Northeast Historic Film Videos of Life in New England

Total Page:16

File Type:pdf, Size:1020Kb

Northeast Historic Film Videos of Life in New England FREE LOAN PROGRAM Northeast Historic Film FREE LOAN PROGRAM Videos of Life in New England Length Title Category Year Format (min.) Description PERF Purchase Little Tree is a Native American from Connecticut, now a resident of Pittsford, Vermont. He says, "I am a Namante, one who heals by spiritual power, and a Matenu, one who heals by use of plants . Part of an Earth Medicine (1&2) American Indians 1975 DVD 56 eight part series on the use of plants and trees in health . PERF No Little Tree is a Native American from Connecticut, now a resident of Pittsford, Vermont. He says, "I am a Namante, one who heals by spiritual power, and a Matenu, one who heals by use of plants . Part of an Earth Medicine (3&4) American Indians 1975 DVD 56 eight part series on the use of plants and trees in health . PERF No Little Tree is a Native American from Connecticut, now a resident of Pittsford, Vermont. He says, "I am a Namante, one who heals by spiritual power, and a Matenu, one who heals by use of plants . Part of an Earth Medicine (5&6) American Indians 1975 DVD 56 eight part series on the use of plants and trees in health . PERF No Little Tree is a Native American from Connecticut, now a resident of Pittsford, Vermont. He says, "I am a Namante, one who heals by spiritual power, and a Matenu, one who heals by use of plants . Part of an Earth Medicine (7&8) American Indians 1975 DVD 56 eight part series on the use of plants and trees in health . PERF No Mary Gabriel, born in 1908 on the Passamaquoddy Reservation in Indian Township, Maine, and honored as a National Heritage Fellow in 1994, tells the inspiring story of learning the centuries-old basketmaking tradition from her grandmother, and of passing the tradition on to her two daughters, Sylvia and Clare. Gabriel Women: Passamaquoddy The three women illustrate their commitment to cultural values and how they have served as mentors Basketmakers American Indians 1999 DVD 28 to others. No This film examines some of the history of the relations between the white and the Indian communities in Maine. Through individual voices, it looks at underlying reasons for the racism so deeply embedded in white American culture and how that culture continues to shape Native American reality today. Includes Invisible American Indians 2005 DVD 59 83 minutes of supplemental interviews. No 25 edited natural conversations in Passamaquoddy-Maliseet recorded between 2006 and 2008 in Maine and New Brunswick that evoke the knowledge and values of Passamaquoddy-Maliseet community life. These exchanges range from humorous storytelling, oral history, and personal reminiscence to conversations about everyday experiences, past and present. The Soctomah Sisters, Natuwisine: Let’s Yes. $99.95 or Go Pick Berries, Nmihqelsultipon etolamotultiyek: Cards and Memories, Sitomok: On the Shore, Kcihkuk: $19.95 each Language Keepers (box set) American Indians 2009 7 DVD Set 180 In the Woods, Elatkuhkalkiyiq: How Our Stories Are Told and Etucintuhtiyek: We Sing So Strongly. individual title. Yes/Special Order/Not retail-ready Mystery of the Lost Red Paint People American Indians 1987 DVD 60 Archaeology of the circumpolar region, including coastal New England. packaging. $25 Micmac Indian basketmaking cooperative in northern Maine. Sponsored by the Aroostook Micmac Our Lives in Our Hands American Indians 1988 DVD 50 Council and produced by Jarred Carter and Harold Prins. Yes. $24.95 Penobscot Basketmaker--Barbara Francis American Indians 2002 DVD 52 The life and basketry work of Barbara Francis, a Penobscot who lived on Indian Island, Maine. Yes. $19.95 In Maine, the Native Americans began carving images into stone ledges beginning about 3,000 years ago. These petroglyphs, probably the work of shamans, were used as metaphors of the spirit quest or to help memorize chants. Because the petroglyphs had powerful spiritual qualities, they were avoided by Song of the Drum: The Petroglyphs of the uninitiated. This film presents explanations and ideas about what the images mean and how they Maine American Indians 2004 DVD 47 changed as the ideas of the people who made them changed. Yes. $24.95 Wabanaki Film & Video of Northeast Historic Film: A Selection American Indians 2009 DVD 42 A bibliography compiled by Micah A. Pawling Yes. $5.00 1 of 19 FREE LOAN PROGRAM Northeast Historic Film FREE LOAN PROGRAM Videos of Life in New England Length Title Category Year Format (min.) Description PERF Purchase Cultural survival and revival of Wabanaki of Maine and Maritime Canada. Interviews, music, dance. Wabanaki: A New Dawn American Indians 1995 DVD 28 Produced on behalf of Maine Indian Tribal-State Commission. Yes. $19.95 Simpson’s subjects included the pioneering families and workers living in woods camps and on farms. He photographed the crews constructing and excavating-by-hand- the railroad and the Great Northern Paper Company mill in East Millinocket, workers and families living in tarpaper shacks on “Shack Hill” in 48 Hour Music Festival Artists & Authors 2009 DVD 81 Millinocket, shanties, as well as the homes of the well-to-do. No A film by Huey, Portland filmmaker. A documentary about the photographer as told through the stories Honest Vision: A Portrait of Todd Webb Artists & Authors 1996 DVD 55 of Webb himself. Yes. $19.95 Yes/Special Order/Not retail-ready In the Spirit of Haystack Artists & Authors 1979 DVD 10 Noted craft school in Deer Isle, Maine. PERF packaging. $25 Maine Frontier: Through the Lens of Isaac Jack of all trades, Isaac Walton’s photographs together with film, oral histories and a compelling musical Walton, The Artists & Authors 2014 DVD 55 soundtrack represent northern Maine at the turn-of-the-century. Yes. $19.95 Cushing-based painter and printmaker Alan Magee (born 1946) is a modern master painter and printmaker. His paintings invite wonder at the inherent dignity and beauty of simple objects, such as letters, tools and stones. His monotypes offer haunting images of faces scarred by the world. The Maine Masters Project is an ongoing series of portraits of some of Maine’s most compelling yet under- No (see recognized artists. The series was conceived in 1999 by Robert Shetterly and Deb Vendetti of the Union mainemasters. Maine Masters Project - Alan Magee Artists & Authors 2002 DVD 30 of Maine Visual Artists as an archive of interviews with Maine artists. com) Olive Pierce from Rockland, ME is in her early 80s. Her gritty, documentary black and white photographs have focused on community: a Maine fishing community; high school; and the children of Iraq. She is an unflinching truth teller;The Maine Masters Project is an ongoing series of portraits of some of Maine’s most compelling yet under-recognized artists. The series was conceived in 1999 by No (see Maine Masters Project - Children of Iraq Robert Shetterly and Deb Vendetti of the Union of Maine Visual Artists as an archive of interviews with mainemasters. (Olive Pierce) and Olive Pierce Artists & Authors 2002 DVD 30 Maine artists. com) Sculptor Clark FitzGerald (1917-2004) moved to Castine in the 1950s. Having fallen in love with Maine, he decided to see if he could survive on his art in the place he found inspirational. He became one of Maine's most successful sculptors, a master in wood, metal, and stone. His large-scale sculptures are found around the world. The Maine Masters Project is an ongoing series of portraits of some of Maine’s most compelling yet No (see under-recognized artists. The series was conceived in 1999 by Robert Shetterly and Deb Vendetti of the mainemasters. Maine Masters Project - Clark Fitz-Gerald Artists & Authors 2005 DVD 30 Union of Maine Visual Artists as an archive of interviews with Maine artists. com) A New Englander by birth, Dahlov Ipcar (born 1917) was introduced to Maine by her parents, artists William and Marguerite Zorach. Ipcar, whose first solo show took place at the Museum of Modern Art, has gained wide recognition through her marvelous paintings of animals and her many children’s books. The Maine Masters Project is an ongoing series of portraits of some of Maine’s most compelling yet No (see under-recognized artists. The series was conceived in 1999 by Robert Shetterly and Deb Vendetti of the mainemasters. Maine Masters Project - Dahlov Ipcar Artists & Authors 2003 DVD 30 Union of Maine Visual Artists as an archive of interviews with Maine artists. com) 2 of 19 FREE LOAN PROGRAM Northeast Historic Film FREE LOAN PROGRAM Videos of Life in New England Length Title Category Year Format (min.) Description PERF Purchase David Larson said his mission was to “articulate the mystery.” His paintings make no judgments as they explore issues of belief, doubt, angst, suffering, identity, and love. He worked from a place of rigorous integrity, loving the quest, agonizing in the unknown. His paintings investigating the story of Moby Dick and the politics of the Last Supper, are central to this documentary. A deeply felt tribute to a great American artist directed by his son, Soren Larson, a television news producer and filmmaker in New York City. The Maine Masters Project is an ongoing series of portraits of some of Maine’s most compelling yet No (see under-recognized artists. The series was conceived in 1999 by Robert Shetterly and Deb Vendetti of the mainemasters. Maine Masters Project - David Larson Artists & Authors 2010 DVD 30 Union of Maine Visual Artists as an archive of interviews with Maine artists. com) Harold Garde (born 1923) taught for many years before retiring to Maine in 1984. His energy and artistic vigor have had an enormous impact on the community of Maine artists.
Recommended publications
  • Active Learning Engineering’S Intense Capstone Experiences Bring Students to the Crossroads of Theory and Practice MESSAGE from the DEAN
    Engineering2014 Active learning Engineering’s intense capstone experiences bring students to the crossroads of theory and practice MESSAGE FROM THE DEAN Contents 8 2 Active learning 12 Remediating 18 Learning 24 Safety in space Student Focus 21, 27 ELCOME TO THE annual College of Engineering magazine, where we get a chance to high- light some of the many outstanding individuals who make up the College of Engineering. In Student-structured learning is a wetlands research Ali Abedi is working with Alumni Focus 6, 10 this issue, we bring you stories and reports from our faculty and students who are creating key component of capstone In his research, Aria A coalition of UMaine other UMaine researchers to projects — the culmination of Amirbahman is focusing faculty, students and develop a wireless sensor Spotlight 28 solutions to local and world challenges, and working to grow Maine’s economy. the UMaine undergraduate on ways to remove regional elementary, middle system to monitor NASA’s WYou’ll read about capstone projects that allow students to experience real-world engineering projects and experience that students across methylmercury from the and high school teachers are inflatable lunar habitat, build team skills while benefiting both the community and their future careers. Hear from current students and checking for impacts and all engineering disciplines have wetland environment before collaborating to improve alumni who share senior projects from across engineering disciplines. In particular, you will read about the three described as challenging, it begins to move up the K–12 STEM learning and leaks, and pinpointing their decades of mechanical engineering technology (MET) capstone projects, headed by Herb Crosby, an emeritus intense and innovative.
    [Show full text]
  • Storied Lands & Waters of the Allagash Wilderness Waterway
    Part Two: Heritage Resource Assessment HERITAGE RESOURCE ASSESSMENT 24 | C h a p t e r 3 3. ALLAGASH HERITAGE RESOURCES Historic and cultural resources help us understand past human interaction with the Allagash watershed, and create a sense of time and place for those who enjoy the lands and waters of the Waterway. Today, places, objects, and ideas associated with the Allagash create and maintain connections, both for visitors who journey along the river and lakes, and those who appreciate the Allagash Wilderness Waterway from afar. Those connections are expressed in what was created by those who came before, what they preserved, and what they honored—all reflections of how they acted and what they believed (Heyman, 2002). The historic and cultural resources of the Waterway help people learn, not only from their forebears, but from people of other traditions too. “Cultural resources constitute a unique medium through which all people, regardless of background, can see themselves and the rest of the world from a new point of view” (U.S. Department of the Interior, National Park Service, 1998, p. 49529). What are these “resources” that pique curiosity, transmit meaning about historical events, and appeal to a person’s aesthetic sense? Some are so common as to go unnoticed—for example, the natural settings that are woven into how Mainers think of nature and how others think of Maine. Other, more apparent resources take many forms—buildings, material objects of all kinds, literature, features from recent and ancient history, photographs, folklore, and more (Heyman, 2002). The term “heritage resources” conveys the breadth of these resources, and I use it in Storied Lands & Waters interchangeably with “historic and cultural resources.” Storied Lands & Waters is neither a history of the Waterway nor the properties, landscapes, structures, objects, and other resources presented in chapter 3.
    [Show full text]
  • When There Was Another Me Harold Garde
    When There Was Another Me Harold Garde ISBN 978-0-578-47542-4 90000 9780578 475424 51 Harold Garde Exhibition Catalog Cover FInal.indd 1 4/12/19 11:09 AM 52 Harold Garde Exhibition Catalog Cover FInal.indd 2 4/12/19 11:09 AM When There Was Another Me Harold Garde 2 This catalogue is published on the occasion of the Published by exhibition When There Was Another Me: Harold Garde Museum of Art Alliance University of Maine Museum of Art, Bangor, Maine PO Box 1507 May 17 to August 31, 2019 Bangor, Maine President: Sandra Blake Leonard When There Was Another Me: Harold Garde organized by George Kinghorn, Executive Director Certain images are covered by claims to copyright & Curator, University of Maine Museum of Art, with cited in image credits. essays by George Kinghorn and Carl Little. Cover image: Harold Garde, Two Figures, 1994, Graphic Design: Heather Magee Acrylic on canvas, 96 x 54 in. Photography: David Clough and Walter Smalling University of Maine Museum of Art Executive Director & Curator: George Kinghorn Documentation: Sara Belisle Assistant Director for Finance, Administration & Membership: Kathryn Jovanelli Copyediting: Kathryn Jovanelli Senior Museum Educator & Marketing With exception of Sculpture on Table, Manager: Kat Johnson all works of art are courtesy of the artist and Registrar: Sara Belisle ArtSuite Gallery, New York Preparator: Aaron Pyle Printing: J.S. McCarthy Printers, Augusta, Maine University of Maine Museum of Art 40 Harlow Street ISBN - - - - 978 0 578 47542 4 Bangor, Maine 04401 207-581-3300 ©2019, Museum of Art Alliance. All rights reserved. www.umma.umaine.edu No part of this publication may be reproduced or transmitted in any form or by means electronic or For more information on Harold Garde please visit mechanical, including photocopying, recording www.haroldgarde.com or information storage or retrieval system, without permission in writing from the publisher.
    [Show full text]
  • History of Tanning in the State of Maine George Archibald Riley University of Maine
    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 6-1935 History of Tanning in the State of Maine George Archibald Riley University of Maine Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Agricultural and Resource Economics Commons, Economic History Commons, and the Regional Economics Commons Recommended Citation Riley, George Archibald, "History of Tanning in the State of Maine" (1935). Electronic Theses and Dissertations. 2419. http://digitalcommons.library.umaine.edu/etd/2419 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. A HISTORY OF TANNING IN THE STATE OF MAINE A THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in Economics) By George Archibald Riley / A.B., Tufts College, 1928 Graduate Study University of Maine Orono, Maine June, 1935 LIST OF TABLES CONTINUED Page Numerical Distribution and Rank of Tanneries among the Leading Leather Producing States between 1810-1840# 42 Capital Invested in Shops, Mills, and Other "Manufacturing Establishments in 1820# 44 Estimate of the Annual Value of Manufactures, 1829. 46 Statistics on the Tanning Industry of Maine by Counties for the Year 1840# 48 Relative Importance of Maine In Leather Production Compared with Other States, 1840-1880. 51 Proportion of the Total Value of Leather Products in the United States Produced in Maine, 1840-1880. 52 Rate of Growth in Leather Manufacturing in Lead­ ing Leather Producing States, 1860-1880# 54 Value of Leading Products of Maine, 1840.
    [Show full text]
  • Northeastern Loggers Handrook
    ./ NORTHEASTERN LOGGERS HANDROOK U. S. Deportment of Agricnitnre Hondbook No. 6 r L ii- ^ y ,^--i==â crk ■^ --> v-'/C'^ ¿'x'&So, Âfy % zr. j*' i-.nif.*- -^«L- V^ UNITED STATES DEPARTMENT OF AGRICULTURE AGRICULTURE HANDBOOK NO. 6 JANUARY 1951 NORTHEASTERN LOGGERS' HANDBOOK by FRED C. SIMMONS, logging specialist NORTHEASTERN FOREST EXPERIMENT STATION FOREST SERVICE UNITED STATES GOVERNMENT PRINTING OFFICE - - - WASHINGTON, D. C, 1951 For sale by the Superintendent of Documents, Washington, D. C. Price 75 cents Preface THOSE who want to be successful in any line of work or business must learn the tricks of the trade one way or another. For most occupations there is a wealth of published information that explains how the job can best be done without taking too many knocks in the hard school of experience. For logging, however, there has been no ade- quate source of information that could be understood and used by the man who actually does the work in the woods. This NORTHEASTERN LOGGERS' HANDBOOK brings to- gether what the young or inexperienced woodsman needs to know about the care and use of logging tools and about the best of the old and new devices and techniques for logging under the conditions existing in the northeastern part of the United States. Emphasis has been given to the matter of workers' safety because the accident rate in logging is much higher than it should be. Sections of the handbook have previously been circulated in a pre- liminary edition. Scores of suggestions have been made to the author by logging operators, equipment manufacturers, and professional forest- ers.
    [Show full text]
  • Steam Engine Miniatures/Chris Rueby
    General Project 38 — Steam Engine Miniatures/Chris Rueby Chris Rueby sends us some photos and details of his latest projects: A Lombard steam log hauler and a Marion 91 steam shovel, along with pictures of his home-shop setup. Lombard Steam Log Hauler FIGURE 1—A Lombard log hauler completed last year, also done completely on his Sherline machines. Here is a shot of the model with its big brother at the Maine Forest and Logging Museum last fall, where both were running together. FIGURE 2—Chris in front of the restored Lombard. The scale is 1"=1'. It was built from plans I drew in Autodesk Fusion360 (modeled in 3D, then converted working geared differential then through a pair of to 2D plans) from photos and measurements I took of drive chains. All of the chains and track plates were the original machine on display at the Maine Forest made from scratch on the Sherlines. and Logging Museum on trips there the last two years. The original was restored to running condition a few years ago, and the museum allowed me access, and also the chance to drive the original a number of times (quite exciting). The model is made of stainless steel, brass, bronze, with copper for the boiler. The boiler is fired with butane, and the model runs for about 1/2 hour on a filling of water and fuel. The model weighs about 35 pounds and has radio control for the throttle and steering. The work was all done on my non-CNC Sherline lathe and mill; both have the longer beds, and the mill has the taller column.
    [Show full text]
  • Agricultural Technology Manuals Collection O-011
    http://oac.cdlib.org/findaid/ark:/13030/kt2q2nd83n Online items available Guide to Agricultural Technology Manuals Collection O-011 University of California, Davis, Library, Dept. of Special Collections University of California, Davis Library, Dept. of Special Collections 2013 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: http://www.lib.ucdavis.edu/dept/specol/ Guide to Agricultural Technology O-011 1 Manuals Collection O-011 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: Agricultural Technology Manuals Collection Creator: University of California, Davis. Library Identifier/Call Number: O-011 Physical Description: 74 linear feet Date (inclusive): 1850-1991 Abstract: Manuals created by manufacturers to assist in the operation, maintenance, repair, or restoration of agricultural machinery. Researchers should contact Special Collections to request collections, as many are stored offsite. History The Agricultural Technology Manuals Collection began as a series in the F. Hal Higgins Collection. In 1927 F. Hal Higgins began collecting materials relating to the history of combines and tractors. Over time the collection expanded to include materials describing farm implements, farm commodities, and equipment for logging, earthmoving and construction. The Library, University of California, Davis acquired Higgins' collection in 1959. Regular patron use of the collection indicated a strong interest in the manuals for tractors and other farm machinery. In order to better serve patrons, Library staff shelved the manuals together as they were found in the collection. This arrangement also made it easier to acquire new titles. In 1983, the manuals that had been accumulated in the F.
    [Show full text]
  • Landmarks in Mechanical Engineering
    Page iii Landmarks in Mechanical Engineering ASME International History and Heritage Page iv Copyright © by Purdue Research Foundation. All rights reserved. 01 00 99 98 97 5 4 3 2 1 The paper used in this book meets the minimum requirements of American National Standard for Information Sciences– Permanence of Paper for Printed Library Materials, ANSI Z39.48­1992. Printed in the United States of America Design by inari Cover photo credits Front: Icing Research Tunnel, NASA Lewis Research Center; top inset, Saturn V rocket; bottom inset, Wyman­Gordon 50,000­ton hydraulic forging press (Courtesy Jet Lowe, Library of Congress Collections Back: top, Kaplan turbine; middle, Thomas Edison and his phonograph; bottom, "Big Brutus" mine shovel Unless otherwise indicated, all photographs and illustrations were provided from the ASME landmarks archive. Library of Congress Cataloging­in­publication Data Landmarks in mechanical engineering/ASME International history and Heritage. p. cm Includes bibliographical references and index. ISBN I­55753­093­9 (cloth:alk. paper).— ISBN I­55753­094­7 (pbk. : alk. paper) 1. Mechanical engineering—United States—History 2. Mechanical engineering—History. 1. American Society of Mechanical Engineers. History and Heritage Committee. TJ23.L35 1996 621'.0973—dc20 96­31573 CIP Page v CONTENTS Preface xiii Acknowledgments xvii Pumping Introduction 1 Newcomen Memorial Engine 3 Fairmount Waterworks 5 Chesapeake & Delaware Canal Scoop Wheel and Steam Engines 8 Holly System of Fire Protection and Water Supply 10 Archimedean Screw Pump 11 Chapin Mine Pumping Engine 12 Leavitt­Riedler Pumping Engine 14 Sidebar: Erasmus D.Leavitt, Jr. 16 Chestnut Street Pumping Engine 17 Specification: Chestnut Street Pumping Engine 18 A.
    [Show full text]
  • The History of Heavy Equipment: a Timeline the Future Build Your Dreams with an HEC Education
    The History of Heavy Equipment: A Timeline The next time you drive through the city or town in which you reside, take a minute to look at the buildings around you. On a more primitive level, think about the road on which you’re driving, the road on which you’ve driven countless times. Did you ever stop to think about the process and the work that were required to bring these valuable staples of civilizational infrastructure into being? Just in case you didn’t know, a specific class of construction machinery known as heavy equipment was most certainly integral to the construction of roads, buildings and more. Backhoes, bulldozers, cranes and the people who operate them help take the country’s continuing development from conception to reality. But how exactly did all of this technology come to be? We’ve obviously come a long way since the days of manual and animal-drawn tools, but how did things transpire to get us to where we stand today? Below you’ll find a brief but informative history of heavy equipment that can help you understand our species’ advances in such tools. LATE 1800s The Second Industrial Revolution in the United States ramped up the use of machines across the country, most notably in agriculture. In 1886, Benjamin Holt created his first combine harvester, followed by a steam engine tractor four years later in 1890. Not to be outdone, John Froelich invented the gas-powered tractor soon after that in 1892. These inventions would help pave the way for heavy equipment.
    [Show full text]
  • Allagash Wilderness Waterway Bibliography
    Allagash Wilderness Waterway Bibliography Prepared by Bruce Jacobson |FACILITATION+PLANNING for Allagash Wilderness Waterway Foundation December 2018 (v.1.2) This annotated bibliography is offered to assist in interpretive media development or future research about the Allagash Wilderness Waterway in Northern Maine. I created it while preparing a heritage resource assessment and interpretive plan for the Waterway. The bibliography is not presented as authoritative or complete. These are simply some of the resources I encountered while preparing the report, Storied Lands & Waters of the Allagash Wilderness Waterway: Interpretive Plan and Heritage Resource Assessment. – Bruce Jacobson A About AWWF [Allagash Wilderness Waterway Foundation]: Our mission. (2016). Retrieved from http://awwf.org/about-awwf/ About cultural landscapes. (2016). Retrieved from http://tclf.org/places/about-cultural-landscapes Adams, G. (2000, March 5). Conservationists cheer for a new Maine dam. Los Angeles Times. Retrieved from http://articles.latimes.com/ From the Text: “While pushing for one dam’s removal [Edwards Dam], environmentalists welcomed the replacement of another that creates wetlands and preserves a habitat for fish. Replacement of the Churchill Dam was seen by conservationists and outdoors enthusiasts as essential to the enjoyment of wilderness.” Adamus, P. R. (1984). Atlas of breeding birds in Maine, 1978-1983. Available from Maine Department of Inland Fisheries and Wildlife, Public Information Division. Note: An authoriative book, with 366 pages. The back pocket contains a Mylar overlay for use with the maps on pages 51–250. Adney E. T., & Chapelle, H. (1983). Bark Canoes and Skin Boats of North America [Kindle version]. Washington, D. C.: Smithsonian Institution Press.
    [Show full text]
  • CMCA's New Home...Captures the Generous Forward-Looking Spirit of a Living Institution Whose Adventurous Mission Promises T
    “CMCA’s new home...captures the generous forward-looking spirit of a living institution whose adventurous mission promises to enrich the cultural life of its city and region for decades to come.” —Henry N. Cobb, founding partner, Pei Cobb Freed & Partners PRESS INFORMATION Press Contact | Kristen N. Levesque +1 207 329 3090 | [email protected] 21 WINTER STREET, ROCKLAND, MAINE Table of Contents Over the course of its 65-year history, the Center for Maine Contemporary Art (CMCA) has introduced the work of hundreds of contemporary artists—both well known and emerging—to audiences in Maine and beyond. CMCA has begun a new chapter in contemporary art in the state of Maine. Its new home in the heart of Rockland’s downtown arts district is destined to be—in the words of artist Alex Katz—“a game-changer for Maine art.” The New CMCA 3 Contemporary Since 1952 4 A Legacy of Artists 5 An Active Community Participant 6 Extending CMCA’s Educational Impact 7 CMCA by the Numbers 8 2018 Exhibition Schedule 9 Rockland, Maine 10 Toshiko Mori Architect 11 CMCANOW.ORG 2 The New CMCA In summer 2016, CMCA opened a newly constructed 11,500+ square foot building, with 5,500 square feet of exceptional exhibition space, designed by award-winning architect Toshiko Mori, FAIA, (New York and North Haven, Maine). Located in the heart of downtown Rockland, Maine, across from the Farnsworth Art Museum and adjacent to the historic Strand Theatre, the new CMCA has three exhibition galleries (one which doubles as a lecture hall/performance space), a gift shop, ArtLab classroom, and a 2,200 square foot courtyard open to the public.
    [Show full text]
  • Lu Liston Collection, B1989.016
    REFERENCE CODE: AkAMH REPOSITORY NAME: Anchorage Museum at Rasmuson Center Bob and Evangeline Atwood Alaska Resource Center 625 C Street Anchorage, AK 99501 Phone: 907-929-9235 Fax: 907-929-9233 Email: [email protected] Guide prepared by: Sara Piasecki, Archivist; Tim Remick, contractor; and Haley Jones, Museum volunteer TITLE: Lu Liston Collection COLLECTION NUMBER: B1989.016 OVERVIEW OF THE COLLECTION Dates: circa 1899-1967 Extent: 21 linear feet Language and Scripts: The collection is in English. Name of creator(s): The following list includes photographers identified on negatives or prints in the collection, but is probably not a complete list of all photographers whose work is included in the collection: Alaska Shop Bornholdt Robert Bragaw Nellie Brown E. Call Guy F. Cameron Basil Clemons Lee Considine Morris Cramer Don Cutter Joseph S. Dixon William R. Dahms Julius Fritschen George Dale Roy Gilley Glass H. W. Griffin Ted Hershey Denny C. Hewitt Eve Hamilton Sidney Hamilton E. A. Hegg George L. Johnson Johnson & Tyler R. C. L. Larss & Duclos Sydney Laurence George Lingo Lucien Liston William E. Logemann Lomen Bros. Steve McCutcheon George Nelson Rossman F. S. Andrew Simons H. W. Steward Thomas Kodagraph Shop Marcus V. Tyler H. A. W. Bradford Washburn Ward Wells Frank Wright Jr. Administrative/Biographical History: Lucien Liston was a longtime Alaskan businessman and artist, and has been described as the last of a long line of drug store photographers who provided images for sale to the traveling public. He was born in 1910 in Eugene, Oregon, and came to Alaska in 1929, living first in Juneau, where he met and married Edna Reindeau.
    [Show full text]