Danish Archaeological Investigations in Qatar 1956-1974
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The Museum of Islamic Art and the Discursive Endeavour of Displaying Islamic Art in Qatar Eva-Maria Tepest*
Museum & Society, 17 (2) 157 ‘Temporary Until Further Notice’: The Museum of Islamic Art and the Discursive Endeavour of Displaying Islamic Art in Qatar Eva-Maria Tepest* Abstract Taking the case of curatorial practices at the Museum of Islamic Art (MIA) in Doha, this study analyses practices of exhibiting Islamic art in Qatar. Drawing on interviews, observations and visual material collected during a stay in Doha in November and December 2015, it sheds light on MIA’s conditions, history, and present. Against the backdrop of Michel Foucault’s writings on power/knowledge, I argue that MIA cannot be understood on the basis of a dominant liberal cultural policy paradigm. Rather, it needs to be understood as ‘a dynamic and contingent multiplicity’ (Barad 2007: 147). Notwithstanding, this multiplicity meaningfully relates to Qatar’s shifting political priorities as well as discourses on Islamic art and the exhibition. Key Words: Qatar, Islamic art, cultural policy, museum, Foucault Introduction Museum establishments in Qatar have caused a great stir in the past decade, with Qatar particularly venturing to establish itself as one of the key actors for funding, collecting, and promoting Islamic art, notably through the establishment of the Museum of Islamic Art (MIA) in 2008. Due to its enormous hydrocarbon wealth,1 Qatar has undergone significant economic growth since the beginning of the 1970s, making it the world’s highest income country per capita as of 2015.2 Enabled by these enormous revenues Qatar, among other things, has invested heavily in the cultural-educational sector. Within this context and following the coup d’état of Sheikh Hamad bin Khalifa Al-Thani in 1995, the grander scheme of museum establishments started to get enacted. -
Human Remains, Museum Space and the 'Poetics of Exhibiting'
23 — VOLUME 10 2018 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL Human remains, museum space and the ‘poetics of exhibiting’ Kali Tzortzi Abstract The paper explores the role of the design of museum space in the chal- lenges set by the display of human remains. Against the background of ‘embodied understanding’, ‘multisensory learning’ and ‘affective distance’ and of contextual case studies, it analyses the innovative spa- tial approach of the Moesgaard Museum of the University of Aarhus, which, it argues, humanizes bog bodies and renders them an integra- tive part of an experiential, embodied and sensory narrative. This allows the mapping of spatial shifts and new forms of engagement with human remains, and also demonstrates the role of university museums as spaces for innovation and experimentation. 24 — VOLUME 10 2018 UNIVERSITY MUSEUMS AND COLLECTIONS JOURNAL Introduction and research question This paper aims to explore the issue of the respectful presentation of human physical remains in contextual exhibitions by looking at the role of museum space in the challenges set by their display, with particular reference to the contribution of experimentation in the university museum environ- ment. The debate raised by the understanding that human remains “are not just another artefact” (stated by CASSMAN et al. 2007, in GIESEN 2013, 1) is extensively discussed in the literature, and increasingly explored through a range of museum practices. In terms of theoretical understanding, authors have sought to acquire an overall picture of approaches towards the care of human remains so as to better understand the challenges raised. For example, among the most recent publica- tions, O’Donnabhain and Lozada (2014) examine the global diversity of attitudes to archaeological human remains and the variety of approaches to their study and curation in different countries. -
Our View from City Tower
Our view from City Tower A sustainable and grandiose building overlooking Aarhus. Welcome to the top of City Tower, which is Aarhus’s tallest and most prominent commercial building with a fantastic view. The construction of the building was completed in the summer of 2014. In August 2014, our 130 Aarhus employees moved into the premises totalling 4,500 m2 and occupying the 14th, 15th, 16th and 22nd floors of the building. City Tower spans a total of 34,000 m2 divided on 25 floors – the two bottom floors housing the cellar and the under- ground parking area. In addition to Bech-Bruun, City Tower also accommodates the employer Hans Lorenzen, the Comwell Hotel and the audit and consultancy firm Deloitte. World-class sustainable building amusement park Tivoli Friheden, the City Tower is the very first commercial Moesgaard Museum and Marselisborg building in Aarhus to meet the strict Palace. 2015 requirements for energy rating 1. To the east: The Port of Aarhus The building’s energy rating indicates The Port of Aarhus is among Denmark’s how many kWh are spent annually on largest commercial harbours and heating, ventilation, cooling and hot spans the horizon to the east. water per m2. At City Tower, integrated solar power cells have for example In 2013, 6,100 ships called at the Port, been installed on the south face, sup- and each year approx. 8m tonnes of plying energy to the building annually cargo pass through the Port of Aarhus. generating up to 180,000 kWh. The Port of Aarhus has a terminal for cruise ships, and the passenger ferry City Tower has also been granted the Mols-Linien also docks here. -
Museums and Cultural Diplomacy Projects in Qatar and the Middle East
Museums and Cultural Diplomacy Projects in Qatar and the Middle East Sumantro Ghose, Deputy Director, Cultural Diplomacy Projects, Qatar Museums Authority Paper presented at Institute of Cultural Diplomacy Conference, Berlin 17-21 December 2013 Abstract The early 21st century has seen a large expansion in the cultural sector in the Middle East, a development that is most visible in the creation of a number of iconic new museums in the Gulf region, many of which are still under construction. This paper focuses on Qatar and the ambitious projects and cultural exchange programmes of the Qatar Museums Authority, which was founded in 2005 with a remit to develop museums, cultural institutions and heritage sites in the country. QMA has overseen the development of the Museum of Islamic Art and Mathaf: Arab Museum of Modern Art and in 2012 it launched a series of bilateral cultural exchange programmes that include Qatar Japan 2012 and Qatar UK 2013 Years of Culture. In two of the region’s largest new museum construction projects, new outposts of the Louvre and Guggenheim are currently being built in the United Arab Emirates, whilst in Saudi Arabia the King Abdul Azziz Center for World Culture is due to open in late 2015. This paper explores, from a practical rather than theoretical perspective, the degree to which these new museum projects can be seen as tools for cultural diplomacy. The strategic objectives and aspirations of these countries’ cultural initiatives are similar in many respects, as they are driving social development within their own borders, and redefining each country’s relations with the region and wider global community. -
Downloads/2003 Essay.Pdf, Accessed November 2012
UCLA UCLA Electronic Theses and Dissertations Title Nation Building in Kuwait 1961–1991 Permalink https://escholarship.org/uc/item/91b0909n Author Alomaim, Anas Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Nation Building in Kuwait 1961–1991 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Anas Alomaim 2016 © Copyright by Anas Alomaim 2016 ABSTRACT OF THE DISSERTATION Nation Building in Kuwait 1961–1991 by Anas Alomaim Doctor of Philosophy in Architecture University of California, Los Angeles, 2016 Professor Sylvia Lavin, Chair Kuwait started the process of its nation building just few years prior to signing the independence agreement from the British mandate in 1961. Establishing Kuwait’s as modern, democratic, and independent nation, paradoxically, depended on a network of international organizations, foreign consultants, and world-renowned architects to build a series of architectural projects with a hybrid of local and foreign forms and functions to produce a convincing image of Kuwait national autonomy. Kuwait nationalism relied on architecture’s ability, as an art medium, to produce a seamless image of Kuwait as a modern country and led to citing it as one of the most democratic states in the Middle East. The construction of all major projects of Kuwait’s nation building followed a similar path; for example, all mashare’e kubra [major projects] of the state that started early 1960s included particular geometries, monumental forms, and symbolic elements inspired by the vernacular life of Kuwait to establish its legitimacy. -
1 Speaking About Qatar
SPEAKING ABOUT QATAR: DISCOURSES ON NATIONAL IDENTITY IN POSTCOLONIAL GULF Erick Viramontes Viramontes A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July, 2018 1 DECLARATION This thesis is an account of research undertaken between January 2014 and July 2018 at the Research School of Social Sciences, School of Politics and International Relations, The Australian National University, Canberra, Australia. Except where acknowledged in the customary manner, the material presented in this thesis is, to the best of my knowledge, original and has not been submitted in whole or part for a degree in any university. __________________________ Erick Viramontes Viramontes July 2018 2 ACKNOWLEDGEMENTS The process that led to this thesis, which began in mid-2013 in the Mexican Altiplano, was full of satisfaction and learning, but also carried with it moments of frustration, difficulty and despair. For this reason, its completion would not have been possible without the unconditional support and invaluable advice from many people to whom I will be forever grateful. I would like to express my deepest thanks to the members of my panel, who provided challenging and enriching insights at every step along this long journey. In particular, I would like to thank my primary supervisor, April Biccum, for her emphasis on the theoretical implications of my research, and my advisor Sean Burges, whose comments helped develop my thinking. I would also like to thank James Piscatori and Mathew Gray from the Center for Arab and Islamic Studies, who put their knowledge and expertise on the Middle East at the service of this project, and Sean Foley, who was a visiting fellow at the Center during my time as a Ph.D. -
AARHUSWIKI 2018 ÅRHUS STIFTSTIDENDE AARHUSWIKI 2018 Artiklerne I Denne Bog Er Skrevet Af Aarhus Stadsarkiv Og Har I 2018 Været Trykt I Århus Stiftstidende
AARHUSWIKI 2018 ÅRHUS STIFTSTIDENDE AARHUSWIKI 2018 Artiklerne i denne bog er skrevet af Aarhus Stadsarkiv og har i 2018 været trykt i Århus Stiftstidende. Artiklernes indhold stammer fra AarhusWiki, der er Aarhus Stadsarkivs digitale opslagsværk om Aarhus’ historie. AarhusWiki indeholder artikler med vægt på historiske beskrivelser eller historiske vinkler på nutidige og aktuelle emner. Emnerne, der behandles, spænder vidt og omfatter alt, der har at gøre med Personer, Natur, Steder, Historiske perioder & temaer, Samfund, Erhverv og Kultur & fritid. Læs mere om byens historie på AarhusWiki.dk og AarhusArkivet.dk. Århus stiftstidende Søndag 7. januar 2018 serie: Personerne BAg grAvstenene i rådhusPArKen I det mest fjerne hjørne af Rådhusparken i Aarhus står en samling gravsten og skutter sig. De udgør resterne af den nu nedlagte Søndre Kirkegård. Men det er ikke en tilfældig samling sten. Hen over jul og nytår har stadsarkivet bragt fortællinger om de personer, hvis 14 nyheder navne står på stenene. I denne uge kommer historien om de næste i rækken. Alle historier kan i udvidet form læses på AarhusWiki.dk de efterladte sten over byens sønner og døtre - kapitel 4 Stadsarkivet fortæller i en serie om de 30 gravsten og mindestenen i rådhusparken. med en mellemmand, der tog sig af penge- Byhistorie udlån og vekselforretninger, da den enkelte Aarhus stadsarkiv forretningsmand sjældent kunne håndtere i samarbejde med Århus Stiftstidende det arbejde selv. Nationalbankens virksom- hed kom til at strække sig over hele Nørrejyl- AArhus: I 1941 tog man rådhuset i brug og an- land, og Søegaard nød stor tillid fra bankens lagde Rådhusparken oven på Søndre Kirke- side i sit virke. -
The Bronze Age As Pre-Modern Globalisation
THE PREHISTORIC SOCIETY Since 1935 The Prehistoric Society Europa Conference 2017 The Bronze Age as Pre-modern Globalisation University of Southampton, 23–24 June 2017 A conference celebrating the achievements of Professor Helle Vandkilde, University of Aarhus, in the field of European prehistory Image top right: © Helle Vandkilde; left: © The Archaeological Museum Khania–Crete The Prehistoric Society THE EUROPA Conference 2017 PREHISTORIC in honour of Professor Helle Vandkilde The Bronze Age as Pre-modern Globalisation SOCIETY University of Southampton Since 1935 23–24 June 2017 Friday 23 June 2017 University of Southampton 09:00–10:20 Registration and tea/coffee 10:20–10:30 Welcome. Alex Gibson, Jo Sofaer & Courtney Nimura 10:30–10:50 Were the gods inconsequential? A place for the ‘Divine’ in the construction of Beaker identities, Thor McVeigh, NUI Galway 10:50–11:10 The east coast of Sardinia: Between Nuragic identity and regionality, Cezary Namirski, Durham University 11:10–11:30 The Early Bronze Age funerary cups of Southern Britain, Claire Copper, University of Bradford 11:30–11:50 Metals, networks and innovation on the crossroads: Bronze Age metallurgy in Semirechye, Kazakhstan, Miljana Radivojević, University of Cambridge 11:50–12:00 Questions and discussion 12:00–13:00 Lunch 13:00–13:20 The global network of Atlantic rock art, Joana Valdez-Tullett, University of Southampton 13:20–13:40 The Bronze Age 1%? Non-global aspects of globalisation, Mateusz Jaeger, Adam Mickiewicz University; Nicole Taylor, Johanna-Mestorf-Academy/Kiel -
Aarhus - Moesgaard Pindstrup Clausholm
Hevring KULTURRINGEN.DK Allingåbro Nimtofte Skødstrup - Aarhus - Moesgaard Pindstrup Clausholm Gudenåen Laurbjerg Thorsager Pøt Mølle Skødstrup Femmøller Vrinners Strand Aarhus Ry Moesgaard Alken Torrild Odder Gylling Sælvig Alrø Ballen RUTEKORT OG RUTEBESKRIVELSE Rosenvold Om Kulturringen Sådan bruger du guiden Kulturringen er en cykelrute – og meget mere Kulturringen er én lang sammenhængende rute, som er delt Det er 540 kilometer spækket med kultur- og naturoplevelser. op i 22 mindre ruter. På oversigtskortet kan du se hvilket Ruten er delt op i 22 unikke ruter, hvor alle kan være med. nummer, de enkelte ruter har. Vær opmærksom på, at Vi håber, at denne guide vil give dig lyst og mod på at komme numrene ikke står på skiltene ude på ruterne. Hver rute har op på cyklen og ud på opdagelse. sit eget kort. Ikonerne på kortene henviser til faciliteter på ruterne. Numrene henviser til de oplevelser, der er beskrevet. Tæt på oplevelsen – ned i tempo Efter hver rutebeskrivelse finder du nyttige telefonnumre I denne guide beskriver tekst og billeder det, der venter dig. og links. Til sidst i bogen finder du generelle gode råd til Du kommer forbi museer, kunst, slotte, gravhøje, kirker og cykelture. God fornøjelse. andre spor i landskabet, som vidner om egens kultur. Du møder blinkende søer, brusende hav og betagende bakker. Du kommer til åer, høje udsigtspunkter, storbyen Aarhus, skove, Ikonforklaring marker, landsbyer, stationsbyer og meget mere. Der er mange gode steder at stå af, og mange gode argumenter for at tage af sted sammen med børn, familie og venner. Overnatning Bademulighed Toilet Det skal være nemt at komme afsted Teltplads Lystfiskeri Cykelsmed Alle kan bruge lidt hjælp til at komme afsted. -
Al-Saduweaving: Significance and Circulation in the Arabian Gulf
chapter 8 Al-Sadu Weaving: Significance and Circulation in the Arabian Gulf Rana Al-Ogayyel and Ceyda Oskay 1 Introduction of being a Saudi or living in Kuwait for extended periods of time.2 As al-Sadu tradition is transmitted Traditional Bedouin al-Sadu weavings are nomad- orally, first-hand information was essential for this ic, narrow-loom weavings that are warp-faced,1 a study. It involved direct observation, interviews, technique used mostly by women to weave tent and focus group discussions with contemporary dividers, cushions, and pillows inside the tent. The weavers from Kuwait and Saudi Arabia. To find the cloth is woven to become tight and strong to pre- weavers, the authors contacted Al Sadu Weaving vent the rain, wind, and sand from entering the Cooperative Society in Kuwait City, Kuwait (also tent. The most decorative parts of the nomadic known as Sadu House), and the Ministry of Cul- tents are the tent dividers, which are often woven ture in Riyadh, Saudi Arabia. Because most of the with a pattern in the center called shajarah, while symbols in the al-Sadu weavings or the stories be- the decoration on the outside of the tent is simpler hind them have been forgotten or intentionally and mostly striped. The warp-faced al-Sadu weav- kept secret, the authors have also engaged in archi- ings are occasionally combined with the ragaoum val work in order to unveil and catalogue some of technique, in which additional threads are woven their meanings.3 horizontally across the weft, making the fabric This chapter attempts to situate al-Sadu weav- look slightly raised above the regular weaving and ings in relation to cultural and historical knowl- creating a different texture (fig. -
Archaeological Science from the 'Kitchen Midden Commissions'
39TH CONFERENCE OF THE ASSOCIATION FOR ENVIRONMENTAL ARCHAEOLOGY Back where it all began! Archaeological science from the ‘Kitchen Midden Commissions’ to the present 29.11.2018 – 01.12.2018 │ Moesgaard (Aarhus), Denmark Moesgaard Museum (MOMU) and Department of Archaeology & Heritage Studies, Aarhus University Moesgaard Allé 15 & 20, 8270 Højbjerg, Denmark Conference chair and organiser Marcello Antonio Mannino (Department of Archaeology & Heritage Studies, Aarhus University) e-mail: [email protected] Conference co-organisers Peter Hambro Mikkelsen (Department of Archaeological Science & Conservation, Moesgaard Museum) e-mail: [email protected] Søren Michael Sindbæk (UrbNet, School of Culture & Society, Aarhus University) e-mail: [email protected] Scientific Committee [excluding the organisers] Søren Henning Andersen: Moesgaard Museum; [email protected] Luise Ørsted Brandt: UrbNet, School of Culture & Society, Aarhus University; [email protected] Benjamin Thomas Fuller: Department of Archaeology & Heritage Studies, Aarhus University; [email protected] Jacob Kveiborg: Department of Archaeological Science & Conservation, Moesgaard Museum; [email protected] Jesper Olsen: Aarhus AMS Centre, Department of Physics & Astronomy, Aarhus University; [email protected] Welmoed Out: Department of Archaeological Science & Conservation, Moesgaard Museum; [email protected] Federica Sulas: UrbNet, School of Culture & Society, Aarhus University; [email protected] 1 CONFERENCE PROGRAMME Thursday 29th November 2018 │ Moesgaard Museum & Aarhus University Moesgaard Campus 12:00 registration at Moesgaard Museum Keynote lectures │ Moesgaard Museum Auditorium 13:00 Presentation by Marcello A. Mannino & Peter H. Mikkelsen 13:10 Catherine A. Jessen (National Museum, DK) │ Reconstructing buried coastal landscapes: towards the mapping of human-environment interactions 14:00 Bent Vad Odgaard (Aarhus University, DK) │ Landscape openness and land-use in Danish prehistory: pollen and erosion evidence 14:50 break 15:10 Søren M. -
The Case of Qatar National Museum-Souq Waqif Corridor
Article Place-Making of Transit Towns in Qatar: The Case of Qatar National Museum-Souq Waqif Corridor Khalida Marthya * , Raffaello Furlan , Labeeb Ellath , Maha Esmat and Rashid Al-Matwi Department of Architecture and Urban Planning, Qatar University, Doha 3263, Qatar; [email protected] (R.F.); [email protected] (L.E.); [email protected] (M.E.); [email protected] (R.A.-M.) * Correspondence: [email protected] Abstract: Over the last two decades, Doha, the capital city of Qatar, has undergone rapid urbanization. The city has capitalized large-scale urban and infrastructural projects resulting in a loss of historical areas of heritage value to people. Recent construction of the Doha Metro is opening avenues for place- making of transit towns through a framework envisioned by the need to shape compact, livable and sustainable neighborhoods and to mitigate the effects of urbanization on valuable historical heritage sites. Due to its historic significance, the Qatar National Museum (QNM)-Souq Waqif corridor is the case study selected for exploring and defining a framework for a contextualized place-making transit-oriented development (TOD) model. The research design is structured by reviewing the literature about TODs and the need for place-making model in Qatar, followed by collecting visual data from municipal authorities, through site visits, and site observations. The data are then analyzed to propose a novel masterplan, rooted in key urban design components of place-making. The insights will contribute to proposals for context-driven design strategies to enhance livability of the site and to extend its application to other potential transit hubs in metropolitan Doha and in the Middle East.