142 Broadcast Studio 800-416-5090

NEUMANN #NEBCM104 BCM104 $99999 With precision engineering and design, the Neumann BCM104 is a natural sounding large diaphragm, cardioid condenser , specifi cally tailored for the demands of today’s digital broadcast studios.

• Cardioid microphone for broadcast & studio • Easily switchable color coded head grilles • Internal switchable low-frequency roll-off • Unique shock mount assembly • 14dB pad • 152dB SPL • Switchable proximity compensation • 20Hz–20kHz frequency response

BCM104 voice-over kit #NEBCM104K ...... CALL

RODE #ROB BROADCASTER CALL An affordable choice for today’s modern digital broadcast facilities, the RODE BROAD- CASTER is a large diaphragm cardioid condenser microphone that features a true full-range response especially suited for voice over use. • Low noise handling • Power indicator • 135dB SPL • 20Hz–20kHz frequency • Unique “On-Air” LED indicator response • Custom case with • Internally shock mounted capsule with pop fi lter microphone holder (included) Broadcaster voice-over kit #ROBK ...... CALL

SHURE #SHSM7B SM7B $34995 The Shure SM7B is a large diaphragm dynamic microphone designed for studio broadcast applications. It has a smooth, fl at, wide-range frequency response, and provides excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and electrical devices. • Selectable tone controls • Improved bracket design • 40Hz–16kHz frequency response • Internal suspension shock mount • High sound pressure level • Graphic display of bass and handling capabilities SM7B voice-over kit mid-range adjustments • Rugged steel construction #SHSM7BK ...... $499.95

ELECTRO-VOICE #ELRE20 RE20 $39900 A broadcast industry standard, the Electro-Voice RE20 is a cardioid dynamic microphone that delivers reliable, low noise performance with exceptional clarity and defi nition. Its internal pop fi lter reduces proximity effect, and the internal shock mounting reduces handling noise. • Response tailored for vocal applications • Rugged steel construction with low handling • Bass tilt down Switch • Capable of extremely noise • 45Hz–18kHz frequency response 309A suspension high sound pressure levels • Includes 81715 stand clamp shock-mount available #EL309A ...... $99.00 RE20 voice-over kit #ELRE20K ...... $649.95

NEUMANN #NEBCM705 BCM705 $69900 The BCM705 is Neumann’s fi rst ever dynamic microphone, and its second in the Neumann broadcast line. Housed in the same body as the BCM104, it utilizes a Nuemamn re-designed version of the Sennheiser MD 431 capsule; overhauled to meet the specifi c demands of broadcast applications.

• Supercardioid pickup pattern • Capsule’s mechanical suspension • Does not require a power supply • Removable integrated wire mesh pop screen reduces sensitivity to stand • Frequency response: 20Hz–20kHz • Individual headgrilles available for each user movement or handling shocks • Integrated elastic suspension

BCM705 voice-over kit #NEBCM705K ...... CALL www.bhproaudio.com Stereo Microphones 143

AUDIO-TECHNICA #AUAT825 AT825 $34995 The Audio-Technica AT825 is an easy to use, single-point-reference stereo condenser microphone. Its fl at frequency response and “true” stereo imaging make it the right choice for recording music, on-location audio, or ambient soundscapes onto professional DV cameras, compact fl ash and DAT recorders.

• Closely-matched elements provide outstanding imaging • Switchable low-frequency roll-off AT822 unbalanced version with and excellent channel separation • 5-pin XLR output • 126dB SPL 1/8” stereo or 1/4” dual mono temination • Compact, lightweight design is ideal for camera mounting • 30Hz–20kHz frequency response #AUAT822 ...... $249.00

RODE #RONT4 NT4 $44900 The RODE NT4 is a fi xed, 90-degree X/Y confi gu- ration stereo microphone designed for profession- al applications. Its perfectly matched cardioid • Two externally biased 1/2” matched capsules with • Custom mini stereo jack and XLR condenser elements produce both detailed and gold sputtered diaphragms • Transformerless circuit- cables included • Custom case, accurate stereo recordings. The NT4 can be pow- ry for low noise • Phantom or 9V battery powered shock mount, windshield and ered via phantom or 9V battery, making it well • 143dB SPL • 20Hz–20kHz frequency response stand mount supplied suited for both studio and location recording.

SHURE #SHVP88 VP88 $68995 The Shure VP-88 is a professional singlepoint refer- ence, stereo condenser microphone. Ideal for location, broadcast and live performance recordings, the VP-88 features a unique selectable stereo imaging matrix • Mid-Side design for optimal imaging • Internal shock mount for reduced handling noise output and fi lter adjustments that provide recording • Built-in stereo matrix for direct • Operates on both phantom or internal 6V and broadcast engineers with the fl exibility necessary stereo spread control battery power • 129dB SPL to faithfully capture the realism of live events. • Selectable roll-off and output • 40Hz–20kHz frequency response

CROWN #CRSASSPMKII SASSP MKII $105995 The SASSP MKII is an ambient stereo microphone that utilizes dual PZM microphone elements. Its unique design mimics the shape of the human head to capture an airy and warm complete stereo image. Broadcasters rely on it for recording crowds, journalists and fi lmmakers use it for realistic ambi- ence, and it’s also used experimentally in recording studios for music and soundtrack production. • Stereo electret condenser Pressure Zone Microphone (PZM) • Low cut switch • 150dB SPL • Carrying • 12V – 48V phantom powered or two 9V batteries case, handgrip, and windscreen included • Omni at low frequencies, unidirectional at mid/high frequencies • 20Hz–18kHz frequency response

RODE #RONT5 NT5 $39900 (matched pair) The NT5 (matched pair) are a set of small- diaphragm cardioid condenser microphones designed for single or stereo X/Y miking. Great for live performances, acoustic instrument, and drum overhead recording, the compact, low • (2) externally polarized 1/2” pressure gradient • 143dB SPL • 20Hz–20kHz frequency noise NT5 (matched pair) offer a great solution condensers • Gold sputtered capsule response • Dual wind screens, stand for stereo recording at a very affordable price • Heavy duty satin-nickel-plated body mounts, and durable road case (included) 144 Shotgun Microphones 800-416-5090

NEUMANN # NEKMR81I KMR81i $134999 The KMR81i is a premium shotgun microphone designed especially for ENG, fi lm and stage work. Off-axis sounds are left uncolored and • Renown Neumann engineering • Excellent directional characteristics are picked up at low levels, while the outstanding • Low power consumption, lightweight and with superior side and rear rejection directivity allows focus on individual sources produc- wind resistant • 10dB pad and high-pass fi lter • 48V phantom powered ing clean, high output sound with remarkably low self-noise. Attenuation and fi lter switches further KMR82i supercardioid long-tube shotgun with enhanced high frequencies enable level and noise control. #NEKMR82I ...... $1519.99

SCHOEPS # SCCMIT5U CMIT 5U $179500 The CMIT 5U is a shotgun microphone that delivers exacting • Supercardioid polar pattern • Lightweight, blue anodized all standards, reliability, and neutral, accurate sound Schoeps micro- • Superior RF immunity metal housing phones are known for. It is equipped with three pushbutton-ac- • Low colorization of off-axis • Includes: SG 20 swivel joint, tivated fi lters: High-frequency emphasis (+5 dB at 10 kHz), Steep sound W 140 windscreen and wooden low-cut fi lter (18 dB/oct. below 80 Hz) and Gentle low-frequency • (3) pushbutton-activated carrying case rolloff (6 dB/oct. below 300 Hz). This top quality shotgun micro- fi lters with LEDs • Frequency response: 40Hz-20kHz phone is suitable both music recording and dialog recording.

SANKEN # SACS3E CS-3e $135000 The CS-3e is a short shotgun microphone with a unique • Excellent for noisy am- • Excellent side and rear design; incorporating three directional capsules arranged bient environments rejection with low in a front-back array. It maintains directivity over a wide • Supercardioid polar proximity effect frequency range (especially in the low frequencies) and pattern • Frequency response: minimizes proximity effect. The CS-3es standard 19mm • Switchable low-cut fi lter 50Hz -20kHz diameter permits the use of a wide range of mounts, • Directional sound even • Brass housing with wind protection and accessories. in the lower frequencies black soft-touch coating

SANKEN # SACS1 ELECTRO VOICE # ELENG618 CS1 $79500 ENG-618 $118000 The CS1 is a compact, shotgun microphone that The ENG-618 is an integrated boom pole/ combines a cardioid pattern and excellent off-axis shotgun microphone with preamp ideal for rejection to produce crisp, focused sound that is ideal location sound and run-and-gun ENG ap- for professional fi lm, video and broadcast produc- plications. This hypercardioid shotgun can be tions. The lightweight CS1 conveniently mounts onto powered by either phantom or battery, and cameras and can handle high sound pressure levels the frequency response can be varied by the suitable for reproducing distortion-free audio at even 200Hz roll-off switch. The ENG 618 is easily close proximities. collapsed to 18” overall length for quick and effi cient transport. • Designed for professional videographers, TV/fi lm and broadcast applications • Integrated boom pole/shotgun microphone • Very high SPL handling capability • Narrow angle, directional pickup rejects off-axis • Low frequency roll-off switch ambience • Balanced, lightweight carbon fi ber pole • 48V phantom powered • Integrated suspension shockmount • Powers via: phantom power or 9V battery K-SSM K-Tek shock mount for Sanken CS1 • Built-in headphone amp #KTKSSM ...... $119.95 • Collapses to 18” & expands to 6ft. www.bhproaudio.com Shotgun Microphones 145

