Be Ready. * Battery Life Subject to Conditions PMD661 | Professional High-Resolution Audio Recorder PMD620 | Professional Handheld Recorder
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Recommended Formats Statement 2019-2020
Library of Congress Recommended Formats Statement 2019-2020 For online version, see https://www.loc.gov/preservation/resources/rfs/index.html Introduction to the 2019-2020 revision ....................................................................... 2 I. Textual Works and Musical Compositions ............................................................ 4 i. Textual Works – Print .................................................................................................... 4 ii. Textual Works – Digital ................................................................................................ 6 iii. Textual Works – Electronic serials .............................................................................. 8 iv. Digital Musical Compositions (score-based representations) .................................. 11 II. Still Image Works ............................................................................................... 13 i. Photographs – Print .................................................................................................... 13 ii. Photographs – Digital ................................................................................................. 14 iii. Other Graphic Images – Print .................................................................................... 15 iv. Other Graphic Images – Digital ................................................................................. 16 v. Microforms ................................................................................................................ -
Marantz Guide to Pc Audio
White paper MARANTZ GUIDE TO PCAUDIO Contents: Introduction • Introduction As you know, in recent years the way to listen to music has changed. There has been a progression from the use of physical • Digital Connections media to a more digital approach, allowing access to unlimited digital entertainment content via the internet or from the library • Audio Formats and TAGs stored on a computer. It can be iTunes, Windows Media Player or streaming music or watching YouTube and many more. The com- • System requirements puter is a centre piece to all this entertainment. • System Setup for PC and MAC The computer is just a simple player and in a standard setup the performance is just average or even less. • Tips and Tricks But there is also a way to lift the experience to a complete new level of enjoyment, making the computer a good player, by giving the • High Resolution audio download responsibility for the audio to an external component, for example a “USB-DAC”. A DAC is a Digital to Analogue Converter and the USB • Audio transmission modes terminal is connected to the USB output of the computer. Doing so we won’t be only able to enjoy the above mentioned standard audio, but gain access to high resolution audio too, exceeding the CD quality of 16-bit / 44.1kHz. It is possible to enjoy studio master quality as 24-bit/192kHz recordings or even the SACD format DSD with a bitstream at 2.8MHz and even 5.6MHz. However to reach the above, some equipment is needed which needs to be set up and adjusted. -
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244 CASSETTE RECORDERS DIGITAL AUDIO RECORDERS ION AUDIO TAPE2PC USB DUAL-WELL CASSETTE DECK This is a dubbing and playback deck with digital-audio output via plug-and-play USB audio interface which requires no drivers for use with most computers. It comes with EZ Tape Converter software for PC, and EZ Audio converter software for Mac, which allow you to import your music into iTunes. When you're finished archiving your cassettes to your computer, you can connect the unit to your stereo system using standard RCA cables. System require- ments are: a USB port, CD drive, WinXP/Vista, or Mac OS 10.4 or later. ITEM DESCRIPTION PRICE TAPE2PC ...................USB dual-well-cassette deck ...................................................... 119.99 360 SYSTEMS INSTANT REPLAY2 DIGITAL RECORDER This self-contained digital audio hard- disc recorder gives you instant access to 1000 cuts. Now with 100MB Ethernet for file transfer and backup. Hours of stereo, 16/24bit, 44.1/48kHz audio can be recorded, titled and organized into 10 banks and then assigned to any of 50 MAXELL AUDIO CASSETTES Features epitaxial magnetic particles combined hotkeys. Import or export WAV files as well. The automatic head trim feature with Maxell's unique Multi-Orientation Technology, to produce high output with removes dead space before a cut for zero-delay playback and any cut can be low noise. High endurance binder, high resonance damping cassette mechanism looped. Other features include XLR and RCA analog inputs, AES/EBU and digital and fixed low distortion screening shield. Communicator series features normal I/O (XLR & RCA), GPI control, headphone jack and SCSI I/O for connection to bias, packed in jewel case. -
