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PUBLIC DISCLOSURE COPY Return of Private Foundation OMB No. 1545-0052 Form 990-PF I or Section 4947(a)(1) Trust Treated as Private Foundation À¾µ¸ Do not enter social security numbers on this form as it may be made public. Department of the Treasury I Internal Revenue Service Information about Form 990-PF and its separate instructions is at www.irs.gov/form990pf. Open to Public Inspection For calendar year 2014 or tax year beginning , 2014, and ending , 20 Name of foundation A Employer identification number THE WILLIAM & FLORA HEWLETT FOUNDATION 94-1655673 Number and street (or P.O. box number if mail is not delivered to street address) Room/suite B Telephone number (see instructions) (650) 234 -4500 2121 SAND HILL ROAD City or town, state or province, country, and ZIP or foreign postal code m m m m m m m C If exemption application is I pending, check here MENLO PARK, CA 94025 G m m I Check all that apply: Initial return Initial return of a former public charity D 1. Foreign organizations, check here Final return Amended return 2. Foreign organizations meeting the 85% test, checkm here m mand m attach m m m m m I Address change Name change computation H Check type of organization:X Section 501(c)(3) exempt private foundation E If private foundation status was terminatedm I Section 4947(a)(1) nonexempt charitable trust Other taxable private foundation under section 507(b)(1)(A), check here I J X Fair market value of all assets at Accounting method: Cash Accrual F If the foundation is in a 60-month terminationm I end of year (from Part II, col. -
Open Your Mind with the Most Diverse Mid-Day in Public Radio
Open your mind with the most diverse mid-day in public radio. The arc of change at Local Public Radio p. 3 City Visions: Meet the Team p. 4-5 Sandip Roy on India’s Election 2014 p. 6 Smiley & West Go Out Swinging p. 8 New for 2014: Latino USA & BackStory p. 9 Winter 2014 KALW: By and for the community . COMMUNITY BROADCAST PARTNERS AIA, San Francisco • Association for Continuing Education • Berkeley Symphony Orchestra • Burton High School • East Bay Express • Global Exchange • INFORUM at The Commonwealth Club • Jewish Community Center of San Francisco • LitQuake • Mills College • New America Media • Oakland Asian Cultural Center • Osher Lifelong Learning Institute at UC Berkeley • Other Minds • outLoud Radio Radio Ambulante • San Francisco Arts Commission • San Francisco Conservatory of Music • San Quentin Prison Radio • SF Performances • Stanford Storytelling Project • StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS Rachel Altman, Wendy Baker, Sarag Bernard, Susie Britton, Sarah Cahill, Tiffany Camhi, Bob Campbell, Lisa Carmack, Lisa Denenmark, Maya de Paula Hanika, Julie Dewitt, Matt Fidler, Chuck Finney, Richard Friedman, Ninna Gaensler-Debs, Mary Goode Willis, Anne Huang, Eric Jansen, Linda Jue, Alyssa Kapnik, Carol Kocivar, Ashleyanne Krigbaum, David Latulippe, Teddy Lederer, JoAnn Mar, Martin MacClain, Daphne Matziaraki, Holly McDede, Lauren Meltzer, Charlie Mintz, Sandy Miranda, Emmanuel Nado, Marty Nemko, Erik Neumann, Edwin Okong’o, Kevin Oliver, David Onek, Joseph Pace, Liz Pfeffer, Marilyn Pittman, Mary Rees, Dana Rodriguez, -
Listening Patterns – 2 About the Study Creating the Format Groups
SSRRGG PPuubblliicc RRaaddiioo PPrrooffiillee TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy LLiisstteenniinngg PPaatttteerrnnss AA SSiixx--YYeeaarr AAnnaallyyssiiss ooff PPeerrffoorrmmaannccee aanndd CChhaannggee BByy SSttaattiioonn FFoorrmmaatt By Thomas J. Thomas and Theresa R. Clifford December 2005 STATION RESOURCE GROUP 6935 Laurel Avenue Takoma Park, MD 20912 301.270.2617 www.srg.org TThhee PPuubblliicc RRaaddiioo FFoorrmmaatt SSttuuddyy:: LLiisstteenniinngg PPaatttteerrnnss Each week the 393 public radio organizations supported by the Corporation for Public Broadcasting reach some 27 million listeners. Most analyses of public radio listening examine the performance of individual stations within this large mix, the contributions of specific national programs, or aggregate numbers for the system as a whole. This report takes a different approach. Through an extensive, multi-year study of 228 stations that generate about 80% of public radio’s audience, we review patterns of listening to groups of stations categorized by the formats that they present. We find that stations that pursue different format strategies – news, classical, jazz, AAA, and the principal combinations of these – have experienced significantly different patterns of audience growth in recent years and important differences in key audience behaviors such as loyalty and time spent listening. This quantitative study complements qualitative research that the Station Resource Group, in partnership with Public Radio Program Directors, and others have pursued on the values and benefits listeners perceive in different formats and format combinations. Key findings of The Public Radio Format Study include: • In a time of relentless news cycles and a near abandonment of news by many commercial stations, public radio’s news and information stations have seen a 55% increase in their average audience from Spring 1999 to Fall 2004. -
