"TOUR CIRCUIT 2020" Salon Kula FIAP 2020/293 PSA 2020-277 FSS 2020/38

Total Page:16

File Type:pdf, Size:1020Kb

6th Circular Exhibition of Photography "TOUR CIRCUIT 2020" Salon Kula FIAP 2020/293 PSA 2020-277 FSS 2020/38 Accepted Theme A) Nature Australia Cheryl Mares - Arctic loon water drops Cheryl Mares - King Brown and rat David Bassett - Darter liftoff David Bassett - Prize catch David Henderson - Bee Eater 3962 David Henderson - Grasshopper Delivery Dennis Hill - Sacred Kingfisher 1 Graeme Watson - The Thief Ian English - Eastern Spinebill Martie Labuschagne - After the birth Peter Ryan - Down the hatch SINKAI CHEUNG - Antarctic Iceberg 13 SINKAI CHEUNG - Wildebeest Calving 2 Stephan Labuschagne - Baby baboon Stephan Labuschagne - Male on patrol Valerie Kleindienst - Blue Dragonfly Austria DANIELA PICHLER - Marmot Thomas Pichler - Sea Eagle with prey Thomas Pichler - Tiger Belgium Carlo Joseph - lets eat Claude Coune - Elephants Claude Simon - Vulture attack Farid Frida - Calao Papou Farid Frida - Duo Farid Frida - Glouton Francis Nicoll - Col des Supeyres 3 Mathieu De Bosscher - Blauwtje 9917 Mathieu De Bosscher - Juffer 720 Mathieu De Bosscher - Klein Geaderd Witje 9006 Mathieu De Bosscher - Parelmoervlinder 369 Rotstein Alain - Soumission Bosnia and Herzegovina Biljana Latinovic - Butterfly Brazil Paulo Guerra - Black Hawk with fish Canada Betty Chan - Polar Bear Looking For Seal Danlei Ye - The polar bear7 Francis King - Can We Share 103 Francis King - Cheetah In Pursuit 104 Francis King - Two For The Road Francis King - Western Grebe Mating Ritual 105 Phillip Kwan - Great Gray Owl 67 China Fengying Long - Hummingbird98 Fengying Long - Little Egret37 Fengying Long - Steller's sea eagle11 Haiquan Xiang - Dance in the colored ribbon Haiquan Xiang - Prey of White-bellied Sea Eagle Haiquan Xiang - The conflict Jiangbin Chang - Converging attack Jianping Li - Kinship Jianping Li - Love Kai Zheng - Egret Kejun Chen - Dogfight Liang Wu - Challenge 3 Liang Wu - Pyramid Ming Li - The early bird catches Shaoxin Deng - Respite after rain Shenghua Yang - Deer light tingting li - Lion sisters tingting li - White crane competition WEI YE - Tracking target WEI YE - White crane rising sun Weixiang Xu - Endless battle Weixiang Xu - Law of the jungle Xiping An - BRAHMAPUTRA Xiping An - FIY OVER2 Xiping An - Hang over the water Xiping An - the eagle spreads its wings YAN WONG - Resting Zhizhou Jiang - Dependence Cyprus Andreas Ierides - Afrodite birth place Denmark Jorgen Kristensen - Bearded Tit 1 Jorgen Kristensen - Deer 18 Roland Jensen - Devotion220 England Alan Cork - Common Blue Butterfly on Grass Alan Cork - Gannet Cruising Alan Cork - Gannet Landing ALAN YOUNG - Female Stonechat 2 ALAN YOUNG - Male Common Blue Damselfly 4 ALAN YOUNG - Male Stonechat 2 Barbara Jenkin - Argentinian Observer Barbara Jenkin - Frog on Bromeliad Leaf Beverly Hayes - European Eagle Owl Beverly Hayes - Golden Praying Mantis Beverly Hayes - Golden Tree Frogs Beverly Hayes - Sparrowhawk on Prey Bob Goode - Cormorant Hunting Brian Trout - Giraffe And Oxpecker Charles Ashton - Fresh Catch Charles Ashton - Kingfisher With Prey David Bray - Kingfisher Patience David Bray - Kingfisher With The Prize Donald Smith - Cliff Top Puffin With Catch Donald Smith - Female Kingfisher With Fish Ferg Cowhig - Reddish Egret