The Romulus and Remus Myth As a Source of Insight Into Greek and Roman Values
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A Journey in Pictures Through Roman Religion
A Journey in Pictures through Roman Religion By Ursula Kampmann, © MoneyMuseum What is god? As far as the Romans are concerned we think we know that all too well from our unloved Latin lessons: Jupiter, Juno, Minerva, the Roman Triad as well as the usual gods of the ancient world, the same as the Greek gods in name and effect. In fact, however, the roots of Roman religion lie much earlier, much deeper, in dark, prehistoric times ... 1 von 20 www.sunflower.ch How is god experienced? – In the way nature works A bust of the goddess Flora (= flowering), behind it blossom. A denarius of the Roman mint master C. Clodius Vestalis, 41 BC Roman religion emerged from the magical world of the simple farmer, who was speechless when faced with the miracles of nature. Who gave the seemingly withered trees new blossom after the winter? Which power made the grain of corn in the earth grow up to produce new grain every year? Which god prevented the black rust and ensured that the weather was fine just in time for the harvest? Who guaranteed safe storage? And which power was responsible for making it possible to divide up the corn so that it sufficed until the following year? Each individual procedure in a farmer's life was broken down into many small constituent parts whose success was influenced by a divine power. This divine power had to be invoked by a magic ritual in order to grant its help for the action. Thus as late as the imperial period, i.e. -
Divus Augustus Pater.” Divus Augustus Was a Title That Was Granted to Him After His Death, Meaning Divine Augustus
Ryan Mathison Coin 17 The reign of Caesar Augustus is often the point at which historians consider that the Roman Empire began, and the Roman Republic ended. The reign of Augustus, from 27BCE-14CE allowed for some of the greatest cultural developments in the western world, and helped bring an already powerful nation to another level of dominance in the world. As such, he is remembered to this day as a giant in the history of the west. This coin from the St. Olaf Collection demonstrates how he was portrayed to the Romans soon after his death, during the reign of the Emperor Tiberius, from 14-37 CE. This coin features, on the obverse, the head of Augustus, facing left, with the words “Divus Augustus Pater.” Divus Augustus was a title that was granted to him after his death, meaning divine Augustus. Pater, in Latin, means father, and is part of a title which was granted to Augustus. This title, Pater Patriae, meaning father of the fatherland, was a major title that was granted to people who did a great service to Rome. On this same side, there is also a star and a thunderbolt. The star, placed between the first “U” and “S” in Augustus, is a reference to one of the stars in the constellation Aquila. It was probably present between 4 and 2 BCE, during the reign of Augustus, and was put on the coins as a reference to his greatness, as such a celestial event must give legitimacy and divine providence to a leader.1 The Thunderbolt is a reference to Jupiter, king of the gods, and one of the patrons of Rome. -
Rome. the Etymological Origins
ROME.THE ETYMOLOGICAL ORIGINS Enrique Cabrejas — Director Linguistic Studies, Regen Palmer (Barcelona, Spain) E-mail: [email protected] The name of Rome was always a great mystery. Through this taxonomic study of Greek and Latin language, Enrique Cabrejas gives us the keys and unpublished answers to understand the etymology of the name. For thousands of years never came to suspect, including about the founder Romulus the reasons for the name and of his brother Remus, plus the unknown place name of the Lazio of the Italian peninsula which housed the foundation of ancient Rome. Keywords: Rome, Romulus, Remus, Tiber, Lazio, Italy, Rhea Silvia, Numitor, Amulio, Titus Tatius, Aeneas, Apollo, Aphrodite, Venus, Quirites, Romans, Sabines, Latins, Ἕλενος, Greeks, Etruscans, Iberians, fortuitus casus, vis maior, force majeure, rape of the Sabine, Luperca, Capitoline wolf, Palladium, Pallas, Vesta, Troy, Plutarch, Virgil, Herodotus, Enrique Cabrejas, etymology, taxonomy, Latin, Greek, ancient history , philosophy of language, acronyms, phrases, grammar, spelling, epigraphy, epistemology. Introduction There are names that highlight by their size or their amazing story. And from Rome we know his name, also history but what is the meaning? The name of Rome was always a great mystery. There are numerous and various hypotheses on the origin, list them again would not add any value to this document. My purpose is to reveal the true and not add more conjectures. Then I’ll convey an epistemology that has been unprecedented for thousands of years. So this theory of knowledge is an argument that I could perfectly support empirically. Let me take that Rome was founded as a popular legend tells by the brothers Romulus and Remus, suckled by a she-wolf, and according to other traditions by Romulus on 21 April 753 B.C. -
Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V. -
January 2015Watercolor Newsletter