NFRF Stair Climb Sponsorship
NATIONAL FIRST RESPONDERS FUND 2021 STAIR CLIMB PRESENTED BY Visit our website for more info! WHY WE CLIMB On a daily basis, Firefighters, Paramedics, and Police officers witness numerous tragic JOIN US ON 9/11/21 incidents while on duty. This recurrent, cumulative exposure to horrific events is the • Join us in person at 555 California Street in reason that more than 20% of First San Francisco, CA – or ANYWHERE virtually! Responders suffer from Post-traumatic Stress • Registration opens June 17, 2021 Injuries (PTSI). Treatment options are • Registration window is between June 17– available, but many of them are not covered September 11th by health insurance, and must be paid for out- • Our goal is to raise $250,000 of-pocket. Oftentimes, these costs are • Climb alongside heroes in one unforgettable prohibitive for a hero in need of help and can day to honor sacrifices made by First create obstacles for them to ask for the help. Responders Our goal is to eliminate the barriers and allow them to get the help they need. MEDIA REACH A $275,000 VALUE!* WHO WE ARE First Responders are there for us • Media Sponsor: Audacy on our worst days. The NFRF is a • Recorded promotional mentions on KLLC, KGMZ, 501C3 charitable organization KCBS, KITS, and KGMZ • Logo with station fundraising landing pages with founded to be there for them on drive to register/donate across all station websites their worst days (Tax ID# 82- • Event listings on all stations 3266569). We care for those who • 6x station eblasts (across cluster) with drive to care for us. -
Clear Channel and the Public Airwaves Dorothy Kidd University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Media Studies College of Arts and Sciences 2005 Clear Channel and the Public Airwaves Dorothy Kidd University of San Francisco, [email protected] Follow this and additional works at: http://repository.usfca.edu/ms Part of the Critical and Cultural Studies Commons, and the Mass Communication Commons Recommended Citation Kidd, D. (2005). Clear channel and the public airwaves. In E. Cohen (Ed.), News incorporated (pp. 267-285). New York: Prometheus Books. Copyright © 2005 by Elliot D. Cohen. This Book Chapter is brought to you for free and open access by the College of Arts and Sciences at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Media Studies by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. 13 CLEAR CHANNEL AND THE PUBLIC AIRWAVES DOROTHY KIDD UNIVERSITY OF SAN FRANCISCO With research assistance from Francisco McGee and Danielle Fairbairn Department of Media Studies, University of San Francisco DOROTHY KIDD, a professor of media studies at the University of San Francisco, has worked extensively in community radio and television. In 2002 Project Censored voted her article "Legal Project to Challenge Media Monopoly " No. 1 on its Top 25 Censored News Stories list. Pub lishing widely in the area of community media, her research has focused on the emerging media democracy movement. INTRODUCTION or a company with close ties to the Bush family, and a Wal-mart-like F approach to culture, Clear Channel Communications has provided a surprising boost to the latest wave of a US media democratization movement. -
Lamorinda Weekly Issue 23 Volume 11
Wednesday, Jan. 10, 2018 • Vol. 11 Issue 23 26,000 copies delivered biweekly to Lamorinda homes & businesses 925-377-0977 wwww.lamorindaweekly.comww.lamorindaweekly.com FREE Windy Margerum shows off her winning medals (left). Margerum in long jump (top right); Monte Upshaw, 1954 (lower right). Photos providedprovided Keeping track of Lamorinda long jumpers By John T. Miller hree generations of track and fi eld stars continue to long jump (‘04 and ‘08) – stays active with private coach- Joy and Grace, along with their other siblings Chip and make news in the Lamorinda area. ing, and Joy’s daughter, Acalanes High School grad Windy Merry, plan to honor their father with a Monte Upshaw T Monte Upshaw, the patriarch of the family, Margerum, is off to a fl ying start