Hunting Garry Hayes - Beak Full Garry Hayes - Leopard Gecko Garry Hayes - Lucky Gannet Garry Hayes - Yemen Chameleon 2 Jeff Kirby - Bearded reedling on reeds Jeff Kirby - Common whitethroat in full song Jeff Kirby - Puffin - On target for landing jennifer margaret webster - Savage Wolves jennifer margaret webster - snow jumping hares jennifer margaret webster - Yawning Jaguar Jim Munday - Puffin Returning with Catch Stuart Daffin - Great Crested Grebe Fighting Stuart Daffin - Male Kestrel Making Kill Terri Adcock - Fighting Foxes Terri Adcock - Sparrowhawk Terri Adcock - Waiting for the Fish Yealand Kalfayan - Large Blue Pairing on Knapweed Bud Finland Juha Jokinen - Bear and Birch Juha Jokinen - Big Bear Juha Jokinen - Morning fog France Albert DEBIEVE - Chamaillerie de héron Albert DEBIEVE - Colibri Albert DEBIEVE - Nourissage Marc Anagnostidis - Accouplement Bicolore 2 Marc Anagnostidis - Coenagrion Ornatum Marc Anagnostidis - Orange Tip Et Filicaria Marc Anagnostidis - Sphodromantis Viridis 2 Germany Alexander Hochhaus - Demoiselle Alexander Hochhaus - Drake symmetric Erika Jagau - hungry carps Frank Hausdoerfer - 3 Guanako at the Hill Frank Hausdoerfer - Forces of Nature Frank Hausdoerfer - USHUAIA 541 Heinz Peks - ausgetrocknet Heinz Peks - Wasserfall Eisgraben Hristozov Nikolay - Wild goose on the shore Klaus Reibl - Joy Klaus Reibl - The Boss Klaus Schwinges - Bei der Mutter 4 Klaus Schwinges - Haarpracht Klaus Tesching - Antelop Klaus Tesching - Love Thomas Schmid - Wiesenbocksbart Wolfgang Schweden - Canada Goose 1 Greece Dimitrios Paraskevakis - Elephant Detail George Baladakis - medoussa 632 Manolis Papadakis - Clever Baby snail Hong Kong Ching Ching Chan - Chatting Ching Ching Chan - Familiar Help Ching Ching Chan - Full of Love Ching Ching Chan - The Only One CYRIL KWOK KEUNG LEUNG - Heavy strike CYRIL KWOK KEUNG LEUNG - OMG CYRIL KWOK KEUNG LEUNG - Snatching food H.W. Chan - Sea lion 12 H.W. Chan - They think Hungary Istvan Kerekes - Angels Istvan Kerekes - Greylag Istvan Kerekes - Pelophylax ridibundus India BARUN SINHA - Fih Frozen BARUN SINHA - Pride in Rain Maheswaraiaha Melinamane - 4 Cheethas Attacking wilde Beast Maheswaraiaha Melinamane - 5 CHEETAHS KILLING WILD BEAST Maheswaraiaha Melinamane - HYAENAS KILLING WILDE BEAST Maheswaraiaha Melinamane - Lion and lioness attacking Wilde Beast Ireland Derville Conroy - Antarctic Ice Mahon Edward - brown butterfly Mahon Edward - gannets MIRIAM POWER - Gannet Isle of Man Claire Schreuder - Arctic Terns Feeding Italy Angiolo Manetti - Bigmouth Angiolo Manetti - Closer to the elephant Biagio Salerno - Fight Biagio Salerno - Satisfaction Biagio Salerno - The dance Massimo Tommi - Bee Eaters On Massimo Tommi - Taken Now Kuwait Bahaadeen Al-Qazwini - Landscape Of Cheetah D Bahaadeen Al-Qazwini - Lioness catch Zebra D Bahaadeen Al-Qazwini - Motion of Heron and Fish D Bahaadeen Al-Qazwini - Run with Kill D Mohammad Awadh - Glory Mohammad Awadh - The Star Luxembourg Romain Clement - Prey Food Macau Tak Cheong Pun - Frogs are Gourmet food Malaysia Edwin Ong Wee Kee - Eagle Edwin Ong Wee Kee - Mongolian Horses Hsiang Hui (Sylvester) Wong - Walakiri Milkyway Malta Gottfried Catania - Angry Stare Gottfried Catania - Two Meerkats Myanmar Kyaw Kyaw Oo - watering Netherlands Max van Son - Fighting Foxes Max van Son - Fox in the Rain Norway