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The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
THE EARLY YEARS OF THE ACOUSTIC PHONOGRAPH ITS DEVELOPMENTAL ORIGINS AND FALL FROM FAVOR 1877-1929 by CARL R. MC QUEARY A SENIOR THESIS IN HISTORICAL AMERICAN TECHNOLOGIES Submitted to the General Studies Committee of the College of Arts and Sciences of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved Accepted Director of General Studies March, 1990 0^ Ac T 3> ^"^^ DEDICATION No. 2) This thesis would not have been possible without the love and support of my wife Laura, who has continued to love me even when I had phonograph parts scattered through out the house. Thanks also to my loving parents, who have always been there for me. The Early Years of the Acoustic Phonograph Its developmental origins and fall from favor 1877-1929 "Mary had a little lamb, its fleece was white as snov^. And everywhere that Mary went, the lamb was sure to go." With the recitation of a child's nursery rhyme, thirty-year- old Thomas Alva Edison ushered in a bright new age--the age of recorded sound. Edison's successful reproduction and recording of the human voice was the end result of countless hours of work on his part and represented the culmination of mankind's attempts, over thousands of years, to capture and reproduce the sounds and rhythms of his own vocal utterances as well as those of his environment. Although the industry that Edison spawned continues to this day, the phonograph is much changed, and little resembles the simple acoustical marvel that Edison created. -
RF-7800B Broadband Global Area Network (BGAN) Terminals (Referred to Throughout This Manual As BGAN Terminal)
PUBLICATION NUMBER: 10515-0365-4200 JUNE 2017 Rev. C RF-7800B-DU024 LAND PORTABLE RF-7800B-VU104 LAND MOBILE BROADBAND GLOBAL AREA NETWORK TERMINAL OPERATION MANUAL This information is controlled by the U.S. Department of Commerce Export Administration Regulations 15 CFR 730-774, ECCN EAR99. Information contained herein is property of Harris Corporation and may not be copied or reproduced by any means, without prior written permission. Information contained herein is property of Harris Corporation and may not be copied or reproduced by any means, without prior written permission. R LIMITED ONE YEAR WARRANTY HARRIS CORPORATION (COMMUNICATION SYSTEMS) FROM HARRIS TO YOU - This warranty is extended to the original buyer and applies to all Harris Corporation equipment purchased and employed for the service normally intended, except those products specifically excluded. NOTE: Terms and conditions of the standard warranty may be superseded by the terms and conditions of your contract. WHAT WE WILL DO - If your Harris Corporation equipment purchased from us fails in normal use because of a defect in workmanship or materials within one year from the date of shipment, we will repair or replace (at our option) the equipment or part with new, reconditioned, or remanufactured equipment or parts without charge to you, at our authorized repair center or factory. WHAT YOU MUST DO - You must notify us promptly of a defect within one year from date of shipment. Assuming that Harris concurs that the complaint is valid, and is unable to correct the problem without having the equipment shipped to Harris: • Customers with equipment purchased for use outside the United States must obtain a Return Material Authorization (RMA) Number for the return of the defective equipment or part to our factory in Rochester, NY, U.S.A., for repair or replacement. -
Stingrays-Guide for Defense Attorneys
Photo credit: US Patent & Trademark Office Author: Linda Lye, Senior Staff Attorney, ACLU of Northern California Cover: Gigi Pandian, ACLU of Northern California Design: Carey Lamprecht Published by the ACLU of Northern California, June 27, 2014 The author wishes to thank Nanci Clarence, Josh Cohen, Catherine Crump, Hanni Fakhoury, Carey Lamprecht, Robin Packel, Mindy Phillips, and Nate Wessler for reviewing and commenting on drafts of this paper, and Christopher Soghoian for providing an eye-opening education on IMSI catchers. Special thanks go to Daniel Rigmaiden for his keen insights on legal and technological issues and for shedding light on this important issue. TABLE