Owner's Reference
Owner’s Reference ® Owner’s Reference NuWave Phono Converter Instructions for use NuWave® Phono Converter™ 4826 Sterling Drive, Boulder, CO 80301 PH: 720.406.8946 [email protected] www.psaudio.com Introduction i ©2013 PS Audio International Inc. All rights reserved. Introduction ® Owner’s Reference NuWave Phono Converter Important Safety Read these instructions Instructions Heed all warnings Follow all instructions WARNING. TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE. Clean only with a dry cloth. Do not place flammable material on top of or beneath the component. All PS Audio components require adequate ventilation at all times during operation. Rack mounting is acceptable where appropriate. Do not remove or bypass the ground pin on the end of the AC cord unless absolutely necessary to reduce hum from ground loops of connected equipment. This may cause RFI (radio frequency interference) to be induced into your playback setup. All PS products ship with a grounding type plug. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Unplug this apparatus during lightning storms or when unused for long periods of time. When making connections to this or any other component, make sure all components are off. Turn off all systems’ power before connecting the PS Audio component to any other component. Make sure all cable terminations are of the highest quality. -
24-Bit Digital Portastudio 788 788 24-Bit Digital Portastudio Portastudio Digital 24-Bit Curr J78 038 Tascam 788 12/9/00 12:44 Pm Page 3
Curr J78_038 Tascam 788 12/9/00 12:43 pm Page 2 DIGITAL 24-bit Digital Portastudio 788 788 24-bit Digital Portastudio Curr J78_038 Tascam 788 12/9/00 12:44 pm Page 3 DIGITAL Download your imagination direct to hard disk with the ultimate digital Portastudio The backlit LCD display provides comprehensive information Portastudios are all about getting an idea out of your uses 24-bit digital converters. This means lower distortion, offers a true parametric midrange EQ. This critical head and on to something permanent - without getting much higher headroom and dynamic range, adding up to frequency range, where most of the tones for your vocals, tangled in technology. The remarkable Tascam 788 allows audio quality beyond that of standard Compact Discs. guitars and keyboards reside, can be minutely adjusted using you to download your imagination like never before: independent gain, frequency and bandwidth (Q) controls. Great Digital Multieffects and Parametric EQ straight on to hard disk with professional-quality You can expect a digital workstation to have great- 6 Versatile Inputs uncompressed 24-bit digital audio resolution! sounding reverb for vocals and instruments. But the 788 Routing Inputs on the 788 are six 0.25" jacks (4 balanced There are 250 virtual tracks for multiple takes that can be also offers killer distortions, lush choruses, delays, pitch for Mic/Line and 2 unbalanced for Line). One of these is designated for direct connection to guitars. Stereo combined into an 8-track multitrack master. Random shifters, flangers, phasers and more. Many of the presets outputs for mixing down, monitor outputs to send audio access operation and non-destructive digital editing tools are designed to let you emulate your favourite guitar to your speakers and aux outputs are all included on allow you to cut, copy and paste your song to your tones with very little tweaking required, although all of individual connectors. -
AW2400 Owner's Manual
Owner’s Manual EN FCC INFORMATION (U.S.A.) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS devices. Compliance with FCC regulations does not guar- UNIT! antee that interference will not occur in all installations. If This product, when installed as indicated in the instruc- this product is found to be the source of interference, tions contained in this manual, meets FCC requirements. which can be determined by turning the unit “OFF” and Modifications not expressly approved by Yamaha may “ON”, please try to eliminate the problem by using one of void your authority, granted by the FCC, to use the prod- the following measures: uct. Relocate either this product or the device that is being 2. IMPORTANT: When connecting this product to acces- affected by the interference. sories and/or another product use only high quality Utilize power outlets that are on different branch (circuit shielded cables. Cable/s supplied with this product MUST breaker or fuse) circuits or install AC line filter/s. be used. Follow all installation instructions. Failure to fol- In the case of radio or TV interference, relocate/reorient low instructions could void your FCC authorization to use the antenna. If the antenna lead-in is 300 ohm ribbon this product in the USA. lead, change the lead-in to co-axial type cable. 3. NOTE: This product has been tested and found to com- If these corrective measures do not produce satisfactory ply with the requirements listed in FCC Regulations, Part results, please contact the local retailer authorized to dis- 15 for Class “B” digital devices. -
