Creative South East, covers — Berkshire — Buckinghamshire — Hampshire — Hertfordshire — Oxfordshire — Surrey (inc. Guildford) — Sussex (incl. Brighton) ©VisitBritain / Britain on View 08 Creative South East – A Global Centre of Excellence for Creative Industries Why should you operate in Creative South East? There are opportunities for developers in the creative industries to operate in the UK market from Creative South East Dedicated centres The strength, depth Price competitive: Great Connectivity of excellence; and connectivity of the On average, at least and a truly unique base University courses and industry cluster and 50% lower than to access London, high level graduates production supply- central London. European & global in the creative chain. industry partners industries. & networks. ©VisitBritain / Pawel Libera Creative South East – A Global Centre of Excellence for Creative Industries 09 Creative South East has a world strength in the creative industries sector and presents excellent capability to any potential investor There were 17,475 graduates of computer science in 2013/2014 in the UK. Over a dozen Academic Institutions & Universities offering specialist, industry driven sector-related courses in the area. There are a number of Bespoke centres of concentrations of activity in the excellence drawing creative industries, incl. Pinewood, in specialists, Shepperton & Warner Bros and business and clusters such as gaming (Guildford). Universities & industry leads. Specialist Academic Institutions Concentrations Centres of Activity of Excellence Creative Industries Cluster developed, driven & delivered through… Companies – An outstanding established brands ICT Infrastructure & global innovators Trade Bodies, Councils, Services & Networks It is home to studios of many of the The South East of England has worlds leading games devel-opers, developed superfast broadband including Sony, Electronic Arts, and speeds, lower costs than European Microsoft. There are also leading competitors and a network of serious games developers and services secure undersea cables that can such as NaturalMotion and Mulitplay. support the industry here in the UK. The sector is supported by a number of business networks, associations and Centres of Excellence , including Creative England, Digital Oxford, Film Hampshire, Film Surrey, UKIE & Wired Sussex. 10 Creative South East – A Global Centre of Excellence for Creative Industries Connectivity is King Located at the hub of a Heart of an Killer facts global communications Industry Cluster network - London Heathrow, Gatwick & — Unique production services Stansted airports. (from script to screen ‘in one place’) 50% Discrete airport Property prices in Creative South network through — Creative eco-system, tradition East are, on average, at least Kidlington, Biggin Hill, of innovation and collaboration. 50% lower than Central London. Farnborough. — Phenomenal breadth & depth of Diverse selection and talented people and skills base. extensive volume of film — Diverse range of organisations backlots. combining innovation, 25minutes Complete industry disruptive technologies with Pinewood is 25 minutes from supply chain ‘on your established ‘names’ & global London; Brighton is 45 mins. door-step’.. established brands ‘brush-up’ against disruptive new-comers. — Transmedia content and a development hub for next Excellent generation developers. In-region and capital — A depth of expertise that goes road & rail connections back generations and unparalleled quality. — Equity and Debt Financing available. The UK’s post- production sector has been a world leader in the audio-visual industries for as long as they have existed. Creative South East is one of the world’s centres in creative media. Creative South East – A Global Centre of Excellence for Creative Industries 11 Industry Hub and Spoke Model ‘… of the geo-spatial distribution of Recent PWC ‘market review’ states, companies, employment and “the structure of the Greater West suppliers involved in the UK film London Film cluster is closest in production industry provides character to a Hub-&-Spoke model, strong evidence of a distinct with Pinewood Studios as the main industry cluster in the Greater hub, supported by the other major West London region’. studios as smaller hubs & an extensive network of co-located suppliers”. Commercial Opportunities in the Creative South East Batman TM and © DC Comics Batman Creative South East – A Global Centre of Excellence for Creative Industries 13 Investment Ready Commercial Opportunities Digital Exchange, Brighton Oxford Digital and Creative New England House is already one of the major Incubator/Hub hubs for Brighton’s thriving Creative, Digital and IT Oxfordshire has a thriving creative industries and (CDIT) businesses. The building accommodates 96 digital scene, with world class universities and businesses that are primarily from this sector, skills, big industry names and a fast growing start directly employing around 1,000 people & many up scene and a supportive and engaged business more in their supply chains. Existing funding will support
Recommended publications
  • SUDEP Action Keeping in Touch Making Every Epilepsy Death Count January 2018
    Knowledge saves lives #Prevent21 Find out more at: www.sudep.org/prevent21 SUDEP Action Keeping in touch Making every epilepsy death count January 2018 Hello there ... I hope that you will feel uplifted by the good award of an MBE this month to Dr Rohit newsSUDEP we are able to share. The pages here Shankar. Recent coverage in Channel 4 are full of stories ofAc couragetion and inspirational News and Sky One has boosted the charity, people,Making as wellevery poems epilepsy and stories death of personalcount as we start 2018, with our innovations linked grief from those we support and work to falling deaths; at a time when the NHS and alongside. others are finally recognising SUDEP and epilepsy deaths as an issue requiring attention. We have set a date for our upcoming National Conference - a great chance Boosted by all this good news, we have for supporters to meet and hear what’s launched PREVENT21 our new campaign happeningSUDEP at the charity. focused on the 21 deaths a week, and what Action can be done to stop deaths and help families News about our successful appeal to fund a now. clinicalMaking trial every into a wearableepilepsy epilepsy death detectioncount device, has led directly to development Finally, with this newsletter, there is a funding for the next five years - the feedback survey. We are looking to revamp largest funding to a researcher working the newsletter and learn more about what on SUDEP in the UK since the charity was is important to you. Is it a new format? Or founded.
