E-Guide Filming in London & the South East
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Pinewood Gives Free Bfi Membership to All of Its Staff to Honour Studio's
PINEWOOD GIVES FREE BFI MEMBERSHIP TO ALL OF ITS STAFF TO HONOUR STUDIO’S 80TH YEAR London, 30th September 2016: Pinewood Studios has long been regarded as a jewel in the crown of the UK’s rich film heritage and as the iconic studio celebrates the start of its 80th anniversary year, it was announced today that all full-time staff across the group will receive free membership to the BFI to honour the date. Amanda Nevill, CEO of the BFI said: “Pinewood is part of our film heritage, and at 80 years old is more active and successful than ever and plays a huge role in the creative success of the UK film industry. We are very excited that they have chosen to mark this special birthday by giving the gift of BFI Membership to every single member of their staff! We so look forward to giving them all a very special 80th years across the BFI Player, BFI Southbank and the BFI London Film Festival. Happy Birthday Pinewood!” Commenting on marking the celebrations, Andrew M. Smith, Corporate Affairs Director for Pinewood Group plc said: “As we enter our 80th year, we felt it fitting to mark the occasion by giving colleagues membership of the BFI. Pinewood is a cornerstone of the film industry here in the UK and we are proud to have helped shape it.” The BFI membership will provide staff with the best way to enjoy the special events, previews and screenings at the BFI London Film Festival, BFI Flare: London LGBT Film Festival and at BFI Southbank all year round with priority booking, no booking fees, exclusive programme guides and 10% off food and drink at BFI Southbank. -
Transatlantic Spaces: Production, Location and Style in 1960S-1970S Action- Adventure TV Series
Transatlantic spaces: production, location and style in 1960s-1970s action- adventure TV series Article Accepted Version Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Available at http://centaur.reading.ac.uk/17666/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688800903395460 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Transatlantic spaces: Production, location and style in 1960s-70s Action-Adventure TV Series Jonathan Bignell Abstract This article argues that transatlantic hybridity connects space, visual style and ideological point of view in British television action-adventure fiction of the 1960s-70s. It analyses the relationship between the physical location of TV series production at Elstree Studios, UK, the representation of place in programmes, and the international trade in television fiction between the UK and USA. The TV series made at Elstree by the ITC and ABC companies and their affiliates linked Britishness with an international modernity associated with the USA, while also promoting national specificity. To do this, they drew on film production techniques that were already common for TV series production in Hollywood. -
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film -
Merton Business Directory
MERTON COUNCIL futureMerton From our easy to access offices, close to Wimbledon station, TWM Solicitors is an established law firm that has been advising people in the Wimbledon and Merton areas for generations. Wimbledon is one of six offices across South West London and Surrey that TWM has, making us one of the largest law firms in this area. We are accredited by the Merton Bu Law Society so you can be sure our service levels will be of the highest standard. s ine ss We provide a personal and professional service meeting people’s needs as individuals Directory as well as business law advice for companies and local organisations. Details about our full range of services can be found online at www.twmsolicitors.com. Alternatively, you can call and speak to a member of our team on a no cost, no obligation basis. Merton Business Directory www.merton.gov.uk/futureMerton www.twmsolicitors.com Businesses, get active! Working together for you and your Get the latest local business information direct to your desktop: family, in your everyday life. networking with your local businesses has never been easier or cheaper. Call now for your activation code and you can be up and marketing to a number of local businesses in as little as 10 minutes. 020 8773 3060 Want to get active? Level 1 activation allows you to: • Mail merge • Email merge • Print labels • Print reports Activate Level 1 for £150+VAT Want to keep up-to-date? Level 2 activation allows your data to be updated as businesses submit new Personal Injury | Immigration | Family Law | Employment Law information. -
(2020). Pinewood Studios, the Independent Frame, and Innovation
Street, S. (2020). Pinewood Studios, the Independent Frame, and Innovation. In B. R. Jacobson (Ed.), In the Studio: Visual Creation and Its Material Environments (1 ed., pp. 103-121). University of California Press. Peer reviewed version Link to publication record in Explore Bristol Research PDF-document This is the author accepted manuscript (AAM). The final published version (version of record) is available via University of California Press at https://www.ucpress.edu/book/9780520297609/in-the-studio . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Pinewood Studios, the Independent Frame, and Innovation Sarah Street, University of Bristol British director Darrel Catling reported to the British trade press in February 1948 on the Independent Frame (IF), a new system of film production that had been launched at Pinewood Studios. Catling had recently used it to make Under the Frozen Falls, a short children’s film that had benefited from the IF’s aim to “rationalize that which is largely irrational in film making.”1 He described how his film had been very carefully pre-planned in terms of script, storyboards, and technical plans. Several scenes were pre-staged and filmed without the main cast who were later incorporated into scenes by means of rear projection. Special effects were of paramount importance in reducing the number of sets that needed to be built. -
