DOCSLIB.ORG

PDF Version of September 2018 Patterns

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Version of September 2018 Patterns patternFRIENDSs OF WILL MEMBERSHIP MAGAZINE september 2018 WILL-TV TM patterns Membership Hotline: 800-898-1065 september 2018 Volume XLVI, Number 3 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N. Goodwin Ave., Urbana, IL 61801-2316 Mailing List Exchange Donor records are proprietary and confidential. WILL does not sell, rent or trade its donor lists. Patterns Friends of WILL Membership Magazine Editor/Art Designer: Sarah Whittington Art Director: Kurt Bielema Printed by Premier Print Group. Printed with SOY INK on RECYCLED, TM Trademark American Soybean Assoc. RECYCLABLE paper. Radio We’ve been saying it for years, but we feel 90.9 FM: A mix of classical music and NPR it’s finally time to make it official – the information programs, including local news. (Also Friends of WILL are true superheroes for heard at 106.5 in Danville and with live streaming on playing such a vital role in keeping public will.illinois.edu.) See pages 4-5. media part of our community. So it is our 101.1 FM and 90.9 FM HD2: Locally produced great pleasure to introduce you to the music programs and classical music from C24. (101.1 Something Fantastic has come to Illinois Public Fantastic Friends of WILL. The Fantastic is available in the Champaign-Urbana area.) See page 6. Friends believe in public media and not News and information, NPR, BBC, news, Media! 580 AM: only do they financially support it, they agriculture, talk shows. (Also heard on 90.9 FM HD3 It’s a running theme here at IPM: our Friends know that the world is a better place with with live streaming on will.illinois.edu.) See page 7. are what make us great at what we do. It’s a WILL, PBS, and NPR. Television continuous symbiotic relationship that dictates WILL-HD the high level of journalism and entertainment All through the month of September we All your favorite PBS and local programming, in high we produce for you on a daily basis. Your heroic will celebrate the great things our Fantastic definition when available. 12.1; Contact your cable or efforts to preserve public media can only be Friends provide to our community. And, of satellite provider for channel information. See pages 9-16. described as super. And now we take the month course, we hope to add even more Fantastic of September to highlight you, our Fantastic Friends during our Fall Fund Drives for WILL Kids 24/7 Friends. You are the superheroes of public both TV and radio. You can check out Around the clock, award-winning children’s programming. 12.2; also available on Comcast media, and we know we can count on you to great TV fundraising programs during the and Mediacom. save the day! first week of September, followed by our Friendraising on radio September 22-27. WILL Create Pages 1-3 of this month’s Patterns introduce To support the wonderful things public Cooking, travel, gardening and home improvement, you to a wide variety of Illinois Public Media media does, decide to become a Sustaining arts and crafts. 12.3; also available on Comcast and supporters. Each Fantastic Friend has a unique Mediacom. See page 8. Friend during the month of September. set of superpowers that engage and enhance If you are already a sustainer, pledge WILL World public media on a regular basis. PBS documentaries, news and public affairs. 12.3; also an upgrade to your monthly gift and available on Comcast and Mediacom. See page 8. Read through each description and find your encourage others to become supporters Online best Fantastic Friend match. Not sure who’s of great local public media. will.illinois.edu the best fit? Take our quiz! And then relish your super role! Change your profile picture on social media to your new alter ego, share facebook.com/WILLradiotvonline your superpowers with friends and family, and pledge to increase your fantastic support for @willpublicmedia public media. Most of all, remember this: @willpublicmedia “Heroes are made by the