SENNHEISER MKH416 The MKH416 is a highly sensitive short shotgun microphone designed to deliver extremely linear low-noise audio with minimal • High end, low-noise design • Highly-sensitive element ef- # SEMKH416P48 off-axis sound coloration, a favorite for high-end fi lm for demanding fi lm, ENG and fectively rejects feedback and $109995 production, TV/video and broadcast applications. video production off-axis sound Its rugged RF-design is virtually immune to weather • Excellent directivity and com- • 48V phantom powered conditions and mounts easily to fi sh poles, booms, pact design • Rugged build, suitable for and digital cameras. • Transformerless, natural sound adverse climates

SENNHEISER # SEMKH60 MKH60 $149995 The MKH60 is a short shotgun microphone designed with a high degree of directivity ensuring superior audio quality for distance applications. Ideal for a va- • High directivity throughout whole • Rugged and weather-proof riety of professional fi lm and broadcast applications, frequency range • Switchable pre-attenuation the low noise, low distortion MKH60 features a light, • Excellent side and rear noise rejection • Switchable roll-off fi lter weather-proof design that maintains a natural, sensi- • Natural sounding transformerless design • Switchable treble emphasis tive response throughout the whole frequency range.

SENNHEISER MKH-70 The MKH-70 is a long shotgun condenser microphone that provides frequency-indepen- • Ideal for fi lm and ENG applications # SEMKH70 dent directivity; preventing sound coloration from off-axis • Exceptionally low inherent self-noise $165995 sound sources. This microphone provides excellent direc- • Switchable roll-off fi lter, treble emphasis tivity making it ideal for long distance miking applications and 10dB pad and high noise environments. Its RF condenser element • Powers via: 48V phantom power • Frequency response: 50Hz-20kHz offers high sensitivity with very low inherent self-noise. • Lightweight, rugged and wheather-proof • Black, anodized metal casing

SHURE #SHSM89 SENNHEISER # SEME66K6J SM89 $57995 ME66 K6 $47900 The SM89 is a professional shotgun microphone designed The ME66 is a short shotgun microphone especially for location fi lm/TV production, theater sound capsule designed especially for reporting, fi lm, and reinforcement, and spot pickup. The rugged and reliable broadcast applications. It is capable of picking up quiet SM89 is made from Aircraft-grade materials and operates signals in noisy or acoustically live environments. It has over wide range of temperature and humidity. Its lightweight a highly directional supercardioid pickup pattern, low design enables it to be suspended on a fi shpole for long periods self-noise, and high sensitivity for greater gain-before- of time without operator fatigue. Designed to produce a feedback. smooth, wide on-axis response, the SM89 is optimized for cutting through noisy environments and has a slight presence • Excellent off-axis noise rejection for increased boost for increased clarity and speech intelligibility. accuracy in high-noise environments • Ideal for , fi eld recording, interviews, • Highly directional polar pattern fi lm and broadcast production • 2 low-cut frequencies for reduced mechanical noise • Compact design for use on short digital cams • Greatly suppressed side pickup • Supplied with K6 power supply for phantom or • Very lightweight with low hum, noise, and RF pickup battery use • Wide range phantom power operation • Frequency response: 60Hz-20kHz ME67 supercardioid spot shotgun condenser microphone • Includes: foam windscreen and carrying case capsule #SEME67 ...... $259.95 146 Shotgun Microphones 800-416-5090

RODE #RONTG1 NTG-1 $22900 The Rode NTG-1 is a supercardioid condenser • Supercardioid condenser shotgun microphone shotgun microphone specifi cally designed for pro- • Ideal for camera or boompole mount fessional ENG, fi lm, video, and voice-over applica- • Switchable high-pass fi lter tions. It powers via phantom power, and provides • Frequency Response: 20Hz- 20kHz a controlled polar response coupled with low • Very low self noise noise SMT electronics. This extremely lightweight • Rugged metal construction microphone mounts directly to video cameras • Includes: stand mount, zip pouch & foam (with optional accessories) or boom poles. windshield

RODE #RONTG2 • Mounts directly to video NTG-2 $24900 cameras or boom poles • Powers via: “AA” battery or The NTG-2 is a lightweight condenser shotgun microphone phantom power designed for professional fi lm, video and production appli- • Switchable high-pass fi lter cations. It can power either from an internal “AA” battery • Frequency response: or 48V phantom power; making it ideal for mounting di- 20Hz -20kHz rectly to video cameras or boom poles. This low profi le mic • Rugged metal construction provides a wide bandwidth, a controlled polar response • Includes: zip pouch, RM5 stand and a high-pass fi lter to cut out low-end rumble. mount and foam windscreen

AUDIO TECHNICA #AUAT4071A AT-4071A $65995 The AT-4071A is a shotgun microphone designed for • Lightweight design for boom pole operation critical long-distance pickup in broadcasting, fi lm/TV • Extremely high output with low noise fl oor production, and theater sound reinforcement applications. • Switchable 150Hz hi-pass fi lter Its unique interference tube design provides the same • Frequency response: 30Hz-20kHz directivity as mics up to 50 percent longer than the AT- • Rugged aluminum alloy housing 4071A. The rugged 15.55” housing is made of lightweight • Includes: snap-in stand clamp, structural-grade aluminum alloy, and weighs only 5.5oz. foam windscreen & carrying case

AUDIO-TECHNICA # AUAT835B AUDIO-TECHNICA # AUAT897 AT835B $23995 AT897 $24995 The AT835B is designed for Designed to accurately professional recording, capture audio from a broadcasting and TV/fi lm distance, the AT897 is video production. It considered the provides the optimum ac- benchmark for ceptance angle for picking up lower priced clean audio at long distances, short shotgun micro- even in acoustically noisy environ- phones. Its compact length ments. Additionally, its short length is well mounts conveniently on a DV suited for ENG, outdoor recording and other without adding much heft or getting in the frame. specialized uses. It provides a smooth, natural on-axis sound with excellent rear and side rejection. • Designed especially for video and broadcast (boom or handheld use) • Designed for fi eld audio use in fi lm/TV/video production • Excellent rear and side sound rejection and broadcast • Switchable low-frequency rolloff • Short, compact design ensures mic stays out of the shot • Operates on battery or phantom power • Smooth, natural-sounding on-axis audio • Low-cut fi lter • 48V phantom or battery operation AT8415 low profi le shock mount #AUAT8415 ...... $49.95 www.bhproaudio.com Shotgun Microphones 147

SONY #SOECM674 ECM-674 $34500 The ECM-674 is a lightweight shotgun condenser microphone that combines high performance features with versatile powering options at an affordable price. It provides high sensitivity, low noise • Compact, lightweight design • Frequency response: 60Hz-18kHz characteristics and a fl at-and-wide frequency response. • Powers via: “AA” battery or • Built-in battery liquid leakage Designed for use both studio and fi eld applications, the external phantom power protection circuit compact ECM-674 is an ideal match for Sony’s HDV, DVCAM • 2-position low frequency • Includes: windscreen, mic holder, and XDCAM camcorder lines. roll-off switch mic spacer and cable

SONY #SOECM678 ECM-678 $65000 The ECM-678 is a compact short shotgun microphone designed for use in broadcast, professional video, fi lm, and fi eld audio • Compact super- • Camera and boom applications. This durable mic can be mounted on a boom pole cardioid short shotgun pole mountable or a video camera and is suitable for even the most demand- • Built-in 2 position low cut fi lter • Includes: a wind- ing shooting/recording conditions. It is equipped with a newly • Powers via: 48V phantom power screen, holder, spacer developed microphone capsule that delivers sensitivity of -28dB • Frequency response: 40Hz-20kHz and carrying case and extremely low inherent noise of less than 16 dB SPL.

SONY #SOECM673 ECM 673 $29500 The ECM-673 is a compact shotgun microphone • Low profi le shotgun, ideal for designed for use with compact in videographers broadcast, documentary and motion picture pro- • Built-in 2 position low cut fi lter duction. This lightweight microphone weighs only • Powers via 48V phantom power 4.9 ounces and is only 8 inches in length. It pro- • Weight: 4.9ozs, Length: 8” vides sensitivity of 36dB, 40 Hz to 20 kHz frequency • Frequency responses: • Includes: windscreen, mic responses and a built-in two position low cut fi lter. 40Hz- 20kHz holder, mic spacer& cable

AUDIO-TECHNICA # AUAT4073A AUDIO TECHNICA # AUAT815B AT4073A $54995 AT-815b $27995 Designed for critical The AT-815b is a long shotgun long-distance pickup, the designed for professional video AT4073A sets a new stan- production, broadcast and ENG/ dard for small, lightweight EFP applications. It powers via shotgun microphones. battery or It mounts easily to phantom power, minicams and fi sh and provides excellent poles and features a sound rejection from the propriety interference tube sides and rear of the microphone. whose narrow acceptance angle The AT-815b is equipped with a low frequen- provides the same directivity as mics up to cy roll-off switch to help reduce ambient noise, room 50 percent longer. reverberation and mechanically coupled vibrations.

