Copyrighted Material
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mozart's Operas, Musical Plays & Dramatic Cantatas
Mozart’s Operas, Musical Plays & Dramatic Cantatas Die Schuldigkeit des ersten Gebotes (The Obligation of the First and Foremost Commandment) Premiere: March 12, 1767, Archbishop’s Palace, Salzburg Apollo et Hyacinthus (Apollo and Hyacinth) Premiere: May 13, 1767, Great Hall, University of Salzburg Bastien und Bastienne (Bastien and Bastienne) Unconfirmed premiere: Oct. 1768, Vienna (in garden of Dr Franz Mesmer) First confirmed performance: Oct. 2, 1890, Architektenhaus, Berlin La finta semplice (The Feigned Simpleton) Premiere: May 1, 1769, Archbishop’s Palace, Salzburg Mitridate, rè di Ponto (Mithridates, King of Pontus) Premiere: Dec. 26, 1770, Teatro Regio Ducal, Milan Ascanio in Alba (Ascanius in Alba) Premiere: Oct. 17, 1771, Teatro Regio Ducal, Milan Il sogno di Scipione (Scipio's Dream) Premiere: May 1, 1772, Archbishop’s Residence, Salzburg Lucio Silla (Lucius Sillus) Premiere: Dec. 26, 1772, Teatro Regio Ducal, Milan La finta giardiniera (The Pretend Garden-Maid) Premiere: Jan. 13, 1775, Redoutensaal, Munich Il rè pastore (The Shepherd King) Premiere: April 23, 1775, Archbishop’s Palace, Salzburg Thamos, König in Ägypten (Thamos, King of Egypt) Premiere (with 2 choruses): Apr. 4, 1774, Kärntnertor Theatre, Vienna First complete performance: 1779-1780, Salzburg Idomeneo, rè di Creta (Idomeneo, King of Crete) Premiere: Jan. 29, 1781, Court Theatre (now Cuvilliés Theatre), Munich Die Entführung aus dem Serail (The Abduction from the Seraglio) Premiere: July 16, 1782, Burgtheater, Vienna Lo sposo deluso (The Deluded Bridegroom) Composed: 1784, but the opera was never completed *Not performed during Mozart’s lifetime Der Schauspieldirektor (The Impresario) Premiere: Feb. 7, 1786, Palace of Schönbrunn, Vienna Le nozze di Figaro (The Marriage of Figaro) Premiere: May 1, 1786, Burgtheater, Vienna Don Giovanni (Don Juan) Premiere: Oct. -
A European Singspiel
Columbus State University CSU ePress Theses and Dissertations Student Publications 2012 Die Zauberflöte: A urE opean Singspiel Zachary Bryant Columbus State University, [email protected] Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Bryant, Zachary, "Die Zauberflöte: A urE opean Singspiel" (2012). Theses and Dissertations. 116. https://csuepress.columbusstate.edu/theses_dissertations/116 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. r DIE ZAUBEFL5TE: A EUROPEAN SINGSPIEL Zachary Bryant Die Zauberflote: A European Singspiel by Zachary Bryant A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the Bachelor of Arts in Music College of the Arts Columbus State University Thesis Advisor JfAAlj LtKMrkZny Date TttZfQjQ/Aj Committee Member /1^^^^^^^C^ZL^>>^AUJJ^AJ (?YUI£^"QdJu**)^-) Date ^- /-/<£ Director, Honors Program^fSs^^/O ^J- 7^—^ Date W3//±- Through modern-day globalization, the cultures of the world are shared on a daily basis and are integrated into the lives of nearly every person. This reality seems to go unnoticed by most, but the fact remains that many individuals and their societies have formed a cultural identity from the combination of many foreign influences. Such a multicultural identity can be seen particularly in music. Composers, artists, and performers alike frequently seek to incorporate separate elements of style in their own identity. One of the earliest examples of this tradition is the German Singspiel. -
WOLFGANG AMADEUS MOZART Works for the Stage