path they choose, not the powers they are graced with.” — Iron Man Get WILL eNews Video previews, behind-the-scenes information, program schedule updates and more, delivered every Wednesday to your email inbox. Moss Bresnahan, go.illinois.edu/WILLsubscribe President and CEO Twitter: @MossILMedia PATTERNS • SEPTEMBER 2018 PATTERNS • SEPTEMBER 2018 1 To find out which Fantastic Friend of WILL you are most like, take our handy online quiz at: will.illinois.edu/FantasticFriends DOC WATCHER Doc Watcher recognizes that history provides essential les- sons for our present and future. He studies the origins of our culture to explain who we are and how we can work bet- CAPTAIN CLASSICAL ter together. Doc is motivated by an interest in how his fellow Captain Classical spreads the power of classical music. humans are affected by policy, war, and compassion. He also She knows classical music can spark creativity, fight understands the importance of preserving cultural artifacts depression, and improve productivity. Captain Classical while providing context to the next generation. strives to make classical music available to all to create a thriving community and ensure music continues to Favorite Programs: Ken Burns documentaries, Finding flourish in all central Illinois homes. Your Roots, American Experience, Antiques Roadshow, This American Life, Independent Lens Favorite Programs: Classic Mornings, Classical BTS, Classics by Request, Great Performances THE NEWS HOUND The News Hound seeks out fact-based journalism. She believes in being well-informed about a wide variety THE GREEN THUMB of topics to help spread information and teaches the importance of a well-funded, free press to democracy. The Green Thumb believes in beautifying the world Her companion dog, Arfie Shapiro, is always there one plant at a time. No yard is too small, no reclamation to help her sniff out multiple-sourced facts. project too big. She knows the joy that comes from cultivating soil into bountiful harvests, so she plants great Favorite programming: gardens everywhere she travels. It only takes a few The 21st, Morning Edition, PBS NewsHour, NPR One, well-placed seeds to change a neighborhood. Illinois Newsroom, Frontline, Wait Wait...Don’t Tell Me Favorite Programming: Mid-American Gardener, P Allen Smith, Growing a Greener World, Commodity Week THE SPROUTING SCIENTIST The Sprouting Scientist is filled with endless curiosity about the world. His generation will depend on innovation and scientific discovery, so he learns to use hypotheses and the COSMOPOLITAN CRUSADER scientific method to explore his environment. He is excited The Cosmopolitan Crusader knows exposure to other to use his knowledge to help solve many of the world’s most cultures around the world is the best way to bring empathy perplexing problems. and understanding. Since not everyone can afford to Favorite Programs: Nature Cat, Sid the Science Kid, travel to see the world, he seeks to bring the world to as Ready Jet Go, Big Picture Science, Nova, many people as possible, so that we can better understand Nature, Science Friday all global citizens. He is passionate that great cultures be shared and preserved. Favorite Programs: Rick Steves, No Passport Required, BBC, Global 3000, Great British Baking Show, DW News, international food shows, Evening Concert, Civilizations The Fantastic Friends were illustrated by local artist Jillian Nickell. Check out more of her super work at jilliannickell.com. 2 PATTERNS • SEPTEMBER 2018 PATTERNS • SEPTEMBER 2018 3 WILL-FM 90.9 and HD1 • 106.5 in Danville • online streaming will.illinois.edu weekdays Tuesday: Richard Prior: Concerto for Flute and Orchestra Andrew Stenson (Gen:), Rafael Davila Chicago Symphony Orchestra Jonathan Keeble, flute (General Alfredo) and the Lyric Opera of Saint-Saëns: Piano Concerto No. 2 in G Minor, Chicago Ensemble. 