• Ideal for broadcast, fi lm/TV, video and stage sound reinforcement • Designed for broadcast and fi lm/TV/video production • Patented acoustic design provides directivity of mics 50% longer • Excellent sound rejection from the sides and rear of mic • Superior off-axis sound rejection • Switchable low frequency roll-off • Frequency response: 30Hz-20k Hz • Switchable 150Hz hi-pass fi lter • Powers via: “AA” battery or phantom power • Wide 11-52V phantom power operation • Includes: stand clamp, AT8135 windscreen, battery, carrying case 148 Shotgun & Parabolic Microphones 800-416-5090

AZDEN #AZSGM2X SGM-2X $20995 The SGM-2X is a shotgun microphone system designed for both the pro-sound and broadcast markets. This dual-purpose mic has two interchange- able barrels: an 8 1/8” omnidirectional barrel, and an extension barrel to make it a 15 3/4” supercardioid. • Professional shotgun microphone system • Low current drain, 250+ hour battery life It operates for 250+ hours on a single “AAA” battery • Switchable low-cut fi lter • Camera-shoe or stand mounting and includes a unique, integrated shock-mount & two • Frequency response: 40Hz -20kHz • Includes: shock mount mic holder, foam windscreens. • Powers via: “AAA” battery (2) windscreens

AZDEN #AZSGM1X SGM-1X $14995 The Azden SGM-1X is a compact shotgun microphone • 110dB SPL designed for mounting on cameras. This • Powers via: “AAA” battery hyper-directional super-cardioid shotgun has a wide fre- • Ideal for videographers • Low current drain, 1000+ hour battery life quency response and will operate over 1000 hours on • Hyper-directional, super-cardioid • Camera-shoe or stand mounting a single “AAA” battery. It includes a windscreen and shotgun microphone • Includes: windscreen and integrated Azden’s proprietary shock-mount holder that isolates • Frequency Response: 18Hz -80kHz shockmount the SGM-1X from camera motor and handling noise.

AZDEN #AZSGM1000 SGM-1000 $26900 The SGM-1000 is a highly directional shotgun microphone • Ideal for video, that can be powered by external phantom power or a ENG and broadcast single “AA” battery. This versatile microphone provides a applications • Switchable low-cut fi lter wide frequency response, a switchable low-cut fi lter and • Super-cardioid • Frequency Response: 80Hz -20kHz a unique shockmount holder with integrated shoe-mount. electret condenser • Low current drain, 1000+ hour battery life When powered via alkaline battery, the SGM-1000 will • Powers via: “AA” battery or • Includes: shock mount mic holder, wind- operate for approximately 1000 hours. phantom power screen and carry-pouch

CRYSTAL PARTNERS #CRBE3KSC CRYSTAL PARTNERS #CRBE4KSC Big Ears Super Kit $409900 Lil Ears Super Kit $284995 Parabolic Microphone Kit Parabolic Microphone Kit The Big Ears Super Kit is the latest generation The Lil Ears Super Kit is the ENG version of the state of the art parabolic microphone of the state of the art parabolic refl ector. It incorporates two side microphone refl ector. This ready to mounting plates in the handle design use broadcast package complete to accommodate mounting of with handle and yolk, and is transmitters and receivers for wireless designed for hand held, mic stand communications. or camera mount.

Big Ears Super Kit includes: Includes BE4 dish, BE3 dish, HD1 Headset, HD1 Headset, MD1 Bridging MD1 Bridging Amp and Sennheiser Amp and Sennheiser MKE2 Microphone, MKE2 Microphone, CC1 carrying CC2 carrying case, RD1 electronic site, case, RD1 electronic site, DS1 neck DS1 neck strap and SG1 silent gloves. strap and SG1 silent gloves. • Pick-up Pattern: 30” diameter target at 100ft.(tunable) • Pick-up Pattern: 24” diameter target at 100ft. (tunable) • Useful Range: 5ft. to 500+ft. maximum (dependent on environment, • Useful Range: 3ft. to 350+ft. maximum (dependent on environment, atmospheric conditions and surrounding noise levels) atmospheric conditions and surrounding noise levels) • Size: 25.5” x 26.5” x 10” • Parabola size: 23” • Weight: 5 LBS • Size: 16” x 15” x 5” overall • Parabola size: 13” • Weight: 2 LBS www.bhproaudio.com Stereo Shotgun Microphones 149

AUDIO TECHNICA #AUAT835ST AT-835ST $59995 The AT-835ST is a professional stereo shotgun micro- • Independent line-cardioid & phone designed for long distance miking in broadcast- fi gure-of-eight condenser ing and fi lm/TV production applications. It features elements independent line-cardioid and fi gure-of-eight condenser • M-S, LR Stereo-Wide elements, switchable low-frequency roll-off and a selec- & LR Stereo-Narrow modes tion switch for non-matrixed M-S & internally matrixed • Switchable low frequency roll-off • Includes: 24” 5-pin XLR/F-(2) left/right stereo modes. This lightweight mics compact • Frequency response: XLR/M cable, stand clamp, design makes it an ideal choice for camera mounting. 30Hz-20kHz AT8135 windscreen, carrying case

SENNHEISER #SEMKH418S MKH-418 S $119995 The MKH 418 S is an M-S stereo shotgun microphone that com- bines a supercardioid mid capsule with a newly designed fi gure- • Ideal for fi lm, ENG and • Dual channel 5-pin XLR Output of-eight side capsule. A 5-pin XLR output sends the separate sig- broadcast applications • Frequency Response: nals of each internal microphone system to discrete channels on • Polar Pattern-M: 40Hz- 20kHz a console/fi eld mixer, recorder or matrixing system. This versatile Supercardioid, S: Figure 8 • Matte black metal casing mic utilizes Sennheiser’s exclusive RF condenser technology; offer- • Low inherent self noise • Includes carrying case ing low inherent self noise and an optimal signal-to-noise ratio.

NEUMAN #NERSM191AS • MS-stereo microphone, switchable to XY confi guration RSM 191 A-S $449999 • Polar Pattern: Mid-hypercardioid, Side- fi gure-8 • Switchable low frequency roll-off The RSM 191 is a remote-control shotgun system for MS and XY stereo recording. It consists of a short shotgun microphone with • Frequency response: 20Hz -20kHz two separate capsule systems (hypercardioid element & fi gure-8), • Powers via: phantom power or 9V battery and the MTX 191 a matrix amplifi er that controls the width of • Includes: aluminum carrying case, the stereo image. The RSM 191 is ideal for use as a stereo drum windscreen, interconnection overhead system, and is equally well suited for broadcasting/ENG, cable & dual 3-pin XLR fi lm and video applications. output cable

SANKEN #SACSS5 SANKEN #SACMS10 CSS-5 $199500 CMS-10 $219500 The CSS-5 is an easy-to-operate The CMS-10 is a camera-mount stereo shotgun stereo shotgun for use in stereo microphone designed for HDTV broadcasting appli- broadcasts and feature fi lms with cations. It provides extremely high resolution audio, stereo and surround sound. Its unique superior frontal directionality and an integrated design utilizes an array of fi ve directional camera mount suspension. The CMS-10s output is condenser elements, offering three switchable between a highly directional mono signal distinct operation modes to satisfy the to both L/R channels and a L/R stereo signal. various needs of location and studio recording. The CSS-5 standard 19mm • Camera mount stereo shotgun microphone diameter permits the use of a wide range • Ideal for fi lm, video and broadcast applications of mounts, wind protection and accessories. • Superior frontal directionality and off-axis rejection • Built-in Mono/Stereo switch • Ideal for fi lm, video and broadcast applications • Frequency Response: 20Hz -20kHz • 3 switchable modes: Normal, Mono, Wide • Lusterless black soft touch coating • Excellent side and rear rejection with low proximity effect • Includes: SH-10 suspension mount, • Equally responsive in the horizontal and vertical planes WSJ-10 Softie windjammer • Frequency response: 20Hz -20kHz • Standard 19mm diameter CMS-10MS M/S output only version GS-5 Pistol Grip w/Shockmount for CSS-5 #SARYGS5 ...... $245.00 #SACMS10MS ...... $2195.00 150 Lavalier Microphones 800-416-5090

SHURE #SHSM11CN $ 95 COUNTRYMAN #COEMWHWB SM11 99 $19250 EMW (black) The Shure SM11 is a miniature dynamic lavalier microphone designed for on camera TV broadcasts, stage and specifi c radio and fi lm applications. Its omni-directional element is enclosed Exceptionally small in size, the in a ruggedly built aluminum case that EMW is an omni-directional is lightweight and unobtrusive, with an electret condenser microphone acoustic response matching most stand and that’s ideal for TV broadcast, desk-mounted microphones. Its Smooth exterior and recessed grille screen reduces clothing theater production, presentations noise and the fl exible long-life cable ensures years of reliable use. and even instrument recording. Ca- pable of handling high sound pressure levels both direct • Omni-directional, dynamic (requires no power) lavalier microphone and indirect of the capsule, the EMW is also moisture • Rugged construction for extended reliability resistance, provides very low rubbing noise, and is • Smooth exterior and recessed grille screen reduces noise • XLR connection available with tailored response curves making it a RK203TC tie clasp #SHRK203TC ...... $12.95 popular choice for under clothing, normal, and clipped RK200BC belt clip #SHRK200BC ...... $4.50 on instrument use.

