Woodworking Show Classes* - Friday & Saturday C=Carving, T=Turning, S=Scroll Saw, P=Pyrography

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FOX CHAPEL Woodworking Show Classes* - Friday & Saturday C=Carving, T=Turning, S=Scroll Saw, P=Pyrography ❖ 2015 C ❖ AR RN VE • SCROLL • TU Tent 1 Tent 2 Tent 3 Tent 4 Tent 5 Tent 6 Tent 7 Tent 8 Tent 9 Tent 10 9:00 (T) (C) (S) Turning Beginning Chip (C) Spindles (T) (S) Carving Intarsia Tips (P) Carving (C) (C) 9:30 & Tricks Don Wilson Pen Turning Puzzle Design Wayne Barton Realistic Eyes Barry Gross Burning a Judy Peterson 5 Minute Santa Xmas Judy Gale Roberts Name Tag Ev Ellenwood Wizard Ornament 10:00 Michele Parsons (C) Tom Hindes Floyd Rhadigan Carving a Bark House 10:30 (T) Rick Jensen (C) Segmented Relief Carving (S) Turning Tricks 11:00 Leo Deller (S) Dylan Goodson Bowls Puzzles for Carole Rothman Children Bonus Bowl Clinic 11:30 at Carole’s booth Shawn Ferguson (G) Easy Finishing Noon (C) Vic Hood (C) (P) Beginning (C) Letter (T) Shading/ Carving Elephant Hook Opener (S) Bob Hershey 12:30 (G) (T) Casting Pen Tones & Scroll Saw Ev Ellenwood Floyd Rhadigan Art Show Sharpening Barry Gross Values (C) Maintenance Business Turning Tools Jo Schwartz Power Carving & Blades 1:00 Judy Peterson Don Wilson Basics Ray Seymore Keoma McCaffrey 1:30 (C) Realistic 2:00 (S) (T) (S) Human (C) Beginning Beginning Anatomy Whittling Intarsia Basics Turning Scroll Saw Gnome Judy Gale Roberts Dylan Goodson 2:30 Tom Deneen (P) (C) Shawn Ferguson Tom Hindes Making Pyro Chip Carving Pattern Design 3:00 Michele Parsons Wayne Barton (P) (C) (C) (S) (S) (C) Sharpening Carving 3:30 Advanced Pyro Project Multi- Carving Tools Animals (T) Jo Schwartz Carving Scrolling Dimensional Design Ev Ellenwood Floyd Rhadigan Rolf Turning (C) Puzzles 4:00 (P) Vic Hood Beauttenmuller Bowls Burning 3-D Getting Shawn Ferguson Tom Deneen Started Bark Objects Carving 4:30 Michele Parsons Rick Jensen 5:00 *Information subject to change without notice.

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Turning Tips
Tips from Old Millrat-James D Thompson Now put the piece with the spigot back into the lathe. Turning Wood oyster Box; I recently leant how to make an oyster shape box on the As you can lathe I used silky oak for this demonstration. Here’s a see, it has the step by step version of how; Make a cylinder about 6 or spigot facing 7 inches long out. and about 3 to 4 inches in diameter. as shown in the next picture Next you need to turn a dish into the end of the piece. The time to put your finish on is now. Approximately in the centre of this cylinder cut a groove about 1/4” deep and 3/8” wide. See next picture. Next you will need to cut a radius on the edge and cut the back of the piece most of the way down. Try to main- tain a constant thickness. Now you part off the piece. It will look something like this. It will be put into the next piece to finish it. Then cut an- other near one side of this groove. As shown. The spigot on the left will slip into a bell that you will cut into the piece on the right. The tiny Turn a recess for the spigot that re- spigot to fit into. This mains on this will be your jam chuck so make it piece will serve a tight fit. as a reference for Finish the piece. Remove it from the size of the bell that you will cut into it.
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2020 Spoon Gathering June 4, 5 & 6, 2020
2020 Spoon Gathering June 4, 5 & 6, 2020 Join us in Milan for 3 enjoyable days of carving, green woodworking, demonstrations, workshops, presentations, networking, and friendship. Mission statement. Sharing the knowledge of carving spoons and related handcrafts, while creating an inclusive gathering for all. Preparations for the 2020 Spoon Gathering are a work in progress. Some details may change as the event draws closer. If you have not attended before, please contact the school so that you can be added to the email list and receive any updated information as it comes available. Feel free to contact the school with any questions. 1 The Spoon Gathering The seed for a unique green woodworking event was planted more than a decade ago by artist and MVAS spoon carving instructor, Frank Foltz. Frank and the early organizers of the Spoon Gathering envisaged the creation of an event that would encourage carvers and spoon enthusiasts to gather once a year to celebrate the humble wooden spoon. What started as a small gathering of spoon carvers and enthusiasts in St. Paul has grown into a vibrant and entertaining 3-day festival of carving, friendship, and learning. Each year, carvers from across the United States and beyond converge on Milan to celebrate the wooden spoon, an international symbol of family, meals, and friendship. The Spoon Gathering today offers a family friendly event for those interested in wood spoon carving and traditional handcrafts. Demonstrations, workshops, and presentations are varied and are sourced from not just the world of spoon carving, but also related arts, skills, and knowledge.
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Ages 12-16 Classes: 1
DEPARTMENT 10 - ARTS AND CRAFTS FOR YOUTH **Cedar County Residents or Cedar County 4-H Enrollees Only** **Only one entry per Exhibitor per Class** All articles exhibited must be the work of the exhibitor and must not have won a prize at a previous Cedar County Fair. Ages must be on the exhibit. All pictures or items that need to be hung have to have 2 eye hooks and wire on the back. (If not, subject to dock) Champion $2.00; Reserve Champion $1.00 Prizes - 1st $3.00; 2nd 2.00; 3rd $1.00 Section 200 – Arts and Crafts Ages 12-16 Classes: 1. Antique article 25. Metal craft 2. Art foam article 26. Modge-podge 3. Batik-dyed article 27. Mosaic, glass or plastic 4. Basket weaving 28. Mosaic, tile 5. Bead craft 29. Nylon net article 6. Bottle cutting 30. Original rock craft 7. Bottle painting 31. Paper craft 8. Candle making 32. Paper-mâché 9. Ceramics 33. Paper quelling 10. Chenille craft 34. Pinecone craft 11. China painting 35. Plastic article 12. Clay craft 36. Pottery 13. Decoupage 37. Seed craft 14. Dough art 38. Soap decorating 15. Ecology box 39. Soap carving 16. Feather article 40. Stained glass 17. Felt article 41. String art 18. Flowers, handmade 42. Styrofoam article 19. Flowers, winter bouquet 43. Tie dye article 20. Jewelry, handmade 44. Weaving 21. Leather craft 45. Any article 22. Lego Item 23. Macaroni art 24. Macramé Section 201 - Collections Ages 12-16 Classes: 1. Buttons 7. Photography 2. Dolls 8. Rocks 3. Keys 9.
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Library-By-Media.Pdf
Card# Title Author Media Group 168 SHAKER BAND SAW PROJECTS DUGINAKE/MORRIS BOOK band saw 156 BANDSAW HANDBOOK VOL #2 (dup 131) DUGINSKE BOOK band saw 369 BANDSAW WORKSHOP BENCH REF. DUGINSKE, MARK BOOK band saw 314 SHOP TIPS bandsaw RODALE BOOKS BOOK band saw 138 BUILDING BEAUTIFUL BOXES/BANDSAW VENTURA, LOIS KEENER BOOK band saw 52 THE ART OF THE BAND SAW DUGINSKE, MARK BOOK bandsaw 133 MILTI USE COLLAPSIBLE BASKETS LONGABAUGH RICK & KAREN BOOK baskets 155 COLLAPSIBLE BASKET PATTERNS LONGABOUGH R& K BOOK baskets 227 THE BIRD FEEDER BOOK BOSWELL, THOM BOOK birds 389 EASY TO MAKE BIRD FEEDERS CAMPBELL, SCOTT D BOOK birds 416 MAKING BACKYARD BIRD HOUSES CORTWRIGHT AND POKRIOTS BOOK birds 147 MAKING FANCY BIRDHOUSES & FEEDERS D BOOK birds 620 BIRD HOUSES AND FEEDERS MEISEL, PAUL BOOK birds 229 BEASTLY ABODES-BIRDS, BATS, BUTTERFLY NEEDHAM,BOBBE BOOK birds 621 MAKING FANCY BIRD HOUSES AND FEEDERS SELF, CHARLES BOOK birds 346 BOATBUILDING CHAPELLE, HOWARD BOOK boat 471 BUILDING A STRIP CANOE GILPATRICK,GIL BOOK boat 428 STRIPPERS GUIDE/CANOE BLDNG HAZEN,DAVID BOOK boat 197 CLINKERBOAT BUILDING LEATHER,JOHN BOOK boat 478 STRIP-BUILT BOATS MILLER,LEW BOOK boat 427 CANOE CRAFT MOORES, TED-MOHR,MERILYN BOOK boat 722 BOAT MODELING PAYSON, DYNAMITE BOOK boat 472 BUILDING LAPSTRAKE CANOES SIMMONS, WALTER BOOK boat 474 LAPSTRAKE BOATBUILDING SIMMONS, WALTER BOOK boat 391 BUILDING THE CANOE STELMAK,JERRY BOOK boat 470 WOOD AND CANVAS CANOE STELMOK, JERRY BOOK boat 476 BUILDING THE HERRESHOFF DINGHY THOMAS, BARRY BOOK boat 475 LOFTING VAITSES,ALLAN H BOOK boat 450 BUILD A BOAT WOOD BOAT MAGAZINE BOOK boat 477 BOAT BUILDING WOODS WOODENBOAT MAGAZINE BOOK boat 429 BLDNG BOB'S SPECIAL CANOE BOOK boat 422 HOW TO DESIGN CANOES BOOK boat 43 MAKING WOOD BOXES W/ BAND SAW CRABB BOOK boxes 325 FINE DEC.
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The Ward Family of Deltaville Combined 28,220 Hours of Service to the Museum Over the Course of the Last St
Fall 2012 Mission Statement contents The mission of the Chesapeake Bay Maritime Museum is to inspire an understanding of and appreciation for the rich maritime Volunteers recognized for service heritage of the Chesapeake Bay and its tidal reaches, together with the artifacts, cultures and connections between this place and its people. