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The Machine at the Mad Monster Party
1 The Machine at the Mad Monster Party Mad Monster Party (dir. Jules Bass, 1967) is a beguiling film: the superb Rankin/Bass “Animagic” stop-motion animation is burdened by interminable pacing, the celebrity voice cast includes the terrific Boris Karloff and Phyllis Diller caricaturing themselves but with flat and contradictory dialogue, and its celebration of classic Universal Studios movie monsters surprisingly culminates in their total annihilation in the film’s closing moments. The plot finds famous Dr. Baron Boris von Frankenstein convening his “Worldwide Organization of Monsters” to announce both his greatest discovery, a “formula which can completely destroy all matter,” and his retirement, where he will surprisingly be succeeded not by a monster but by something far worse: a human, his nebbish pharmacist nephew Felix Flanken. Naturally, this does not sit well with the current membership, nor even Felix, who is exposed to monsters for the first time in his life and is petrified at what he sees. Thus, a series of classic monsters team up to try to knock off Felix and take over for Baron Frankenstein: Dracula, The Werewolf, The Mummy, The Invisible Man, Dr. Jekyll & Mr. Hyde, The Creature from the Black Lagoon, The Hunchback of Notre Dame, Frankenstein’s Monster, The Monster's Mate, King Kong (referred to only as “It”), Yetch (an ersatz Peter Lorre/Igor hybrid), and Francesca, the buxom red-head secretary. Much of the plot’s comedy is that Felix is so humanly clueless: glasses-wearing, naive, constantly sneezing, he fails to recognize the monsters’ horribleness and manages to avoid their traps mainly by accident and dumb luck. -
Toho Co., Ltd. Agenda
License Sales Sheet October 2018 TOHO CO., LTD. AGENDA 1. About GODZILLA 2. Key Factors 3. Plan & Schedule 4. Merchandising Portfolio Appendix: TOHO at Glance 1. About GODZILLA About GODZILLA | What is GODZILLA? “Godzilla” began as a Jurassic creature evolving from sea reptile to terrestrial beast, awakened by mankind’s thermonuclear tests in the inaugural film. Over time, the franchise itself has evolved, as Godzilla and other creatures appearing in Godzilla films have become a metaphor for social commentary in the real world. The characters are no longer mere entertainment icons but embody emotions and social problems of the times. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 4 About GODZILLA | Filmography Reigning the Kaiju realm for over half a century and prevailing strong --- With its inception in 1954, the GODZILLA movie franchise has brought more than 30 live-action feature films to the world and continues to inspire filmmakers and creators alike. Ishiro Honda’s “GODZILLA”81954), a classic monster movie that is widely regarded as a masterpiece in film, launched a character franchise that expanded over 50 years with 29 titles in total. Warner Bros. and Legendary in 2014 had reintroduced the GODZILLA character to global audience. It contributed to add millennials to GODZILLA fan base as well as regained attention from generations who were familiar with original series. In 2017, the character has made a transition into new media- animated feature. TOHO is producing an animated trilogy to be streamed in over 190 countries on NETFLIX. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 5 Our 360° Business Film Store TV VR/AR Cable Promotion Bluray G DVD Product Exhibition Publishing Event Music 2018 © TOHO CO., LTD. -
King Kong Free
FREE KING KONG PDF Anthony Browne | 96 pages | 03 Nov 2005 | Random House Children's Publishers UK | 9780552553841 | English | London, United Kingdom King Kong () Reviews - Metacritic We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, King Kong our Cookie Policy. King Kong towers in Kong: Skull Island. The next time we see him, his enormous figure all but blots out the sun. He stands next to mountains, and seems like he might be of the same species. In his prior screen incarnations, Kong has climbed skyscrapers; this Kong actually is one. InKing Kong was the only game in town. Skull Island has attempted to ward off the most common criticism of that film — the characters are boring — in the most Hollywood fashion possible, which is to say it has more people in it than Godzilla does, for more of its King Kong time. But none of them are as interesting as the big ape. Godzilla King Kong, for better or worse, was animated by a strong, central idea. Skull Island has no such core. The movie fitfully competes with the earlier film for sheer beauty, King Kong lacks a clear objective. Here are three things it badly King Kong. Konguntil the two presumably discover King Kong have more in common than they realized and unite to defeat [insert other giant monster here]. See how he might size up with Godzilla. King Kong pick up dry cleaning. -