• Extremely small, fl at lavalier design with AUDIO-TECHNICA #AUAT803B hard-wired XLR connection AT803b $13995 • Moisture resistant and very low rubbing noise • Wide response, omni-directional pattern Designed to be worn on the clothing of stage and TV • 130dB SPL • Flat 20Hz-20kHz frequency response performers, the omni-directional AT803b condenser microphone offers an excellent unobtrusive sound pickup that EMWHWBS shelved frequency response version operates on either phantom or battery power. #COEMWHWBS ...... $192.50 Additionally, a built-in 80Hz high-pass fi lter provides easy switching from a fl at frequency response to a low-end rolloff, ideal for reducing low frequencies caused by clothing noise.

SONY #SOECM44B $19500 • Omni-directional design for clip-on and musical use ECM-44B • Small, unobtrusive profi le • Operates on both phantom or battery power • 135dB SPL • 30Hz-20kHz frequency response

AT835B cardioid version #AUAT835B ...... $239.95 AT8801 single phantom power supply #AUAT8801 ...... $62.95

SHURE #SHSM93 $14650 The Sony ECM-44B is a high quality small omni-direc- SM93 tional condenser lavalier microphone. The SM93 is an omni-directional An industry standard, its simple design and ease of use electret condenser microphone make it the affordable choice for a variety of broadcast designed for use in TV broadcast, and presentation applications. theater, and sound reinforcement applications. It operates over a • Consistent direct and indirect reproduction with low wide voltage range and provides a visibilty full, clean sound that is comparable • Omni-directional electret condenser microphone to larger microphones. The SM93 • Complete with in-line battery unit combines versatile, inconspicuous mounting with a controlled low-frequency rolloff and • Runs up to 5000 hours on single AA battery slight presence boost making it ideal for body worn operation. (not for use with phantom power) • Holder clip, windscreen and case included • Subminiature lavalier design • Small, easy-to-hide mounting hardware • Low distortion, wide dynamic range • Omni-directional condenser • Wide range phantom powering ADR44B set of (6) black windscreens #SOADR44B ...... $99.95 RK354SB (2) single bar tie mic clips #SHRK354SB ...... $12.95 RK355WS set of 4 windscreens #SHRK355WS ...... $17.95 www.bhproaudio.com Lavalier Microphones 151

SONY #SOECM77B $ 00 ECM-77B 385 AUDIO-TECHNICA #AUAT899 $19995 An industry standard, the ECM-77B AT899 is an omni-directional electret con- denser microphone designed for professional broadcast, sound reinforcement and recording applications. Its slim profi le is easily concealed in performances or broadcast, and with both phantom and battery powered operation, the versatile Intended for fi lm, theater, and stage applications, the ECM-77B becomes an ideal choice for delivering a wide range of performances. AT899 is a sub-miniature omni-directional condenser microphone designed to deliver optimum performance. • Omni-directional pattern with sensitive response • Ideal for professional It offers maximum intelligibility and accurate reproduc- performances and broadcast • XLR connection with multiple connections available tion from all sides of the microphone, while providing • Powered by either 48V phantom or single AA battery additional fl exibility of either battery of phantom power operation. Its low-profi le design is easily concealed in ADR77B set of 6 black metal windscreens #SOADR77B ...... $94.95 clothing or hair.

• Omni-directional, sub-miniature lavalier design • Even pickup around microphone element SENNHEISER #SEMKE2PC $ 50 • Operates on both phantom and battery power MKE 2 PC 297 • Flat, rolloff switch for reduced rubbing noise The MKE 2 is a high quality, • 138dB SPL • 20Hz-20kHz frequency response sub-miniature clip-on lavalier microphone ideal for a multitude of AT899A accessory kit including Clothing, Viper and applications where other clip-on Magnet Clips, Lanyard, Windscreens, Microphone microphones prove too obtrusive Covers and Holders #AUAT899AK ...... $53.50 because of their larger size. It fulfi lls the most stringent sound quality demands and is extremely robust. It is • Omni-directional, sub-miniature suitable for both speech and instrument TRAM #TRTR50BPS condenser lavalier design miking applications in all areas of TR50 $31495 • Well suited for TV, broadcast, and on- live work. stage musical performance • Capable of handling high volumes during MZ2 accessory kit #SEMZ2 ...... $37.50 instrument recordings MZQ222 tie clips • 48V phantom powered #SEMZQ222 ...... $12.95 • 20Hz-20kHz frequency response MZW2A steel mesh grill

SANKEN #SACOS11SBPB COS-11 $39900 An industry leader, the TR50 is a professional miniature electret-condenser microphone that provides superior The SANKEN COS-11’s sound quality with minimal coloration from its omni ultra-small design capsule. Its low visibility, wide range of connectors, and superior sonic and multiple color options make the TR50 an ideal characteristics make it choice fi lm production, broadcast, and stage perfor- mance. the lavalier microphone of choice for TV news and • Omni-directional, miniature condenser lavalier other critical broadcast microphone • Superior sound quality with minimum applications. Available in multiple coloration • Available with a large range of confi gurations, the versatile COS-11 can be connectors • Phantom or battery powered powered by either phantom or battery power and is • Tube style power supply with XLR connector the ideal upgrade for many other wireless systems. TR50BNCMO same as above without connection and accessories #TRTR50BNCMO ...... $174.95 • Ultra-linear, omni-directional pattern • 12-52V phantom or AA battery type power TR79MLP TR79 power supply with TA5 connection • Resistant to cosmetics and moisture • 136dB SPL and positive bias wiring #TRTR79MLP ...... $167.95 • Available in multiple confi gurations • 50Hz-20kHz frequency response 152 Handheld ENG Microphones 800-416-5090

ELECTRO-VOICE #ELRE50B RE50B $13995 Utilizing the concept of a “mic-within-a-mic”, the rugged RE-50B is a specially shock-isolated omnidirectional dynamic microphone. It’s DynaDamp shockmount and multi-stage integral pop-fi lter provides an unprecedented degree of isolation from handling, • Advanced shock-mounting techniques for improved durability and superior low-noise audio repro- mechanical and environmental noise, making it a top duction • Built-in four-stage pop-fi lter protects from excessive sibilance and wind noise industry choice for clear, noise-free hand-held interview • Well-isolated transducer seemingly unaffected by environmental extremes and news gathering broadcasts. • Omnidirectional pattern for uniform pickup on and off axis • 80Hz-13kHz frequency response

SHURE #SHVP64A VP64A $7795 The VP64A is an omnidirectional handheld dynamic microphone designed for and video • Neodymium magnet for increased output • Omnidirectional pattern for uniform pickup production. It’s Neodymium element, internal rub- and maximized signal-to-noise ratio on and off axis ber isolation, and tailored frequency response, delivers • Tailored frequency response with mid-range • Water-resistant grille for extreme weather high-level low-noise audio with greater speech clarity and presence boost • Internal rubber shock- conditions articulation. Ideal for indoor/outdoor news gathering and mounting for reduced handling noise • 50Hz-12kHz frequency response sports broadcast.

BEYERDYNAMIC #BEM58 M58 $23900 Specifi cally designed to satisfy the demands of electronic news gathering and electronic fi eld production, the M58 is an omnidirectional dynamic microphone that features a • Tailored wide frequency response adds intelligibility and high-end presence rugged well balanced design and sophisticated internal shockmount. • High-output element with uniform omnidirectional pattern It’s ideal for providing a high degree of comfort during extended • Durable construction and internal shockmount reduces handling noise and interviews, with minimal handling noise and the ability to withstand the environmental effect • Comfortable, weight-balanced, slim-profi le design physical punishment of fi eld production. • 40Hz-20kHz frequency response

SHURE #SHSM63 SM63 $11895 The SM63 is a high-output, omnidirectional dynamic microphone that delivers both professional performance and looks. Its elegant • High-output, wide frequency range tailored for speech • VERAFLEX grille resist but rugged design utilizes a patented Shure shockmount system drops, rust, corrosion, and moisture • Humbucking coil virtually eliminates and VERAFLEX grille, improving resistance to drops, rust, corro- strong electromagnetic hum • 80Hz-20kHz frequency response sion, and moisture. Internally, the high-quality SM63’s circuitry is tailored specifi cally for speech, with a low-frequency rolloff, SM63L same as above with additional 3.5” handle length #SHSM63L patented shockmount, and humbucking. SM63LB same as above with additional 3.5” handle length (black) #SHSM63LB