Atle Sveen - Bearfight II Atle Sveen - Practice kissing Atle Sveen - Prowling bear Atle Sveen - Thirsty warthog Oman GHAITH ALBATTASHI - Egretta Alba GHAITH ALBATTASHI - The angry bird Poland Jacek Haratym - Double pair Jacek Haratym - Pride and strength Qatar Abdulla AL-Mushaifri - After The Rain Abdulla AL-Mushaifri - Desert Lines Abdulla AL-Mushaifri - Green Desert Abdulla AL-Mushaifri - Milky Way Flower Ahmed Mohamed Hassan - Brown Groove Ahmed Mohamed Hassan - Contrast Saudi Arabia Amal Alameer - ‏Hi man Amal Alameer - Malik Amal Alameer - Monkey3 Scotland John McNairn - Willow Warbler Peter Stanford - Admiral Serbia Aleksandar Jovanovic - Bukovi 2 Edo Iglic - The black crowned crane 2 Ratomir dr. Radomirovic - thymelicus silverstia Slobodan Cavic - Butterfly 2 Vesna MAMULA - Povlen 01 Vojislav Vojo Pesterac - Planina 7783 Singapore Goh Wee Seng - ant attack Goh Wee Seng - debating superior Goh Wee Seng - fruition Lee Eng Tan - Oriental Honey Buzzard 4 South Africa Francois Van der Watt - Big breakfast Francois Van der Watt - Frog legs for lunch Francois Van der Watt - Gentle giants Spain ADELINA PUTELLAS JUBELLS - THE GROUP Joan Gil - Jumping Joan Gil - Vertigo Jose Luis Ibañez Gutierrez - Fishing Day Sri Lanka Dharmavijaya Senevirathna - Big Catch Dharmavijaya Senevirathna - Shadows Sweden Goran Zebuhr - Trail in the lake Switzerland Urs Jenzer - Baatoelpel 15 Taiwan huang woodpecker - CATCH A JEN-CHIEH CHANG - prey 2 Ming-Hsuan Chang - I am dead Thailand Hansa Tangmanpoowadol - CARE Turkey Mustafa Sahin - vadi United Arab Emirates Mona Altamimi - desert sunset USA Bob Chiu - Polar bear79 Dilip Patel - Excitement Dilip Patel - Golden Rim Dilip Patel - Morning Love Larry Cowles - Backyard Friends Michael Tran - For You Baby Michael Tran - Morning Catch ThuyPhuong Tran - Great Horn Owl 6th Circular Exhibition of Photography "TOUR CIRCUIT 2020" Salon Kula FIAP 2020/293 PSA 2020-277 FSS 2020/38 Accepted Theme B) Photo Travel Australia Andrew Swinfield - Off to market David Bassett - Indian horse cart Ian English - Mobile Fruit and Veg Keith O'Brien - Pot maker Fes SINKAI CHEUNG - Antarctic Glacier 25 Valerie Kleindienst - Collecting the Blood Valerie Kleindienst - Wadi Rum Scene Austria DANIELA PICHLER - Excursion Hans Lahodny - Blue Man Hans Lahodny - My bike Bahrain Hanan Hassan Al-Khalifa - SHOES EXHIBITION Hanan Hassan Al-Khalifa - SUNSET ON CARVAN Belgium Carlo Joseph - Lofoten Claude Coune - Au marche de Gondar Claude Coune - Jeune piroguier Claude Coune - L'ascension Claude Simon - Bushmen hunters searching Farid Frida - Heart on the wall Farid Frida - LA BERGERE Farid Frida - Somewhere in Norway Ivo De Decker - Horseriding in Landmannalaugar Ivo De Decker - walking on ridge Ivo De Decker - Walking to bridge Jacqueline Cadet - Castle Stalker Jef Lemmens - Mongolia Rotstein Alain - Les oignons Rotstein Alain - Méditation à Marrakech Bosnia and Herzegovina Biljana Latinovic - Chess game Biljana Latinovic - Difficult conditions Canada Betty Chan - Manhattan And
Recommended publications
  • The Museum of Islamic Art and the Discursive Endeavour of Displaying Islamic Art in Qatar Eva-Maria Tepest*