6 am 9/4 Esa-Pekka Salonen conducts Ravel Op. 22 Gilbert and Sullivan: Patience Ravel: Mother Goose Suite NPR Morning Edition Schubert: Symphony No. 8 in B Minor, D. 759 9/8 Carmen (Bizet). James Conlon, cond., with Debussy: La damoiselle élue “Unfinished” Ana María Martínez (Carmen), Brandon with Steve Inskeep, Rachel Martin, David Greene, and Kate Royal, Elodie Méchain, Women of the 9/14 Champaign-Urbana Symphony Jovanovich (Don José), Amanda Woodbury Noel King Chicago Symphony Chorus Stephen Alltop, conductor (Micaëla), Alexander Vinogradov (Escamillo), 9/11 Kent Nagano and Gilles Vonsattel 9 am Sun Chang, piano and the LA Opera Orchestra and Chorus. Wagner: Siegfried Idyll “Music of Titans” (4/28/18) Gilbert and Sullivan: The Sorcerer Classic Mornings with Vic Di Geronimo Bernstein: Symphony No. 2 “The Age of Garrop: Mythology Symphony 9/15 Nabucco (Verdi). Emmanuel Villaume, cond., Anxiety” Join Vic for music and companionship and make each I. Becoming Medusa with Plácido Domingo (Nabucco), Liudmyla Gilles Vonsattel, piano morning a classic morning! Mozart: Piano Concerto No. 14 in E-flat Major, Monastyrska (Abigaille), Morris Robinson Schumann: Symphony No. 1 in B-flat Major K. 449 (Zaccaria), Mario Chang (Ismaele), and the LA 9/18 Esa-Pekka Salonen and Leila Josefowicz Mahler Symphony No. 1 “Titan” Opera Orchestra and Chorus. Noon Debussy: Prelude to The Afternoon of a Faun 9/21 Millikin- Decatur Symphony Gilbert and Sullivan: Princess Ida Afternoon Classics Adams: Scheherazade.2 (9/24/16) 9/22 Norma (Bellini). James Conlon, cond., with Leila Josefowicz, violin Sergey Bogza, conductor Angela Meade (Norma), Jamie Barton NPR News Headlines at 12:01, 1:01, and 3:01. 9/25 Riccardo Muti conducts Higdon Mikhail Yanovitsky, piano (Adalgisa), Russell Thomas (Pollione), Morris Higdon: Low Brass Concerto Debussy: The Sunken Cathedral Robinson (Oroveso), and the LA Opera 5 pm Jay Friedman, trombone Rachmaninoff: Piano Concerto No. 2 Orchestra and Chorus. NPR All Things Considered Michael Mulcahy, trombone Mikhail Yanovitsky, piano Gilbert and Sullivan: Pinafore Charles Vernon, bass trombone Mussorgsky: Pictures at an Exhibition (Ravel) 9/29 Gianni Schicchi (Puccini).
Load more

Recommended publications
  • Network Notebook
    Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • Un Ballo in Maschera
    San Francisco Opera Association War Memorial Opera House 2014-2015 Un Ballo in Maschera A Masked Ball (In Italian) Opera in three acts by Giuseppe Verdi Libretto by Antonio Somma Based on a libretto by Eugene Scribe for Daniel Auber's opera Gustave III, ou Le Bal masque Cast Conductor Nicola Luisotti Count Horn (Sam) Christian Van Horn Count Ribbing (Tom) Scott Conner * Director Jose Maria Condemi Oscar Heidi Stober Costume Designer Gustavus III, King of Sweden (Riccardo) Ramón Vargas John Conklin Count Anckarström (Renato) Thomas Hampson Lighting Designer Brian Mulligan 10/7, 22 Gary Marder Chief Magistrate A.J. Glueckert † Chorus Director Madame Arvidson (Ulrica) Dolora Zajick Ian Robertson Christian (Silvano) Efraín Solís † Choreographer Amelia's Servant Christopher Jackson Lawrence Pech Amelia Anckarström Julianna Di Giacomo * Assistant Conductors Giuseppe Finzi Vito Lombardi * San Francisco Opera debut † Current Adler Fellow Musical Preparation Bryndon Hassman Tamara Sanikidze Place and Time: 1792 in Stockholm, Sweden John Churchwell Jonathan Khuner Fabrizio Corona Prompter Dennis Doubin Supertitles Philip Kuttner Assistant Stage Directors E. Reed Fisher Morgan Robinson Stage Manager Rachel Henneberry Costume Supervisor Jai Alltizer Wig and Makeup Designer Jeanna Parham Saturday, Oct 04 2014, 7:30 PM ACT I Tuesday, Oct 07 2014, 7:30 PM Scene 1: Levee in the king's bedroom Friday, Oct 10 2014, 7:30 PM Scene 2: Madame Arvidson's house on the waterfront Monday, Oct 13 2014, 7:30 PM INTERMISSION Thursday, Oct 16 2014, 7:30 PM ACT II Sunday, Oct 19 2014, 7:30 PM A lonely field Wednesday, Oct 22 2014, 7:30 PM INTERMISSION ACT III Scene 1: Count Anckarström's study Scene 2: The king's box at the opera Scene 3: Inside the Stockhold opera house Sponsors This production is made possible, in part, by the Bernard Osher Endowment Fund and the Thomas Tilton Production Fund.