ELECTRO-VOICE #ELRE16 RE16 $26800 The Electro-Voice RE16 is a dynamic supercardioid microphone designed to meet the most exacting demands of professional broadcast use. Solidly built, the RE16 features a unique blast fi lter and exclusive non-metallic diaphragm allowing extensive hand-held outdoor use without plosives, excessive wind noise, or negative effects due to • Dynamic Supercardioid microphone • Utilizes a “mechanical nesting design”, that is, weather conditions. With superior rejection of unwanted sound and little one internal transducer part “nests” within another for greater vibration reduction off-axis coloration, focused, noise-free broadcasts and presentations are and durability • Bass-tilt switch corrects frequency balance • Hum-bucking coil and now possible both indoors and out. steel outer casing provides 25dB of hum rejection • 80Hz-15kHz frequency response www.bhproaudio.com Handheld ENG Microphones 153

AKG #AKD230 D230 $19900 The rugged AKG D230 is a dynamic omnidirectional microphone that easily rejects hum, plosives, and handling noise while effectively reproducing information from all • Omnidirectional pattern effectively picks up off-axis ambient sounds at lower levels with no angles, making it ideal for on-location coloration • Very wide frequency response • All-metal body and humbucking coil, especially effective news broadcasts, fi lm production, and against magnetic fi elds such as interview/fi lm lighting • Internal shockmount and foam lined mesh grill sound effects gathering. reduces handling noise and pops • 30Hz-20kHz frequency response

COLES #CO4104B 4104B $85995 The Coles 4104B is a high-quality ribbon microphone designed to accurately capture speech and commentary in even the noisiest • Ribbon microphone with cardioid environments. Often used for sports broadcasting, the 4104B is a pattern and lip-positioning bar cardioid pattern microphone with special lip-positioning bar and • 60Hz-12kHz frequency response stainless steel breath shields that provide users an optimum talking • Low-frequency rolloff helps eliminate ambient noise and proximity effect distance and protection for achieving a warm, accurate signal • Removable plastic hygiene shield may be cleaned for reuse or replaced reproduction with little ambience or proximity effect.

ELECTRO-VOICE #EL635AZ 635A $10995 Considered a “Classic” for newsgathering, fi lm production, and radio/video interviews, the dynamic omnidirectional 635A microphone is known to be extremely rugged, noise-free, and capable of withstanding environmental • Very low impedance for better noise rejection • “Classic” news broadcast/interview extremes. Practically indestructible with normal use, the and video production microphone • Smooth, natural response 635A provides consistent reliable operation in the most • Effective internal shock absorber and four-stage pop fi lter for added reliability and demanding broadcast/fi lm applications. pop-free performance • 80Hz-13kHz frequency response

AUDIO-TECHNICA #AUAT804 AT804 $8995 The AT804 is a dynamic omnidirectional microphone designed for use in broadcast interviews, fi lm ambience, and sound effects gathering. Often used as the “mono” mic conjunction with a stereo microphone, the AT804 is made of a rugged die cast case • Ideal for interviews and sound effects gathering with hardened steel grille and produces a natural, uniform • Natural, uniform omnidirectional pickup with slight high-end presence “lift” response with a slight high-end “lift” for additional source • Durable die cast case with steel mesh grille • 50Hz-15kHz frequency response clarity, particularly well suited for fi eld use environments.

SENNHEISER #SEMD46 MD 46 $17495 Capable of isolating a source hidden amongst the noise, the Sennheiser MD 46 is a professional dynamic unidirectional microphone designed to deliver high-level hand-held fi eld performance. Its well-balanced design combined with improved sensitivity and cardioid pattern, allow the MD 46 to produce a clean, open sound with slight high-end presence, without the plosives and proximity effect usually emphasized by unidirectional microphones.

• Outstanding interview tool • Dynamic cardioid pickup pattern improves source isolation while rejecting background noise • Long, durable handle with excellent balance • Internal pop fi lter especially effective against plosives and handling noise • 40Hz-18kHz frequency response 154 Portable Field Mixers 800-416-5090

SOUND DEVICES #SOMIXPRE $ 00 SOUND DEVICES #SO302 MixPre 665 $129500 302 The MixPre is a studio-quality, two-chan- nel, portable microphone mixer designed for radio, television, and fi lm production. Its comprehensive features include: pan switches, built-in slate microphone, 1 kHz tone oscillator, and fl exible headphone monitoring. The MixPre’s compact size, The Sound Devices 302 is a professional, compact 3 rugged construction, and high-quality components make it an ideal front end for any channel audio mixer designed to meet the demands of fi eld production system. professional fi lm, ENG / EFP and broadcast applications. This rugged workhorse provides 3 XLR inputs and • (2) XLR mic inputs w/ 48V & 15V phantom power stereo XLR outputs (both switchable between mic or • Stereo 1/8” tape out & tape return connections line-level signal), 48V, 12V and 12V-T phantom power, • Monitoring of program audio or external stereo tape return audio input and output limiting, and a low-cut fi lter switch on • Built-in limiter w/dual mono or stereo operation • High pass fi lters: 80Hz or 160Hz every input. Channels 1 and 2 are stereo linkable, and a • Powers via: (2) “AA” batteries or external 5-14VDC polarity reverse switch is provided on channel 2 accommodate M-S confi gurations.

• (3) XLR inputs w/phantom power and (2) XLR outputs WENDT #WEX3 • Individual channel, mono, stereo, M-S to stereo X3 $118500 monitoring • Channels 1 & 2 are stereo linkable, and The Wendt X3 is a two-channel fi eld audio channel 2 features a polarity switch mixer designed for ENG/EFP broadcast and • Input and output limiting remote audio recording. This high perfor- • Powered via: (3) “AA” batteries or external mance location mixer features: two XLR in- 5-18VDC power source puts, Limiter, PAN switches, external power • Low-cut fi lter switch available on every input (9-18V), a slate mic, 1/4” phone jack, mic / line switchable output, switch, and a separate stereo mic out for unbalanced equipment. Its compact, light-weight design has a footprint not much larger than a Sony DAT Walkman. SHURE #SHFP33 FP-33 $127495 • 48V phantom, dynamic and 12T power • Low noise slate mic to right and • 1/4” stereo headphone output left outputs • Stereo LED level indicators • Low-cut Filters: 140HZ, • Mic/Line switchable XLR outputs 20HZ and 100HZ at 12dB per octave • Reference • External power (9-18V) or 12 Tone: 0dBVU 400HZ low distortion sine wave hours of use w/ (6) “AA” batteries

The FP33 is a three input/two output, portable stereo mixer specifi cally designed for remote audio recording, PSC #PSDVPM3 electronic fi eld production, electronic news gathering, $47025 and location fi lm production. It provides three high DV ProMix 3 quality XLR inputs and stereo XLR output, 48V and 12V The DV PROMIX 3 is a phantom power, fl exible signal routing, and panning three-channel, professional /level control. The FP-33 has an exceptionally low fi eld mixer designed specifi cally self-noise and a wide dynamic range, and its rugged for the DV Cam market. It plated metal chassis withstands extreme heat and cold. features three XLR inputs (switchable between microphone and line level signal), switchable 48v phantom • The inputs and outputs can be switched between mic power, left/right/ and center position switches on every input channel, and a dedicated and line level signal 1/8” mini tape return input. The output section features two XLR connectors • Professional, backlit analog VU meters (line level/ microphone level), and a separate 1/8” mini output. (multifunctional)

• (2) 9V batteries provide up to 8 hours of use • Monitor and tape I/O and a either 1/4” TRS phone or • Balanced XLR Mic/Line input/output connectors • 48V Phantom power, 3.5mm headphone output switchable on each input • Low Frequency roll off reduces wind noise • Built-in tone oscillator • Bright, sunlight readable LED meters • Output limiters for camera overload • Isolated two-way talk back protection • Dedicated Microphone level output jack for use with cameras not equipped with XLR • Reference tone oscillator • Carry case and strap included www.bhproaudio.com Portable Field Mixers 155

SONY #SODMXPO1 $ 00 DMX-P01 2695 PSC #PSAM $ 75 The DMX-P01is a professional digital Alpha Mix 1866 fi eld-mixer designed for ENG/EFP applications. This studio-quality portable mixer provides: four XLR microphone inputs (switchable between mic and line level signal), 24-bit/96k A/D and D/A converters, AES/EBU and coaxial S/PDIF digital output, and recallable setup memory. Its Flexible analog and digital I/O and routing, 32-bit internal processing, and professional metering, make this versatile mixer a top choice for high resolution fi eld recording. The AlphaMix 4 is a four-channel portable fi eld mixer designed for professional ENG/EFP applications. It • (4) XLR inputs and (2) XLR outputs • 24-bit A/D and D/A converters, 32-bit internal powers from a NP-1 style batteries, and is equipped with 4 XLR inputs, low noise pre-amplifi ers, 12T and processing • Metering types: VU, BBC-type, DIN-type, NORDIC-type, IEC-type 1 and dBFS 48V phantom power, 3-stage LED peak meters, and • Supports 48kHz and 96kHz sampling frequencies • Digital limiters on both inputs and 12dB / Octave low cut fi lters. The fl exible AlphaMix 4 is outputs, and digital compressors on outputs • AES/EBU digital and S/PDIF digital outputs capable of sending and receiving signals to 2 cameras simultaneously; and each input channel has a dedicated balanced line-level output with pre-fader listen.