    Museum & Society, 17 (2) 157 ‘Temporary Until Further Notice’: The Museum of Islamic Art and the Discursive Endeavour of Displaying Islamic Art in Qatar Eva-Maria Tepest* Abstract Taking the case of curatorial practices at the Museum of Islamic Art (MIA) in Doha, this study analyses practices of exhibiting Islamic art in Qatar. Drawing on interviews, observations and visual material collected during a stay in Doha in November and December 2015, it sheds light on MIA’s conditions, history, and present. Against the backdrop of Michel Foucault’s writings on power/knowledge, I argue that MIA cannot be understood on the basis of a dominant liberal cultural policy paradigm. Rather, it needs to be understood as ‘a dynamic and contingent multiplicity’ (Barad 2007: 147). Notwithstanding, this multiplicity meaningfully relates to Qatar’s shifting political priorities as well as discourses on Islamic art and the exhibition. Key Words: Qatar, Islamic art, cultural policy, museum, Foucault Introduction Museum establishments in Qatar have caused a great stir in the past decade, with Qatar particularly venturing to establish itself as one of the key actors for funding, collecting, and promoting Islamic art, notably through the establishment of the Museum of Islamic Art (MIA) in 2008. Due to its enormous hydrocarbon wealth,1 Qatar has undergone significant economic growth since the beginning of the 1970s, making it the world’s highest income country per capita as of 2015.2 Enabled by these enormous revenues Qatar, among other things, has invested heavily in the cultural-educational sector. Within this context and following the coup d’état of Sheikh Hamad bin Khalifa Al-Thani in 1995, the grander scheme of museum establishments started to get enacted.
    [Show full text]
  • Museums and Cultural Diplomacy Projects in Qatar and the Middle East
    Museums and Cultural Diplomacy Projects in Qatar and the Middle East Sumantro Ghose, Deputy Director, Cultural Diplomacy Projects, Qatar Museums Authority Paper presented at Institute of Cultural Diplomacy Conference, Berlin 17-21 December 2013 Abstract The early 21st century has seen a large expansion in the cultural sector in the Middle East, a development that is most visible in the creation of a number of iconic new museums in the Gulf region, many of which are still under construction. This paper focuses on Qatar and the ambitious projects and cultural exchange programmes of the Qatar Museums Authority, which was founded in 2005 with a remit to develop museums, cultural institutions and heritage sites in the country. QMA has overseen the development of the Museum of Islamic Art and Mathaf: Arab Museum of Modern Art and in 2012 it launched a series of bilateral cultural exchange programmes that include Qatar Japan 2012 and Qatar UK 2013 Years of Culture. In two of the region’s largest new museum construction projects, new outposts of the Louvre and Guggenheim are currently being built in the United Arab Emirates, whilst in Saudi Arabia the King Abdul Azziz Center for World Culture is due to open in late 2015. This paper explores, from a practical rather than theoretical perspective, the degree to which these new museum projects can be seen as tools for cultural diplomacy. The strategic objectives and aspirations of these countries’ cultural initiatives are similar in many respects, as they are driving social development within their own borders, and redefining each country’s relations with the region and wider global community.