January 2015 Watercolor Newsletter Exhibitions of Note Masters of Watercolour Exhibition Grand Hall St. Petersburg, Russia January 20-31, 2015 40 Russian and 40 International artists will be represented. Kansas Watercolor Society National Exhibition Wichita Center for the Arts Wichita, KS November 21, 2014 – January 4, 2015 NWS Annual International Exhibition NWS Gallery San Pedro, CA November 12, 2014 - January 11, 2015 Florida Focus Gold Coast Watercolor Society City Furniture Fort Lauderdale, Florida December 13, 2014- January 30, 2015 Pennsylvania Watercolor Society's 35th International Juried Exhibition State Museum Harrisburg PA November 8, 2014 – February 8, 2015 Fourth upon a time... Harriët, Eva, Kitty, Nadja Nordiska Akvarellmuseet Museum Sweden February 8 – May 3, 2015 Along with traditional and contemporary watercolour art The Nordic Watercolour Museum (Nordiska Akvarellmuseet) has a special focus on picture storytelling for children and young people. Fourth Upon a Time... Harriët, Eva, Kitty, Nadja is the fifth exhibition with this theme in focus. Here we encounter four artists and picture book creators from four European countries. They all have a deeply personal visual language and create narratives that challenge and cause one to marvel. In the exhibition, the artists will present their books, but also completely different sides of their work. They have chosen to work together and let their different worlds collide and meet in new art, new pictures and new stories. Traces: From the collection Nordiska Akvarellmuseet Museum Sweden February 8 – May 3, 2015 The Nordic Watercolour Museum´s art collection is an ongoing and vital part of the museum´s activities. For this spring´s selection works have been chosen that associate in different ways with the theme traces. -
Ancient Rome
Ancient Rome William E. Dunstan ROWMAN & LITTLEFIELD PUBLISHERS, INC. Lanham • Boulder • New York • Toronto • Plymouth, UK ................. 17856$ $$FM 09-09-10 09:17:21 PS PAGE iii Published by Rowman & Littlefield Publishers, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.rowmanlittlefield.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright ᭧ 2011 by Rowman & Littlefield Publishers, Inc. All maps by Bill Nelson. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. The cover image shows a marble bust of the nymph Clytie; for more information, see figure 22.17 on p. 370. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Dunstan, William E. Ancient Rome / William E. Dunstan. p. cm. Includes bibliographical references and index. ISBN 978-0-7425-6832-7 (cloth : alk. paper) ISBN 978-0-7425-6833-4 (pbk. : alk. paper) ISBN 978-0-7425-6834-1 (electronic) 1. Rome—Civilization. 2. Rome—History—Empire, 30 B.C.–476 A.D. 3. Rome—Politics and government—30 B.C.–476 A.D. I. Title. DG77.D86 2010 937Ј.06—dc22 2010016225 ⅜ϱ ீThe paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/ NISO Z39.48–1992. Printed in the United States of America ................ -
1-Pgi-Apuleius6634 Finl
Index This online index is a much fuller version than the index that was abbre - viated for print. Like the print index, the online index has a number of goals beyond the location of proper names. For some names and technical terms it serves as a glossary and provides notes; for geograph - ical items it provides references to specific maps. But it is primarily de - signed to facilitate browsing. Certain key terms (sadism/sadistic, salvation/salvific/savior, sticking one’s nose in) can be appreciated for the frequency of their occurrence and have not been subdivided. Certain plot realities have been highlighted (dogs, food, hand gestures, kisses, processions, roses, shackles and chains, slaves, swords); certain themes and motifs have been underlined (adultery, disguise, drama, escape, gold, hair, hearth and home, madness, suicide); some quirks of the translation have been isolated (anachronisms, Misericordia! ); minu - tiae of animals, plants, language have been cataloged (deer, dill, and der - ring-do). The lengthy entry on Lucius tries to make clear the multiplicities of his experience. By isolating the passages in which he ad - dresses himself, or speaks of “when he was Lucius,” I hope to make the difficult task of determining whether the man from Madauros is really the same as Lucius the narrator, or the same as Apuleius the author, a little bit easier. abduction, 3.28–29, 4.23–24, 4.26; Actium (port in Epirus; site of Augus - dream of, 4.27 tus’ naval victory over Antony and Abstinence (Sobrietas, a goddess), 5.30; Cleopatra; Map -
A Long Time Ago, There Was a King Named Numitor Who Ruled an Ancient City in Italy Called Alba Longa
A long time ago, there was a king named Numitor who ruled an ancient city in Italy called Alba Longa. Numitor had a younger brother named Amulius who one day overthrew Numitor and took over Alba Longa. However, Amulius did not want to cause any conflict, so he killed Numitor’s male heirs and forced Numitor’s only daughter, Rhea Silvia, to become a Vestal Virgin, so she could not marry or have children. Amulius was worried that Rhea would have a son who would eventually overthrow him. However, Rhea Silvia fell in love with Mars, the Roman God of War and they had twin sons. Rhea Silvia had betrayed her vows of being a Vestal Virgin, and the penalty was usually death. However, Amulius feared the wrath of Mars and did not want to kill Rhea Silvia. Instead, King Amulius imprisoned Rhea Silvia and ordered a servant to put the twins in the River Tiber. Amulius reasoned that if the twins were to die from the elements, the city would be saved from the angry god. When the servant reached the river bank with the twins, he could not throw them in. He looked down at the babies sitting together in the basket, their tiny arms wrapped around one another and he thought about his own young sons. Instead, he placed their basket into the river and let the current carry the basket, in hope that someone would see the twins and rescue them. Eventually, a compassionate she-wolf came across the basket in the river and pulled the babies out to safety. -