    [Show full text]
  • The American Opera Series May 16 – November 28, 2015
    The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary.
    [Show full text]
  • T H E P Ro G
    Sunday, April 29, 2018 at 3:00 pm m a Symphonic Masters r g o Los Angeles Philharmonic r Gustavo Dudamel, Conductor P John Holiday , Countertenor Julianna Di Giacomo , Soprano e Jennifer Johnson Cano , Mezzo-Soprano h Michael König , Tenor T Davóne Tines , Bass-Baritone Concert Chorale of New York James Bagwell , Choral Director BERNSTEIN Chichester Psalms (1965) Part I: Psalm 108:2—Psalm 100 Part II: Psalm 23—Psalm 2:1-4 Part III: Psalm 131—Psalm 133:1 Intermission BEETHOVEN Symphony No. 9 in D minor (1822–24) Allegro ma non troppo, un poco maestoso Scherzo: Molto vivace Adagio molto e cantabile— Presto—Allegro ma non troppo—Allegro assai (Choral finale) Please make certain all your electronic devices are switched off. This afternoon’s performance is dedicated to the memory of Paul Milstein, philanthropist and builder. These programs are supported by the Leon Levy Fund for Symphonic Masters. Symphonic Masters is made possible in part by endowment support from UBS. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. David Geffen Hall Great Performers Support is provided by Rita E. and Gustave M. Hauser, Audrey Love Charitable Foundation, Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Endowment support for Symphonic Masters is provided by the Leon Levy Fund. Endowment support is also provided by UBS. Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center UPCOMING GREAT PERFORMERS EVENTS: Wednesday, May 2 at 7:30 pm in Alice Tully Hall Gerald Finley, bass-baritone Julius Drake, piano Songs by BEETHOVEN, SCHUBERT, TCHAIKOVSKY, and RACHMANINOFF Selection of favorite folk songs Friday, May 4 at 8:00 pm in David Geffen Hall London Symphony Orchestra Simon Rattle, conductor MAHLER: Symphony No.
    [Show full text]
  • 2014-2015 Season
    2014-2015 SEASON 14 September 2014 Saarbrücken - Congresshalle Grosse Saal Deutsche Radio Philharmonie Saarbrücken Kaiserslautern Czech Philharmonic Choir Brno Jeonju Choir Dzenitis (German premiere), Beethoven Season Opening Concert 16 September 2014 Théâtre de Besançon Besançon International Music Festival Deutsche Radio Philharmonie Saarbrücken Kaiserslautern Yeol Eum Son, pianoforte Glinka, Tchaikovsky, Brahms 23-28 September 2014 Tour of South Korea 24 September - Seoul, Myung-Seong Church (TV broadcast) 25 September - Goyang 26 September - Daegu 27 September - Yeosu Deutsche Radio Philharmonie Saarbrücken Kaiserslautern Seoul Metropolitan Choir Jeonju Choir Yeol Eum Son, pianoforte Beethoven, Glinka, Tchaikovsky, Brahms 12 October 2014 Graz - Stephaniensaal Wiener kammerOrchester 15 October 2014 Vienna - Konzerthaus Wiener kammerOrchester 21 October 2014 Berlin - Philharmonie Rundfunk-Sinfonieorchesters Berlin Alice Sara Ott, pianoforte Dvořák, Grieg. 