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Grabmusik Bastien Und Bastienne GRABMUSIK BASTIEN UND BASTIENNE CLASSICAL OPERA IAN PAGE (CONDUCTOR) WOLFGANGWOLFGA AMADEUSNG AMADEUSMOZART (1756 MOZART - 1791) (1756 - 1791) GRABMUSIK,GRABMUSIK, K.42/35a (original K.42/35 1767 aversion) (original 1767 version) Librettist unknownLibrettist unknown Performance material: NewPerformance Mozart Editionmaterial: (NMA) New Mozart Edition (NMA) By kind permission of Bärenreiter-VerlagBy kind permission of Bärenreiter-Verlag DER ENGEL DER ENGEL ANNA LUCIA RICHTERANNA soprano LUCIA RICHTER soprano Kassel · Basel · London Kassel· New ·York Basel · Praha· London · New York · Praha Recorded at BlackheathRecorded Concert Halls, at Blackheath Blackheath, Concert London, Halls, UK Blackheath, from 7 to 9 London, January UK2018 from 7 to 9 January 2018 DIE SEELE DIE SEELE JACQUES IMBRAILOJACQUES baritone IMBRAILO baritone Produced and engineeredProduced by Andrew and engineeredMellor by Andrew Mellor Assistant engineer: ChrisAssistant Kalcov engineer: Chris Kalcov Editing: Andrew Mellor Editing: Andrew Mellor Mix & Mastering: AndrewMix Mellor & Mastering: Andrew Mellor BASTIEN UNDBASTIEN BASTIENNE, UND BASTIENNE, K.50 (original 1768K.50 version) (original 1768 version) Design by Toucari Live andDesign Classical by Toucari Opera Live and Classical Opera Cover image by DebbieCover Coates image by Debbie Coates Libretto by F. W.Libretto Weiskern by F. & W. J. H. Weiskern F. Müller & J. H. F. Müller Photographs by BenjaminPhotographs Ealovega by Benjamin Ealovega German language coach:German Dominik language Dengler coach: Dominik Dengler Harpsichord technician: HarpsichordMalcolm Greenhalgh technician: Malcolm Greenhalgh BASTIENNE BASTIENNE ANNA LUCIA RICHTERANNA soprano LUCIA RICHTER soprano Orchestra playing on periodOrchestra instruments playing at on A =period 430 instrumentsHz at A = 430 Hz BASTIEN BASTIEN ALESSANDRO FISHERALESSANDRO tenor FISHER tenor This recording is generouslyThis recordingsupported isby generously George & supported Efthalia Koukis by George and usada. & Efthalia Koukis and usada. COLAS COLAS DARREN JEFFERY bass-baritoneDARREN JEFFERY bass-baritone We are also grateful toWe the arefollowing also grateful individuals to the for following their generous individuals support: for theirSir Vernon generous & Ladysupport: Ellis, Sir Kate Vernon & Lady Ellis, Kate Bingham & Jesse Norman,Bingham Pearce & &Jesse Beaujolais Norman, Rood, Pearce Joe && BeaujolaisChristine Swanson Rood, Joe and & ChristineMichael Swanson& Rosemary and Michael & RosemaryTHE MOZARTISTS THE MOZARTISTS Warburg. Warburg. Leader: MatthewLeader: Truscott Matthew Truscott Special thanks to: BibliotekaSpecial Jagiellońska thanks to: Kraków,Biblioteka Jo JagiellońskaRamadan, Alice Kraków, Bellini, Jo Ramadan,Léa Hanrot, Alice Martin Bellini, Kendrick, Léa Hanrot, Martin Kendrick, William Thorp and LyricWilliam Hammersmith. Thorp and Lyric Hammersmith. IAN PAGE conductorIAN PAGE conductor 2 MOZART / GRABMUSIK2 MOZART & BASTIEN / GRABMUSIK UND BASTIENNE & BASTIEN UND BASTIENNE MOZART / GRABMUSIKMOZART & BASTIEN / GRABMUSIK UND BASTIENNE & BASTIEN 3UND BASTIENNE 3 Bastien CD booklet final beforeBastien reformat.indd CD booklet final 3 before reformat.indd 3 11/05/2018 15:17:51 11/05/2018 15:17:51 Page Page GRABMUSIK,GRABMUSIK, K.42/35a (original K.42/35 1767 