    [Show full text]
  • AI Media Analytics Readme
    Avid® | AI Media Analytics Version 2018.9 ReadMe Important Information Avid® recommends that you read all the information in this ReadMe file thoroughly before setting up an Avid | AI Media Analytics environment. This ReadMe describes the required installation and configuration for running Avid | AI Media Analytics using Microsoft Azure Video Indexer. Additional information on MediaCentral | Cloud UX and MediaCentral | Asset Management is available online in guides. For more information about Azure Video Indexer, refer to Microsoft documentation. Important: Search the Avid Knowledge Base at http://www.avid.com/learn-and-support for the most up-to-date ReadMe file, which contains the latest information that might have become available after the documentation was published. Revision History Date Revised Changes Made September 28, 2018 First publication Contents About Avid | AI Media Analytics . 2 Installing the Media Analytics Packages. 4 Assigning Media Analytics Rights . 7 (Optional) Enabling the Media Analytics Processing Trigger . 8 (Optional) Enabling Media Analytics Processing for Additional Asset Types. 9 Creating Provider Configuration Profiles . 11 Triggering Media Analytics Processes by Using a Watch Folder Import. 16 Triggering Media Analytics Processes in MediaCentral | Cloud UX . 19 Monitoring Media Analytics Processes in the Process App . 20 Searching for Media Analytics Results in the Search App . 21 Displaying Media Analytics Results in the Markers Tab . 24 About Avid | AI Media Analytics About Avid | AI Media Analytics Avid | AI Media Analytics provides a framework that automates content indexing, such as facial detection, scene recognition, and speech-to-text conversion, by using third-party capabilities. The current version provides support for Microsoft Cognitive Services (Azure Video Indexer) and includes a Media Analytics API for additional providers.
    [Show full text]
  • Breathtaking Stories of Extreme Filming. Read the Full Story on Page 6
    The newspaper for BBC pensioners - with highlights from Ariel Heights, Camera, Action Breathtaking stories of extreme filming. Read the full story on page 6. June 2011 • Issue 4 Yes, Prime Lord Patten Minister back takes the helm Sounds better? on stage Page 2 Page 7 Page 12 NEWS • LifE aftEr auNtiE • CLaSSifiEdS • Your LEttErS • obituariES • CroSPEro 02 uPdatE froM thE bbC Patten takes helm at BBC Trust On 3 May, Lord Patten began his appointment as chairman of the BBC Trust – with an interesting first day spent taking questions from staff in a ringmain session. Quality First) should be all about and I hope we’ll be able to discuss options with the Executive during the summer.’ 2011 pay offer It is also apparent that the new chairman is ready and willing to deal with the – an update repercussions of the less popular decisions to be taken, and those which will not always Further to requests by the unions for all be accepted gladly by the licence fee payer. staff in bands 2-11 to be awarded a pay ‘I hope we won’t be talking about closing increase which is ‘substantially above services but, whatever we are talking about inflation’, the BBC has offered a 2% doing, if the Trust and the Executive are increase – which falls far short of the agreed it is the best way of using the money Retail Prices Index (RPI) figures on which then we have to stand by the consequences. If it is intended to be based (5.2% as at that involves answering thousands of emails, April 2011).