The New Reference Dedicated to Detail
SA-10 SUPER AUDIO CD PLAYER the new reference dedicated to detail For many years, the Marantz Reference Series of MA-9, SC-7 and SA-7 has set the standards for playback and amplification: not only does it draw on all the expertise the company has developed over decades, it’s also the embodiment of the thinking underpinning every product the company makes, summed up in the simple phrase ‘because music matters’. Now Marantz is challenging its own Reference Series with the introduction of the Premium 10 Series – products designed to create a new reference through new design and engineering. Comprising the SA-10 SACD/CD Player and matching PM-10 integrated amplifier, this new series sees a complete re-invention of the design principles behind the company’s statement products. The player and amplifier are the result of an extensive research, development and – of course – listening process, leading to the incorporation of new thinking and new architectures alongside established Marantz technologies and strengths. All of this has targeted one very clear aim – the best possible reproduction of music, from CD quality all the way up to the latest ultra-high-resolution formats. because music matters 3 SUPER AUDIO CD PLAYER SA-10 SUPER AUDIO CD PLAYER Reference class Super Audio CD player with USB DAC, digital inputs and unique Marantz Musical Mastering technology The SA-10 is an exceptional player of both CD and SACD discs, but can also play high-resolution At a glance music stored on computer-burned discs, as well as being a high-end digital to analog converter for • All-new SACD-M3 transport mechanism computer-stored music. -
Frequently Asked Questions About the DVRA1000 • Updated May 26, 2005
Frequently Asked Questions about the DVRA1000 • Updated May 26, 2005 Q: What is DSD? A: Direct Stream Digital is a digital format devised by Sony for the Super Audio CD player. It plays audio at 2.822MHz, or 64 times the rate of a traditional 44.1KHz CD. It is a 1bit signal, unlike the 16bit signal of a CD. Many audiophiles agree that DSD has the best sound quality of any digital format, and better than any analog format as well. Q: Does the DVRA1000 record Super Audio CD or DVDAudio discs? A: No. It records audio files that are ideal for mastering to DVDAudio (DVDA) or Super Audio CD (SACD). However, discs recorded in the DVRA1000 cannot be played in a SACD or DVDA player. Q: Does it play SACD or DVDA discs? A: No, it will play DVRA1000 discs or CDs. Q: Can I record and play back CDs? A: Yes, the DVRA1000 records standard CDs. Q: Does it record DVD Video files that I can play in a DVD player? A: No, there is no video on the unit and DVRA1000 discs can't be played in a DVD player. Q: What can I do with the discs? A: The discs can be played in any computer with a DVDROM drive capable of playing DVD+RW discs. It creates UDF discs, a standard format read by virtually all computer platforms, including Mac, Windows and Linux. The files recorded are Broadcast Wave (.WAV) or DSDIFF (.DFF) files. -
MX-2424 Technical Documentation
MX-2424 Technical Documentation PRODUCT OVERVIEW The MX-2424 is an incredibly revolutionary product bringing together 24 tracks of 24 bit audio, a 12 track 96kHz recording mode, full synchronization capabilities, complete editing, a graphical user interface, and advanced SCSI recording and back-up capabilities. Add to that the OpenTL playlist which offers direct read and write compatibility with other DAWs and digital sequencers, a host of affordable archive options, plus the rock solid reliability of TASCAM products and you've got a beastie of a multitrack. Best of all, this recorder is priced within reach of the average musician. • 24 Track, 24 Bit Hard Disk Recorder • 100MBit Ethernet Port For Interconnection with • 12 Track Mode Allows 24 Bit / 96kHz High Resolution Computers for ViewNet GUI and Firmware Updates • Unlimited Virtual Tracks • Standard AES/EBU and SPDIF Ports With • 100 Point Auto-Locator Built-In Sample Rate Conversion • TL-Bus Provides Sample Accurate Lock of 32 MX-2424 • SMPTE Time Code Generating and Chasing With Machines For Up To 768 Sample Accurate Tracks In/Out/Thru Ports • Uses Macintosh™ and Windows™ Formatted Drives • MIDI In/Out/Thru for MMC, MTC, MIDI Clock • Uses Sound Designer II and .WAV Format Audio Files • Word Sync In/Out/Thru • Built-In 9 Gigabyte Drive for Approximately 45 Minutes • Video Sync In/Thru of Solid Record Time • Optional Analog I/O Offers 24 Channels of • Front Panel Drive Bay Accepts Additional SCSI Drives, High Quality 24 Bit / 96kHz A/D and D/A Removable Drive Carriers, or DVD-RAM -
Cassette Recorders