For Immediate Release
FOR IMMEDIATE RELEASE BOND 22 STARTS PRODUCTION TODAY AT PINEWOOD STUDIOS, LONDON CULVER CITY, Calif., Monday 07 January 2008 — Producers Michael G. Wilson and Barbara Broccoli of EON Productions Ltd, Sony Pictures Entertainment and Metro-Goldwyn- Mayer Studios announced today the start of principal photography on the eagerly anticipated 22nd James Bond adventure. Daniel Craig reprises his role as 007 in the film which is directed by Marc Forster and follows the success of CASINO ROYALE, the latest and highest grossing film in the series. Starring alongside Craig is an impressive international cast led by the critically acclaimed French actor Mathieu Amalric as the sinister villain, and the Ukranian actress Olga Kurylenko who plays 007’s leading lady. Returning to Bond 22 (working title) from CASINO ROYALE are Judi Dench in her role as M, Jeffrey Wright as Felix Leiter and Giancarlo Giannini as Mathis. Newcomer to the Bond franchise, Gemma Arterton, will play the role of MI6 Agent Fields. Commenting on the announcement, Wilson and Broccoli said "We are fortunate to continue in the Bond tradition of attracting the finest international actors for our starring roles. Mathieu in the role of Dominic Greene, a leading member of the villainous organization introduced in CASINO ROYALE, will be a powerful counterpart to Daniel’s portrayal of Bond. Olga Kurylenko will play the dangerously alluring Camille, who challenges Bond and helps him come to terms with the emotional consequences of Vesper’s betrayal." MGM and Sony Pictures will share distribution rights worldwide with Columbia Pictures and Sony Pictures Releasing International distributing the film to theaters worldwide on November 7th, 2008. -
About Pinewood Group
Press Release: Pinewood Group Refocuses International Strategy London, 12pm, 21st August 2019: Pinewood Group today announced it has sold its equity in Pinewood Atlanta Studios to its joint venture partner in Atlanta. This move comes as Frank Patterson, President of the Studios in Atlanta, has started investing in content companies, while Pinewood Group continues to focus on studio infrastructure. Pinewood will provide sales and marketing support for the Studios in Atlanta for a period of up to 18 months. The Studios will remain branded and operated as a Pinewood facility during this time. Paul Golding, Chairman of Pinewood Group Limited, said: “Pinewood is known across the world as a leading-provider of studio space and over the last six years, Pinewood Atlanta Studios has become the second largest purpose-built facility in the US. As our partners in Atlanta look to expand their focus and invest in content development, we have agreed to sell our equity in the Studios. Pinewood will continue to prioritise its core business of providing studio infrastructure, including extensive growth plans in the UK and expansion in key international markets.” This announcement will have no impact on productions shooting at the Studios, which will continue to be led by Frank Patterson. “The Pinewood Group has been a great partner, building the best facilities in the world for us in Atlanta,” said Frank Patterson, President of Pinewood Atlanta Studios. “I came on two years ago to build content opportunities at the same time the Pinewood Group changed ownership and decided to focus on providing studio accommodation. We’ve got some exciting investments in the pipeline on the content creation side of the business so this a truly great time for the industry in Atlanta. -
Pinewood Group Presentation of FY 2018/19 Results Important Notice
Pinewood Group Presentation of FY 2018/19 results Important notice This presentation has been prepared by Pinewood Finco plc (the “Issuer) and Pinewood Group Limited (the “Company” and, collectively with the Issuer and its other subsidiaries, the “Group”) solely for information purposes. For purposes of this notice, the presentation that follows shall mean and include the slides that follow, the oral presentation of the slides by the Group or any person on behalf of the Group, any question-and-answer sessions that follows the oral presentation, hard and electronic copies of this document and any materials distributed at, or in connection with the presentation (collectively, the “Presentation”). This Presentation contains, and any related presentation may contain, financial information regarding the businesses and assets of the Group. Such financial information may not have been audited, reviewed or verified by any independent accounting firm. The inclusion of such financial information in this document or any related presentation should not be regarded as a representation or warranty by the Group or any other person as to the accuracy or completeness of such information’s portrayal of the financial condition or results of operations by the Group and should not be relied upon when making an investment decision. Certain financial data included in this presentation consists of “non‐IFRS financial measures” and “non-UK GAAP financial measures”. These non‐IFRS financial measures and non-UK GAAP financial measures, as defined by the Company, may not be comparable to similarly‐titled measures as presented by other companies, nor should they be considered as an alternative to the historical financial results or other indicators of the performance based on IFRS or UK GAAP. -