23 October 2014 Hamburg - Laeiszhalle Wiener kammerOrchester 25 October 2014 Bremen - Die Glocke Wiener kammerOrchester 27 October 2014 Frankfurt - Alter Oper Wiener kammerOrchester 29 October 2014 Nürnberg - Meistersingerhalle Wiener kammerOrchester 31 October 2014 Munich - Philharmonie Gasteig Wiener kammerOrchester 05 November 2014 Essen - Philharmonie Wiener kammerOrchester 28 November 2014 Baden-Baden - Festspielhaus Deutsche Radio Philharmonie Saarbrücken Kaiserslautern Grand Théâtre de Genève Chorus Bellini: I Capuleti e i Montecchi (concertante) 30 November 2014 Geneva - Grand
    [Show full text]
  • Mehta Beethoven Teatro Antico Di Taormina
    8 LUGLIO 2017 MEHTA BEETHOVEN TEATRO ANTICO DI TAORMINA REGIONE SICILIANA ASSESSORATO DEL TURISMO DELLO SPORT E DELLO SPETTACOLO ASSESSORATO BENI CULTURALI E IDENTITÀ SICILIANA SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO DEL TURISMO DELLO SPORT E DELLO SPETTACOLO ALBO DEI DONATORI Fondazione ART BONUS Teatro Massimo Tasca d’Almerita Francesco Giambrone Sovrintendente Angelo Morettino srl CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) Presidente Giovanni Alongi Leonardo Di Franco Vicepresidente Daniele Ficola Sais Autolinee Francesco Giambrone Sovrintendente Enrico Maccarone Agostino Randazzo Anna Sica Marco Di Marco COLLEGIO DEI REVISORI Maurizio Graffeo Presidente Filippone Assicurazione Marco Piepoli Gianpiero Tulelli Giuseppe Di Pasquale Alessandra Giurintano Di Marco MEHTA / BEETHOVEN Ludwig van Beethoven (1770-1827) La Nona è l’esplorazione del suono concepita e preor- Sinfonia n. 9 in re minore op. 125 dinata da un sordo, che finisce in canto di fratellanza e gioia. Allegro ma non troppo, un poco maestoso Percorso assurdo, musicalmente e mentalmente, quando nacque Molto vivace nel 1824. Oggi d’acchito logico, importante, necessario. Sinfonia Adagio molto e cantabile ardua e popolare. Presto L’inizio è il nulla. Dirigerlo è terribile, quando si voglia viverne e darne l’esperienza. Far risuonare le prime battute, con quel- le corde vuote sollecitate appena, e poi quelle quinte e quarte Direttore Zubin Mehta giuste all’ingiù senza ancora dire se andremo in maggiore o in Soprano Julianna Di Giacomo minore, come se si mettesse a nudo una non ancora musica che Mezzosoprano Lilly Jørstad doveva esserci prima della musica, il primo suono dell’universo. Tenore Michael Schade Arrivare per tensioni di suoni dentro se stessi a trovare un campo Basso Wilhelm Schwinghammer magnetico.