versiona (original) 1767 version) 12 No. 4, Aria: “Befraget12 No. mich 4, Aria: ein zartes “Befraget Kind” mich (Colas) ein zartes Kind” (Colas) 1’04 29 1’04 29 Page Page 13 Dialogue: “Guten13 Morgen,Dialogue: Herr “Guten Colas!” Morgen, (Bastienne, Herr Colas)Colas!” (Bastienne, Colas) 1’59 30 1’59 30 1 No. 1, Recitative:1 “WoNo. bin1, Recitative:ich? bittrer “WoSchmerz!” bin ich? (Die bittrer Seele) Schmerz!” (Die Seele)1’02 15 1’02 15 14 No. 5, Aria: “Wenn14 No. mein 5, Bastien Aria: “Wenn im Scherze” mein Bastien(Bastienne) im Scherze” (Bastienne) 2’36 32 2’36 32 2 No. 2, Aria: “Felsen,2 No. spaltet 2, Aria: euren “Felsen, Rachen” spaltet (Die Seele)euren Rachen” (Die Seele) 6’02 15 6’02 15 15 Dialogue: “O, die15 EdelfrauDialogue: vom “O, Schloß” die Edelfrau (Colas) vom Schloß” (Colas) 0’18 33 0’18 33 3 No. 3, Recitative:3 “GeliebteNo. 3, Recitative:Seel’, was “Geliebte redest du?” Seel’, (Der was Engel) redest du?” (Der 1’04 Engel) 16 1’04 16 16 No. 6, Aria: “Würd16 No.ich auch,6, Aria: wie “Würd manche ich Buhlerinnen” auch, wie manche (Bastienne) Buhlerinnen” 1’17 (Bastienne) 33 1’17 33 4 No. 4, Aria: “Betracht4 No. dies 4, Aria:Herz und“Betracht frage diesmich” Herz (Der und Engel) frage mich” (Der Engel) 4’06 16 4’06 16 17 Dialogue: “Gib 17dich Dialogue:zufrieden!” “Gib (Colas, dich Bastienne) zufrieden!” (Colas, Bastienne) 1’01 33 1’01 33 5 No. 5, Accompanied5 No. recitative: 5, Accompanied “O Himmel! recitative: was ein “O traurig Himmel! Licht” was ein 1’16traurig Licht”17 1’16 17 (Die Seele) (Die Seele) 18 No. 7, Duet: “Auf18 denNo. Rat, 7, den Duet: ich “Auf gegeben” den Rat, (Colas, den ich Bastienne) gegeben” (Colas, Bastienne) 1’33 34 1’33 34 6 No. 6, Duet: “Jesu,6 No.was 6,hab’ Duet: ich getan?”“Jesu, was (Der hab’ Engel, ich getan?”Die Seele) (Der Engel, Die 4’44 Seele) 17 4’44 17SCENE THREE SCENE THREE 19 Dialogue: “Dieses19 LiebhaberpaarDialogue: “Dieses ist wahrlich Liebhaberpaar ein rechtes ist Wunderwerk”wahrlich ein rechtes 0’41 Wunderwerk” 35 0’41 35 BASTIEN UNDBASTIEN BASTIENNE, UND BASTIENNE,K.50 (original 1768 K.50 version (original) 1768 version) (Colas) (Colas) SCENE FOUR SCENE FOUR 7 Intrada 7 Intrada 1’40 28 1’40 28 20 No. 8, Aria: “Großen20 No. Dank 8, Aria: dir abzustatten” “Großen Dank (Bastien) dir abzustatten” (Bastien) 1’25 36 1’25 36 SCENE ONE SCENE ONE 21 Dialogue: “Es freut21 mich,Dialogue: daß du“Es endlich freut mich, zu dir” daß (Colas, du endlich Bastien) zu dir” (Colas, 0’41 Bastien) 36 0’41 36 8 No. 1, Aria: “Mein8 liebsterNo. 1, Aria:Freund “Mein hat mich liebster verlassen” Freund (Bastienne)hat mich verlassen” (Bastienne)1’56 28 1’56 28 22 No. 9, Aria: “Geh!22 duNo. sagst 9, Aria: mir eine“Geh! Fabel” du sagst (Bastien) mir eine Fabel” (Bastien) 1’17 38 1’17 38 9 Dialogue: “Du fliehst9 Dialogue: von mir, “DuBastien?” fliehst (Bastienne) von mir, Bastien?” (Bastienne) 0’45 28 0’45 28 23 Dialogue: “Das 23kannDialogue: sein” (Colas, “Das Bastien) kann sein” (Colas, Bastien) 1’18 38 1’18 38 10 No. 2, Aria: “Ich10 gehNo. jetzt 2, auf Aria: die “Ich Weide” geh jetzt (Bastienne) auf die Weide” (Bastienne) 1’34 29 1’34 29 24 No. 10, Aria: “Tätzel,24 No. Brätzel, 10, Aria: Schober, “Tätzel, Kober” Brätzel, (Colas) Schober, Kober” (Colas) 1’20 40 1’20 40 SCENE TWO SCENE TWO 25 Dialogue: “Ist die25 HexereiDialogue: zu Ende?” “Ist die (Bastien, Hexerei Colas)zu Ende?” (Bastien, Colas) 0’21 40 0’21 40 11 No. 3: Entrance 11of ColasNo. 