New Mozart Edition II/5/3 Bastien a nd Bastienne WOLFGANG AMADEUS MOZART Series II Works for the Stage WORK GROUP 5: OPERAS AND SINGSPIELS VOLUME 3: BASTIEN AND BASTIENNE PRESENTED BY RUDOLPH ANGERMÜLLER 1974 International Mozart Foundation, Online Publications III New Mozart Edition II/5/3 Bastien a nd Bastienne Neue Mozart-Ausgabe (New Mozart Edition)* WOLFGANG AMADEUS MOZART The Complete Works BÄRENREITER KASSEL BASEL LONDON En coopération avec le Conseil international de la Musique Editorial Board: Dietrich Berke Wolfgang Plath Wolfgang Rehm Agents for BRITISH COMMONWEALTH OF NATIONS: Bärenreiter Ltd. London BUNDESREPUBLIK DEUTSCHLAND: Bärenreiter-Verlag Kassel SWITZERLAND and all other countries not named here: Bärenreiter-Verlag Basel As a supplement to each volume a Critical Report (Kritischer Bericht) in German is available The editing of the NMA is supported by City of Augsburg City of Salzburg Administration Land Salzburg City of Vienna Konferenz der Akademien der Wissenschaften in der Bundesrepublik Deutschland, represented by Akademie der Wissenschaften und der Literatur Mainz, with funds from Bundesministerium für Forschung und Technologie, Bonn and Bayerisches Staatsministerium für Unterricht und Kultus Ministerium für Kultur der Deutschen Demokratischen Republik Bundesministerium für Unterricht und Kunst, Vienna * Hereafter referred to as the NMA. The predecessor, the "Alte Mozart-Edition" (Old Mozart Edition) is referred to as the AMA. International Mozart Foundation, Online Publications IV New Mozart Edition II/5/3 Bastien a nd Bastienne CONTENTS Editorial Principles ……………..…………………………………………………….. VI Foreword………….…………………….……………………………………………… VII Facsimile: First page of the autograph…………………………………………………… XV Facsimile: First page of the copy made from the autograph…………………………….. XVI Facsimile: Piano score by Leopold Mozart for No. -
Magic Mozart a Delighted Cabaret ! (Concert Version)
2019 I 2020 SEASON MAGIC MOZART A DELIGHTED CABARET ! (CONCERT VERSION) DIFFUSION 1ST - 22 JULY 2020 insulaorchestra.fr MAGIC MOZART A DELIGHTED CABARET ! (CONCERT VERSION) Wolfgang Amadeus Mozart (1756-1791) Excerpts from chosen works* : Duration : 1h15 without interval The Magic Flute The Marriage of Figaro Numbers: Don Giovanni 4 soloists, 41 musicians Der Stein der Weisen La Finta semplice Diffusion : Bastien und Bastienne 1st-22 july 2020 ... * possibility to add to the program the symphony n°40 in G minor Olga Pudova, soprano Léa Desandre, mezzo-soprano Ben Bliss, ténor (tbc) Armando Noguera, baryton Insula orchestra Laurence Equilbey, conductor This programme will be recorded for a Warner Classics-Erato disc (april 2020). Mozart’s music is magic. Insula orchestra takes the statement literally, offering a selection of works and musical extracts in which the wonderment of magical experience is a central theme. Known by the music lovers as well as by the general public, these poetic or comical melodies, duos and ensembles are performed in a succession of short, diverting and enchanting acts. The Magic Flute, Mozart’s last opera, composed in 1791, is of course the cornerstone, with its magic bells, bewitched animals and Queen of the Night. But we will also find there some characters from the Marriage of Figaro, Don Giovanni, La Finta semplice, Bastien und Bastienne, or from the more unusual Der Stein der Weisen (The Philosopher’s Stone), a Singspiel written by four authors among whom Mozart and the librettist of The Magic Flute, Emanuel Schikaneder. Three dominant colours are at work in these Magic Mozart sketches: the benevolence and transparency of white magic; the tumultuous emotions of love, expressing red magic in arias like “Voi che sapete” and “Porgi amor”; and black magic, driven by vengeance and symbolized by the Queen of the Night’s aria, “Der Hölle Rache”. -