    [Show full text]
  • The Development and Validation of the Game User Experience Satisfaction Scale (Guess)
    THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) A Dissertation by Mikki Hoang Phan Master of Arts, Wichita State University, 2012 Bachelor of Arts, Wichita State University, 2008 Submitted to the Department of Psychology and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 © Copyright 2015 by Mikki Phan All Rights Reserved THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) The following faculty members have examined the final copy of this dissertation for form and content, and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a major in Psychology. _____________________________________ Barbara S. Chaparro, Committee Chair _____________________________________ Joseph Keebler, Committee Member _____________________________________ Jibo He, Committee Member _____________________________________ Darwin Dorr, Committee Member _____________________________________ Jodie Hertzog, Committee Member Accepted for the College of Liberal Arts and Sciences _____________________________________ Ronald Matson, Dean Accepted for the Graduate School _____________________________________ Abu S. Masud, Interim Dean iii DEDICATION To my parents for their love and support, and all that they have sacrificed so that my siblings and I can have a better future iv Video games open worlds. — Jon-Paul Dyson v ACKNOWLEDGEMENTS Althea Gibson once said, “No matter what accomplishments you make, somebody helped you.” Thus, completing this long and winding Ph.D. journey would not have been possible without a village of support and help. While words could not adequately sum up how thankful I am, I would like to start off by thanking my dissertation chair and advisor, Dr.
    [Show full text]
  • BFI CELEBRATES BRITISH FILM at CANNES British Entry for Cannes 2011 Official Competition We’Ve Got to Talk About Kevin Dir
    London May 10 2011: For immediate release BFI CELEBRATES BRITISH FILM AT CANNES British entry for Cannes 2011 Official Competition We’ve Got to Talk About Kevin dir. Lynne Ramsay UK Film Centre supports delegates with packed events programme 320 British films for sale in the market A Clockwork Orange in Cannes Classics The UK film industry comes to Cannes celebrating the selection of Lynne Ramsay’s We Need to Talk About Kevin for the official competition line-up at this year’s festival, Duane Hopkins’s short film, Cigarette at Night, in the Directors’ Fortnight and the restoration of Stanley Kubrick’s A Clockwork Orange, restored by Warner Bros; in Cannes Classics. Lynne Ramsay’s We Need To Talk About Kevin starring Tilda Swinton was co-funded by the UK Film Council, whose film funding activities have now transferred to the BFI. Duane Hopkins is a director who was supported by the UK Film Council with his short Love Me and Leave Me Alone and his first feature Better Things. Actor Malcolm McDowell will be present for the screening of A Clockwork Orange. ITV Studios’ restoration of A Night to Remember will be screened in the Cinema on the Beach, complete with deckchairs. British acting talent will be seen in many films across the festival including Carey Mulligan in competition film Drive, and Tom Hiddleston & Michael Sheen in Woody Allen's opening night Midnight in Paris The UK Film Centre offers a unique range of opportunities for film professionals, with events that include Tilda Swinton, Lynne Ramsay and Luc Roeg discussing We Need to Talk About Kevin, The King’s Speech producers Iain Canning and Gareth Unwin discussing the secrets of the film’s success, BBC Film’s Christine Langan In the Spotlight and directors Nicolas Winding Refn and Shekhar Kapur in conversation.
    [Show full text]
  • Out of This World!
    EDITION 2 WINTER 2019 INSIDER STATS: Just how is Oxfordshire leading the way? NEWS IN BRIEF: Get the latest on Oxfordshire’s globally- OUT OF facing economy CHIEF EXEC’S UPDATE: THIS Looking back on 2018 and leading into 2019 WORLD! With a vision of ‘a world empowered by actionable information from space’ and a mission to ‘deliver effective satellite-based solutions for global challenges’ – the Harwell Campus-based Open Cosmos ticks many of the boxes underlining Oxfordshire’s global space credentials, as highlighted in autumn 2017’s science and innovation audit. Part of a space cluster that employees 950 and autonomous vehicles and technologies be delivered in under 12 months – this after people working across 89 academic, private underpinning quantum computing. signing a $2 million ‘Pioneer’ contract with and public space-related organisations the ESA. If fully-utilised, the audit suggested the at Harwell Campus (cover photo), Open technologies could be worth in the region ‘Call to Orbit’ winners are set to be awarded Cosmos is without doubt one of its stand-out of £180billion to the UK economy by 2030 – access to Open Cosmos’ ‘orbit readiness’ players and has made quite the impact since around six per cent of the global economy in programme for free, allowing projects to launching in July 2015, whilst its co-founder these technologies. The UK space industry’s go from concept to ‘orbit readiness’ in just and current CEO was at the prestigious target is an ambitious 10% of the global space three months. It’s hoped a variety of space Entrepreneur First incubator programme.