    [Show full text]
  • Downloads/2003 Essay.Pdf, Accessed November 2012
    UCLA UCLA Electronic Theses and Dissertations Title Nation Building in Kuwait 1961–1991 Permalink https://escholarship.org/uc/item/91b0909n Author Alomaim, Anas Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Nation Building in Kuwait 1961–1991 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Anas Alomaim 2016 © Copyright by Anas Alomaim 2016 ABSTRACT OF THE DISSERTATION Nation Building in Kuwait 1961–1991 by Anas Alomaim Doctor of Philosophy in Architecture University of California, Los Angeles, 2016 Professor Sylvia Lavin, Chair Kuwait started the process of its nation building just few years prior to signing the independence agreement from the British mandate in 1961. Establishing Kuwait’s as modern, democratic, and independent nation, paradoxically, depended on a network of international organizations, foreign consultants, and world-renowned architects to build a series of architectural projects with a hybrid of local and foreign forms and functions to produce a convincing image of Kuwait national autonomy. Kuwait nationalism relied on architecture’s ability, as an art medium, to produce a seamless image of Kuwait as a modern country and led to citing it as one of the most democratic states in the Middle East. The construction of all major projects of Kuwait’s nation building followed a similar path; for example, all mashare’e kubra [major projects] of the state that started early 1960s included particular geometries, monumental forms, and symbolic elements inspired by the vernacular life of Kuwait to establish its legitimacy.
    [Show full text]
  • 1 Speaking About Qatar
    SPEAKING ABOUT QATAR: DISCOURSES ON NATIONAL IDENTITY IN POSTCOLONIAL GULF Erick Viramontes Viramontes A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July, 2018 1 DECLARATION This thesis is an account of research undertaken between January 2014 and July 2018 at the Research School of Social Sciences, School of Politics and International Relations, The Australian National University, Canberra, Australia. Except where acknowledged in the customary manner, the material presented in this thesis is, to the best of my knowledge, original and has not been submitted in whole or part for a degree in any university. __________________________ Erick Viramontes Viramontes July 2018 2 ACKNOWLEDGEMENTS The process that led to this thesis, which began in mid-2013 in the Mexican Altiplano, was full of satisfaction and learning, but also carried with it moments of frustration, difficulty and despair. For this reason, its completion would not have been possible without the unconditional support and invaluable advice from many people to whom I will be forever grateful. I would like to express my deepest thanks to the members of my panel, who provided challenging and enriching insights at every step along this long journey. In particular, I would like to thank my primary supervisor, April Biccum, for her emphasis on the theoretical implications of my research, and my advisor Sean Burges, whose comments helped develop my thinking. I would also like to thank James Piscatori and Mathew Gray from the Center for Arab and Islamic Studies, who put their knowledge and expertise on the Middle East at the service of this project, and Sean Foley, who was a visiting fellow at the Center during my time as a Ph.D.
    [Show full text]
  • Al-Saduweaving: Significance and Circulation in the Arabian Gulf
    chapter 8 Al-Sadu Weaving: Significance and Circulation in the Arabian Gulf Rana Al-Ogayyel and Ceyda Oskay 1 Introduction of being a Saudi or living in Kuwait for extended periods of time.2 As al-Sadu tradition is transmitted Traditional Bedouin al-Sadu weavings are nomad- orally, first-hand information was essential for this ic, narrow-loom weavings that are warp-faced,1 a study. It involved direct observation, interviews, technique used mostly by women to weave tent and focus group discussions with contemporary dividers, cushions, and pillows inside the tent. The weavers from Kuwait and Saudi Arabia. To find the cloth is woven to become tight and strong to pre- weavers, the authors contacted Al Sadu Weaving vent the rain, wind, and sand from entering the Cooperative Society in Kuwait City, Kuwait (also tent. The most decorative parts of the nomadic known as Sadu House), and the Ministry of Cul- tents are the tent dividers, which are often woven ture in Riyadh, Saudi Arabia. Because most of the with a pattern in the center called shajarah, while symbols in the al-Sadu weavings or the stories be- the decoration on the outside of the tent is simpler hind them have been forgotten or intentionally and mostly striped. The warp-faced al-Sadu weav- kept secret, the authors have also engaged in archi- ings are occasionally combined with the ragaoum val work in order to unveil and catalogue some of technique, in which additional threads are woven their meanings.3 horizontally across the weft, making the fabric This chapter attempts to situate al-Sadu weav- look slightly raised above the regular weaving and ings in relation to cultural and historical knowl- creating a different texture (fig.