Uoteammemberhandbook2011.Pdf
3 WELCOME! Welcome to Universal Orlando® Resort! You are now a member of an extraordinary team of people whose combined talents make us one of the finest entertainment companies in the world — and a destination that people around the globe desire to visit. We are proud of our accomplishments and are always striving toward our vision of being recognized as the number one entertainment destination in the world! We have developed the most exciting and technologically advanced attractions, we operate the finest shops and restaurants, and we present the most spectacular live entertainment available. Now you are the one who will energize it all… you are the one who will bring it all to life… you are the one who will provide an unforgettably great experience for our guests. Every member of our team is vital to the success of our resort. The friendliness, enthusiasm, and hospitality you extend each day to our guests and each other are critical to our success. You are about to create experiences and thrills that our guests will always remember. This handbook will help you: • learn about our organization; • understand your responsibilities as a Team Member; and • know some of our important policies and procedures. As you learn, please be active and involved. Think about how each idea and each guideline will help us work together to achieve our vision. On behalf of the Universal family, we are proud to welcome you as a new Team Member and to wish you success. We’re glad you’re here! The Team Table of Contents History in the Making ...................................................... -
A History of Astroworld
East Texas Historical Journal Volume 36 Issue 2 Article 12 10-1998 Judge Roy's Playground: A History of Astroworld Karen Guenther Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Guenther, Karen (1998) "Judge Roy's Playground: A History of Astroworld," East Texas Historical Journal: Vol. 36 : Iss. 2 , Article 12. Available at: https://scholarworks.sfasu.edu/ethj/vol36/iss2/12 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. 58 EAST TEXAS HISTORICAL ASSOCIATION JUDGE ROY'S PLAYGROUND: A HISTORY OF ASTROWORLD by Karen Guenther On June I, 196R, Lt. Governor Preston Smith won the Democratic Party nomination, virtually becoming the next governor of Texas. Robert Kennedy and Eugene McCarthy agreed in a tclevised debate prior to the California primary that Secretary of State Dean Rusk would be replaced if either were elected president. Houston's newspapers, however, also touted on the front page the opening of Judge Roy Hotheinz's theme park, Astroworld. 1 The youngest judge in the county's history and a former mayor of Houston. Hofheinz had achieved fame and fortune through a varicty of business ventures. Earlier in the 1960s he succeeded in bringing major league baseball to Houston and, 'With the assistance of Harris County taxpayers, oversaw the construction of the "eighth wonder of the world," the Astrodome. -
A Legal Analysis on the State of Land Evictions in Uganda
A LEGAL ANALYSIS ON THE STATE OF LAND EVICTIONS IN UGANDA BY IRAMA RASHID 1153-01024-02238 A RESEARCH REPORT SUBMITTED TO THE SCHOOL OF LAW IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF A BACHELORS DEGREE IN LAW OF KAMPALA INTERNATIONAL UNIVERSITY JUNE, 2019 DECLARATION I, Irama Rashid Reg. No. 1153-01024-02238 declare to the best of my knowledge that this research report is truly my original and has not been submitted in the fulfillment for any award of a degree in any other Institution of Higher Learning or University, so it is entirely out of my own efforts. -n;; Signature ... ~ • Date .. ./ .'r.. .. ..~f.? . .: .. ?.-!> 1 9 • IRAMA RASHID APPROVAL This is to certify that this research report is done under my supervision and it is now ready for submission to the school of Law, Kampala International University with my approval. ..:u5ja.£;{a /9 Signature.~ Date .............................. !.. MR. AFUNADUULA ISAAC ii DEDICATION I dedicate this work to my ailing father Mr. Haruna Taban who has injected numerous resources towards this particular undettaking. Admittedly, this course has enriched my experience and understanding, and you have done an incredible job. You have exactly done what a loving parent can ever do to his son. I wish to firmly state that you have displayed a true quality of fatherhood by starting a legacy to this chosen generation. The civilized world now sees the prudence of a father in you. It was not easy to acquire this legal personality amidst serious financial hiccups; but you hoped beyond pain and found this answer by your design rather than by accident. -