Gods, Planets, Astrology
Roman and Greek Mythology Names: Gods, Planets, Astrology By J. Aptaker Roman & Greek Mythology Names: Gods, Planets This page will give the Roman and Greek mythology names of gods after whom planets were named, and will explain how those planets came to be named after them. It will also give pictures of these gods, and tell their stories. By extension, these gods’ planets, in the minds of the ancients, influenced the personality traits of people born at various times of the year. Thus, the connection between gods, planets, and astrology. In the Beginning Was Chaos The ancients perceived that although most stars maintained a relatively fixed position, some of them seemed to move. Five such “wandering stars”--the word “planet” comes from a Greek word meaning “to wander or stray”--were obvious to the naked eye. These were Mercury, Venus, Mars, Jupiter, and Saturn. In fact, it is thought that both the seven- day week and the overall sacredness of the number seven within many mystical/religious traditions may have begun with the observation of seven heavenly bodies which moved: the five visible planets, the sun, and the moon. Each of these seven heavenly bodies is associated with a particular day of the week. According to Greek mythology, the first god was Chaos. While the word Chaos brings certain images of mayhem and disorderliness to the English-speaking mind, the Greek god Chaos was just a big, empty, black, Nothing. Chaos was Nothingness, the Void, or empty space. After Chaos came the goddess Earth, who was known to the Greeks as Ge (or Gaia), and to the Romans as Terra. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
1 Divine Intervention and Disguise in Homer's Iliad Senior Thesis
Divine Intervention and Disguise in Homer’s Iliad Senior Thesis Presented to The Faculty of the Undergraduate School of Arts and Sciences Brandeis University Undergraduate Program in Classical Studies Professor Joel Christensen, Advisor In partial fulfillment of the requirements for the degree of Bachelor of Arts By Joana Jankulla May 2018 Copyright by Joana Jankulla 1 Copyright by Joana Jankulla © 2018 2 Acknowledgements First and foremost, I would like to thank my advisor, Professor Joel Christensen. Thank you, Professor Christensen for guiding me through this process, expressing confidence in me, and being available whenever I had any questions or concerns. I would not have been able to complete this work without you. Secondly, I would like to thank Professor Ann Olga Koloski-Ostrow and Professor Cheryl Walker for reading my thesis and providing me with feedback. The Classics Department at Brandeis University has been an instrumental part of my growth in my four years as an undergraduate, and I am eternally thankful to all the professors and staff members in the department. Thank you to my friends, specifically Erica Theroux, Sarah Jousset, Anna Craven, Rachel Goldstein, Taylor McKinnon and Georgie Contreras for providing me with a lot of emotional support this year. I hope you all know how grateful I am for you as friends and how much I have appreciated your love this year. Thank you to my mom for FaceTiming me every time I was stressed about completing my thesis and encouraging me every step of the way. Finally, thank you to Ian Leeds for dropping everything and coming to me each time I needed it. -
Clifford Ando Department of Classics 1115 East 58Th Street
Clifford Ando Department of Classics 1115 East 58th Street Chicago, IL 60637 Phone: 773.834.6708 [email protected] September 2020 CURRENT POSITION • David B. and Clara E. Stern Distinguished Service Professor; Professor of Classics, History and in the College, University of Chicago • Chair, Department of Classics, University of Chicago (2017–2020, 2021-2024) EDITORIAL ACTIVITY • Series editor, Empire and After. University of Pennsylvania Press • Senior Editor, Bryn Mawr Classical Review • Editor, Know: A Journal on the Formation of Knowledge • Editorial Board, Classical Philology • Editorial Board, The History and Theory of International Law, Oxford University Press • Editorial Board, Critical Analysis of Law • Editorial Board, L'Homme. Revue française d'anthropologie • Correspondant à l'étranger, Revue de l'histoire des religions EDUCATION • Ph.D., Classical Studies. University of Michigan, 1996 • B.A., Classics, summa cum laude. Princeton University, 1990 PRIZES, AWARDS AND NAMED LECTURES • Edmund G. Berry Lecture, University of Manitoba, 2018 • Sackler Lecturer, Mortimer and Raymond Sackler Institute of Advanced Studies, Tel Aviv University, 2017/2018 • Humanities Center Distinguished Visiting Scholar, University of Tennessee, 2017 • Elizabeth Battelle Clarke Legal History Colloquium, Boston University School of Law, 2017 • Maestro Lectures 2015, Academia Sinica, Taipei, Taiwan • Harry Carroll Lecture, Pomona College, March 2015 • Lucy Shoe Merritt Scholar in Residence, American Academy in Rome, 2014-2015 • Friedrich Wilhelm