CASSETTE RECORDERS PMD351 202MK3 Dual CD Player/Cassette Deck Record Cassette Deck DRM555P Features Marantz quality and performance in a Now in its third generation, offers musicians a cost Cassette Deck space saving design. The PMD351 features effective mix-down deck and two-speed dubbing It features full logic control transport, Dolby Hx independent components with separate pitch con- deck for the budget conscious studio with the abil- Pro headroom extension system, auto reverse, trol, stereo microphone inputs, independent fader ity to make two identical copies from an external auto tape selector, manual bias adjustment, starts, CD digital out, headphone jack, a dub button master. For recording extended programs, the dual timer switch for record or playback , digital tape for quick copying, Serial cascade capability, RC-5 synchronous record mode allows sequential re- counter, display dimmer, FL peak hold, level remote control compatibility and much more. LIST cording on both sides of the tape on both trans- meter, MPX filter switch, headphone output PMD351 ........CD/cassette deck ........................599.99 ports. Dual continuous auto-reversing playback is w/volume control, unbalanced inputs and out- RC5PMDSW ..Optional remote ..........................130.00 ideal for background music installations. LIST puts, memory rewind, Dolby B, C NR, 3U rack XLR350PMD....XLR balanced I/O kit ..................200.00 202MK3 ........Dual record cassette deck ..........525.00 mount kit included. LIST CALL FOR PRICE CALL FOR PRICE DRM555P........Cassette deck..............................259.99 CALL FOR PRICE W-518R W-790R DRW-585P PMD502 Single Well Cassette Deck Dual Cassette Deck Professional grade single well deck that's priced This dual well auto reverse cassette deck fea- right. -
Tascam X-48 Hard Disc Recorder
IF-AD24 IF-AE24X ADAT optical interface card AES/EBU interface card TASCAM’s X-48mkII is the world’s first standalone 48-track Hybrid Hard Disk Workstation. Co-developed with SaneWave, it integrates the best of both worlds: the stability and ease-of-use of a purpose-built hard disk recorder, with the GUI, editing and mixing features of a computer-based digital audio workstation. The X-48mkII boasts up to 96kHz/24-bit recording across all 48 tracks. Its file compatibility and synchronization surpass even the TEC Award-winning MX-2424, with native Broadcast WAV audio file support and AAF export for compatibility with workstations like Pro Tools®, Nuendo and Logic. Sup- • 48-track digital recording at up to 96kHz/24-bit port for external hard drives and Gigabit Ethernet allows simple transfer • 32-bit floating point audio file recording and playback between systems, making it the ultimate multitrack solution for high-quality with no loss of track count music, post and live recording applications. Record an event to the inter- • Advanced integrated synchronization and machine nal 1TB drive, or capture to an external USB or eSATA drive, unplug and control, including HDTV tri-level sync • Time-stamped Broadcast WAV file format deliver to a client for mixdown in the DAW of their choice. • Front-panel transport, track arming, project management and metering functions The X-48mkII goes beyond mere standalone recorders with a built-in, auto- • Built-in 1TB hard drive and DVD for backup, transfer and mated 48-channel digital mixer and powerful editing functions. Plug in a restore • ±6% varispeed VGA monitor, mouse and keyboard for editing, track naming and monitor • 48-channel mixing with 6 stereo returns (60 total inputs mixing – nothing to install or troubleshoot. -
Delivery of Recorded Music Projects
TECHNICAL DOCUMENT AES TECHNICAL COUNCIL Document AESTD1002.1.03-10 Recommendation for delivery of recorded music projects Nashville members of the P&E Wing of The Recording Academy® formed a Delivery Specifications Committee, and in collaboration with the Audio Engineering Society’s Technical Committee on Studio Practices and Production have created The Delivery Recommendations for Master Recordings document. AUDIO ENGINEERING SOCIETY, INC. INTERNATIONAL HEADQUARTERS 60 East 42nd Street, Room 2520 . New York, NY 10165-2520, USA Tel: +1 212 661 8528 . Fax: +1 212 682 0477 E-mail: [email protected] . Internet: http://www.aes.org AUDIO ENGINEERING SOCIETY, INC. INTERNATIONAL HEADQUARTERS 60 East 42nd Street, Room 2520, New York, NY 10165-2520, USA Tel: +1 212 661 8528 . Fax: +1 212 682 0477 E-mail: [email protected] . Internet: http://www.aes.org The Audio Engineering Society’s Technical Council and its Technical Committees respond to the interests of the membership by providing technical information at an appropriate level via conferences, conventions, workshops, and publications. They work on developing tutorial information of practical use to the members and concentrate on tracking and reporting the very latest advances in technology and applications. This activity is under the direction of the AES Technical Council and its Committees. The Technical Council and its first Technical Committees were founded by the Audio Engineering Society in 1979, and standing rules covering their activities were established in 1986, with the intention of defining and consolidating the technical leadership of the Society for the benefit of the membership. The Technical Council consists of the officers of the Technical Council, the chairs of the Technical Committees, the editor of the Journal, and as ex-officio members without vote, the other officers of the Society.