Exterminating the Brute Sexism and Racism in ›King Kong‹ Stefanie Affeldt
Exterminating the Brute Sexism and Racism in ›King Kong‹ Stefanie Affeldt Abstract: Since its fi rst screening in 1933, ›King Kong‹ has been interpreted from a multitude of perspectives. Based on the original movie, this analysis is focussed on the superimposition and conjunction of racism and sexism in the narration and integrates its socio-historical contextualization into the investigation. This makes obvious that the fi lm is far from being a ›Beauty and the Beast‹ fairy tale but launches a double attack on emancipation and self-determination. The movie sac- rifi ces a ›new woman‹ to an old stereotype, the simianized exaggeration of a black man. This is a direct answer to the liberation and civil rights movements of the time, and also one which propagates existing counter-strategies as well. By the sexualisation of the plot, it connects the story to the eugenically shaped racial hys- teria and the politics of lynching. By embedding the story in a history of discovery, it also links the narrative to the history of imperialism and colonial oppression. In view of this twofold threat, it suggests a solution that had already found its literary phrasing: ›Exterminate all the brutes‹. Even though not everyone has seen the movie, the story of ›King Kong‹ is familiar to almost everybody: a giant ape takes possession of a white woman, runs amok in New York City, climbs the Empire State Building, and, after being attacked by airplanes, eventually topples to his death.1 Mind you, the plot of the original 1933 picture has more depth to offer. -
Peter Jackson's King Kong (2005): a Critique of Postcolonial/Animal Horror Cinema
English Language and Literature Studies; Vol. 7, No. 2; 2017 ISSN 1925-4768 E-ISSN 1925-4776 Published by Canadian Center of Science and Education Peter Jackson’s King Kong (2005): A Critique of Postcolonial/Animal Horror Cinema Marwa Essam Eldin Fahmi1 1 College of Foreign Languages & Translation, MISR University for Science & Technology, Giza, Egypt Correspondence: Marwa Essam Eldin Fahmi, College of Foreign Languages & Translation, MISR University for Science & Technology, Giza, Egypt. E-mail:[email protected] Received: March 7, 2017 Accepted: March 26, 2017 Online Published: May 30, 2017 doi:10.5539/ells.v7n2p15 URL: http://doi.org/10.5539/ells.v7n2p15 Abstract The current study examines the fictional screen figure King Kong—as envisioned by the New Zealand director Peter Jackson in his 2005 remake—to question European ambivalence towards the Self/Other binary division. The modern 2005 Kong acts as a counter visual icon to the Eurocentric version of colonialist ideologies to expose their hypocrisy and myth-making colonial history. The present study is an attempt to integrate the visual narrative of King Kong (2005) into the framework of Postcolonial paradigm and within the theory of Adaptation to highlight the points of departure undertaken by the Postcolonial director Peter Jackson. The study seeks to establish Jackson’s revisit of a prior work as a “willful act” to reinterpret the screen figure Kong as a “Subaltern” subject whose quest for a voice is central to the film’s message. The dialogic relationship between the old and the new cinematic narratives is investigated to challenge Essentialist Western View of “Othering” so as to provide a Postcolonial revision of a fluid relationship between a prior work and a belated one. -
KING KONG IS BACK! E D I T E D B Y David Brin with Leah Wilson
Other Titles in the Smart Pop Series Taking the Red Pill Science, Philosophy and Religion in The Matrix Seven Seasons of Buffy Science Fiction and Fantasy Writers Discuss Their Favorite Television Show Five Seasons of Angel Science Fiction and Fantasy Writers Discuss Their Favorite Vampire What Would Sipowicz Do? Race, Rights and Redemption in NYPD Blue Stepping through the Stargate Science, Archaeology and the Military in Stargate SG-1 The Anthology at the End of the Universe Leading Science Fiction Authors on Douglas Adams’ Hitchhiker’s Guide to the Galaxy Finding Serenity Anti-heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly The War of the Worlds Fresh Perspectives on the H. G. Wells Classic Alias Assumed Sex, Lies and SD-6 Navigating the Golden Compass Religion, Science and Dæmonology in Philip Pullman’s His Dark Materials Farscape Forever! Sex, Drugs and Killer Muppets Flirting with Pride and Prejudice Fresh Perspectives on the Original Chick-Lit Masterpiece Revisiting Narnia Fantasy, Myth and Religion in C. S. Lewis’ Chronicles Totally Charmed Demons, Whitelighters and the Power of Three An Unauthorized Look at One Humongous Ape KING KONG IS BACK! E D I T E D B Y David Brin WITH Leah Wilson BENBELLA BOOKS • Dallas, Texas This publication has not been prepared, approved or licensed by any entity that created or produced the well-known movie King Kong. “Over the River and a World Away” © 2005 “King Kong Behind the Scenes” © 2005 by Nick Mamatas by David Gerrold “The Big Ape on the Small Screen” © 2005 “Of Gorillas and Gods” © 2005 by Paul Levinson by Charlie W. -