    [Show full text]
  • The Case of Qatar National Museum-Souq Waqif Corridor
    Article Place-Making of Transit Towns in Qatar: The Case of Qatar National Museum-Souq Waqif Corridor Khalida Marthya * , Raffaello Furlan , Labeeb Ellath , Maha Esmat and Rashid Al-Matwi Department of Architecture and Urban Planning, Qatar University, Doha 3263, Qatar; [email protected] (R.F.); [email protected] (L.E.); [email protected] (M.E.); [email protected] (R.A.-M.) * Correspondence: [email protected] Abstract: Over the last two decades, Doha, the capital city of Qatar, has undergone rapid urbanization. The city has capitalized large-scale urban and infrastructural projects resulting in a loss of historical areas of heritage value to people. Recent construction of the Doha Metro is opening avenues for place- making of transit towns through a framework envisioned by the need to shape compact, livable and sustainable neighborhoods and to mitigate the effects of urbanization on valuable historical heritage sites. Due to its historic significance, the Qatar National Museum (QNM)-Souq Waqif corridor is the case study selected for exploring and defining a framework for a contextualized place-making transit-oriented development (TOD) model. The research design is structured by reviewing the literature about TODs and the need for place-making model in Qatar, followed by collecting visual data from municipal authorities, through site visits, and site observations. The data are then analyzed to propose a novel masterplan, rooted in key urban design components of place-making. The insights will contribute to proposals for context-driven design strategies to enhance livability of the site and to extend its application to other potential transit hubs in metropolitan Doha and in the Middle East.
    [Show full text]
  • June 21, 2017
    3rd Best News Website in the Middle East BUSINESS | 18 SPORT | 23 Avoiding Qatar 2022 'cliff-edge' Brexit to be ‘unique tough: Hammond experience’ Wednesday 21 June 2017 | 26 Ramadan 1438 www.thepeninsulaqatar.com Volume 22 | Number 7199 | 2 Riyals Emir visits Qatar National Museum Emiri Diwan QNA website announces Eid Al Fitr holidays hacking linked THE EMIRI DIWAN has announced Eid Al Fitr holi- days for ministries, other government institutions and public entities, starting from to 'neighbours' Sunday, June 25, 2017 until Monday, July 3, 2017. Employ- ees will resume duties on AFP Tuesday, July 4, 2017. Meanwhile, the start and atar accused 'neighbouring end dates of Eid holidays for countries' that have cut ties Qatar Central Bank (QCB), with Doha of being responsi- banks, financial institutions ble for the alleged hacking under QCB's jurisdiction, and Qattack on state media which Qatar Financial Markets began the current diplomatic crisis. Authority (QFMA) shall be Attorney General H E Ali bin Fetais decided by QCB governor. Al Marri (pictured), said the case is very clear that the cyber attack emanated from "countries responsible for the siege". "We UN chief backs have evidence to show that iPhones originating from the countries laying Kuwait mediation siege to us have been used in this hack- ing," said Marri. "We have enough UN SECRETARY-General Emir H H Sheikh Tamim bin Hamad Al Thani visited Qatar National Museum at the Corniche evidence to point the finger of blame at Antonio Guterres has expressed these countries." to see the latest developments of the project. The Emir was welcomed by Chairperson of full support to Kuwait's initia- Al Marri did not name specific countries.But when pressed to be Qatar Museums, H E Sheikha Al Mayassa bint Hamad Al Thani.
