Voices of the Vampire Community
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The Sexual Vampire
Hugvísindasvið Vampires in Literature The attraction of horror and the vampire in early and modern fiction Ritgerð til B.A.-prófs Magndís Huld Sigmarsdóttir Maí 2011 Háskóli Íslands Hugvísindasvið Enska Vampires in literature The attraction of horror and the vampire in early and modern fiction Ritgerð til B.A.-prófs Magndís Huld Sigmarsdóttir Kt.: 190882-4469 Leiðbeinandi: Úlfhildur Dagsdóttir Maí 2011 1 2 Summary Monsters are a big part of the horror genre whose main purpose is to invoke fear in its reader. Horror gives the reader the chance to escape from his everyday life, into the world of excitement and fantasy, and experience the relief which follows when the horror has ended. Vampires belong to the literary tradition of horror and started out as monsters of pure evil that preyed on the innocent. Count Dracula, from Bram Stoker‘s novel Dracula (1897), is an example of an evil being which belongs to the class of the ―old‖ vampire. Religious fears and the control of the church were much of what contributed to the terrors which the old vampire conveyed. Count Dracula as an example of the old vampire was a demonic creature who has strayed away from Gods grace and could not even bear to look at religious symbols such as the crucifix. The image of the literary vampire has changed with time and in the latter part of the 20th century it has lost most of its monstrosity and religious connotations. The vampire‘s popular image is now more of a misunderstood troubled soul who battles its inner urges to harm others, this type being the ―new‖ vampire. -
Breathers and Suckers: Sources of Queerness in True Blood
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Aleš Rumpel Breathers and Suckers: Sources of Queerness in True Blood Bachelor‘s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2011 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Acknowledgement I would like to thank the thesis supervisor Jeffrey Alan Vanderziel, B.A., and Mgr. Kateřina Kolářová, PhD., for support and inspiration, and also to my friend Zuzana Bednářová and my husband Josef Rabara for introducing me to the world of True Blood. Table of Contents Introduction ................................................................................................................................. 1 Queer Reading ant the Heteronormative Text ....................................................................... 4 Contextualising True Blood ....................................................................................................... 8 Strangers to prime-time ......................................................................................................... 8 Erecting and penetrating: vampire as a metaphor for queer sexuality ........................ 17 ―We are not monsters. We are Americans‖ .......................................................................... 28 Deviant lifestyle ..................................................................................................................... 30 God hates -
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407 Newsletter #106 June - August 2014 Hours: M-F 10 am to 8 pm Sat. 10 am to 6 pm Sun. Noon to 5 pm Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Fax 612-827-6394 E-mail: [email protected] Website: www.UncleHugo.com Parking Metered parking (25 cents for 20 minutes) is available in front of the store. Meters are enforced 8am-6pm Monday through Saturday (except for federal holidays). Note the number on the pole you park by, and pay at the box located between the dental office driveway and Popeyes driveway. The box accepts quarters, dollar coins, and credit cards, and prints a receipt that shows the expiration time. Meter parking for vehicles with Disability License Plates or a Disability Certificate is free. (Rates and hours shown are subject to change without notice - the meters are run by the city, not by us.) Free parking is also available in the dental office lot from 5pm-8pm Monday through Thursday, and all day Friday, Saturday, and Sunday. Author Events (at Uncle Hugo's) Tuesday, June 3, 5-6pm: Jo Walton - My Real Children Saturday, June 7, 1-2pm: P.C. Hodgell - The Sea of Time Thursday, July 3, 5-6pm: Larry Correia - Monster Hunter Nemesis Holiday Schedule Monday, May 26: Closed Friday, July 4: Closed Monday, September 1: Closed Award News The finalists for the Nebula Award for Best Novel are We Are All Completely Beside Ourselves by Karen Joy Fowler ($26.95 hc or $16.00 tr pb), The Door Ocean at the End of the Lane by Neil Gaiman ($25.99, $14.99 tr pb due early June), Fire with Fire by Charles E. -
ARTICLE Self-Made Monsters: Agency, Monstros- Ity, and Queerness in Poppy Z
Studies in Gothic Fiction • Volume 6 Issue 1 • 2018 © 30 ARTICLE Self-Made Monsters: Agency, Monstros- ity, and Queerness in Poppy Z. Brite’s Gothic Horror by Evan Hayles Gledhill Article DOI: https://doi.org/10.18573/sgf.17 Copyright Evan Hayles Gledhill 2018 Date Accepted: 1 May 2018 ISSN: 2156-2407 This work is licensed under the Creative Commons Attribution 4.0 International Licence. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ Studies in Gothic Fiction • Volume 6 Issue 1 • 2018 © 31 Articles Self-Made Monsters: Agency, Monstrosity, and Queerness in Poppy Z. Brite’s Gothic Horror Article DOI: https://doi.org/10.18573/sgf.17 Evan Hayles Gledhill Abstract Poppy Z. Brite’s gothic horror fiction is chiefly populated by the odd, the excluded, the queer. This article explores the relation- ships between queerness, normativity, and the body in Brite’s gothic fictions through Adrienne Rich’s concept of “compulsory heterosexuality” and Robert McRure and Alison Kafer’s extensions of this analysis into “compulsory ablebodiedness.”1 In Brite’s gothic tales queerness is often aligned with physical anomaly - both naturally occurring such as albinism, and preternatural such as a vampires’ fangs. Those most likely to come to harm, or cause harm, are those who seek to enforce their standards upon oth- ers, perhaps to normalize the abnormal body, or demand access to a queer space. Brite not only acknowledges the social dynamics identified by McRuer and Kafer, but also celebrates their potential. The monster is not a monster because of what they are, but because of what they do and how they do it, and often because of what has been done to them. -
Every Day Is Halloween: a Goth Primer for Law Enforcement
University of Texas Rio Grande Valley ScholarWorks @ UTRGV Criminal Justice Faculty Publications and Presentations College of Liberal Arts 2003 Every day is Halloween: A Goth primer for law enforcement Gordon A. Crews The University of Texas Rio Grande Valley, [email protected] Follow this and additional works at: https://scholarworks.utrgv.edu/cj_fac Part of the Criminology and Criminal Justice Commons Recommended Citation Crews, G. A. (2003). Every day is Halloween: A Goth primer for law enforcement. Forum: Law Enforcement Executive Journal, 3(2), pp. 165-182. Illinois Executive Institute, Western Illinois University. This Article is brought to you for free and open access by the College of Liberal Arts at ScholarWorks @ UTRGV. It has been accepted for inclusion in Criminal Justice Faculty Publications and Presentations by an authorized administrator of ScholarWorks @ UTRGV. For more information, please contact [email protected], [email protected]. Every Day is Halloween: A Goth Primer for Law Enforcement Gordon A. Crews, PhD, Roger Williams University, School of Justice The following article is based upon field research conducted by Dr. Gordon A. Crews dealing with juveniles and young adults involved in the “Goth” lifestyle across the United States. This research is part of his ongoing efforts over the last decade to examine the impacts of alternative lifestyles, beliefs, and practices upon juvenile delinquency and violence. Most of the information in this article has been derived from face-to-face interviews with individuals aged 13 to 39 years of age proclaiming to be Goth, Vampires, Satanists, Pagans, Wiccans, New Agers, Druids, and a myriad of other occult-based identities. -
Diplomarbeit
DIPLOMARBEIT Titel der Diplomarbeit „The Beauty of Living Death. Analysing the Representations of Vampires, Their Style and Way of Life in Literature, Films and TV- Series“ Verfasserin Irina Morozova-Fuerschuss angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2013 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium Anglistik und Amerikanistik Betreuerin : Ao. Univ.-Prof. Dr. Eva Zettelmann Declaration of Authenticity I confirm to have conceived and written this paper in English all by myself. Quotations from sources are all clearly marked and acknowledged in the bibliographical references either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Signature ________________ HINWEIS Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin oder der betreffende Kandidat befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der/des Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Die Habilitierten des Instituts für Anglistik und Amerikanistik bitten diesen Hinweis bei der Lektüre zu beachten. 3 Acknowledgements I owe a great deal to a lot of people, friends and family who were of great help and support. Without you, this paper would never have been possible. Special gratitude belongs to the following: First of all, I would like to thank Ao. Univ.-Prof. Dr. Eva Mueller-Zettelmann who inspired and encouraged my research. Her professional guidance and support have been of immense help and significance for me. -
From Cannibal to Consumer: the Shifting Poetic Metaphor of the Vampire
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 1-1-2007 From cannibal to consumer: The shifting poetic metaphor of the vampire Emma Margetts Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Art and Design Commons Recommended Citation Margetts, E. (2007). From cannibal to consumer: The shifting poetic metaphor of the vampire. https://ro.ecu.edu.au/theses/253 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/253 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. -
The Gendered Subtext of Anne Rice's Vampire Chronicles
In the Shadow of the Night: The Gendered Subtext of Anne Rice’s Vampire Chronicles by Shakira Hoosain Submitted in fulfilment of the requirements for the degree of Magister Artium (English) in the Faculty of Humanities University of Pretoria Pretoria March 2011 Supervisor: Ms Molly Brown 0 © University of Pretoria Declaration I herewith declare that “In the Shadow of the Night: The Gendered Subtext of Anne Rice‟s Vampire Chronicles” is my own work and that all the sources I have used have been acknowledged by means of complete references ______________ _____________ Date Sign i Acknowledgements Mulder: When convention and science offer us no answers, might we not finally turn to the fantastic as a plausibility? Scully: ...What I find fantastic is any notion that there are answers beyond the realm of science. The answers are there. You just have to know where to look. Scully: Have you ever entertained the idea of trying to find life on this planet? Mulder: I have seen the life on this planet, Scully, and that is exactly why I am looking elsewhere. (The X-Files) To my parents who gave me books, made me read and taught me that words shape worlds. Thank you. To the staff of the Department of English, and especially my supervisor, Ms Brown for believing in my crazy ideas born out of the scraps of an examination answer, thank you all for your support and encouragement over the years. To Mrs Idette Noomé for her helpful advice, editing and colourful commentary. To the vampyres of the cathedral, Lily, Lanu, Nick and Dev for always indulging Pan and qL. -
VEWRS Survey
Vampire & Energy Work Research Survey An Introspective Examination Of The Real Vampire Community Authorized Edition v1.0 - 22 March 2006 ________________________________________________________ Purpose & Significance: The Vampire & Energy Work Research Survey is conducted by the Atlanta Vampire Alliance [AVA] with support from various Houses and elders from the vampire community. This survey will address questions about the vampiric experience which have consistently been brought forward as concerns, either by members of the Community or by outside researchers in the professional or academic sectors. We have divided these concerns into the eleven topics which comprise the focus of this survey. We see these recurring questions as evidence of a need, felt by outside researchers and Community members alike, for a larger body of reliable knowledge about how vampires describe their personal experiences of dealing with their condition. We will attempt to gather data regarding these issues by researching specific cultural, physical, psychological, and emotional conditions that actually exist as written and reported from a vampire perspective. To this end, we intend to directly address these concerns: we will examine the different traits associated with the vampiric condition from feeding habits to psychic abilities; we will examine who vampires are, their backgrounds, educations, and religious or spiritual choices; we will gather data on how individuals experience their personal vampirism and how they experience the vampire community; and we will distinguish the differences between real vampirism and the role playing phenomenon. Our goal is to provide this data in a comprehensive printed and digitally available analysis to the community as a resource for our deeper understanding of modern vampirism. -
Voices of the Vampire Community (VVC) Public Meeting – August 30, 2009
Voices of the Vampire Community (VVC) Public Meeting – August 30, 2009 Attendees (22): Acrophobic Pixie – Black Swan Haven (BSH) Akasha Knyghte – Vampyre Support & Information Society & House Of Anubis Anshar Seraphim – House Lost Haven Cole St. Valentine – Black Lamp Bay & Carpe Noctem Meetup Group Corvis Nocturnum – Dark Moon Press & Independent Representative Cynsanity – Vampire Community Message Board (VCMB) Deacon Gray – House of the Dreaming (HotD) & Graveyard Press Diaboluslupus – Southern California Meetup Group Isealdor – Vampire Realm Of Darkness Marcus Noir – Independent Representative Merticus – Atlanta Vampire Alliance (AVA) & Suscitatio Enterprises, LLC Mike Future – Vampire Community Message Board (VCMB) RavenHarte – Clann Caladvwlch Sanguinarius – Sanguinarius.org ShadowMind – Darkness Embraced Vampire & Occult Society SphynxCatVP – SphynxCatVP Real Vampires Support Site Sylvere ap Leanan – Real Vampires Community Alliance (RVCA) The Pink Lady – Vampirism eList Vyrdolak – By Light Unseen Zakary – House Bennu Zero – Atlanta Vampire Alliance (AVA) & Suscitatio Enterprises, LLC Zimmerchild – Forgotten Breed, Otherkin.com & Nocturnus Discussion Agenda: I. Meeting Info & Introductions Welcome to the second public meeting of Voices of the Vampire Community (VVC) for 2009. If you have not attended a VVC meeting before or are reading this for the first time please briefly take note of how this meeting will be conducted. The transcript from tonight’s meeting is being logged and will be made publicly available. Topics will be presented in the order they appear on the agenda (VVC members may refer to the forum or their e-mail for tonight’s schedule). Please do not skip ahead and please do not suggest discussion of items not on the agenda until at the end of each major discussion topic. -
Encyclopedia of Vampire Mythology This Page Intentionally Left Blank Encyclopedia of Vampire Mythology
Encyclopedia of Vampire Mythology This page intentionally left blank Encyclopedia of Vampire Mythology THERESA BANE McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Bane, Theresa, ¡969– Encyclopedia of vampire mythology / Theresa Bane. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-4452-6 illustrated case binding : 50# alkaline paper ¡. Vampires—Encyclopedias. I. Title. GR830.V3B34 2010 398.21'003—dc22 2010015576 British Library cataloguing data are available ©2010 Theresa Bane. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover illustration by Joseph Maclise, from his Surgical Anatomy, 1859 Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com To my father, Amedeo C. Falcone, Noli nothi permittere te terere. This page intentionally left blank Table of Contents Preface 1 Introduction 7 THE ENCYCLOPEDIA 13 Bibliography 155 Index 183 vii This page intentionally left blank Preface I am a vampirologist—a mythologist who specializes in cross- cultural vampire studies. There are many people who claim to be experts on vampire lore and legend who will say that they know all about Vlad Tepes and Count Dracula or that they can name several different types of vampiric species. I can do that, too, but that is not how I came to be a known vam- pirologist. Knowing the “who, what and where” is one thing, but knowing and more impor- tantly understanding the “why” is another. -
Representations of the Soul in Contemporary Vampire Film and Television
THE MORAL UNDEAD: REPRESENTATIONS OF THE SOUL IN CONTEMPORARY VAMPIRE FILM AND TELEVISION Emma Somogyi M.A.App.Ling (TESOL); G.Dip.Ed (Sp.Nds); B.A; Cert IV Proj.Man. Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Media, Entertainment, and Creative Arts: Film & Screen Faculty of Creative Industries Queensland University of Technology 2017 Keywords Soul, vampire, personhood, undead, horror film, horror television, horror cinema, humanity, morality, Twilight, True Blood, The Vampire Diaries The Moral Undead: Representations of the soul in contemporary vampire film and television i Abstract The vampire was introduced to the cinema in the early 1920s and has become a popular and prevalent character in both cinematic and televised forms. In film studies, it is widely recognised that the vampire has traditionally been represented as a monster embodying the societal anxieties of particular times—as Auerbach notes, ‘every age embraces the vampire it needs’ (1995, 145). However, at various times in film history, and in its literary, televisual and cinematic forms, the vampire has also been represented as a sympathetic and reluctant creature—as Smith explains, this depiction encourages viewers to align with the vampire character (1995, 83). Since the early 2000s, there has been a marked shift in how the vampire is represented; since the 2008 release of The Twilight Saga films (Hardwicke 2008; Weitz 2009; Slade 2010; Condon 2011, 2012) in particular, numerous films and television shows have portrayed the vampire as a character that exhibits increasingly human-like traits. Precursors to the post-millennial vampire include the vampires Angel and Spike, the protagonists (and sometimes antagonists) of the television series Buffy the Vampire Slayer (Whedon 1997-2003) and Angel (Whedon and Greenwalt 1999- 2004), who were portrayed as having souls, and many plotlines from both series revolved around this notion.