    [Show full text]
  • E-Guide Filming in London & the South East
    e-Guide Filming in London & the South East London’s most iconic film locations Creating reality: What London’s studios can offer filmmakers The changing face of film: SFX, Make-up & Prosthetics Production Intelligence: What’s shooting? IN COLLABORATION WITH ... FILMING IN LONDON AND THE SOUTH EAST DESPITE VARIOUS HURDLES, LONDON AND THE SOUTH EAST STILL CREATE TOP PRODUCTIONS Britain’s TV and film production industry is on the rise. Recently the UK has seen a dramatic increase in the amount of home-grown and international productions that have been filming here, specifically at studios and locations in London and the South East. he worldwide reputation of the UK and Film London, said that drama as a filming destination has always production in London is up by 50% Tbeen strong, however, lately it on ten years ago. A huge margin if you has been so popular that line producers consider the major studios around the are worried the supply of great studios world which are readily available. and crew cannot match the increasing The thriving state of the industry also demand. throws a spanner into the works. At the same time, the recent closures With the high increase in productions of Teddington, Wimbledon, Waterloo filming, the demand for skilled crew has and other studio spaces signify the increased. Line producers have been increasing attitude of landlords to turn hard pressed at times to fill certain their land into real estate. The dramatic roles, as crew is frequently booked increase in house prices in areas on other projects. This is certainly associated with certain studios makes something the industry has to fix if it more feasible for land owners to cut London and the South East are going studios loose, thus capitalising on the to be seen as continuing dominant current revenue opportunities available.
    [Show full text]
  • Meaningful Choice As Expression of Creativity in Gameplay
    Meaningful Choice as Expression of Creativity in Gameplay A Preliminary Typology of Creative Gameplay in Videogames Abstract Gamification guru Yu-Kai Chou positions creativity as the ultimate motivational drive as it both addresses intrinsic motivation as well as positive emotions. Creativity and play have long been linked together and, despite many attempts to grasp them, have maintained elusive concept because their expressions have an enormous variety. Yet, creative gameplay has rarely been analyzed as a whole, research often lingering on a single variant of it, mostly tangible player production in videogames. This thesis offers a framework based on Chou’s concept of meaningful choices for identifying varieties of creative gameplay and offers a preliminary typology of creative gameplay in videogames. By Wesley Smit 3781410 Supervisor Jasper van Vught TABLE OF CONTENTS INTRODUCTION .............................................................................................. 3 IN THE BEGINNING… .................................................................................... 9 CREATIVITY AND MEANINGFUL PLAY ..................................................... 14 METHODOLOGY ........................................................................................... 26 CREATIVE PLAY IN LITTLEBIGPLANET 2 ................................................. 29 CREATIVE PLAY IN NBA 2K15 ................................................................... 39 DISCUSSION ................................................................................................
    [Show full text]
  • Links to the Past User Research Rage 2
    ALL FORMATS LIFTING THE LID ON VIDEO GAMES User Research Links to Game design’s the past best-kept secret? The art of making great Zelda-likes Issue 9 £3 wfmag.cc 09 Rage 2 72000 Playtesting the 16 neon apocalypse 7263 97 Sea Change Rhianna Pratchett rewrites the adventure game in Lost Words Subscribe today 12 weeks for £12* Visit: wfmag.cc/12weeks to order UK Price. 6 issue introductory offer The future of games: subscription-based? ow many subscription services are you upfront, would be devastating for video games. Triple-A shelling out for each month? Spotify and titles still dominate the market in terms of raw sales and Apple Music provide the tunes while we player numbers, so while the largest publishers may H work; perhaps a bit of TV drama on the prosper in a Spotify world, all your favourite indie and lunch break via Now TV or ITV Player; then back home mid-tier developers would no doubt ounder. to watch a movie in the evening, courtesy of etix, MIKE ROSE Put it this way: if Spotify is currently paying artists 1 Amazon Video, Hulu… per 20,000 listens, what sort of terrible deal are game Mike Rose is the The way we consume entertainment has shifted developers working from their bedroom going to get? founder of No More dramatically in the last several years, and it’s becoming Robots, the publishing And before you think to yourself, “This would never increasingly the case that the average person doesn’t label behind titles happen – it already is.