Bastien Und Bastienne Singspiel Von Wolfgang Amadeus Mozart
Theaterpädagogisches Begleitmaterial Für Pädagog*innen Oper Halle Bastien und Bastienne Singspiel von Wolfgang Amadeus Mozart Ab 13 Jahren Schulabonnement, Kartenreservierung und Verkauf Oper Halle Karin Preuk Universitätsstraße 24 Tel. 0345 5110-776 I Fax 0345 5110-781 06108 Halle (Saale) [email protected] 2 Wegweiser für das Begleitmaterial Stückinfo Interview Sekundär- Vor - und Informationen Nachbereitung Seite 5 Seite 8 Seite 9 Seite 11 Handlung 5 Fragen an Das Singspiel Rhythmuskreis Kornelius Paede Seite 6 Seite 10 Seite 12 Der junge Mozart Große Gefühle für Blitzlichter kleine Leute Skulpturenkreis Seite 7 Geschichte des Seite 13 Werkes Fragebogen zur Der Regisseur Nachbereitung Tobias Kratzer Zur Inszenierung Bastien und Bastienne Singspiel von Wolfgang Amadeus Mozart Premiere in der Fassung für Jugendliche am 28.08.2019 Dauer ca. 1 Stunde, ohne Pause Künstlerische Produktion: Musikalische Leitung: Peter Schedding/ Luigi di Bella Regie: Tobias Kratzer Ausstattung: Rainer Sellmaier Videoregie: Manuel Braun Beleuchtung: Peter Erlenkötter Dramaturgie: Kornelius Paede Regieassistenz: Lisett Ansorge Rollen: Bastien: Robert Sellier Bastienne: Vanessa Waldhart Colas: Michael Zehe Staatskapelle Halle Theaterpädagogische Betreuung: Frauke Kuhfuß-Knauer Musiktheaterpädagogik Oper Halle E-Mail: [email protected] I Tel.: 0354 / 5110 531 4 Theaterpädagogisches Begleitmaterial: Inhalt: Frauke Kuhfuß-Knauer, Mitarbeit: Lea-Katharina Gramzow, Layout: Julia Andreyeva , Fotos: Falk Wenzel Zum Werk Handlung Die Schäferin Bastienne ist unglücklich, da sie ihr geliebter Bastien - welcher auf der Suche nach Abenteuer ist - verlassen hat. Der Dorfwahrsager Colas will mit seiner Zauberkunst helfen. Er rät ihr, ihre Gefühle nicht offen zu zeigen und flatterhaft zu erscheinen, um ihren Liebsten mit Eifersucht zu reizen. Bastiens Zeit des Herumtreibens ist nun vorüber und er ist fest entschlossen, Bastienne zur Frau zu nehmen. -
Ian Page and Classical Opera Release the World Première Recording of Mozart’S Original 1768 Version of Bastien Und Bastienne
Ian Page and Classical Opera release the world première recording of Mozart’s original 1768 version of Bastien und Bastienne Mozart: GraBmusik Bastien und Bastienne Anna Lucia Richter (soprano) Alessandro Fisher (tenor) Jacques ImBrailo (baritone) Darren Jeffery (bass-baritone) Ian Page (conductor) The Mozartists Signum Classics SIGCD547 Classical Opera and Ian Page release the seventh recording in their acclaimed Complete Mozart Opera Cycle featuring the world première recording of Mozart’s original 1768 version of Bastien und Bastienne, paired with the original version of the 1767 cantata Grabmusik. This recording brings together an outstanding cast comprising of Anna Lucia Richter (soprano), Alessandro Fisher (tenor), Jacques Imbrailo (baritone) and Darren Jeffery (bass-baritone) with the period-instrument orchestra of The Mozartists. Ian Page – conductor, founder and Artistic Director – said: “It was only when I started preparations for this recording that I realised how complex and convoluted the origins of Bastien und Bastienne