• (4) XLR inputs capable of both mic or line level audio PSC #PSDVPM6 $ 50 operation • Internal NP-1 battery support DV ProMix 6 1377 • Custom made peak reading LCD meters The DV ProMix 6 is versatile, cost effective six-channel • (4) Hirose style power connectors for powering up to ENG & EFP mixer that provides super quiet pre-amplifi - 4 wireless microphone receivers • Built-in slate mic & tone oscillator • Retractable gain trims and pan pots ers, true dual camera support, sun-light readable peak program meters, dedicated individual line outputs, er- AlphaMix Expansion Module provides an gonomic fader knobs, a reference tone oscillator, slate additional 4 input channels #PSAMEM ...... $565.25 microphone and switchable output levels. Each input includes two-position low cut fi lters, three-way channel assignment switches (pan switches), and handy pre-fade listen switches.

SOUND DEVICES #SO442 • (6) XLR inputs w/dedicated individual line outputs $249500 • State of the art, super low noise pre-amplifi ers 442 • Bright, sun-light readable peak program meters • Ganging input for combining 2 mixers • Powered via: (8) “AA” Alkaline batteries or external power (10-18VDC) • Comes complete with a custom-made fi eld bag and padded shoulder strap. • Weight: 3.5 lbs

The 442 is a no compromise, four-channel portable mixer designed for professional location sound SHURE #SHM367 $59995 applications. It combines a compact, functional design M367 with features like: direct outputs per input, 48V, 12V and The M367 is a six-input, 12V-T phantom power, inputs and output portable microphone mixer (switchable between mic/line level) , peak limiting, and specifi cally designed for pro- low-cut fi lters. All of the 442’s controls are easily acces- fessional ENG and EFP sible on its three main surfaces, with no hidden controls. applications. Its exceptional low-noise design makes the M367 ideal for use with digital transmission links and digital video/audio recording media. All input channels • (4) XLR mic/line inputs and one of the two outputs are switchable between mic and line level signal. • (3) Separate, isolated, line level outputs Compact and rugged, the M367 is built to withstand the most demanding fi eld • Every input features a dedicated output via TA3-male connectors production conditions. • Two stereo returns: monitor multiple cameras or camera + IFB in • (6) Balanced XLR inputs and (2) XLR outputs • Monitor/headphone out • Channels 1 & 2 can be linked for stereo monitoring or • 1/4” TRS phone headphone output • ALT I/O: 1/4” phone “Monitor In” jack, Link M-S stereo decoding input/output • Link Input/Output: 1/4” phone “Mix Bus” jack • Unit is powered via: (4) “AA” alkaline batteries • Low-cut fi lter, peak limiter, VU metering or external 5-18VDC • AC/Battery operation- (2) 9V batteries provide 8 hrs of operation 156 Portable Digital Recorders 800-416-5090

ZOOM #ZOH4 $ 00 M-AUDIO #MAMT2496 H4 Handy Recorder 299 $39900 MICROTRACK 24/96 The H4 Handy Recorder is a palm-sized digital recorder with The MICROTRACK 24/96 is an dual function 4-track & stereo modes. It is equipped with two ultra-compact 2-channel digital built-in condenser microphones in X/Y confi guration, two recorder that utilizes balanced XLR/1/4” combo jacks with phantom power and a USB port mic/line inputs and a dedicated for interfacing with Mac/PC editing systems (unit includes stereo 1/8” mini electret mic Cubase LE software). The unique 4-track recording turns the input for recording .WAV and H4 into an easy-to-use, 16-bit/44.1 kHz multi-track recorder. MP3 fi les to CompactFlash or microdrives. Its a cost-effective • Dual function 4-track/Stereo recording modes mobile recording solution whose • (2) XLR/1/4” combo input jacks w/ phantom power rugged, yet tiny design combines • USB port for fi le transfer to computers superior audio quality with • Onboard studio effects, compression/limiting and mic modeling professional connectivity making • Back-lit, 128×64 pixel LCD display it ideal for everything from professional fi eld recording • Powers via: (2) “AA” batteries to corporate meetings, training, education and worship. • Includes: AC adapter, windshield cover, USB cable, tripod • 2-channel .WAV and MP3 recording (24-bit/96kHz) adapter & 128MB SD card • Immediate drag-and-drop fi le transfer to PC and MAC via USB 2.0 connector • Separate left and right level controls with signal and SONY #SOMZM200 peak indicators MZ-M200 $39995 • Dual mic preamps with 48V phantom power • Balanced 1/4” TRS inputs with mic/line switch The MZ-M200 is a portable • Powers via: USB, lithium-ion battery (included), or recorder that’s capable of recording optional power supply in HiMD mode and also in standard • Audacity editing software included MD mode, so it’s compatible with • About the size and weight of a deck of cards older formats. Recorded fi les can be transferred to a Mac or PC via its USB 2.0 port and included Sony software. The low cost, EDIROL #EDR09 high capacity HiMD discs make this an excellent R-09 $39900 recorder for students, musicians, and journalists. The R-09 is a professional • Included rechargeable battery charges via USB or AC adaptor digital recorder with time- • Stereo microphone, earphones, and AC adaptor, 1GB HiMD disc included stamp capability ideal for • Digital pitch control • Mic/line input • 11 segment recording meter display broadcast and live music • Mac and Windows compatible recording applications. It can record stereo audio at 24-bit resolution with either 44.1 or 48kHz SONY #SOMZM10 sample rates, and fi les MZ-M10 $29995 can be exported to a The MZ-M10 Hi-MD portable audio recorder is computer via USB. This ideal for journalists and musicians who need to ultra-portable unit is half make high-quality stereo audio recordings using the size of the Edirol R-1, cost-effective removable storage media. It comes and is equipped with a supplied with an ECM-DS70P stereo microphone built-in stereo mic, dedicated input control, intuitive and a pair of MDR-EO931 earbud headphones transport buttons and a low-cut fi lter. to get you up and running right out of the box. This recorder also supports WAV fi le uploading • 24-bit/48kHz (or 44.1kHz) uncompressed recording and downloading with PC, and uploading with • Up to 320kbps MP3 playback and recording Macintosh, allowing USB transfer of your audio • Records to SD card (64MB card included) recordings to and from your computer. The MZM10 can also be used as a USB mass storage • High-grade stereo condenser microphone built in device, allowing storing data fi les on the Hi-MD disc along with audio recordings. • Mic and Line audio inputs; USB I/O • Easy operation, user-friendly graphic display • 5 line large LCD display • Ability to record from USB, Line In or Mic In • Powers via (2) “AA” batteries or (2) NiH batteries • 34 hours of battery life with both rechargeable and “AA” batteries • Up to 94 minutes of uncompressed PCM linear audio • Up to 34 hours of ATRAC3plus compressed audio www.bhproaudio.com Portable Digital Recorders 157

NAGRA #NAARESM $ 00 Ares-M 975 HHB #HHFM $129900 The Ares-M is a lightweight hand-held digital recorder equipped with FlashMic one gigabyte of internal memory, a built-in stereo microphone and a The HHB FlashMic is a professional micro- miniature USB port. Designed for broadcast applications, it the offers phone/digital recorder that combines a instant start-up, voice operated recording, automatic level control high-quality Sennheiser omni-directional and an internal . This compact, high quality audio recorder condenser capsule with a broadcast- is powered by two “AA” batteries, offering up to 10 hours of quality, one gigabyte Flash recorder. continuous operation. This durable hand-held recorder is an ideal solution for press and broadcast • Lightweight, ultra-portable audio recorder journalists working in the fi eld and its • Intuitive menu driven user interface built-in USB port allows “drag and drop” • Switchable PCM Mono or Stereo audio recording fi le transfer to Mac or Windows editing • Sampling Rate: 8-48kHz PCM & MPEG workstations in the studio. The FlashMic • Bit Rates: 64-384 kb/s has an adjustable pre-record buffer, and • Built-in microphone or external XLR connection records in linear 32/48kHz, or MPEG 1 • Stereo line In/Out & built-in loudspeaker Layer 2 encoded formats. • Includes: carrying case, plug-on microphone, external mic cable and USB cable • Frequency response: 30Hz-20kHz • Integrated condenser microphone/ digital recorder • High-quality microphone preamplifi er HHB #HHMDP500 w/full manual or automatic gain control PORTADISC MDP-500 $149995 • Maximum record time of over 18 hours • LCD display with backlight for time, level The PORTADISC MDP-500 is a no-compromise portable and status information MiniDisc fi eld recorder designed to handle the • Switchable high-pass fi lter, 12dB/octave at 100Hz rigorous demands of journalist, broadcasters, • Headphone amplifi er with volume control and sound designers. Developed in • (2) “AA” batteries provide more than 6 hours con- consultation with leading location sound tinuous power recordists and ENG professionals, the high-performance MDP-500 is equipped with a professional MD drive, high-quality XLR mic preamps, SONY #SOPCMD1 precision DACs, and a USB connection for transferring audio to $184995 and froma computer. PCM-D1 • (2) XLR mic/line inputs, coaxial and optical S/PDIF I/O, stereo RCA outputs The PCM-D1 is a high-quality • ATRAC 4.5 recording algorithm and 40 second memory buffer for high quality, glitch-free portable recorder designed for a recording • 6 second pre-record buffer • Large illuminated LCD display with wide view- wide variety of mobile recording ing angle • USB interface compatible with Windows and Mac OS applications including: broad- • Accessories include: soft case, NiMH battery caddy, and AC adapter/charger cast, live sound, house of wor- ship and theatrical performance. It features 24 bit/96K recording SOUND DEVICES #SO702 $187500 capability, 4GB internal fl ash 702 memory, removable Memory The 702 is a portable Stick Pro high-speed storage compact fl ash and a built-in USB 2.0 port for audio recorder of Macintosh and Windows/PC uncompromising quality. operating systems. Capable of recording two channels of uncompressed audio up to 192kHz resolution, it’s also easy to operate. When connected to a computer via FireWire it appears as an external drive and fi les can be • High-quality, 24bit/96kHz mobile digital recorder dragged off. Ideal for professional production or anyone who wants a solid and dependable • Built-in condenser microphones in an X/Y confi guration recording apparatus. • 4GB internal memory or use any size memory stick • LCD display with comprehensive recorder status • Stellar audio path with (2) XLR low noise, wide frequency response preamps indication and menu selection • Lightweight aluminum & stainless steel compact chassis • Analog level meters with LED peak overload indicators • Included removable Li-on rechargeable battery & worldwide power supply • Signal processing functions include: SBM, limiter • Phantom power, limiters, and high pass fi lters and 200Hz high pass fi lter • Titanium case • Direct sunlight viewable LED metering • (4) “AA” rechargeable batteries & charger (supplied) • MP3 audio playback supported 158 Portable Digital Recorders 800-416-5090