at UC Berkeley compet- Long Jump Festival to be held at Edwards Stadium next passed away in July and will be honored next year with ing in track and fi eld. Joy’s eldest daughter Sunny is a for- year. The event is being planned to coincide with the Bru- a long jump festival. His eldest daughter Joy continues to mer Central Coast Section champion long jumper whose tus Hamilton Invitational meet on April 27-28. Proceeds excel in Masters track and fi eld competition worldwide; college career at Berkeley was cut short by an Achilles in- will go to benefi t the UC Berkeley track program. a younger daughter Grace – a two-time Olympian in the jury. ... continued on page A12 Advertising Here's to a happy, healthy and homey new year! 1941 Ascot Drive, Moraga 2 bedrooms 710 Augusta Drive, Moraga 2 bedrooms Community Service B4 + den/2 baths, + den, 2 baths, 1,379 sq.ft. -
Barbara Cochran
Cochran Rethinking Public Media: More Local, More Inclusive, More Interactive More Inclusive, Local, More More Rethinking Media: Public Rethinking PUBLIC MEDIA More Local, More Inclusive, More Interactive A WHITE PAPER BY BARBARA COCHRAN Communications and Society Program 10-021 Communications and Society Program A project of the Aspen Institute Communications and Society Program A project of the Aspen Institute Communications and Society Program and the John S. and James L. Knight Foundation. and the John S. and James L. Knight Foundation. Rethinking Public Media: More Local, More Inclusive, More Interactive A White Paper on the Public Media Recommendations of the Knight Commission on the Information Needs of Communities in a Democracy written by Barbara Cochran Communications and Society Program December 2010 The Aspen Institute and the John S. and James L. Knight Foundation invite you to join the public dialogue around the Knight Commission’s recommendations at www.knightcomm.org or by using Twitter hashtag #knightcomm. Copyright 2010 by The Aspen Institute The Aspen Institute One Dupont Circle, NW Suite 700 Washington, D.C. 20036 Published in the United States of America in 2010 by The Aspen Institute All rights reserved Printed in the United States of America ISBN: 0-89843-536-6 10/021 Individuals are encouraged to cite this paper and its contents. In doing so, please include the following attribution: The Aspen Institute Communications and Society Program,Rethinking Public Media: More Local, More Inclusive, More Interactive, Washington, D.C.: The Aspen Institute, December 2010. For more information, contact: The Aspen Institute Communications and Society Program One Dupont Circle, NW Suite 700 Washington, D.C. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Experimental Sound & Radio
,!7IA2G2-hdbdaa!:t;K;k;K;k Art weiss, making and criticism have focused experimental mainly on the visual media. This book, which orig- inally appeared as a special issue of TDR/The Drama Review, explores the myriad aesthetic, cultural, and experi- editor mental possibilities of radiophony and sound art. Taking the approach that there is no single entity that constitutes “radio,” but rather a multitude of radios, the essays explore various aspects of its apparatus, practice, forms, and utopias. The approaches include historical, 0-262-73130-4 Jean Wilcox jacket design by political, popular cultural, archeological, semiotic, and feminist. Topics include the formal properties of radiophony, the disembodiment of the radiophonic voice, aesthetic implications of psychopathology, gender differences in broad- experimental sound and radio cast musical voices and in narrative radio, erotic fantasy, and radio as an http://mitpress.mit.edu Cambridge, Massachusetts 02142 Massachusetts Institute of Technology The MIT Press electronic memento mori. The book includes new pieces by Allen S. Weiss and on the origins of sound recording, by Brandon LaBelle on contemporary Japanese noise music, and by Fred Moten on the ideology and aesthetics of jazz. Allen S. Weiss is a member of the Performance Studies and Cinema Studies Faculties at New York University’s Tisch School of the Arts. TDR Books Richard Schechner, series editor experimental edited by allen s. weiss #583606 5/17/01 and edited edited by allen s. weiss Experimental Sound & Radio TDR Books Richard Schechner, series editor Puppets, Masks, and Performing Objects, edited by John Bell Experimental Sound & Radio, edited by Allen S. -
U. S. Radio Stations As of June 30, 1922 the Following List of U. S. Radio