    [Show full text]
  • Neo-Orientalism and the Search for Identity
    548 The Ethics of Neo-orientalist Architectural Production Neo-Orientalism and the Search for Identity REEMA ABU HASSAN American University of Sharjah The recent emergence of neo-orientalist architecture has COLONIZATION AND ORIENTALISM become prevalent within the non-western world. This raises The West’s colonization of the non-western world is a ethical questions about the way recent architectural and reflection of the way in which they regarded the colonized urban developments have been attempting to keep up with as ‘other’ to themselves. Their attempts to ‘civilize’ the globalization and western technological advances while also colonized was done in order to make them similar to them- holding onto their national identities and collective memo- selves and to see a reflection of themselves in the ‘other.’ ries. This struggle of mediating local cultures and modernity This is where Edward Said, who is the founder of Post- as a reflection of society within the built environment has colonial studies, comes into the picture. He argues that one been a concern since the start of post-colonialism and orien- of the orient’s most recurring images is that of the ‘other’ talism. This paper will look at the way humanism kick started and he defines Orientalism as “a way of coming to terms this issue and how the resulting orientalism and colonial- with the Orient that is based on the Orient’s special place ism have influenced the built environment through a critical in European Western Experience (Said, 1978).” He argues look at modernity, national identity, manipulated and con- that for the west, anyone who is not the same is seen as an structed memories and the rise of neo-oriental architectural outsider who is inferior, uncivilized and primitive.
    [Show full text]
  • 1 National Museum of Qatar Press Kit Press Kit Contents
    National Museum of Qatar Press kit Press Kit Contents: Introduction 2 Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums Welcome to the Museum 3 Sheikha Amna bint Abdulaziz bin Jassim Al Thani, Director of the National Museum of Qatar Welcome Mansoor bin Ebrahim Al Mahmoud 5 Architectural Statement: The Desert Rose 6 Jean Nouvel The Museum Experience 8 Gallery by Gallery 9 The Old Palace 12 The Park 14 Families and Education 15 Shops and Cafés 16 Visitor information 17 Architectural Data Sheet 18 Biographies 22 1 Introduction Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairperson of Qatar Museums Qatar is an ancient land, rich in the traditions of life in the desert and by the sea. It is also a country whose modern history has been defined by oil, with all the dramatic change that its discovery brought. Today, as we enter a new era, Qatar’s trajectory onto the contemporary world stage has been just as rapid. Already we are in the vanguard of technological advance and are preparing, through the ambitious 2030 Qatar National Vision, an outward-facing, creative and sustainable future for all our people. But a future must grow out of an understood and integrated past. So, as we move forward, we are focusing strongly on culture, in diverse forms. We are delving into our Arab heritage while also exploring the arts as they are evolving today, both within Qatar and far beyond. In particular, we are encouraging our own young artists, many of whom are women.
    [Show full text]
  • The Ancient World
    The Ancient World Part I: Eastern Hellenism and Related Subjects: Greece, the Black Sea Region, Caucasus, Western- & Central Asia, the Indus Valley & India Mostly from the library of Professor Paul Bernard (Délégation Archéologique Française en Afghanistan), including the library of Dr. Oscar White Muscarella (The Metropolitan Museum of Art, New York) and completions from the libraries of Professors Philip Kohl (Wellesley College), Louis Flam (Lehman College, City University of New York), and Maurizio Tosi (Università statale Bologna-Ravenna). 3014 titles in ca. 3,550 physical volumes BERNARD Paul - Paul BERNARD, Académicien, helléniste, archéologue... http://www.aibl.fr/membres/academiciens-depuis-1663/article/bernard-p... Académie des Inscriptions et Belles-Lettres Accueil du site > Membres > Académiciens BERNARD Paul Sommaire Spécialisation Carrière Principales publications Vidéo Entretien Articles en ligne sur Persée Chevalier de la Légion d’Honneur ; Officier de l’Ordre national du Mérite ; Commandeur dans l’Ordre des Palmes académiques ; Officier de l’Ordre des Arts et Lettres (Saint-Maxime, Var, le 13 juin 1929) Élu, le 31 janvier 1992, membre ordinaire de l’Académie des Inscriptions et Belles-Lettres, au fauteuil d’André CHASTEL. Décédé à Meulan-en-Yvelines, le 1 er décembre 2015. Spécialisation HELLÉNISTE [civilisations de l’Orient hellénisé (Asie centrale), archéologie grecque et orientale (notamment fouilles de Thasos, Aï Khanoum et Samarkand), épigraphie grecque, numismatique gréco- bactrienne, histoire de l’art gréco-oriental (architecture, sculpture), iconographie, histoire urbaine (Aï Khanoum), géographie historique (Bactriane)]. Carrière 1951. École Normale Supérieure. - 1954. Agrégé de grammaire. - 1958-1961. Membre de l’École française d’Athènes. - 1961-1965. Pensionnaire à l’Institut français d’Archéologie du Proche-Orient à Beyrouth.