    [Show full text]
  • For Release: Tk, 2013
    FOR IMMEDIATE RELEASE DATE: September 4, 2013 New York Philharmonic contact: Katherine E. Johnson (212) 875-5718; [email protected] Royal Philharmonic Society contact: Sophie Cohen +44 (0)207 428 9850; [email protected] The Morgan Library & Museum contact: Alanna Schindewolf (212) 590-0311; [email protected] ALAN GILBERT AND THE NEW YORK PHILHARMONIC _________________ U.S. PREMIERE of Mark-Anthony TURNAGE’s FRIEZE, New York Philharmonic Co-Commission with Royal Philharmonic Society and BBC Radio 3, BEETHOVEN’s NINTH SYMPHONY October 3–5, 8–9 _________________ Performances are Centerpiece of New York Activities Celebrating the Royal Philharmonic Society’s Bicentennial NEW YORK PHILHARMONIC ARCHIVES To Present Exhibition Philharmonic Pioneers: The Founding of the New York and Royal Philharmonic Societies September 25–November 23 _________________ Music Director Alan Gilbert will conduct the New York Philharmonic in Beethoven’s Symphony No. 9 and the U.S. Premiere of Mark-Anthony Turnage’s Frieze — written in response to Beethoven’s Ninth and co-commissioned by the Royal Philharmonic Society, New York Philharmonic, and BBC Radio 3 — on Thursday, October 3, 2013, at 7:30 p.m.; Friday, October 4 at 8:00 p.m.; Saturday, October 5 at 8:00 p.m.; Tuesday, October 8 at 7:30 p.m.; and Wednesday, October 9 at 7:30 p.m. Part of the Royal Philharmonic Society’s 2013 bicentennial, this program reflects the New York Philharmonic’s historic link to the Ninth Symphony: the Royal Philharmonic Society (RPS) commissioned the work in 1817, and the New York Philharmonic gave its U.S.
    [Show full text]
  • Darius MILHAUD
    MILHAUD L’Orestie d’Eschyle (The Oresteia of Aeschylus) Soloists • University of Michigan Symphony Orchestra Percussion Ensemble • University Choirs • UMS Choral Union Kenneth Kiesler Darius UMS Choral Union MILHAUD Jerry Blackstone, Conductor (1892-1974) University of Michigan Chamber Choir L’Orestie d’Eschyle Jerry Blackstone, Conductor (The Oresteia of Aeschylus) University of Michigan University Choir Eugene Rogers, Conductor Libretto by Paul Claudel Based on the first English translation of the original Greek by A.W. Verrall University of Michigan Orpheus Singers Graduate Student Conductors Clytemnestra, Ghost of Clytemnestra . Lori Phillips, Soprano Wife of Agamemnon; University of Michigan Percussion Ensemble Mother of Orestes, Iphigenia, (sacrificed by her father before the Trojan War) and Electra; Joseph Gramley and Jonathan Ovalle, Directors Informally “married” to Aegisthus while Agamemnon is fighting the Trojan War Orestes . Dan Kempson, Baritone University of Michigan Symphony Orchestra Son of Agamemnon and Clytemnestra, who has been exiled by his mother; Kenneth Kiesler, Music Director and Conductor Younger brother of Electra Apollo . Sidney Outlaw, Baritone Concert produced by The University of Michigan School of Music, Theatre & Dance, Christopher Kendall, Dean, Oracular god of Delphi; God of light, truth and prophecy, healing, plague, music, and poetry and UMS, Kenneth Fischer, President, on 4th April, 2013 at Hill Auditorium, Ann Arbor, Michigan, USA. Leader of the Slave Women . Sophie Delphis, Speaker Executive Producers:
    [Show full text]
  • Godetevi Stiffelio. Perché Di Verdi Non C'è Solo La Traviata
    Godetevi Stiffelio. Perché di Verdi non c’è solo La Traviata Giuseppe Verdi ritratto nel 1886 da Giovanni Boldini “Sai, naturalmente, che i Tasmaniani che non commettevano mai adulterio si sono estinti“ William Somerset Maugham (The Breadwinner). Lo stiffelius era, fino al XX secolo, una giacca scura, lunga fino al ginocchio, aperta posteriormente, a petto unico, con revers slanciati, indossata da benestanti e persone di ceto superiore (una volta era l’abito dei senatori). Era chiamata anche redingote (da “riding coat”) o finanziera. Un’opera che ha come titolo il nome di un abito? Ma è stato il personaggio dell’opera a dare il nome alla giacca lunga, non viceversa…. Stiffelio (italianizzazione di Stiffelius) è il nome di un protagonista di una novella francese, poi adattata a commedia di Émile Souvestre e Eugène Bourgeois, che era stata tradotta in italiano da Gaetano Vestri, Le Pasteur, ou l’Evangile et le Foyer, rappresentata nel febbraio 1849. Cerchereste invano nel Lanson (“Histoire illustrée de la littérature française”) i loro nomi. Souvestre viene altrove ricordato come un bretone, scrittore morale, pieno di buoni propositi, un po’ noioso, e Bourgeois, suo parente e collaboratore, un notaio, che decedette precocemente a soli 29 anni. Nella storia vi sono due personaggi con questo nome: un monaco, seguace di Lutero, che finì la sua vita come professore di matematica a Jena e un guaritore, discepolo di un pittore di nome Müller, agli inizi del 1800 (almeno così riporta la bibbia su Verdi del Budden). Il dramma dell’uomo tradito negli affetti familiari era di moda nell’Ottocento.
