R Market Achievements History Product

Total Page:16

File Type:pdf, Size:1020Kb

R Market Achievements History Product entertainment is the vast range of Home Theater Systems that instantaneously fills your living room with cinematic acoustics at the flick of a switch. The audio range is massive and comprises Portables, Micro and Mini Component Systems, right up to High-end Component Systems and a wide range of Camcorders, analogue and digital which include some semiprofessional models too. The range of related Accessories and Software include Battery Packs, Headphones, Microphones, Connectors, Cables and all that it takes to keep your entertainment in top gear. The Professional range, carries Professional Camcorders, Channel Mixers, Digital Projectors, Audiovisual, Public Address and Broadcast MARKET a market share in what could be aptly called Camcorders, Televisions, DVD players, Video equipment that can cover the dimensions of a Dedicated to the cause of ‘Service to the -- The Survival of the Fittest. JVC’s technological projectors, LCD and Plasma panels. studio, auditorium, broadcast station or any other Consumer,’ JVC has relied heavily on its superior expertise and the marketing ability and institution that necessitates such services. Of strength in Research and Development. The distribution strength of Oasis Enterprises fused HISTORY particular interest to professional broadcasting firm belief in the old adage, ‘Quality is never together to secure a large share of the consumer JVC was established in 1927, not as a Japanese is JVC’s revolutionary D-9 video format, widely an accident, but a result of hard work and electronics market, particularly grabbing the lion’s company, but as a Far East subsidiary of an recognized by the engineering community as dedication’ amply explains JVC’s commitment share in the digital camcorder American company - The Victor Talking Machine the blueprint for future digital broadcasting to customer satisfaction in over 75 years of its s e g m e n t , where Company ( which later went on to become RCA and the ideal choice for HDTV production and existence. The resultant excellence, is the product innovation, Victor) of Camden, New Jersey. broadcasting. of an uncompromising formula that factors quality and By 1930, Victor Talking Machine PROMOTION ‘Certification Of Acknowledgment’ from its happy perseverance, determination and innovation. performance are the prime Company of Japan had established RECENT DEVELOPMENTS JVC strongly believes in the various facets of human customers. JVC will continue its relentless pursuit The markets in the MENA (Middle-East and factors. an independent identity, the turning JVC’s enormous advantage in Research and society and in furtherance of such noble ideals, it of excellence and innovation and continue to set North Africa) region, particularly the point coming with the completion Development has led to the development of a supports different forums in music, entertainment, standards for others to follow. UAE are high consumption markets of a modern factory complex in wide range of new technologies that has served sports and culture. The globally renowned JVC for consumer products. Given the Yokohama for the as the industry’s engine in audio, video and Jazz Festival and the Tokyo Video Festival are two www.jvcuae.com high disposable income and strong manufacture of records multimedia entertainment. of the many annually sponsored events, that bear economies of member countries and phonographs. JVC’s Plasma Televisions, employ the D.I.S.T. testimony of JVC’s commitment to the cause. Things you didn’t know about in the region, JVC, besides quality, Soon establishing (Digital Image Scaling Technology) an advanced JVC’s association with world soccer is legendary, it lays huge emphasis on product a popular image digital signal processing technology that has been an ardent supporter of the Football World JVC availability, marketing and widespread in Software reproduces an image of remarkable quality, Cup, including being an official partner of the 2002 distribution. Dubai’s well earned manufacture and regardless of the quality of the original source. FIFA World Cup held jointly in Korea and Japan. JVC was established in 1927 as Victor Talking title as ‘ The Gateway to the Gulf marketing, JVC One exciting component of D.I.S.T. is Colour The support it extends to the Asian Badminton Machine Company, originally an American ‘ and its emergence as the trading expanded its Management. This revolutionary JVC technology, Championship is another example of its great company. By 1930 Victor Talking Machine hub of the region has served JVC recording business enables precise colour adjustments of only passion for sport. Company, Japan was already well established well to successfully launch many by setting up its selected colours in an image and delivers Combining forces with Oasis Enterprises, its with manufacturing facilities at Yokohama of its products. Once well received own studios and adjusted colour images with geometrical official partner in the UAE, JVC is conspicuously which is now the JVC headquarters. There, here, regional acceptance is a foregone recording various artists under contract. accuracy. Now there is also a range of new present on the radio, sponsoring diverse programs JVC originally manufactured Phonographs and conclusion. 1935 saw JVC making its foray into radio televisions that come with the Dynapix across popular channels. Records. Although, JVC Gulf at Jebel Ali in Dubai, the Consumer Home Entertainment commenced with a high-quality product line and in 1953, technology, powered by Digital Imaging Scaling regional headquarters that oversees operations in 1976 with JVC’s invention of the VHS the Japanese stations began their first television Technology (D.I.S.T.) these deliver 900 lines of BRAND VALUES The dog “Nipper” was the mascot for Victor in the MENA region was established in 1995, videocassette recorder - now a global standard. broadcast in the post world-war II era. JVC by horizontal resolution as compared to 625 lines Brand JVC pursues the policy of ‘Customer First’ Talking Machine Company. Nipper was an JVC ‘s association with Oasis Enterprises in Further building on this revolutionary technology, then already had television sets in the market by other televisions. The obvious result is a much with conscientious diligence. Guided by the principle intelligent fox terrier dog owned by Mark the UAE dates back two decades. Firming up a JVC surged ahead diversifying its expertise and in 1960 set up a separate colour television sharper, brilliant, flicker free picture with natural of zero tolerance in customer satisfaction, huge Barraud. After Barraud’s death, his brother distribution association in 1984, Oasis Enterprises in other fields that demand remarkable manufacturing facility to cater to the growing colour even in fast moving scenes. The results investments go into Research & Development to Francis Barraud, a famous painter, played a has progressively enhanced brand JVC in the competence. The Hi-Fi VHS system in 1983, HQ demands of the population. clearly stand out and are seen effortlessly. These give customers top drawer conveniences. record of Mark’s voice on a phonograph and UAE. Through cutting-edge marketing strategies, (High Quality) VHS system in 1985, the Super 1976 redefined home entertainment with JVC televisions additionally accept high-definition Consequently, these are the values in JVC let Nipper listen to it. So emotionally moved innovative promotional schemes and in-depth VHS format in 1987, D-VHS , Digital S now introducing the VHS format that has become (HD) signals and are ahead of their time as in that have led customers to associate the brand was Francis to see the puzzled and confused market penetration, Oasis has reached out to called D-9, along with the world’s smallest the global format for video entertainment. most parts of the world HD transmission is yet with quality, reliability, durability and excellence. expression on Nipper’s face as the dog cried satisfy consumer needs with quality products and lightest digital video camcorder in 1995 That success is history today with close to a to commence. Competitively priced they are Consumer trust in the brand, has only driven JVC to and listened, that he immediately sat down that comprise the JVC range. Most importantly, and the DVD Player in 1996 are some of the billion Video Decks from various manufactures now available in 34 and 29 inch televisions and reciprocate with even greater emphasis on research, and drew a picture of a dog listening to a delivering quality at prices that are pleasing to highlights of JVC’s milestones in video technology, worldwide employing the format. 42 inch Plasma Display Panels. to continuously offer the consumer products that phonograph and titled it ‘ His Master’s Voice.’ the pocket. a fitting tribute to the intelligent demands of Although JVC had its presence in the UAE High Definition (HD) cameras as a rule were surpass the common standards of excellence. Today, JVC enjoys an enviable market share in consumer need. The list does not end here and earlier, it entered into a formal association with huge, bulky and needed to be moved around Although in the forefront of innovation, JVC The VHS ( Home Video Standard ) format for the UAE. The association of JVC and Oasis will in all fairness its developments in audio and Oasis Enterprises in 1984, thereby cementing on castor mounted tripods within studios. Not researches and develops newer technologies home video entertainment that has become celebrate two decades of a fulfilling partnership multimedia deserve a mention. The world’s first a relationship that spans two decades. Building any more. JVC’s new HD cameras are now that maintain a compatibility with past generation the global standard for video format, was in the coming year. quartz-servo turntable in 1973, world’s first on a foundation laid twenty years ago with Oasis lightweight and reduced to almost one-tenth in models. Therefore, even with fast emerging invented by JVC in 1976. The first VHS Video metal-tape compatible cassette deck in 1978, the for the UAE, JVC has moved well into the 21st size.
Recommended publications
  • The History of Nipper and His Master's Voice by Erik Østergaard
    The History of Nipper and His Master's Voice By Erik Østergaard Nipper and His Master's Voice - What is the story? Nipper the dog was born in Bristol in Gloucester, England in 1884 and so named because of his tendency to nip the backs of visitors' legs. When his first master Mark Barraud died destitute in Bristol in 1887, Nipper was taken to Liverpool in Lancashire, England by Mark's younger brother Francis, a painter. In Liverpool Nipper discovered the Phonograph, a cylinder recording and playing machine and Francis Barraud "often noticed how puzzled he was to make out where the voice came from". This scene must have been indelibly printed in Barraud's brain, for it was three years after Nipper died that he committed it to canvas. Nipper died in September 1895, having returned from Liverpool to live with Mark Barraud's widow in Kingston-upon-Thames in Surrey, England. Though not a thoroughbred, Nipper had plenty of bull terrier in him; he never hesitated to take on another dog in a fight, loved chasing rats and had a fondness for the pheasants in Richmond Park! In 1898 Barraud completed the painting and registered it on 11 February 1899 as "Dog looking at and listening to a Phonograph". "Dog looking at and listening to a Phonograph" Barraud then decided to rename the painting "His Master's Voice" and tried to exhibit it at the Royal Academy, but was turned down. He had no more luck trying to offer it for reproduction in magazines. "No one would know what the dog was doing" was given as the reason! Next on Barraud's list was The Edison Bell Company, leading manufacturer of the cylinder phonograph, but again without success.
    [Show full text]
  • History of Parlophone Singles Parlophon Began As a German
    History of Parlophone Singles Parlophon began as a German company founded in 1896 by Carl Lindström, a Swedish inventor who lived in Berlin. Lindström made phonographs using the name “Parlophon,” and dictating machines using the name “Parlograph.” In 1911, Lindström’s company obtained controlling interest in the International Talking Machine Company – the German corporation that owned and had created Odeon Records. Lindström saw the opportunity to merge the European record manufacturing and player manufacturing markets, and to expand this new industry. During this period, records were being exported from Germany to Great Britain in increasing numbers – so that German imports consisted of a sizable portion of the British record market. Lindström endeavored to expand the production of Odeon’s discs worldwide, and after the First World War he succeeded in bringing the Odeon label to the United States, but his struggles to acquire a British company had been unsuccessful. William Barry Owen worked for German‐American inventor Emile Berliner, the man who introduced the disc record and “gramophone” in late 1887. In July, 1897, he left US‐based National Gramophone Company, a subsidiary of Berliner Gramophone, to move to England. He and Trevor Williams founded the UK Gramophone Company in May, 1898 – not long after Lindström founded his Parlophon company in Germany. Their independent company became Berliner’s partner in Britain. One of Berliner’s associates was Frank Seaman, who had managed the National Gramophone Company. Seaman left Berliner in 1899. Using technology that he “borrowed” from Berliner, Seaman founded Zon‐o‐Phone Records. Seaman pursued an alliance with Columbia Records, offering Columbia royalties for the stylus design in exchange for driving Emile Berliner out of business in America.
    [Show full text]
  • His Master's Voice
    Little Nipper Window History The image of Little Nipper and “His Master’s Voice” originated with a painting by the Englishman Francis Barraud. In 1899, a gramophone company bought both the picture and the copyright for use in promotional material. Two years later, the Victor Talking Machine Company obtained the US rights to this image and Nipper began representing the company. RCA then merged with the Victor Company and became RCA Victor. The company commissioned four large stained glass windows of the painting from the Philadelphia studio of the prominent stained glass artist Nicola D’Ascenzo. These windows were placed in the tower of the RCA building in Camden in 1915. The windows remained there until 1969, when the company decided to modernize their logo and the four windows were removed. At the time, one of Widener’s trustees was Eldridge R. Johnson II, the grandson of Eldridge R. Johnson, who founded the Victor Talking Machine Company. As a result, Eldridge R. Johnson II gifted Widener’s newly constructed Wolfgram Memorial Library with this historical artifact. A second window was donated to the Smithsonian Institution, and a third went to Pennsylvania State University. The final one was retained by RCA until 1988, when it was donated to the Camden County Historical Society. The removal of the stained glass windows and their subsequent replacement with a more modern logo was not popular with the residents of New Jersey. Eventually, RCA returned to using Little Nipper as one of their logos, and in 1978 the company commissioned another set of Little Nipper stained glass windows from D’Ascenzo Studios.
    [Show full text]
  • RCA Corporation Records 2069
    RCA Corporation records 2069 This finding aid was produced using ArchivesSpace on September 14, 2021. Description is written in: English. Describing Archives: A Content Standard Manuscripts and Archives PO Box 3630 Wilmington, Delaware 19807 [email protected] URL: http://www.hagley.org/library RCA Corporation records 2069 Table of Contents Summary Information .................................................................................................................................... 3 Historical Note ............................................................................................................................................... 3 Scope and Content ....................................................................................................................................... 11 Administrative Information .......................................................................................................................... 14 Related Materials ......................................................................................................................................... 15 Controlled Access Headings ........................................................................................................................ 15 Bibliography ................................................................................................................................................. 16 Collection Inventory ....................................................................................................................................
    [Show full text]
  • 191 VOCAL 78 Rpm Discs 2398. 11” Brown Praha Odeon 38539/38519
    VOCAL 78 rpm Discs 2398. 11” Brown Praha Odeon 38539/38519 [XV62/Vx497]]. FRÜHLINGSZEIT (Becker) / WLADISLAV FLORIJANSKY [t]. EUGEN ONEGIN: Air (Tschaikowsky). Piano acc. Rare. Speeds 89.7/81.8 rpm, (presuming the key of A). Side one 4-5. Remarkably forward and the graying sounds only a bit. Side one 3-4 (although hardly any graying). Looks considerably worse than it sounds. $50.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses. He also appeared in Mexico and the Phil- lipines. Among the leading baritones of his era, Pacini’s only records were a few for Fonotipia. 9024. 11” Gold SS Fonotipia 39005 [XPh2]. LE ROI DE LAHORE: O casto fior (Massenet). Few MGTs, just about 2. $50.00. REGINA PACINI [s]. Lisbon, 1871-Buenos Aires, 1965. Born of a musical family, Pacini made her debut in 1888 at the San Carlo in Lisbon as Amina in Bellini’s La Sonnambula. She also appeared at La Scala, Covent Garden (with Caruso), Rome, Warsaw and St. Petersburg. In Buenos Aires, 1907, Pacini wed the Argentine Diplomat Marcelo de Alvear and then retired from the stage. From 1922 through 1928 she was first lady of Argentina, her husband having been elected President. Pacini was still living during the reign of another more recognized Argentine presidential wife, Evita Peron.
    [Show full text]
  • Creating a Culture of In-Home Use for The
    CREATING A HOME CULTURE FOR THE PHONOGRAPH: WOMEN AND THE RISE OF SOUND RECORDINGS IN THE UNITED STATES, 1877-1913 by Nathan David Bowers BS, Bmusic, Philadelphia College of Bible, 1997 MA, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of Music in partial fulfillment Of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH _______ FACULTY OF ARTS AND SCIENCES This dissertation was presented by __________Nathan David Bowers__________ It was defended on _________February 9, 2007___________ and was approved by Dr. Deane Root, Professor of Music, Department Chair Dr. Don Franklin, Professor of Music Dr. Mary L. Lewis , Professor of Music Dr. Michael Broyles, Professor of Music Dr. Deane Root, Professor of Music Committee Chairperson ii Copyright © by Nathan David Bowers 2007 iii CREATING A HOME CULTURE FOR THE PHONOGRAPH: WOMEN AND THE RISE OF SOUND RECORDINGS IN THE UNITED STATES, 1877-1913 Nathan David Bowers, Doctor of Philosophy University of Pittsburgh, 2007 This dissertation explains processes of change and adaptation undergone by the early phonographs and talking machines, documenting social and musical forces through which consumers and businessmen shaped an in-home culture for sound recordings during the late nineteenth and early twentieth centuries. As a force for change in music in the home, the early phonograph embraced middle-class ideologies exemplified in the parlor of the late nineteenth- and early twentieth-centuries in order to create a domestic market. Early phonograph companies realized that women maintained and managed the affairs of the parlor, deciding what items were purchased for display and what activities were morally acceptable.
    [Show full text]
  • RCA (Victor) Label Styles
    A Victorious History through RCA (Victor) Label Styles Emile Berliner, the inventor of the Gramophone, began issuing records in November, 1894. With Eldridge R. Johnson having agreed to manufacture his machines, Berliner’s company was on the vanguard of recording technology. Then in 1899, employee Frank Seaman left Berliner to start a rival company using Berliner’s process. Even Seaman’s record players appeared to be knock-offs of the ones being marketed by Johnson. Seaman’s Zon-o- Phone company allied with Columbia Records in his personal effort to put Berliner out of business and take over the market. Johnson formed the Consolidated Talking Machine Company and began releasing records in Spring, 1900. In 1900, a court granted an injunction against Berliner and Johnson – for not being quick enough to patent their process before Seaman did. As a result, these records were labeled as “improved gram-o-phone records” until March, 1901, after which time they were briefly marketed simply as “improved records.” A countersuit by Berliner and Johnson brought out the details, though, and the two men emerged as victors. After the conclusion of the lawsuit, Berliner and Johnson gained control of Zon-o-Phone and organized a new company: the Victor Talking Machine Company. Eldridge Johnson sent representatives to the Pan- American Exposition at Buffalo, NY, in 1901. Stationed in the Electrical Building, the exhibitors discovered quickly that there was rising interest in both the company’s records and its machines. “The Village Choir,” first recorded in 1900 by S.H. Dudley, proved to be a popular record as it was played at the expo.
    [Show full text]
  • Guide to the Record Catalog Collection ARS.0184
    http://oac.cdlib.org/findaid/ark:/13030/c8765m3f No online items Guide to the Record Catalog Collection ARS.0184 Frank Ferko Archive of Recorded Sound 2017-01-19 [email protected] URL: http://library.stanford.edu/ars Guide to the Record Catalog ARS.0184 1 Collection ARS.0184 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: Guide to the Record Catalog Collection Identifier/Call Number: ARS.0184 Physical Description: 41 box(es)Booklets, pamphlets, magazines, loose sheets Physical Description: 43.3 Linear Feet Date (inclusive): 1897-2005 (some items undated, indicated as n.d.) Abstract: The Record Catalog Collection consists of published catalogs and other advertising materials issued by a wide variety of recording companies from around the world. In addition to catalogs, the materials include booklets, pamphlets, magazines, and loose sheets published between 1897 and 2005. Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive of Recorded Sound for assistance. Restrictions All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head Librarian, Archive of Recorded Sound, Braun Music Center, Stanford, California 94305. Consent is given on behalf of the Archive of Recorded Sound as the owner of the physical items and is not intended to include or imply permission from the copyright owner. Such permission must be obtained from the copyright owner, heir(s) or assigns. Cite as Record Catalog Collection. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, CA. Arrangement Folders have been arranged alphabetically by record label name and then chronologically.
    [Show full text]
  • Cervantes As Narrator of Don Quijote
    From: Cervantes: Bulletin of the Cervantes Society of America, 23.1 (2003): 117-40. Copyright © 2003, The Cervantes Society of America. Cervantes as Narrator of Don Quijote HOWARD MANCING For Jay Allen I. The Author. In this essay I would like to take a look at some questions often contemplated by literary scholars and casual readers alike: What is the relationship of the author to his or her text? Is the author or, at least, the author’s voice, to be found in the text and, if so, where? Who tells the story; who is the narrator? As we try to identify the disembodied narrative voice that speaks to us from within the text, we might recall the image used by the Vic- tor Talking Machine company, later RCA Victor, in the early days of sound recordings: Nipper the dog, sitting with head cocked, listening curiously to the bell-shaped speaker of a phonograph, as though wondering where his master is.1 As has often been noted, it seems that when we read a novel we want to have the experience of communicating with another human being, with the author.2 1 Nipper, a Jack Russell terrier whose image appeared on the labels of all RCA Victor recordings and in most of its advertisements, is the most famous dog who ever lived, if one takes as criterion the number of times his likeness has been re- produced. For an introduction, http://www.nipperhead.com/nipper.htm and http://www.tvacres.com/adanimals_nipperrca.htm (6 March 2003). 2 This observation is often made merely in passing, but it is effectively 117 118 HOWARD MANCING Cervantes But modern literary scholarship would seem to have ban- ished the historical author from any role whatsoever in the text.
    [Show full text]
  • Luxury Loft Waterfront Living
    LUXURY LOFT WATERFRONT LIVING 341 UNITS ICONIC BUILDING WITH CAMDEN WATERFRONT | SOUTHERN NEW JERSEY INCREDIBLE HISTORY URBAN, TRANSIT ORIENTED ASSET UNPARALLELED PANORAMIC VIEWS OF THE PHILADELPHIA SKYLINE AND BEN FRANKLIN BRIDGE A CBRE Multifamily Investment Opportunity VICTOR AND THEIR TRADE MARK Head of the company’s advertising, sales, and recording at that time, Mr. Leon Forrest Douglas derived the 1901 name “Victor” from his wife’s name, Victoria. The brand name “Victor” was registered in Washington on March 12, 1901. Eldridge R. Johnson founded the Victor Talking Machine The painting, “His Master’s Voice,” by Francis Barraud, depicts a little fox Company, specializing in terrier, “Nipper” and a phonograph. One day, the artist found Nipper with manufacturing phonographs his head cocked, listening to a phonograph record. The artist wondered and phonograph records. if the dog might not think that he was listening to his deceased master’s voice. So he painted the picture and called it, “His Master’s Voice.” 1929-1937 1906 The Victor Talking Machine Company was purchased by the With the intention to produce a Radio Corporation of America (RCA). The merged company phonograph that looked more like furniture became “RCA Victor” and quickly made Camden a leading to go with the decor of homes, Johnson and center in the new broadcast medium. Along with record his engineers designed a new line. players, the waterfront RCA-Victor complex became the world’s The product was named Victrola, largest manufacturers of radio sets. with the turntable and amplifying horn tucked away inside a RCA’s Camden facilities, RCA Victor Company Building 17 wooden cabinet.
    [Show full text]