were. Mozart’s autograph manuscript was missing for a great many years, but it was finally rediscovered in Krakow in the 1980s. As a result it has been possible to establish the provenance of this charming work and to recreate the text as Mozart himself set and performed it. We are coupling the piece with Grabmusik, one of the most astonishing and visceral of Mozart’s childhood compositions, and a particular favourite of mine.” Bastien und Bastienne is the only one of Mozart’s operas to be conceived for a performance in a private house rather than a theatre. It was commissioned by the controversial German physician Franz Anton Mesmer in mid-1768, when Mozart was 12 years old, and set a 1764 libretto by F.W. -
A Workbook for Student Community Service
DOCUMENT RESUME ED 314 337 SO 020 466 AUTHOR Ridout, Kyle TITLE A Workbook for Student Community Servi,-e. PUB DATE 88 NOTE 39p. PUB TYPE Guides Classroom Use Materials (For Learner) (051) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS *Cooperative Education; Experiential Learning; *Feld Experience Programs; *Internship Programs; School Business Relationship; Secondary Education; *Student Experience- *Workbooks; Work Experience Programs IDENTIFIERS Kentucky; *Kentucky Opera ABSTRACT Designed for students from Jefferson County (Kentucky) public schools doing internships at the Kentucky Opera, this workbook explains the intern's, the supervisor's, and the school coordinator's roles. Intern job descriptions are provided (box office/group sales, company management, finance/data processing, assisting at the Kentucky Opera Guild, marketing and development, public relations, and production) as well as worksheets and scheduling calendars to be filled out by the intern. The appendix contains staff job descriptions, a staff directory, an opera outline (by composer), a glossary of opera terms, and an 18-item reference list. (JB) * * * * * * * * * * * * * * * * * * * * * * * * *i. * * * * * * A * * * * * * * * * * * * * * * * ** * * * * * * * * * * * * * * * * * * * * * Reproductions supplied by EDRS are the best that can be made * * from the original document. * ********************************************************************.** WORKBOOK FOR STUDENT COMMUNITY SERVICE U S DEPARTMENT OF EDUCATION Office of Educational Research and Imp,ovement -
Bastien Und Bastienne. KV 46B Livret De : Friedrich Wilhelm Weiskern
1/11 Data Bastien und Bastienne. KV 46b Livret de : Friedrich Wilhelm Weiskern (1710-1768), Andréas Schachtner (1731-1795) Wolfgang Amadeus Mozart (1756-1791) Langue : Allemand Genre ou forme de l’œuvre : Œuvres musicales Date : 1768 Note : Singspiel en un acte. - Livret de Friedrich Wilhelm Weiskern et Johann Müller d'après "Les amours de Bastien et Bastienne" de Justine Favart et Harny de Guerville, revu par Andreas Schachtner. - Date de composition : Vienne, fin de l'été 1768. - 1re exécution : Vienne, chez le Dr. Anton Mesmer, septembre ou octobre 1768 ? Domaines : Musique Autres formes du titre : Bastien und Bastienne. KV 50 (allemand) Bastien et Bastienne. KV 46b (français) Bastien et Bastienne. KV 50 (français) Détails du contenu (2 ressources dans data.bnf.fr) Contient (1) Bastien und Bastienne. , Wolfgang Amadeus Intrada. KV 50 Mozart (1756-1791) (1768) Contenu dans (1) Opéras , Wolfgang Amadeus (1767) Mozart (1756-1791) data.bnf.fr 2/11 Data Éditions de Bastien und Bastienne. KV 46b (62 ressources dans data.bnf.fr) Enregistrements (26) BASTIEN ET BASTIENNE , Wolfgang Amadeus BASTIEN UND