POLICE RAIDS in HUNT “FOR EVIDENCE 'Tof TREASON”
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
FW De Klerk Frederik Willem
FW de Klerk Frederik Willem (FW) de Klerk was born in Johannesburg on 18 March 1936, the son of Senator Jan De Klerk, a senior Cabinet Minister. His school years were spent mainly in Krugersdorp, where he matriculated at Monument High School. He attended the Potchefstroom University for Christian Higher Education and graduated in 1958 with BA and LLB degrees (cum laude). During his university years he was actively involved in student affairs. Mr De Klerk joined a firm of attorneys in Vereeniging that he helped to develop into one of the leading law firms outside South Africa’s major metropolitan areas. At the same time he played a prominent role in numerous community activities. In 1972 he was offered the Chair of Administrative Law at Potchefstroom University, but had to decline because of his decision to enter active politics. In November 1972 he was elected as Member of Parliament for Vereeniging. In 1978 and shortly after his 42nd birthday, after only five and a half years as a back--- bencher, he was appointed to the Cabinet. During the following 11 years he was responsible for the following portfolios consecutively: • Posts and Telecommunications and Social Welfare and Pensions; • Sport and Recreation; • Mining and Environmental Planning; • Mineral and Energy Affairs; • Internal Affairs, as well as the Public Service, and • National Education, (the portfolio that he held when he was elected as State President). On 1 July 1985 Mr De Klerk became Chairman of the Minister’s Council in the House of Assembly. He became Leader of the House of Assembly on 1 December 1986. -
Cora Ginsburg Catalogue 2015
CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest. -
A3393-E1-2-04-Jpeg.Pdf
I (X*CUA j u > A t f SAAMTREK Bladsy 3 x a < - / says Alice Worker: ‘hM about little m l * K PARLIAMENT * * » * * & < While Urgent Economi c, Industrial And Other Problems Were Crying For Attention, Our Legislators Talked CABBAG DEOPLE outside Par liament often won der what uoes on inside that puzzling place. Kings j One thing they cannot un- the money unless you change 1 derstand is the way in which your ways”. Parliament jumps from one' Of course, the Government subject to another,’without never changes its ways and the any rhyme or reason. Opposition rarely succeeds in blocking a Finance Bill. But the To those who religiously procedure is a valuable aid to follow the press reports of good government. the day-to-day proceedings That is why Parliament talked of Parliament, it seems that of “cabbages and kings" last the House is another “Alice week. m Wonderland”, with the members talking of “shoes HEN came Friday, known as and ships and sealingwax T “Private members’ Day”. and cabbages and kings.” Business begins at 10 a.m. and Motions and Bills by members (as Look at last week distinct from official Government We started off on Monday measures) have priority. Alex Hepple, M.P., who has J E S S E S * V,e W ae e l-> Last Friday the major debate freedom, in this our OPEN was on a Motion proposed by me, FORUM, to express his on behalf of the Labour Party, views on current affairs. K 5 " I , ” ' " that the Government should con vene a National Convention, re After dinner, and for the next presentative of all sections of the before changing the law in this three days we talked about the community, to discuss the future fashion. -
Autumn 2017 Cover
Volume 1, Issue 2, Autumn 2017 Front cover image: John June, 1749, print, 188 x 137mm, British Museum, London, England, 1850,1109.36. The Journal of Dress History Volume 1, Issue 2, Autumn 2017 Managing Editor Jennifer Daley Editor Alison Fairhurst Published by The Association of Dress Historians [email protected] www.dresshistorians.org i The Journal of Dress History Volume 1, Issue 2, Autumn 2017 ISSN 2515–0995 [email protected] www.dresshistorians.org Copyright © 2017 The Association of Dress Historians Online Computer Library Centre (OCLC) accession number: 988749854 The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer–reviewed environment. The journal is published biannually, every spring and autumn. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is distributed completely free of charge, solely for academic purposes, and not for sale or profit. The Journal of Dress History is published on an Open Access platform distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. The editors of the journal encourage the cultivation of ideas for proposals. -
Hood Museum of Art, Dartmouth College Deaccession of Clothing and Accessories from the Costume Collection
Hood Museum of Art, Dartmouth College Deaccession of Clothing and Accessories from the Costume Collection Approved by the Hood Museum of Art Acquisitions Committee May 13, 2013 The following textiles have been deaccessioned and transferred to the Theater Department Costume Shop, Dartmouth College, unless otherwise noted. Evening Gown, originally c. 1900-1908 Off-white silk faille decorated with beige and grey appliqué, embroidery, and sequins Gift of Mr. and Mrs. Henry Morris Burrows; 180.15.23199 Reason: The ball gown was remade sometime after its original date. It lost its original shape and silhouette. Also, the fabric is very dirty around the lower edge of the skirt. Evening Dress, 1920-30 Black lace Gift of the Drama Department Costume Shop, Dartmouth College; 177.8.22492 Reason: Because the design of the dress is rather ordinary, and there are better examples in the collection, it is likely that it will never be exhibited. Day Dress for a Large Lady, 1925-35 Blue and white crepe Gift of the Drama Department Costume Shop, Dartmouth College; 177.8.22520 Reason: Crepe is in fair condition. Probably the dress would never be exhibited due to its large size. Day Dress with Long Sleeves and Sash, 1924-32 Red silk Gift of the Drama Department Costume Shop, Dartmouth College; 177.8.22521AB Reason: There are multiple stains on the skirt, and the neckline is torn in the center front. Day Dress, 1925 Black and red crepe-backed satin with rows of black soutash braid on the lower section of the skirt Gift of the Drama Department Costume Shop, Dartmouth College; 178.18.22591 Reason: The hemline edge is stained when the hem was lengthened previously. -
What's Happening At
What’s Happening at MERRY CHRISTMAS A Message from the CEO & HAPPY NEW YEAR 2020 has been a challenging year. We are Welcome to the December Feliz Navidad y Próspero Año Nuevo fortunate that so far South Australia has not edition of What’s Happening had to endure the same hardships as other gayaay gaangangindaay places in Australia and internationally. at YourPlace. Frohe Weihnachten und ein Our community has still felt the impact. gutes neues Jahr! The YourPlace Board and staff members are keenly aware of this and are eager to Joyeux Noël et bonne année ensure that we play our part in supporting Auguri di buon Natale e felice people who are doing it tough through Anno Nuovo this difficult time. Meri Kirihimete Ngā mihi mō I am hopeful that restrictions will continue te Tau Hou to ease, and that we can start to reignite some of our community engagement Καλά Χριστούγεννα και activities in the early New Year. I am very Ευτυχισμένο το Νέο Έτος much looking forward to meeting many Wesołych Świąt i szczęśliwego of you over the coming weeks and months Nowego Roku to hear your thoughts and ideas about ماعلا لولحب تاينمألا بيطأ عم YourPlace, and I am also eager to share ديدجلا with you some of the great things we are hoping to achieve into the future. Chúc Giáng Sinh An Lành. On behalf of the team at YourPlace we Chúc Mừng Năm Mới 2021! would like to wish you and your loved As the incoming CEO, I feel incredibly त्योहारों की बधाई एवं वर्ष 2021 ones a restful and happy Festive Season, privileged to be working for an organisation के लिए शुभकामनाएं! and we hope that the New Year sees that is deeply committed to providing کرابم ون لاس your home filled with laughter, love suitable and affordable housing to you and good health. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
By John Lazar Balllol College Oxford University Michaelmas Term, 1987
CONFORMITY AND CONFLICT: AFRIKANER NATIONALIST POLITICS IN SOUTH AFRICA, 1948-1961 by John Lazar Balllol College Oxford University Michaelmas Term, 1987 One of the principal themes of this thesis is that it is incorrect to treat M Afrikanerdom" as a monolithic, unified ethnic entity. At the time of its election victory in 1948, the National Party (NP) represented an alliance of various factions and classes, all of whom perceived their Interests in different ways. Given, too, that black resistance to exploitation and oppression increased throughout the 1950s, apartheid ideology cannot be viewed as an immutable, uncontested blueprint, which was stamped by the NP on to a static political situation. The thesis is based on four main strands of research. It is grounded, firstly, in a detailed analysis of Afrikaner social stratification during the 1950s. The political implications of the rapid increase in the number of Afrikaners employed in "white-collar" occupations, and the swift economic expansion of the large Afrikaner corporations, are also examined. The second strand of research examines the short-term political problems which faced the nationalist alliance in the years following its slim victory in the 1948 election. Much of the NP's energy during its first five years in office was spent on consolidating its precarious hold on power, rather than on the imposition of a "grand" ideological programme. Simultaneously, however, intense discussions - and conflicts - concerning the long-term implications, goals and justifications of apartheid were taking place amongst Afrikaner intellectuals and clergymen. A third thrust of the thesis will be to examine the way in which these conflicts concretely shaped the ultimate direction of apartheid policy and ideology. -
Read Book the Knitting Palette: 25 Stunning Colour Inspired Designs
THE KNITTING PALETTE: 25 STUNNING COLOUR INSPIRED DESIGNS PDF, EPUB, EBOOK Kristin Nicholas | 176 pages | 28 Mar 2008 | DAVID & CHARLES | 9780715329184 | English | Newton Abbot, United Kingdom The Knitting Palette: 25 Stunning Colour Inspired Designs PDF Book Get the Look: Leather Ottoman-Pouf. Traditional Scandinavian style values bright, airy spaces, making light wood floors the perfect pick. Clothing portal. In the mid to end of the s, African American style changed and developed with the times. Textiles in Indonesia have played many roles for the local people. Robert Glariston, an intellectual property expert, mentioned in a fashion seminar held in LA [ which? Recycled wool coats in tow tone off white and black with recycled buttons. Spontaneous road trips and amusement parks were my favorite part of summer when I was growing up. Historians, including James Laver and Fernand Braudel , date the start of Western fashion in clothing to the middle of the 14th century , [13] [14] though they tend to rely heavily on contemporary imagery [15] and illuminated manuscripts were not common before the fourteenth century. With a unique cultural and historical background, HK designers are known for their creativity and efficiency. Perfect for wrapping yourself in for your next road trip! A recent development within fashion print media is the rise of text-based and critical magazines which aim to prove that fashion is not superficial, by creating a dialogue between fashion academia and the industry. The New Yorker. MIT Technology Review. Black activists and supporters used fashion to express their solidarity and support of this civil rights movement. To Bettie fashion means to be oneself. -
D22-00057-V05-N58-1899-03-15
8opyright 1813.3 !%~ . •>Y Beadl e & A<lams. Ent.. ·red at Po~t Ot'flce. New York , N. Y., as second class m a tter . l\ta r.15, 1899. THE ARTHUR WESTBROOK CO. No. 58 Cleveland, Ohio Vol. V DUCK DR.AOGKU THE BOUND ANO G.t.GG&ll 11.411' &>n'O SMALL. DARK. APARTKltNT, AND LOCK KD THE DOOR. hn" rlght 1883-1889, by Beadle&: Adams. Entered at Post Oll1ce, New York, N. Y., as second ClllS!!. matter. Mar. lb,~ THE• ARTHUR WESTBROOK CO. No.58 Cleveland, O hio Vol. V • Here, numerous rows •A hou90S have for yean bean converted into offices, which are occuvted Buck Hawk, Detective: hy perhaps as many di1ferent tradM and pro OR, fessions as there are rooms. Into the second story front room of one of tb0110 buildings, the gentleman ushered Turk., The Messenger Boy's Fortune. and bade him be seated, until he returned; afte: whicb be went down-stairs. BY EDWARD L WHEELER, The apartment was meagerly furnished, tbe AUTHOR OF "DEADWOOD DICK" NOVELS, ETC. floor being covered with oilcloth, and a desk, several office chairs, a few pictures on the wall CHAPTER I. forming the rem11inder of the furnitu;·e. AN ARTFUL DODGER. Having nothing else to do, Turk amused him· "CAN you furnish mB with a trusty messen self with looking at the pictures, which were of ger boy for a couple of hours-one, mind you, men whose faces were anything but ro their who is reliable in every se>nse of the word, and credit. -
African Research and Scholarship: 20 Years of Lost Opportunities to Transform Higher Education in South Africa
UCLA Ufahamu: A Journal of African Studies Title African Research and Scholarship: 20 Years of Lost Opportunities to Transform Higher Education in South Africa Permalink https://escholarship.org/uc/item/13m5c5vp Journal Ufahamu: A Journal of African Studies, 38(1) ISSN 0041-5715 Author Ramoupi, Neo Lekgotla Laga Publication Date 2014 DOI 10.5070/F7381025032 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Opinion Piece African Research and Scholarship: Twenty Years of Lost Opportunities to Transform Higher Education in South Africa Neo Lekgotla laga Ramoupi The past twenty years of our liberation have disappointed and failed African research and scholarship in South African higher education institutions. In this article I provide examples of how we have failed to transform the higher education sector. The first example is drawn from two fieldwork studies I con- ducted at the Universities of Ghana, Legon and of Dar es Salaam on the subject of curriculum and content in higher education in Africa. At liberation, Kwame Nkrumah and Mwalimu Nyerere, founding Presidents of Ghana and Tanzania, respectively, were clear about what they wanted the role of the university and edu- cation to be in their independent countries. Nkrumah asked if the university would be permitted to proceed in its established pattern. And the answer for Nkrumah was a confident “No.” A radical shift away from the courses and degree structure already established at the University of Ghana, Legon was required. The President of Ghana knew that the function of the university in the postcolonial period was to study the history, culture and institutions, languages, arts, and heritage of Ghana and of Africa in new African-centred ways, free from the proportions of the colonial era. -
Competitive Camping Phiona Stanley
Competitive camping Phiona Stanley Published April 2018 in New Philosopher, Issue 20, pp.109-111. I recently fell down the social media rabbit hole that is the Vanlife hashtag. In it, girl-next-door models pose casually with expensive coffee pots in reclaimed- wood-lined campervans in front of iconic, North American national park views. Accompanying images depict the same women in bikinis doing yoga on beaches, soulful, woodsy men hunched over guitars, and, often, an aerial drone shot of the entirety of the (young, straight, white, het, cis, educated, beautiful, rich) couple’s possessions neatly laid out around the van. These photos depict high-end wetsuits, surfboards, MacBooks, retro kitchen gear, and, always —apparently there is a Vanlife by-law about this— a southwest serape blanket. Ostensibly about minimalism and rejecting wage-slavery, Vanlife as constructed on social media is about yearning for a certain kind of high-end stuff and the financial wherewithal to roam freely. The campervan I recently converted from a former electrician’s van looks nothing like the Vanlife images. I built it myself, using YouTube instructional videos, grit and determination, sweat and tears. There are many rough edges. Its look is rather more crafty DIY and rather less Monocle magazine. And, just as my van looks different, I don’t resemble the Vanlife models: I’m twice their age and I’m not half of a young, beautiful, straight, white couple. But the differences go beyond aesthetics. My van is smaller than most campervans: I drive and park in a city and I need maneuverability rather than an apartment-like dwelling on wheels.