MARANTZ #MACDR310 $ 00 MARANTZ #MAPMD660 CDR310 799 $49900 PMD660 The CDR310 is the fi rst truly portable, affordable The PMD660 is professional CD-based fi eld recorder. Whether for 2-track hand-held digital documentation, duplication, or archiving, recorder ideal for journal- audio CDs promote confi dence through ist and broadcasters their permanence and universality. While working in the and CD burning have been fi eld. This commonplace for several years, existing hardware ultra-compact has lacked the go-anywhere fl exibility users have come unit records to expect in the digital age. Designed to meet the needs of AV to inexpensive integrators, rental fi rms, corporate board rooms, broadcasters, government agencies, and compactfl ash card or houses of worship, the CDR310 provides outstanding features that are easy to use. microdrive media, and features two XLR mic inputs, • On-board hard drive records uncompressed WAV, AIFF and MP3 a built-in stereo mic and speaker, and a USB port for • Extended material divided over multiple discs automatically interfacing with editing workstations. • 10 second rolling buffer is always recording • (2) XLR microphone inputs with 48V phantom power • Integrated microphone and playback speaker and 20dB pad • 1/8” stereo mini line input and output, • (2) XLR phantom power mic & (2) RCA line level inputs 1/8” stereo mini headphone output • Recording For- mats: Uncompressed 16-bit linear PCM, Compressed MP2 and MP3 • Includes 64MB compact fl ash card MARANTZ #MAPMD670 $ 00 • Full on-board cut-copy-paste digital editing PMD670 699 • EDL-style marking system, 99 Virtual-track playlisting The PMD670 is a professional 2-track • Power Options: (4) “AA” batteries or AC adapter (included) CompactFlash digital recorder designed for the rugged demands of fi eld recording RC-600 remote option- controls record pause, record, and location sound. Its extremely reliable, marker set, start new track, multi color LED indicates has no moving parts, and features two XLR pause or record status #MARC600 ...... $7495 inputs, over 40 assignable quality settings, and a USB port. Once linked to a computer audio editing system via USB, recorded audio fi les can be transferred from the PMD670 to MARANTZ #MAPMD671 the computer, ready for import into audio or /production software. PMD671 $99900 • (2) XLR microphone inputs with 48V phantom power, Limiter and ALC • Coaxial S/PDIF dig- ital I/O, RCA stereo I/O, 1/4” stereo headphone output • Recording Formats: Uncompressed 16-bit linear PCM, Compressed MP2 and MP3 • Auto and manual EDL track marking • Built-in microphone and speaker, Selectable fi lter for ambient noise control • Includes 64MB compact fl ash card, also compatible with microdrive media • Power options: (8) “AA”batteries, AC adapter, or optional RB 1650 rechargeable battery

PMD671is a professional 24-bit/96 kHz digital recorder EDIROL #EDR4 designed for high resolution recording in the fi eld or the $119900 studio. Ideal for location professionals, the PMD671 is R4 equipped with two high quality microphone preamps The R-O4 is a high-resolution four-channel, and loaded with professional features like: “Virtual portable 40GB hard disc recorder and wave Third Head” for confi dence monitoring, Time-Shift editor designed for professional mobile Playback, a USB port for easy fi le transfer to PC and a recording. With the ability to capture built-in condenser microphone. 17 hours of 24-bit/96kHz digital audio, • 24-bit/96kHz PCM capable and synchronize to Sony digital video • Two XLR mic connections with 48V phantom power cameras using the L-terminal (Lanc) protocol, • Stereo analog RCA line I/O the R-4 is an ideal solution for both portable music • Coaxial S/PDIF digital I/O recording applications and, ENG/video location sound. • Built-in condenser mic • “Virtual Third Head” for confi dence monitoring • (4) XLR/phone combo jacks with switchable 48V phantom power • Read-after-write capability • On-board waveform editing, On-the-fl y indexing, Jog Dial with 7 speeds • Built-in monitor speaker • High-speed USB 2.0 port, CompactFlash port, Coaxial S/PDIF I/O • Optional RC600 wired remote control & NiCd or • Built-in microphone, speaker, and high-quality effects processor NiMH batteries • Power options: (8) “AA” batteries or AC adapter (included) • Windows XP and Mac OS X compatible www.bhproaudio.com Portable Digital Recorders 159

SOUND DEVICES #SO722 $ 00 722 2495 #FOFR2LE $49900 The 722 is a compact two-track FR-2LE hard disc/compactfl ash fi eld The FR2-LE recorder capable of writing and records reading uncompressed PCM Broadcast audio at 16 or 24-bits with Wave sampling rates between 32kHz Format and 192kHz. Featuring two top- (BWF) or quality high-bandwidth preamps, fl exible metering and powering options, and digital I/O, MP3 fi les to the 722 is a high-resolution alternative to DAT for today’s location sound professional. affordable type II • (2) XLR microphone preamps with phantom, limiters, and high-pass fi lters CompactFlash or Microdrive • Channel 3 and 4 line-level inputs on TA3 connectors • AES3(XLR) or AES3id(BNC) digital cards, at up to 24-bit/96kHz resolution. It features inputs and AES3ib outputs • Records to internal 40GB hard drive or removable compactfl ash powerful on-board editing functions and a USB 2.0 • FireWire port for high-speed data transfer to computers port for high-speed fi le transfers to PC editing suites. • Aluminum and stainless-steel chassis Time stamping of .wav or MP3 fi les is provided; • Powers via: Sony-compatible L-or M-type lithium Ion camcorder batteries or external DC allowing for easy time alignment of audio fi les in • Windows and Mac OS compatible Audio/Video software workstations.

• (2) Mic/Line inputs w/phantom on Neutrik combo EDIROL #EDR4PRO $ 00 jacks • Stereo RCA analog outputs & 1/8” stereo R-4 Pro 1999 headphone output • Read After Write (RAW) con- The R-4 is a high-resolution four fi dence monitoring recorder • Time stamps .wav channel, portable 80GB hard disc or MP3 fi les • USB 2.0 for high-speed fi le transfer recorder and wave editor that can act as • ALC (Off/ALC/limiter) • Powers via: (4) x “AA” a S/MPTE time code master or slave to Batteries or 12V DC input incoming code video cameras or VTRs. • Includes wired remote controller Designed for both portable music record- ing applications and ENG/video location sound, the R-4 Pro provides 4 XLR/ ZAXCOM #ZAZFR100 Phone combo with switchable phantom $ 00 power, a high-speed USB 2.0 port and ZFR100 995 powerful on-board waveform editing. The ZFR100 is • (4) XLR inputs with switchable 48V phantom power • 24-bit/96-kHz Linear Recording miniature broadcast- • SMPTE time code I/O on BNC connectors • On-board waveform editing • & AES/EBU I/O quality recorder that • Built-in microphone, speakers & effects processor • Powers via: (8) “AA” batteries or 4-pin can record up to 12 XLR type power input • Includes: USB cable, XLR 4-pin conversion cable and soft carrying case track-hours of audio directly to a 2-GB fl ash memory card. FOSTEX #FOFR2 Designed to simplify FR-2 $129900 audio syncing and processing during The FR-2 is a professional two-track 24- bit/192kHz fi eld memory recorder designed post-production, the for location sound recording, broadcast, ZFR100 includes a and high-quality sound effects acquisition. full-featured time code reader/generator that stamps Featuring two XLR microphone inputs, the time code directly on to broadcast .wav or MP3 digital I/O, a built-in Limiter, and a USB port for interfacing with digital audio workstations, fi les. It can receive time code directly from a video the fl exible FR-2 is a cost-effective high-resolution alternative to portable timecode DAT. camera; with an option to record only when the camera is rolling. • (2) top quality high headroom mic preamps with switchable phantom power • Selectable digital I/O between S/PDIF and AES/EBU on balanced XLR connectors • Ultra-compact digital recorder with time code • Fostex’s “File Per Take” system with auto scene and take naming/increment • Ideal for ENG and Broadcast applications • Records to both Type II CompactFlash cards and PCMCIA 1.8” hard drives • Light weight, weighs only 4 oz. • 132 x 64 dot matrix LCD screen for ease of use and high visibility in the fi eld • Includes PC and Macintosh software • USB port for direct connection to PC and Mac, with additional port for external keyboard • Powers up to 24 hours with (2) “AA” batteries FR-2TC with built-in 8342 timecode card supporting all standard timecode frame rates • Optional 8- 16VDC power input also available #FOFR2TC ...... $1898.00 160 Portable Digital Recorders 800-416-5090