3: Entrance of Colas 0’18 29 0’18 29 4 MOZART / GRABMUSIK4 MOZART & BASTIEN / GRABMUSIK UND BASTIENNE & BASTIEN UND BASTIENNE MOZART / GRABMUSIKMOZART & BASTIEN / GRABMUSIK UND BASTIENNE & BASTIEN 5UND BASTIENNE 5 Bastien CD booklet final beforeBastien reformat.indd CD booklet final 4-5 before reformat.indd 4-5 11/05/2018 15:17:51 11/05/2018 15:17:51 SCENE FIVE Page 26 No. 11, Aria: “Meiner Liebsten schöne Wangen” (Bastien) 3’02 41 SCENE SIX 27 Dialogue: “Da ist sie” (Bastien, Bastienne) 1’03 42 28 No. 12, Aria: “Er war mir sonst treu und ergeben” (Bastienne) 2’26 43 29 Dialogue: “O, ich sehe schon, was dich verdrießt” (Bastien, Bastienne) 0’59 44 30 No. 13, Aria: “Geh hin!” (Bastien, Bastienne) 5’53 45 31 Dialogue: “Siehe da! bist du noch hier?” (Bastienne, Bastien) 0’33 46 32 No. 14, Accompanied recitative: “Dein Trotz vermehrt sich durch 0’50 47 mein Leiden?” (Bastien, Bastienne) 33 Dialogue: “Und sollte ich wohl ein solcher Narr sein” (Bastien, Bastienne) 0’25 47 34 No. 15, Duet: “Geh! geh! geh, Herz von Flandern!” (Bastienne, Bastien) 5’18 48 SCENE SEVEN 35 No. 16, Trio: “Kinder! Kinder! seht, nach Sturm und Regen” 3’06 51 (Colas, Bastienne, Bastien) APPENDIX 36 No. 10, Aria (2nd version, 1769): “Diggi, daggi, schurry, murry” (Colas) 1’30 53 6 MOZART / GRABMUSIK & BASTIEN UND BASTIENNE Total Playing Time: 66’24 Bastien CD booklet final before reformat.indd 6-7 11/05/2018 15:17:55 The Mozartists Violin 1 Flute Matthew Truscott (leader) Katy Bircher Daniel Edgar Eva Caballero Hannah Tibell Malu Lin Swayne Oboe George Clifford James Eastaway Rachel Chaplin Violin 2 Liz MacCarthy Bassoon Nia Lewis Philip Turbett Kirsten Klingels Naomi Burrell Horn Gavin Edwards Viola Nick Benz Mark Braithwaite Marina Ascherson Harpsichord Steven Devine (continuo) Cello Alex Rolton (continuo) Pedro da Silva Double bass Carina Cosgrave (continuo) MOZART / GRABMUSIK & BASTIEN UND BASTIENNE 9 Bastien CD booklet final before reformat.indd 9 11/05/2018 15:18:00 Classical Opera & The Mozartists Classical Opera was founded in 1997 by conductor Ian Page to explore the works of Mozart and his contemporaries, and has emerged as one of the leading exponents in its field. In 2017 it launched a new brand, The Mozartists, enabling it to broaden its ever-expanding concert work while continuing to present recordings and performances of complete operas under the name of Classical Opera. With its own acclaimed period-instrument orchestra, the company has attracted widespread critical and public recognition, not only for the high quality of its performances but also for its imaginative programming and its ability to discover and nurture outstanding young singers. In 2015 it launched MOZART 250, a ground-breaking 27-year project following the chronological trajectory of Mozart’s life, works and influences. Classical Opera has performed regularly at many of London and the UK’s leading venues, including Wigmore Hall, the Barbican, Sadler’s Wells, Birmingham Town Hall and Bridgewater Hall, Manchester, and on tour in Italy, France, Germany and Austria, where it enjoyed a three-concert residency at the 2016 Eisenstadt Haydn Festival. It has mounted staged productions of many of Mozart’s operas, and in 2009 presented The Royal Opera’s new production of Thomas Arne’s Artaxerxes.
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