Broadcast Studio Microphones 800-416-5090
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142 Broadcast Studio Microphones 800-416-5090 NEUMANN #NEBCM104 BCM104 $99999 With precision engineering and design, the Neumann BCM104 is a natural sounding large diaphragm, cardioid condenser microphone, specifi cally tailored for the demands of today’s digital broadcast studios. • Cardioid microphone for broadcast & studio • Easily switchable color coded head grilles • Internal switchable low-frequency roll-off • Unique shock mount assembly • 14dB pad • 152dB SPL • Switchable proximity compensation • 20Hz–20kHz frequency response BCM104 voice-over kit #NEBCM104K ..........................................................................................................CALL RODE #ROB BROADCASTER CALL An affordable choice for today’s modern digital broadcast facilities, the RODE BROAD- CASTER is a large diaphragm cardioid condenser microphone that features a true full-range response especially suited for voice over use. • Low noise handling • Power indicator • 135dB SPL • 20Hz–20kHz frequency • Unique “On-Air” LED indicator response • Custom case with • Internally shock mounted capsule with pop fi lter microphone holder (included) Broadcaster voice-over kit #ROBK ........................................................................CALL SHURE #SHSM7B SM7B $34995 The Shure SM7B is a large diaphragm dynamic microphone designed for studio broadcast applications. It has a smooth, fl at, wide-range frequency response, and provides excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and electrical devices. • Selectable tone controls • Improved bracket design • 40Hz–16kHz frequency response • Internal suspension shock mount • High sound pressure level • Graphic display of bass and handling capabilities SM7B voice-over kit mid-range adjustments • Rugged steel construction #SHSM7BK .......................$499.95 ELECTRO-VOICE #ELRE20 RE20 $39900 A broadcast industry standard, the Electro-Voice RE20 is a cardioid dynamic microphone that delivers reliable, low noise performance with exceptional clarity and defi nition. Its internal pop fi lter reduces proximity effect, and the internal shock mounting reduces handling noise. • Response tailored for vocal applications • Rugged steel construction with low handling • Bass tilt down Switch • Capable of extremely noise • 45Hz–18kHz frequency response 309A suspension high sound pressure levels • Includes 81715 stand clamp shock-mount available #EL309A ...... $99.00 RE20 voice-over kit #ELRE20K ........................................................................................$649.95 NEUMANN #NEBCM705 BCM705 $69900 The BCM705 is Neumann’s fi rst ever dynamic microphone, and its second in the Neumann broadcast line. Housed in the same body as the BCM104, it utilizes a Nuemamn re-designed version of the Sennheiser MD 431 capsule; overhauled to meet the specifi c demands of broadcast applications. • Supercardioid pickup pattern • Capsule’s mechanical suspension • Does not require a power supply • Removable integrated wire mesh pop screen reduces sensitivity to stand • Frequency response: 20Hz–20kHz • Individual headgrilles available for each user movement or handling shocks • Integrated elastic suspension BCM705 voice-over kit #NEBCM705K ............................................................................................................................ CALL www.bhproaudio.com Stereo Microphones 143 AUDIO-TECHNICA #AUAT825 AT825 $34995 The Audio-Technica AT825 is an easy to use, single-point-reference stereo condenser microphone. Its fl at frequency response and “true” stereo imaging make it the right choice for recording music, on-location audio, or ambient soundscapes onto professional DV cameras, compact fl ash and DAT recorders. • Closely-matched elements provide outstanding imaging • Switchable low-frequency roll-off AT822 unbalanced version with and excellent channel separation • 5-pin XLR output • 126dB SPL 1/8” stereo or 1/4” dual mono temination • Compact, lightweight design is ideal for camera mounting • 30Hz–20kHz frequency response #AUAT822 .......................................... $249.00 RODE #RONT4 NT4 $44900 The RODE NT4 is a fi xed, 90-degree X/Y confi gu- ration stereo microphone designed for profession- al applications. Its perfectly matched cardioid • Two externally biased 1/2” matched capsules with • Custom mini stereo jack and XLR condenser elements produce both detailed and gold sputtered diaphragms • Transformerless circuit- cables included • Custom case, accurate stereo recordings. The NT4 can be pow- ry for low noise • Phantom or 9V battery powered shock mount, windshield and ered via phantom or 9V battery, making it well • 143dB SPL • 20Hz–20kHz frequency response stand mount supplied