“Dragon Quest: the Real” Unveil of Detailed Information About the Attraction Three Reasons Why You Can Become a Real Hero
2017 goes beyond “over-the-top” The curtain finally rises on a year that will break through barriers and take you beyond the “over-the-top” 15th anniversary You’re the hero now! “Dragon Quest: The Real” Unveil of detailed information about the attraction Three reasons why you can become a real hero in well-loved world of adventure Open for a limited time only: March 17, 2017 (Fri) to September 3, 2017 (Sun) In 2017, Universal Studios Japan is set to outdo its “over-the-top” 15th anniversary with the new theme of “going beyond ‘over-the-top’!” From March 17 (Fri), USJ will bring you a variety of attractions and pieces of entertainment that go one step beyond. We’d like to share some detailed information about the first installment of this new series of attractions: Dragon Quest: The Real. After its announcement in December of last year, social networking services like Twitter exploded with posts in anticipation, like “What, a tie-in between Universal Studios Japan and Dragon Quest!? I’ve got to go!”, “This is what I’ve been waiting for!”, and “Now I can finally be a hero!”, and there were many posts from people waiting for follow-up information with bated breath as well, such as “I want to know more!” and “I’ve got to get my vacation plans ready when the details come out!”. Please look forward to this emotional experience where you can become a hero and engage in real combat, all in a world of adventure that, so far, you’ve only seen in the games. -
The Moving Picture Ship
THE MOVING PICTURE SHIP By PAUL ANTHONY JOHNSON A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2005 TABLE OF CONTENTS page LIST OF FIGURES ........................................................................................................... iii ABSTRACT....................................................................................................................... iv CHAPTER 1 INTRODUCTION ........................................................................................................1 2 KONG ON TOP OF THE WORLD.............................................................................4 3 KONG THE MIRAGE .................................................................................................7 4 KONG HOLDS ANN.................................................................................................14 5 KONG LOOKS IN .....................................................................................................17 6 KONG ON DISPLAY ................................................................................................21 7 ANN EXPOSED.........................................................................................................25 8 KONG VERSUS THE DINOSAUR..........................................................................28 9 SKULL ISLAND........................................................................................................31 10 ANN’S -
À L'ombre De King Kong
SCRIPT VERSION ORIGINALE / ANGLAISE “A L’OMBRE DE KING KONG” (TWO KINGS AND A KONG) 10.00.00.00 Générique début : Arte France et /und la Compagnie des Taxi-Brousse présentent /zeigen A l’ombre de King-Kong Im Schatten King Kongs Un film de / ein Film von Serge Viallet Avec / mit Louise Vincent 10.00.24.00 - OFF King Kong plays a very special role in the story my life. My mother was nine months pregnant at the time and my parents must have thought they were going to a relaxing afternoon at the movies . The first time King Kong came on the screen, the audience went buzook, and my mother started having contractions, it was panic! They got her upstairs into a little closet next to the projection room… 10.01.09.00 – Rose at home …and that’s where I was born. At a matinee of the Roxy Theater, New York City, New York on March 3, 1933. Just as – or so I was told – King Kong… You remember that part when he was running after the crew, and then he bent over and he scooped up Fay Wray in one hand, and she started screaming her head off ? … My parents named me Rose, but my middle name’s Fay. Rose Fay Hausske. Some people are born under the sign of Capricorn. Me ? I was born under the sign of King Kong. My mother was scared of her own shadow, and wouldn’t have been caught dead at the Roxy if she had seen the trailer. And I wouldn’t have been born at the movies.