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Feature CARRY ON SCREENING Bond seduced his beauties here, Barbara Windsor lost her bikini – and Keira Knightley got drenched. David James Smith roams the backlots of Pinewood Studios WATER BABY: Keira Knightley gets immersed in her work xx during the fi lming of Atonement 27 stm29026.indd26 2-3 The Sunday Times Magazine June 29, 2008 June 29, 2008 The Sunday Times Magazine 2719/6/08 17:28:01 Investigation Wanted posters Neighbours were asked if they had seen a foreign show both male and woman; they hadn’t. The police went through the female Ichihashis neighbouring apartment onto the balcony over- looking Ichihashi’s home. It was dark, but they were right next to Ichihashi’s balcony. He had ere nothing is ever quite her, don’t speak to them. This is my community, dragged his bath out onto it and Lindsay was what it seems to be. It should come as no surprise she said, they all know I’m the English teacher, I dead inside it with her hand sticking out, but Hthat the hand-carved solid oak entrance to the have to speak to them. When you’re on the train, the police did not see her. The police could see main building of Pinewood fi lm studios is just read a book, Bill told her. Don’t freak, Dad, there was somebody inside the apartment but, actually an extravagantly grand Elizabethan she said, it’s just crazy Japan. She was always say- their notes said, they could not go in because they fi replace, imported seven decades ago from a ing that. -
Hrh the Prince of Wales Announces Bfi Skills
HRH THE PRINCE OF WALES ANNOUNCES BFI SKILLS PROGRAMME GIVING YOUNG PEOPLE UNIQUE JOB AND TRAINING OPPORTUNITIES ON BOND 25 Eight BFI Film Academy Alumni recruited into paid roles supported by National Lottery funding Trainees meet HRH The Prince of Wales as he visits set of iconic UK film franchise PINEWOOD – Thursday 20 June 2019 HRH The Prince of Wales today announced a new partnership between the BFI and EON Productions to give a unique opportunity to eight talented young people from a range of backgrounds to work as paid trainees on Bond 25 through the BFI Film Academy Future Skills Programme as part of the film’s dedicated apprenticeship scheme. While on a tour of the Bond sets at Pinewood Studios HRH The Prince of Wales, who visited BFI Southbank in December 2018 to mark his 40th year as Patron of the BFI, met BFI CEO Amanda Nevill, Bond producers Michael G. Wilson and Barbara Broccoli of EON Productions, the young trainees, cast and crew. Eight of the trainees are graduates of the BFI Film Academy, which provides training for 16-19 year olds from across the UK. They have been selected to be part of the pioneering Future Skills Programme which is the next step in industry-led training designed to give young people from under-represented backgrounds the opportunity to have a career in film production. The programme is made possible thanks to National Lottery funding. Bond 25 is employing a total of 16 trainees on the production, half of which are through the BFI partnership. Starring Daniel Craig and directed by Cary Joji Fukunaga, Bond 25 is currently shooting at Pinewood Studios. -
ALBERT R. BROCCOLI's EON PRODUCTIONS LTD. Presents DANIEL CRAIG As IAN FLEMING's JAMES BOND 007 in SKYFALL Starring JAVIER B
ALBERT R. BROCCOLI’S EON PRODUCTIONS LTD. Presents DANIEL CRAIG as IAN FLEMING’S JAMES BOND 007 in SKYFALL starring JAVIER BARDEM RALPH FIENNES NAOMIE HARRIS BÉRÉNICE LIM MARLOHE BEN WHISHAW RORY KINNEAR OLA RAPACE with ALBERT FINNEY and JUDI DENCH as M Co-Producers ANDREW NOAKES DAVID POPE Script Supervisor JAYNE-ANN TENGGREN Sound Recordist STUART WILSON Electrical Supervisor JOHN HIGGINS Second Unit Assistant Director TERRY MADDEN Makeup Designer NAOMI DONNE Hair Designer ZOE TAHIR Mr. Craig’s Makeup DONALD MOWAT Wardrobe Supervisor GORDON HARMER Publicity and Marketing STEPHANIE WENBORN Promotions KEITH SNELGROVE Supervising Art Director CHRIS LOWE Set Decorator ANNA PINNOCK Property Master JAMIE WILKINSON Construction Manager STEPHEN BOHAN Stills Photographer FRANÇOIS DUHAMEL Visual Effects Producer LESLIE LERMAN Production Supervisor JANINE MODDER Location Production Managers CHRIS BROCK ANGUS MORE GORDON ANTHONY WAYE Second Unit Production Manager TERRY BAMBER Post Production Supervisor MICHAEL SOLINGER Visual Effects and Miniature Supervisor STEVE BEGG Associate Producer GREGG WILSON Unit Production Managers CALLUM McDOUGALL JEREMY JOHNS First Assistant Director MICHAEL LERMAN Casting DEBBIE McWILLIAMS Main Titles Designed by DANIEL KLEINMAN Special Effects and Miniature Effects Supervisor CHRIS CORBOULD Stunt Coordinator GARY POWELL Second Unit Director ALEXANDER WITT Costume Designer JANY TEMIME Editors STUART BAIRD A.C.E. KATE BAIRD Director of Photography ROGER DEAKINS ASC BSC Production Designer DENNIS GASSNER Music by THOMAS