    [Show full text]
  • "TOUR CIRCUIT 2020" Salon Budva FIAP 2020/294 PSA 2020-277
    3rd Circular Exhibition of Photography "TOUR CIRCUIT 2020" Salon Budva FIAP 2020/294 PSA 2020-277 Accepted Theme A) Nature Australia Andrew Swinfield - Teddy Bear Bee Andrew Swinfield - Wandering Percher Cheryl Mares - Arctic loon water drops David Bassett - Darter liftoff David Bassett - Prize catch David Henderson - Bee Eater 3962 Graeme Watson - The Thief Ian English - Male King Parrot Feeding Martie Labuschagne - Posing Wren Peter Ryan - Down the hatch SINKAI CHEUNG - Iceland Aurora 6 Valerie Kleindienst - Blue Dragonfly Vicki Moritz - SM vermin hunt2 Austria DANIELA PICHLER - Share food Hans Lahodny - Thoughtful Manfred Mally - island01 Thomas Pichler - Nibble Belgium Claude Coune - Dunes mongoles Farid Frida - Duo Ivo De Decker - Hungry chick Jacqueline Cadet - Pollen Mathieu De Bosscher - Blauwtje 9917 Mathieu De Bosscher - Juffer 720 Mathieu De Bosscher - Klein Geaderd Witje 9006 Mathieu De Bosscher - Parelmoervlinder 369 Rotstein Alain - Du monde sur la branche Rotstein Alain - Rouge gorge et pic Rotstein Alain - Soumission Bosnia and Herzegovina Biljana Latinovic - Butterfly Biljana Latinovic - Spider Canada Patrick w. Siu - Feeding new born chick Suzanne Huot - glass Frog on dead leaf China Fengying Long - Little Egret37 Haiquan Xiang - Dance in the colored ribbon Jiangbin Chang - Homeland Jianping Li - Love jurong YU - Demoiselle 2 jurong YU - Spectacular views in Xinjiang 9 Kai Zheng - Egret Kai Zheng - XINJIANG Anjihai Grand Canyon Kejun Chen - Romance Liang Wu - Challenge 3 Liang Wu - Hello Liang Wu - Home Liang Wu - Pyramid
    [Show full text]
  • Uhpfrc Cladding for the Qatar National Museum
    RILEM-fib-AFGC Int. Symposium on Ultra-High Performance Fiber-Reinforced Concrete, UHPFRC 2013 – October 1-3, 2013, Marseille, France UHPFRC CLADDING FOR THE QATAR NATIONAL MUSEUM Dr Philippe Menétrey (1) (1) INGPHI SA, Lausanne, Switzerland Abstract The Qatar National Museum (QNM) under construction in Doha is composed of various lens disposed in order to reproduce a giant gypsum flower as proposed by the Ateliers Jean Nouvel in Paris. The lenses which compose the shape of the structure are covered with precast UHPFRC cladding panels over an area of 120’000 m2. The use of UHPFRC allows reducing the thickness of the cladding to 40 mm without using passive reinforcement even thought the panels are large and the wind and temperature variation are extreme. The use of UHPFRC allows fulfilling all the requirements over the durability of the panel. The project of the cladding system with UHPFRC panels is described in this paper. Résumé Le musée national du Qatar en construction à Doha est composé d’une multitude de lentilles disposées aléatoirement afin de créer une gigantesque rose des sables comme proposé par les Ateliers Jean Nouvel à Paris. Les lentilles qui génèrent la forme de la structure sont recouvertes de panneaux préfabriqués en UHPFRC sur une surface de 120'000 m2. L’utilisation de UHPFRC a permis de réduire l’épaisseur des panneaux à 40 mm sans utiliser d’armature passive bien que la taille des panneaux est importante et que les sollicitations dues au vent et aux variations de température soient extrêmes. L’utilisation de UHPFRC a également permis de satisfaire toutes les exigences au niveau de la durabilité.
    [Show full text]