    [Show full text]
  • 10 for $10 Pak Table of Contents Minimum System Requirements
    10 FOR $10 PAK TABLE OF CONTENTS MINIMUM SYSTEM REQUIREMENTS ........................................................................ l WINDOWS 95 USERS...................................................................................................... 2 INSTALLATION ................................................................................................................ 2 STARTING A GAME ........................................................................................................ 3 USING THE ON-LINE DOCUMENTATION ................................................................ 4 CHUCK YEAGER'S AIR COMBAT.................................................................................. 6 EXTREME PINBALL ........................................................................................................ 6 THE COMPLETE ULTIMA VII ...................................................................................... 7 GRAND SLAM BRIDGE 11 . ............. ..... ........ ..... .................................. ..... ..... ..... ..... ........ 7 POPULOUS II .................................................................................................................. 8 POWERPOKER ................................................................................................................ 8 SEAL TEAM ...................................................................................................................... 9 STRIKE COMMANDER .................................................................................................
    [Show full text]
  • Pinewood Gives Free Bfi Membership to All of Its Staff to Honour Studio's
    PINEWOOD GIVES FREE BFI MEMBERSHIP TO ALL OF ITS STAFF TO HONOUR STUDIO’S 80TH YEAR London, 30th September 2016: Pinewood Studios has long been regarded as a jewel in the crown of the UK’s rich film heritage and as the iconic studio celebrates the start of its 80th anniversary year, it was announced today that all full-time staff across the group will receive free membership to the BFI to honour the date. Amanda Nevill, CEO of the BFI said: “Pinewood is part of our film heritage, and at 80 years old is more active and successful than ever and plays a huge role in the creative success of the UK film industry. We are very excited that they have chosen to mark this special birthday by giving the gift of BFI Membership to every single member of their staff! We so look forward to giving them all a very special 80th years across the BFI Player, BFI Southbank and the BFI London Film Festival. Happy Birthday Pinewood!” Commenting on marking the celebrations, Andrew M. Smith, Corporate Affairs Director for Pinewood Group plc said: “As we enter our 80th year, we felt it fitting to mark the occasion by giving colleagues membership of the BFI. Pinewood is a cornerstone of the film industry here in the UK and we are proud to have helped shape it.” The BFI membership will provide staff with the best way to enjoy the special events, previews and screenings at the BFI London Film Festival, BFI Flare: London LGBT Film Festival and at BFI Southbank all year round with priority booking, no booking fees, exclusive programme guides and 10% off food and drink at BFI Southbank.
    [Show full text]
  • Journal of Games Is Here to Ask Himself, "What Design-Focused Pre- Hideo Kojima Need an Editor?" Inferiors
    WE’RE PROB NVENING ABLY ALL A G AND CO BOUT V ONFERRIN IDEO GA BOUT C MES ALSO A JournalThe IDLE THUMBS of Games Ultraboost Ad Est’d. 2004 TOUCHING THE INDUSTRY IN A PROVOCATIVE PLACE FUN FACTOR Sessions of Interest Former developers Game Developers Confer We read the program. sue 3D Realms Did you? Probably not. Read this instead. Computer game entreprenuers claim by Steve Gaynor and Chris Remo Duke Nukem copyright Countdown to Tears (A history of tears?) infringement Evolving Game Design: Today and Tomorrow, Eastern and Western Game Design by Chris Remo Two founders of long-defunct Goichi Suda a.k.a. SUDA51 Fumito Ueda British computer game developer Notable Industry Figure Skewered in Print Crumpetsoft Disk Systems have Emil Pagliarulo Mark MacDonald sued 3D Realms, claiming the lat- ter's hit game series Duke Nukem Wednesday, 10:30am - 11:30am infringes copyright of Crumpetsoft's Room 132, North Hall vintage game character, The Duke of industry session deemed completely unnewswor- Newcolmbe. Overview: What are the most impor- The character's first adventure, tant recent trends in modern game Yuan-Hao Chiang The Duke of Newcolmbe Finds Himself design? Where are games headed in the thy, insightful next few years? Drawing on their own in a Bit of a Spot, was the Walton-on- experiences as leading names in game the-Naze-based studio's thirty-sev- design, the panel will discuss their an- enth game title. Released in 1986 for swers to these questions, and how they the Amstrad CPC 6128, it features see them affecting the industry both in Japan and the West.
    [Show full text]