FOSTEX #FOPD6 $ 00 SOUND DEVICES #SO702T PD-6 8499 $249500 702T The PD-6 is a 6-channel DVD location recorder with a full-featured onboard mixer, SMPTE and Word Clock sup- port and a Pre Record func- tion that prevents missed takes by constantly buffering The 702T is a high resolution, two-track CompactFlash up to 10 seconds of audio. recorder designed specifi cally for dual-system fi lm & Ideal for audio for video production, the PD-6 records BWF fi les that can be imported video productions where audio needs to be master. It directly into Avid and Final Cut editing systems and supports ALE (Avid Log Exchange). provides ultra-stable Ambient time code functional- • 6- tracks of up to 24 bit/96kHz audio ity, AES/EBU & S/PDIF I/O and a FireWire port for • 6-channel mixer with 12 T & 48V phantom power • Built-in 40GB EIDE hard disk high-speed data transfer to computers. This portable • Verify/Write feature constantly analyzes data being recorded unit’s fl exible powering options include: standard Li-on • Supports multiple EDL lists and is ALE compatible camcorder batteries or external 10–18VDC. • External Word & Video sync inputs & Word Clock output • 24-bit or 16-bit (with or without dither) • Powers via NP-1 type battery • Sampling rates selectable between 32kHz-192kHz • (2) mic preamps with phantom, limiters, and high- pass fi lters TASCAM #TAHDP2 $ 00 • Full-function, ultra-stable Ambient time code HD-P2 999 • AES/EBU & S/PDIF digital I/O The HD-P2 is a 24-bit/192kHz • FireWire port for high-speed data transfer to computers Compact Flash recorder designed • Removable Li-on rechargeable battery for broadcast and location sound • Durable aluminum & stainless-steel chassis applications. It features SMPTE 702 Version without time code #SO702 .....$1875.00 timecode input, professional con- nectivity, a large, angled LCD, and a FireWire port for fast data trans- SOUND DEVICES #SO744T fers to computer editing systems. 744T $409500 A video clock input allows frame edge resolve to a central blackburst source or use as a lock-and-release timecode slave. • (2) XLR Mic Inputs w/phantom power & analog peak limiter • Unbalanced stereo RCA I/O • FireWire interface for data transfer • Built-In mono mic, speaker and headphone output • XLR SMPTE Input & BNC Video Clock Input • Supports Pull-up and Pull-down sample rates • S/PDIF digital I/O • PS/2 keyboard input The 744T is a compact four-track hard disc/compact- fl ash fi eld recorder with time code, capable of writing FOSTEX #FODV824 and reading uncompressed PCM audio at 16 or 24-bits $599500 with sampling rates between 32kHz and 192kHz. DV824 Designed with the location sound professional in mind, the 744T features full timecode implementation, fl exible metering and powering, top-quality mic preamps, and is built to Sound Devices exacting standards; for reliable performance and exceptional durability. • Ultra-stable Ambient timecode circuitry, tunable to <0.2 PPM accuracy • (2) XLR microphone preamps The DV824 is an 8-track DVD multitrack recorder/player that can be powered via AC or DC with phantom, limiters, and high-pass fi lters current, making it ideal for on-cart location applications. It provides 8-channels of • Channel 3 and 4 line-level inputs on TA3 connectors XLR analog I/O, 8-channels of AES/EBU digital I/O, a high-speed 10/100Base-T Ethernet port • AES3(XLR) or AES3id(BNC) digital inputs and AES3ib and SMPTE time code in and out on BNC connectors. The DV824s high-defi nition recording outputs • Records to internal 40GB hard drive or re- engine offers in six audio formats, with up to 24-bit/96kHz resolution. movable compactfl ash • FireWire port for high-speed data transfer to computers • Powers via: Sony-com- • 8-Track Recording/ Playback on DVD-RAM media • (8) XLR analog inputs and outputs patible L-or M-type lithium Ion camcorder batteries or • (8) AES/EBU digital inputs and outputs • SMPTE/EBU Time Code in and out external DC • Windows and Mac OS compatible • Front-panel USB keyboard input • Flexible AC or DC (for location use) power operation • Large LED time display & 18-bar level meters www.bhproaudio.com Portable Digital Recorders 161

MARANTZ #MACDR420 $ 00 CDR420 1199 ROSENDAHL #ROBD $218500 The CDR420 is a professional fi eld bonsaiDRIVE recorder that combines a fl ex- ible hard disc recorder with an onboard CD recorder that burns both standard Red-Book audio format and CD-ROM data discs. It features a built-in condenser microphone & speaker, dual XLR Mic/Line inputs and coaxial The bonsaiDRIVE is a miniature, portable video and S/PDIF digital I/O. On-board multitrack audio hard disk recorder designed for the editing permits cut, copy, paste, insert silence and split track; and a USB 2.0 port allows fi lm and video post production and multimedia applica- users to easily upload fi les to a digital audio workstation. tions. It records uncompressed 4:2:2 PAL or NTSC video together with 10 channels of audio on standard IDE • Record to 20GB hard disc in 44.1kHz mono or stereo as .WAV or .MP3 hard disk drives. The audio channels are arranged as an • (2) XLR Mic/Line inputs w/ +48v phantom power • (2) RCA inputs • 20GB hard drive analog stereo pair and a digital 8-channel ADAT stream • Built-in microphone & speaker • Standard PS/2 keyboard input for naming fi les at 24-bit/48kHz sample rate. • Includes: AC adapter and dual RCA cable • Optional lead acid battery (RPS420) • Portable video and Multitrack audio hard disk recorder • Uncompressed 4:2:2 PAL or NTSC video with 10 MARANTZ #MACDR300 audio channels • Stereo analog RCA I/O, ADAT I/O $ 00 CDR300 699 • Integrated synchroniser with LTC, MTC, MMC, Sony The CDR300 is a professional tabletop CD 9-pin, word clock, gunlock • Option port for digital recorder ideal for specialty applications I/Os: 270 MBit SDI with embedded audio like spoken word recording, sound effect • Removable front panel can be used as remote controller acquisition, and boardroom meeting ar- bonsaiDRIVE 12vdc 12 volts DC version chiving. The “Minute Track Mode” record- #ROBD12 ...... $2699.00 ing feature marks each minute of spoken word/audio as a track, allowing easy navi- gation in playback via “minute specifi c” IKEY-AUDIO #IKIKEYP track markers. Easily transportable, the $15995 CDR300 becomes a truly portable system with the addition of the optional RPS300 battery I-Key Plus system (allowing up to four hours of record time in the fi eld). • Record live directly to CDs • (2) XLR mic inputs with 48V phantom power, 2 1/4” line in- puts, RCA I/O • Coaxial S/PDIF I/O • Built-in mic, speaker, 3-band master EQ, and limiter • Power options: AC or 4-pin DC connection (optional RPS300 battery) • Adjustable digital and analog record levels

MARANTZ #MAPMD222 $ 95 PMD222 449 The I-Key Plus is a Portable USB Recorder designed The PMD222 is an industry-standard mono, to record directly to any external USB storage device, 3-head cassette recorder/player designed including the Apple iPod. Digital audio is recorded in for the most demanding fi eld applica- uncompressed WAV or MP3 format (with selectable bit tions. Commonly used by journalist, rate, up to 256kbps). It is equipped with a line/phono/ law enforcement, and for depositions, mic input, a headphone jack for real-time monitoring, a the PMD222 is built to the highest stan- built-in phono preamp and a 6-bar VU meter with peak dards of engineering, and offers all the hold & overload indicator. fl exibility and functionality today’s users require. • XLR or 1/8” mini microphone inputs, telephone jack, and • Records audio to uncompressed WAV or MP3 format RCA line level I/O • 1/8” line/phono/mic input, stereo RCA inputs • Built-in microphone and speaker with on/off switch • 1/8” (3.5mm) headphone monitor output • Record level control and VU meter • Built-in phono preamp • Rec mode switch: Manual, Limiter, ALC(automatic level control) • Compatible with USB storage devices, including the IPod • Normal and half-speed recording, Pitch control +/-20% • LED Indicator shows memory remaining on target drive • Powered options: (3) “D” sized batteries, AC adapter (included), or optional NICD • Requires (4) “AA” rechargeable batteries (not included) rechargeable battery(RB430)