    [Show full text]
  • TEATRO PETRUZZELLI Stagione 2013 Opera
    TEATRO PETRUZZELLI Stagione 2013 Opera Otello Dramma lirico in quattro atti di Giuseppe Verdi (1813-1901) su libretto di Arrigo Boito, da William Shakespeare Prima rappresentazione: Milano, Teatro alla Scala, 5 febbraio 1887 Produzione Fondazione Lirico Sinfonica Petruzzelli e Teatri di Bari Nuovo Allestimento Inaugurazione della Stagione 2013 Sabato 19 gennaio ore 20.30 (Evento Speciale Fuori Abbonamento) Recite: sabato 19 gennaio ore 20.30, martedì 22 gennaio ore 20.30 (turno A), giovedì 24 gennaio ore 20.30 (turno B), domenica 27 gennaio ore 18.00 (turno C), martedì 29 gennaio ore 20.30 (fuori abbonamento) Direttore: Keri-Lynn Wilson Regista: Eimuntas Nekrosius Otello: Clifton Forbis Desdemona: Julianna Di Giacomo Jago: Claudio Sgura Emilia: Sara Fulgoni Cassio: Francisco Corujo Roderigo: Massimiliano Chiarolla Lodovico: Luca Tittoto Montano: Roberto Abbondanza La muette de Portici (La muta di Portici) Grand-Opéra in cinque atti di Daniel-François-Esprit Auber (1782-1871) su libretto di Eugène Scribe e Germaine Delavigne Prima rappresentazione: Parigi, Opéra, 29 febbraio 1828 Produzione Opéra Comique, Parigi – Coproduzione Théâtre Royal de la Monnaie, Bruxelles Recite: venerdì 8 marzo ore 20.30 (turno A), lunedì 11 marzo ore 20.30 (turno B), mercoledì 13 marzo ore 20.30 (fuori abbonamento), venerdì 15 marzo ore 18.00 (turno C). Direttore: Paul McCreesh Regista: Emma Dante Fenella: Elena Borgogni (mimo) Alphonse: Maxim Mironov Elvire: Maria Alejandres Masaniello: Michael Spyres Borella: Domenico Colaianni Selva: Mikhail Korobeinikov
    [Show full text]
  • Programma Di Sala
    MAGGIO TOUR Visite guidate al Teatro del Maggio Musicale Fiorentino foto: © borzoni-donati-paolini | terraproject | contrasto | terraproject © borzoni-donati-paolini foto: Per conoscere i luoghi dove nascono gli spettacoli: il palcoscenico, la sartoria, i camerini degli artisti, le sale prova dell’Orchestra e del Coro, gli ampi foyer, la sala grande e la cavea all’aperto. Info e prenotazioni Servizio Promozione Culturale + 39 055 2779269 [email protected] Maggio Musicale Fiorentino fondazione foto: © simone donati | terraproject | contrasto | terraproject © simone donati foto: I SOCI DEL MAGGIO DIVENTA HANNO MOLTO DI PIÙ — SOSTENITORE Visibilità del nome in teatro e sui programmi di sala | Prelazione e DEL MAGGIO! sconti sui biglietti | Assistenza e accesso dedicato ai canali di ven- dita | Incontri con gli artisti e con i dirigenti del teatro | Prove aper- te, visite guidate | Inviti speciali | Parcheggio all’interno del teatro ENTRA A FAR PARTE DEL MAGGIO — Chiama il numero 055 2779 