BASTIENNE , Andréas Schachtner Mozart (1756-1791), S.l. : : Opera en 1 acte (1731-1795), Wolfgang s.n. , s.d. Amadeus Mozart (1756-1791), Friedrich Wilhelm Weiskern (1710-1768), S.l. : s.n. , s.d. Bastien und Bastienne. - Wolfgang Amadeus Mozart, choix : Bastien und , Wolfgang Amadeus comp.. - [1] Bastienne Mozart (1756-1791), (2008) (2006) [Europe] : EMI ; [France] : distrib. EMI , [DL 2006] Bastien und Bastienne , Wolfgang Amadeus Bastien et Bastienne K 50 , Wolfgang Amadeus (2006) Mozart (1756-1791), (2005) Mozart (1756-1791), München : Orfeo [Hambourg] : Edel classics international music ; ; [France] : [distrib. -
Mozart Trivia
Mozart Trivia 1. At what age was Mozart presented as a performer at the imperial court in Vienna? a. 4 b. 6 c. 8 d. 10 2. What was the name of Mozart's sister? a. Nannette b. Nannerl c. Bernadette d. Bernice 3. What game did Mozart like to play while he composed symphonies? a. Chess b. Poker c. Billiards d. Tennis 4. What was Mozart's first opera? a. Mitridate b. Bastien und Bastienne c. Idomeneo d. The Marriage of Figaro 5. How many operas in total did Mozart compose? a. 22 b. 37 c. 15 d. 32 6. How old was Mozart when he died? a. 40 b. 35 c. 30 d. 53 7. What was Mozart's last opera? a. The Marriage of Figaro b. Don Giovanni c. Così fan tutte d. The Magic Flute 8. Who completed Mozart's Requiem, which remained unfinished at the time of his death? a. Freystadtler b. Stadler c. Süssmayr d. Salieri ANSWERS: 1. b. Six In 1762, at the age of six, Mozart was presented as a performer at the imperial court in Vienna. By that time, he was already a budding composer and an accomplished keyboard performer, and soon after he would embark on a three-year tour of Europe, performing with his sister. 2. b. Nannerl Mozart's sister, Maria Anna Mozart, called Nannerl, was born on July 30, 1751 in Salzburg. Nannerl, like Mozart, was considered a musical wonder-child and toured with her brother for several years. Her musical gifts, however, were overshadowed by the achievements of her younger brother. -
Central Opera Service Bulletin Volume 27, Number 4
CENTRAL OPERA SERVICE BULLETIN VOLUME 27, NUMBER 4 CONTENTS NEK OPERAS AND PREMIERES 1 NEWS FROM OPERA COMPANIES 18 GOVERNMENT ft NATIONAL ORGANIZATIONS 28 CONFERENCES 30 TAX FACTS 31 NEtf AND RENOVATED THEATERS 32 FORECAST 33 ARCHIVES AND COLLECTIONS 38 ATTENTION COMPOSERS AND LIBRETTISTS 40 MUSIC PUBLISHERS 42 ATTENTION CONDUCTORS 43 EDITIONS AND ADAPTATIONS 44 EOUCATION 45 APPOINTMENTS AND RESIGNATIONS 48 COS INSIDE INFORMATION 53 COS NATIONAL CONFERENCE PROGRAM 54 COS SALUTES... 56 WINNERS 58 CAREER GUIDE SUPPLEMENT 60 BOOKS AND PERIODICALS 68 OPERA HAS LOST... 76 PERFORMANCE LISTING, 1986-87 SEASON CONT. 84 FIRST PERFORMANCE LISTING. 1987-88 SEASON 110 COS NATIONAL CONFERENCE REGISTRATION FORM 125 Sponsored by the Metropolitan Opera National Council !>i>'i'h I it •'••'i1'. • I [! I • ' !lIN., i j f r f, I ;H ,',iK',"! " ', :\\i 1 ." Mi!', ! . ''Iii " ii1 ]• il. ;, [. i .1; inil ' ii\ 1 {''i i I fj i i i11 ,• ; ' ; i ii •> i i«i ;i •: III ,''. •,•!*.', V " ,>{',. ,'| ',|i,\l , I i : I! if-11., I ! '.i ' t*M hlfi •'ir, S'1 , M"-'1'1" ' (.'M " ''! Wl • ' ;,, t Mr '«• I i !> ,n 'I',''!1*! ,1 : I •i . H)-i -Jin ' vt - j'i Hi I !<! :il --iiiAi hi CENTRAL OPERA SERVICE BULLETIN Volume 27, Number 4 Spring/Summer 1987 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government & National Organizations 28 Conferences 30 Tax Facts 31 New and Renovated Theaters 32 Forecast 33 Archives and Collections 38 Attention Composers and Librettists 40 Music Publishers 42 Attention Conductors 43 Editions and Adaptations 44 Education 45 Appointments and Resignations 48 COS Inside Information 53 COS National Conference Program 54 COS Salutes.. -
Don Giovanni History
Wolfgang Amadeus Mozart’s Don Giovanni HISTORY Premiere Prague, National Theatre: October 29, 1787, with the following cast: Leporello, Felice Ponziani; Donna Anna, Teresa Saporiti; Don Giovanni, Luigi Bassi; Commendatore/ Masetto, Giuseppe Lolli; Don Ottavio, Antonio Baglioni; Donna Elvira, Caterina Micelli; Zerlina, Caterina Bondini North American Premiere New York City, Park Theatre: November 7, 1817 (in English); March 23, 1826 (in Italian) Last Performed at Washington National Opera October-November 2007, in the Kennedy Center Opera House, directed by John Pascoe and conducted by Plácido Domingo and Israel Gursky, with the following cast: Leporello, Ildar Abdrazakov/Askar Abdrazakov; Donna Anna, Erin Wall; Don Giovanni, Erwin Schrott/Ildar Abdrazakov; Commendatore, Morris Robinson; Don Ottavio, Shawn Mathey/John Tessier; Donna Elvira, Anja Kampe; Zerlina, Amanda Squitieri; Masetto, Trevor Scheunemann /James Shaffran Wolfgang Amadeus Mozart’s Operas Apollo et Hyacinthus , May 13, 1767, University of Salzburg La Finta Semplice , May 1, 1769, Archbishop’s Court, Salzburg Bastien und Bastienne , 1768, Vienna Mitridate, Rè di Ponto , December 26, 1770, Teatro Regio Ducal, Milan Ascanio in Alba , October 17, 1771, Teatro Regio Ducal, Milan Il Sogno di Scipione , May 1, 1772, Archiepiscopal Residence, Salzburg Lucio Silla , December 26, 1772, Teatro Regio Ducal, Milan La Finta Giardiniera , January 13, 1775, Redoutensaal, München Il Rè Pastore , April 23, 1775, Archiepiscopal Residence, Salzburg Zaide , January 27, 1866, Frankfurt (incomplete) -
Operas of Mozart (MUSI 6397), Fall 2005 Professor: Andrew Davis (Email)
Untitled Document Page 1 of 6 Operas of Mozart (MUSI 6397), Fall 2005 Professor: Andrew Davis (email) Home page and syllabus | Daily schedule | Reserve list Reserve list. Books and other reading material. The literature on the Mozart operas is vast. What follows is a list of relevant books (monographs, collections of essays, reference guides) available in our library and on reserve for the course. Other books might exist that are not available in our library or not on reserve. Reference books and other reference material on the topic also exists, in our library, but is not listed here because it is part of the library's non-circulating reference collection. And I have not even begun to make a list of the numerous relevant articles in periodical journals; use RILM to search for these. Books and essay collections. Allanbrook, W. J. Rhythmic Gesture in Mozart: “Le Nozze di Figaro” and “Don Giovanni.” Chicago : University of Chicago Press, 1983. ML410.M9A73 1983 . Angermüller, Rudolph. Mozart's Operas. Preface and translation by Stewart Spencer. New York : Rizzoli, 1988. ML410.M9A813 1988 . Brophy, Brigid. Mozart the Dramatist: A New View of Mozart, His Operas, His Age. New York : Harcourt Brace, 1964. ML410.M9.B818 1964a . Castel, Nico. The Libretti of Mozart's Completed Operas. Two volumes. Geneseo , NY : Leyerle, 1998. ML49.M83 C315 1997 v.1 and v. 2. Dent, Edward J. Mozart's Operas: A Critical Study. London : 1913. ML410.M9.D32 . Reprint of the second edition available at ML410.M9D32 1991 . Einstein, Alfred. Mozart: His Character, His Work. Translated by Arthur Mendel and Nathan Broder.