suited for both studio and location recording. SHURE #SHVP88 VP88 $68995 The Shure VP-88 is a professional singlepoint refer- ence, stereo condenser microphone. Ideal for location, broadcast and live performance recordings, the VP-88 features a unique selectable stereo imaging matrix • Mid-Side design for optimal imaging • Internal shock mount for reduced handling noise output and fi lter adjustments that provide recording • Built-in stereo matrix for direct • Operates on both phantom or internal 6V and broadcast engineers with the fl exibility necessary stereo spread control battery power • 129dB SPL to faithfully capture the realism of live events. • Selectable roll-off and output • 40Hz–20kHz frequency response CROWN #CRSASSPMKII SASSP MKII $105995 The SASSP MKII is an ambient stereo microphone that utilizes dual PZM microphone elements. Its unique design mimics the shape of the human head to capture an airy and warm complete stereo image. Broadcasters rely on it for recording crowds, journalists and fi lmmakers use it for realistic ambi- ence, and it’s also used experimentally in recording studios for music and soundtrack production. • Stereo electret condenser Pressure Zone Microphone (PZM) • Low cut switch • 150dB SPL • Carrying • 12V – 48V phantom powered or two 9V batteries case, handgrip, and windscreen included • Omni at low frequencies, unidirectional at mid/high frequencies • 20Hz–18kHz frequency response RODE #RONT5 NT5 $39900 (matched pair) The NT5 (matched pair) are a set of small- diaphragm cardioid condenser microphones designed for single or stereo X/Y miking. Great for live performances, acoustic instrument, and drum overhead recording, the compact, low • (2) externally polarized 1/2” pressure gradient • 143dB SPL • 20Hz–20kHz frequency noise NT5 (matched pair) offer a great solution condensers • Gold sputtered capsule response • Dual wind screens, stand for stereo recording at a very affordable price • Heavy duty satin-nickel-plated body mounts, and durable road case (included) 144 Shotgun Microphones 800-416-5090 NEUMANN # NEKMR81I KMR81i $134999 The KMR81i is a premium shotgun microphone designed especially for ENG, fi lm and stage work. Off-axis sounds are left uncolored and • Renown Neumann engineering • Excellent directional characteristics are picked up at low levels, while the outstanding • Low power consumption, lightweight and with superior side and rear rejection directivity allows focus on individual sources produc- wind resistant • 10dB pad and high-pass fi lter • 48V phantom powered ing clean, high output sound with remarkably low self-noise. Attenuation and fi lter switches further KMR82i supercardioid long-tube shotgun with enhanced high frequencies enable level and noise control. #NEKMR82I .................................................................................................................$1519.99 SCHOEPS # SCCMIT5U CMIT 5U $179500 The CMIT 5U is a shotgun microphone that delivers exacting • Supercardioid polar pattern • Lightweight, blue anodized all standards, reliability, and neutral, accurate sound Schoeps micro- • Superior RF immunity metal housing phones are known for. It is equipped with three pushbutton-ac- • Low colorization of off-axis • Includes: SG 20 swivel joint, tivated fi lters: High-frequency emphasis (+5 dB at 10 kHz), Steep sound W 140 windscreen and wooden low-cut fi lter (18 dB/oct. below 80 Hz) and Gentle low-frequency • (3) pushbutton-activated carrying case rolloff (6 dB/oct. below 300 Hz). This top quality shotgun micro- fi lters with LEDs • Frequency response: 40Hz-20kHz phone is suitable both music recording and dialog recording. SANKEN # SACS3E CS-3e $135000 The CS-3e is a short shotgun microphone with a unique • Excellent for noisy am- • Excellent side and rear design; incorporating three directional capsules arranged bient environments rejection with low in a front-back array. It maintains directivity over a wide • Supercardioid polar proximity effect frequency range (especially in the low frequencies) and pattern • Frequency response: minimizes proximity effect. The CS-3es standard 19mm • Switchable low-cut fi lter 50Hz -20kHz diameter permits the use of a wide range of mounts, • Directional sound even • Brass housing with wind protection and accessories. in the lower frequencies black soft-touch coating SANKEN # SACS1 ELECTRO VOICE # ELENG618 CS1 $79500 ENG-618 $118000 The CS1 is a compact, shotgun microphone that The ENG-618 is an integrated boom pole/ combines a cardioid pattern and excellent off-axis shotgun microphone with preamp ideal for rejection to produce crisp, focused sound that is ideal location sound and run-and-gun ENG ap- for professional fi lm, video and broadcast produc- plications. This hypercardioid shotgun can be tions. The lightweight CS1 conveniently