OF CONTENTS I. INTRODUCTION .....................................................................................................1 II. StingRays: What do they do and how do they work? ...............................................2 III. What kind of court authorization, if any, does the government currently obtain to use the device? .......................................................................................................4 A. No court authorization?..................................................................................4 B. Pen register/trap and trace order? ..................................................................5 C. Hybrid Order? ................................................................................................6 D. Warrant? .........................................................................................................7 -
R Market Achievements History Product
entertainment is the vast range of Home Theater Systems that instantaneously fills your living room with cinematic acoustics at the flick of a switch. The audio range is massive and comprises Portables, Micro and Mini Component Systems, right up to High-end Component Systems and a wide range of Camcorders, analogue and digital which include some semiprofessional models too. The range of related Accessories and Software include Battery Packs, Headphones, Microphones, Connectors, Cables and all that it takes to keep your entertainment in top gear. The Professional range, carries Professional Camcorders, Channel Mixers, Digital Projectors, Audiovisual, Public Address and Broadcast MARKET a market share in what could be aptly called Camcorders, Televisions, DVD players, Video equipment that can cover the dimensions of a Dedicated to the cause of ‘Service to the -- The Survival of the Fittest. JVC’s technological projectors, LCD and Plasma panels. studio, auditorium, broadcast station or any other Consumer,’ JVC has relied heavily on its superior expertise and the marketing ability and institution that necessitates such services. Of strength in Research and Development. The distribution strength of Oasis Enterprises fused HISTORY particular interest to professional broadcasting firm belief in the old adage, ‘Quality is never together to secure a large share of the consumer JVC was established in 1927, not as a Japanese is JVC’s revolutionary D-9 video format, widely an accident, but a result of hard work and electronics market, particularly grabbing the lion’s company, but as a Far East subsidiary of an recognized by the engineering community as dedication’ amply explains JVC’s commitment share in the digital camcorder American company - The Victor Talking Machine the blueprint for future digital broadcasting to customer satisfaction in over 75 years of its s e g m e n t , where Company ( which later went on to become RCA and the ideal choice for HDTV production and existence. -
From Historical Cell-Site Location Information to IMSI-Catchers: Why Triggerfish Devices Do Not Trigger Fourth Amendment Protection
Case Western Reserve Law Review Volume 68 Issue 1 Article 13 2017 From Historical Cell-Site Location Information to IMSI-Catchers: Why Triggerfish Devices Do Not Trigger Fourth Amendment Protection Kristi Winner Follow this and additional works at: https://scholarlycommons.law.case.edu/caselrev Recommended Citation Kristi Winner, From Historical Cell-Site Location Information to IMSI-Catchers: Why Triggerfish Devices Do Not Trigger Fourth Amendment Protection, 68 Case W. Rsrv. L. Rev. 240 (2017) Available at: https://scholarlycommons.law.case.edu/caselrev/vol68/iss1/13 This Comments is brought to you for free and open access by the Student Journals at Case Western Reserve University School of Law Scholarly Commons. It has been accepted for inclusion in Case Western Reserve Law Review by an authorized administrator of Case Western Reserve University School of Law Scholarly Commons. Case Western Reserve Law Review·Volume 68·Issue 1·2017 From Historical Cell-Site Location Information to IMSI- Catchers: Why TriggerFish Devices Do Not Trigger Fourth Amendment Protection Contents Introduction ................................................................................... 243 I. The Basics of Cellular Technology, CSLI, and IMSI- Catchers. ................................................................................ 246 A. Historical Cell-Site Location Information. ...................................... 246 B. Prospective Cell-Site Location Information ..................................... 249 II. IMSI-Catchers. ....................................................................... -