254 o scrivi a [email protected] Dettagli su www.maggiofiorentino.com Maggio Musicale Fiorentino fondazione TEATRO DEL MAGGIO MUSICALE FIORENTINO STAGIONE 2020/2021 GAETANO DONIZETTI LINDA DI CHAMOUNIX Maggio Musicale Fiorentino fondazione FONDAZIONE TEATRO DEL MAGGIO Soci Fondatori Pubblici Consiglio di indirizzo Ministero dei Beni e delle Attività Presidente Culturali e del Turismo Dario Nardella Ministro Dario Franceschini Vice Presidente Valdo Spini Regione Toscana Presidente Consiglieri Eugenio Giani Bernabò Bocca Mauro Campus Comune di Firenze Antonella Mansi Sindaco Dario Nardella Assessore alla Cultura Collegio dei revisori Tommaso Sacchi Presidente Roberto Benedetti Daniela Collesi Giuseppe Signoriello Sovrintendente Coordinatore artistico Alexander Pereira Pierangelo Conte Direttore onorario a vita Responsabile compagnie di canto Zubin Mehta Toni Gradsack SOCI FONDATORI ALBI DEGLI ASSOCIATI Mecenati Aziende Matteo Pierattini Anna Di Bernardo Soci di diritto Findomestic Banca S.p.A.
    [Show full text]
  • Page 1 O P E R E E B a L L E T T I C O N C E R T I Page 2 SOCI
    OPERE E BALLETTI CONCERTI SOCI FONDATORI ATTILA IL CARAVAGGIO RUBATO GÖTTERDÄMMERUNG LA FILLE DU RÉGIMENT LO SCHIACCIANOCI CARMEN LUCIA DI LAMMERMOOR OPERE E BALLETTI ORCHESTRA, CORO, CORO DI VOCI BIANCHE, CORPO DI BALLO E TECNICI DEL TEATRO MASSIMO JENŮFA LA CENERENTOLA MADAMA BUTTERFLY LE STREGHE DI VENEZIA SOIRÉE ROLAND PETIT CINDERELLA OPERE E BALLETTI 28 gennaio / 4 febbraio 2016 19 / 26 febbraio 2016 GÖTTERDÄMMERUNG ATTILA Terza giornata, in un prologo e tre atti, Dramma lirico in un prologo e tre atti della saga scenica Der Ring des Nibelungen Libretto di Temistocle Solera Libretto e musica di Richard Wagner Musica di Giuseppe Verdi Direttore Stefan Anton Reck Direttore Daniel Oren Regia Graham Vick Regia Daniele Abbado Scene e costumi Richard Hudson Scene e luci Gianni Carluccio Azioni mimiche Ron Howell Light designer Giuseppe Di Iorio PERSONAGGI E INTERPRETI Odabella Julianna Di Giacomo PERSONAGGI E INTERPRETI Daria Masiero Siegfried Christian Voigt Foresto Fabio Sartori Gunther Eric Greene Gustavo Porta Alberich Sergei Leiferkus Attila Erwin Schrott Hagen Mats Almgren Marco Spotti Brünnhilde Irene Theorin Ezio Simone Piazzola Gutrune Ausrine Stundyte Rodrigo Esteves Waltraute Viktoria Vizin Erste Norn Annette Jahns Orchestra e Coro del Teatro Massimo Zweite Norn / Wellgunde Christine Knorren Maestro del Coro Piero Monti Dritte Norn / Woglinde Stephanie Corley NUOVO ALLESTIMENTO DEL TEATRO MASSIMO Orchestra e Coro del Teatro Massimo IN COPRODUZIONE CON IL TEATRO COMUNALE Maestro del Coro Piero Monti DI BOLOGNA E IL TEATRO LA
    [Show full text]