U. S. Radio Stations as of June 30, 1922 The following list of U. S. radio stations was taken from the official Department of Commerce publication of June, 1922. Stations generally operated on 360 meters (833 kHz) at this time. Thanks to Barry Mishkind for supplying the original document. Call City State Licensee KDKA East Pittsburgh PA Westinghouse Electric & Manufacturing Co. KDN San Francisco CA Leo J. Meyberg Co. KDPT San Diego CA Southern Electrical Co. KDYL Salt Lake City UT Telegram Publishing Co. KDYM San Diego CA Savoy Theater KDYN Redwood City CA Great Western Radio Corp. KDYO San Diego CA Carlson & Simpson KDYQ Portland OR Oregon Institute of Technology KDYR Pasadena CA Pasadena Star-News Publishing Co. KDYS Great Falls MT The Tribune KDYU Klamath Falls OR Herald Publishing Co. KDYV Salt Lake City UT Cope & Cornwell Co. KDYW Phoenix AZ Smith Hughes & Co. KDYX Honolulu HI Star Bulletin KDYY Denver CO Rocky Mountain Radio Corp. KDZA Tucson AZ Arizona Daily Star KDZB Bakersfield CA Frank E. Siefert KDZD Los Angeles CA W. R. Mitchell KDZE Seattle WA The Rhodes Co. KDZF Los Angeles CA Automobile Club of Southern California KDZG San Francisco CA Cyrus Peirce & Co. KDZH Fresno CA Fresno Evening Herald KDZI Wenatchee WA Electric Supply Co. KDZJ Eugene OR Excelsior Radio Co. KDZK Reno NV Nevada Machinery & Electric Co. KDZL Ogden UT Rocky Mountain Radio Corp. KDZM Centralia WA E. A. Hollingworth KDZP Los Angeles CA Newbery Electric Corp. KDZQ Denver CO Motor Generator Co. KDZR Bellingham WA Bellingham Publishing Co. KDZW San Francisco CA Claude W. -
1 Extris, Extris Arnold M. Zwicky
Extris, extris Arnold M. Zwicky – Stanford SemFest, 16 March 2007 A. Summary. For at least 35 years (Dwight Bolinger’s first example is from 1971), English speakers have been producing sentences with an occurrence of a form of BE that is not licensed in standard English (SE) and is not a disfluency – what I’ll call Extris (“extra is”). There are many subtypes, but I observe that all are based on SE constructions with a specific discourse function and suggest that any SE construction with this function can have an Extris counterpart. Examples: (a1) The thing that’s most interesting about the film is is that it’s... (AZ58: Robert Emmett, KFJC Norman Bates Memorial Soundtrack show, KALW, 3/5/05) (a2) Basically, what they were trying to tell me was, is that whatever Federal Prison Industries was doing was more important... (AZ115: Leroy Smith, California prison safety officer, re recycling of computer monitors, interviewed on NPR’s Weekend Edition Saturday, 4/8/06) (b) I think mostly it's just the "terrible twos" thing is that she has to assert her independence. (AZ87: AMZ in conversation with Jane Robinson, 7/29/05) B. The Isis (“is is”, “double is’, etc.) subtype has gotten much attention – from Bolinger (1987) through Coppock et al. (to appear) – as a variant of SE “thingy”-N-subject (in (a1) above) or pseudocleft (PC) sentences (in (a2) above): (1) N-type Isis: (c1) The funny thing is is your girlfriend Lisa had tanning lotion on her body too. (AZ90: character on CSI, seen in reruns 8/4/05) (2) PC-type Isis: (c2) What’s nice is is that it has a sort of other-worldly character about it.. -
KALW Is the Voice of San Francisco
The Stoop Black identity — complicated, fun, real. p. 4 Snap Judgment Live In San Francisco — December 3rd! p. 19 75th Anniversary Edition p. 3 Dying To Talk Live (Really.) p. 9 Meet the Beat Reporters p. 8 TALES OF STUDIOS PAST p. 6 Fall 2016 KALW is the voice of San Francisco. You cover all the communities that make up our city. — Donna Hayes, San Francisco KALW: By and for the community . COMMUNITY BROADCAST PARTNERS America Scores Bay Area • Association for Continuing Education • Berkeleyside • Berkeley Symphony Orchestra • Burton High School • Cabrillo Festival • East Bay Express • Global Exchange • INFORUM at The Commonwealth Club • Jewish Community Center of San Francisco • New America Media • Other Minds • outLoud Radio • Radio Ambulante • San Francisco Arts Commission • San Francisco Conservatory of Music • San Quentin Prison Radio • SF Performances • Stanford Storytelling Project • StoryCorps • Youth Radio KALW VOLUNTEER PRODUCERS Shereen Adel, Josiah-Luis Alderete, Dennis Aman, Dan Becker, David Boyer, Susie Britton, Sarah Cahill, Bob Campbell, Lisa Cantrell, Bonnie Chan, Julie Dewitt, Ethan Elkind, Chuck Finney, Richard Friedman, Janos Gereben, Nato Green, Nicole Grigg, Dawn Gross, Anne Harper, Meradith Hoddinott, Wendy Holcombe, Jeremy Jue, Dianne Keogh, Kendra Klang, Carol Kocivar, Justine Lee, Martin MacClain, JoAnn Mar, Holly J. McDede, Greer McVay, Rhian Miller, Sandy Miranda, Helena Murphy, Emmanuel Nado, Marty Nemko, Erik Neumann, Chris Nooney, Edwin Okong’o, Kevin Oliver, Steve O’Neill, David Onek, Joseph Pace, Colin