The History of Nipper and His Master's Voice by Erik Østergaard
The History of Nipper and His Master's Voice By Erik Østergaard Nipper and His Master's Voice - What is the story? Nipper the dog was born in Bristol in Gloucester, England in 1884 and so named because of his tendency to nip the backs of visitors' legs. When his first master Mark Barraud died destitute in Bristol in 1887, Nipper was taken to Liverpool in Lancashire, England by Mark's younger brother Francis, a painter. In Liverpool Nipper discovered the Phonograph, a cylinder recording and playing machine and Francis Barraud "often noticed how puzzled he was to make out where the voice came from". This scene must have been indelibly printed in Barraud's brain, for it was three years after Nipper died that he committed it to canvas. Nipper died in September 1895, having returned from Liverpool to live with Mark Barraud's widow in Kingston-upon-Thames in Surrey, England. Though not a thoroughbred, Nipper had plenty of bull terrier in him; he never hesitated to take on another dog in a fight, loved chasing rats and had a fondness for the pheasants in Richmond Park! In 1898 Barraud completed the painting and registered it on 11 February 1899 as "Dog looking at and listening to a Phonograph". "Dog looking at and listening to a Phonograph" Barraud then decided to rename the painting "His Master's Voice" and tried to exhibit it at the Royal Academy, but was turned down. He had no more luck trying to offer it for reproduction in magazines. "No one would know what the dog was doing" was given as the reason! Next on Barraud's list was The Edison Bell Company, leading manufacturer of the cylinder phonograph, but again without success. -
Harris Corporation 2016 Annual Report Fy16 Business Segments
CONNECT. INFORM. PROTECT. 2016 ANNUAL REPORT FINANCIAL HIGHLIGHTS FISCAL YEARS ENDED REVENUE DOLLARS IN BILLIONS DOLLARS IN MILLIONS, 2014 2015 2016 EXCEPT PER SHARE AMOUNTS JUNE 27 JULY 3 JULY 1 2016 $7.5 Revenue $5,012 $5,083 $7,467 2015 $5.1 GAAP Income from Continuing Operations $540 $334 $345 2014 $5.0 Non–GAAP Income from Continuing Operations* $540 $551 $715 EARNINGS PER SHARE IN DOLLARS GAAP Income Per Diluted Share from Continuing Operations $5.00 $3.11 $2.75 GAAP NON–GAAP* Non–GAAP Income Per Diluted Share $2.75 2016 $5.70 2016 from Continuing Operations* $5.00 $5.14 $5.70 $3.11 2015 $5.14 2015 $5.00 2014 $5.00 2014 GAAP Return on Invested Capital 20% 9% 6% Diluted Weighted Average DIVIDENDS PAID PER COMMON SHARE Common Shares Outstanding (Millions) 107.3 106.8 125.0 IN DOLLARS Worldwide Employment 14,000 22,300 21,000 $2.00 2016 Harris Corporation is a leading technology $1.88 2015 HARRIS innovator, solving customers’ toughest $1.68 2014 CORPORATION mission–critical challenges by providing solutions that connect, inform and protect. Harris supports customers in more than NYSE:HRS 100 countries and has approximately CASH FLOW DOLLARS IN MILLIONS $7.5 billion in annual revenue and 21,000 employees worldwide. The company is organized into four business segments: Communication Systems, Space and Intelligence Systems, Electronic Systems and Critical 2016 $772 $924 Networks. Learn more at harris.com. *Non–GAAP financial measures used in this Annual Report are defined and reconciled to the most directly 2015 $713 $854 comparable GAAP financial measures on page 5 of this Annual Report. -
2021 Proxy Statement and Notice of Annual Meeting
2021 Proxy Statement and Notice of Annual Meeting Friday, April 23, 2021 9:00 AM Eastern Time Virtual Meeting Website: www.virtualshareholdermeeting.com/LHX2021 OUR VALUES Integrity, Excellence and Respect – always. At L3Harris, innovation is powered by our foundational commitment to living our values. NOTICE OF 2021 ANNUAL MEETING OF SHAREHOLDERS When: Meeting Agenda Friday, April 23, 2021 9:00 AM Eastern Time Proposal 1: To elect as directors the 12 nominees named in the Where: accompanying proxy statement for a one-year term expiring at the 2022 The Annual Meeting will be Annual Meeting of Shareholders. held exclusively online at Proposal 2: To approve, in an advisory vote, the compensation of our named www.virtualshareholdermeeting .com/LHX2021. executive officers as disclosed in the accompanying proxy statement. Proposal 3: To ratify our Audit Committee's appointment of Ernst & Young YOUR VOTE IS IMPORTANT LLP as our independent registered public accounting firm for our fiscal year 2021. Even if you plan to attend the virtual Annual Meeting, we encourage you to The accompanying proxy statement more fully describes these matters. vote your shares before the meeting to ensure they are counted. Shareholders also will act on any other business matters that may properly come before the meeting, but we have not received notice of any such matters. All holders of common stock of record at the close of business on February HOW YOU CAN VOTE 26, 2021 are entitled to notice of and to vote at the Annual Meeting and any adjournments or postponements thereof. Internet Before the Annual Meeting* The Annual Meeting will be virtual-only, held exclusively online, due to the www.proxyvote.com public health impact of COVID and to protect the health and well-being of our shareholders, employees and board of directors. -
History of Parlophone Singles Parlophon Began As a German
History of Parlophone Singles Parlophon began as a German company founded in 1896 by Carl Lindström, a Swedish inventor who lived in Berlin. Lindström made phonographs using the name “Parlophon,” and dictating machines using the name “Parlograph.” In 1911, Lindström’s company obtained controlling interest in the International Talking Machine Company – the German corporation that owned and had created Odeon Records. Lindström saw the opportunity to merge the European record manufacturing and player manufacturing markets, and to expand this new industry. During this period, records were being exported from Germany to Great Britain in increasing numbers – so that German imports consisted of a sizable portion of the British record market. Lindström endeavored to expand the production of Odeon’s discs worldwide, and after the First World War he succeeded in bringing the Odeon label to the United States, but his struggles to acquire a British company had been unsuccessful. William Barry Owen worked for German‐American inventor Emile Berliner, the man who introduced the disc record and “gramophone” in late 1887. In July, 1897, he left US‐based National Gramophone Company, a subsidiary of Berliner Gramophone, to move to England. He and Trevor Williams founded the UK Gramophone Company in May, 1898 – not long after Lindström founded his Parlophon company in Germany. Their independent company became Berliner’s partner in Britain. One of Berliner’s associates was Frank Seaman, who had managed the National Gramophone Company. Seaman left Berliner in 1899. Using technology that he “borrowed” from Berliner, Seaman founded Zon‐o‐Phone Records. Seaman pursued an alliance with Columbia Records, offering Columbia royalties for the stylus design in exchange for driving Emile Berliner out of business in America. -
ARSC Journal, Fall 1991 207 American Graphophone & Columbia
THE AMERICAN GRAPHOPHONE COMPANY AND THE COLUMBIA PHONOGRAPH COMPANY ENTER THE DISC RECORD BUSINESS, 1897-19031 By Raymond R. Wile By 1897 the American Graphophone Company and its marketing arms, the Columbia Phonograph Company and the Columbia Phonograph Company: General were in a position to control a large portion of the talking machine industry. Patent problems involving the Edison interests had been resolved in late 1896 when the two warring parties agreed to accept consent decrees and to cross-license each other. Delays in the settlement of the North American Phonograph Company liquidation adversely affected Edison and gave the Graphophone group valuable lead time. And now that major segments of the Bell and Tainter patents had been sustained in the courts, the American Graphophone Company decided to test claims concerning pre-recorded cylinders. Relying upon these, as well as on patents granted or pending that had been obtained from Douglass, Bettini and Macdonald, the company commenced a wide-ranging series of suits in Midwest and East Coast federal jurisdictions. Edison soon applied for and received a license under the Macdonald patent when it was granted-but at a cost of $10,000. If the Graphophone Company was successful in its other areas it would effectively control a major portion ofthe market and might even dry up potential supplies of cylinder masters that could be used by Edison's National Phonograph Company. Preliminary injunctions were obtained in all cases except one brought against the United States Phonograph Company, a major supplier of master recordings to National. Later, after George Tewksberry, its chief motivating force, suffered a progressive mental disorder, even this firm had to admit defeat. -
His Master's Voice
Little Nipper Window History The image of Little Nipper and “His Master’s Voice” originated with a painting by the Englishman Francis Barraud. In 1899, a gramophone company bought both the picture and the copyright for use in promotional material. Two years later, the Victor Talking Machine Company obtained the US rights to this image and Nipper began representing the company. RCA then merged with the Victor Company and became RCA Victor. The company commissioned four large stained glass windows of the painting from the Philadelphia studio of the prominent stained glass artist Nicola D’Ascenzo. These windows were placed in the tower of the RCA building in Camden in 1915. The windows remained there until 1969, when the company decided to modernize their logo and the four windows were removed. At the time, one of Widener’s trustees was Eldridge R. Johnson II, the grandson of Eldridge R. Johnson, who founded the Victor Talking Machine Company. As a result, Eldridge R. Johnson II gifted Widener’s newly constructed Wolfgram Memorial Library with this historical artifact. A second window was donated to the Smithsonian Institution, and a third went to Pennsylvania State University. The final one was retained by RCA until 1988, when it was donated to the Camden County Historical Society. The removal of the stained glass windows and their subsequent replacement with a more modern logo was not popular with the residents of New Jersey. Eventually, RCA returned to using Little Nipper as one of their logos, and in 1978 the company commissioned another set of Little Nipper stained glass windows from D’Ascenzo Studios. -
Phonographic Bulletin
iasa International Association of Sound Archives ASSQciation Internationale d'Archives Sonores Internationale Vereinigun~ derSchallarchive phonographic bulletin no. 40/November 1984 PHONOGRAPH I C BULLETI N Journa1 of the International Association of Sound Arcbives IASA Organe de 1 'Association Internationale d'Archives Sonores IASA Zeitschrift der Internationa1en Vereinigung der Schallarchive IASA Editor: Dr. Dietrich Schliller, Phonogranunarchiv der Usterreicbischen Akademie der Wissen schaften. Liebiggasse 5, A-tOl0 Wien. Austria. Editorial board: Co-Editor, Ann Schuursma, EthnO(llusicology Archives, Music Department. U.C.L.A •• Los Angeles. California 90024 •.USA; Review and Recent Publications Editor. Dr. R. O. Martin Elste. Regensburger StraBe 5a. 0-1000 Berl in 30; News and Notes Editor. Peter Burgis. National Film and Sound Archive. McCoy Circuit, Acton A.C.T., G.P.O.Box 2002. Canberra. A.C.T.2601 Australia. -- ----- -~----- ------------.-----.----_.---------- --------- -----~- ---.-- - -- --~ ---,--.----:,-------- --- The PHONOGRAPHIC BULLETIN is published three times a year and is sent to all members of IASA. Applications for menbership in IASA should be sent to the s.ecretary General (see list of officers below). The annual dues are at the moment skr tOO for individual members and skr 230 for insti tutional members. Back copies of the PHONOGRAPHIC BULLETIN from 1971 are available on application. Subscriptions to the current year's issues of the PHONOGRAPHIC BULLETIN are also available to non- members at a cost of skr 130. Le Journal de l'Association internationale d'archives sonores, le PHONOGRAPHIC BULLETIN. est publie trois fois l'an et distribue a tous les membres. Veuil1ez envoyer vos demandes d'adhesion au secretaire dont vous trouverez l'adresse ci-dessous.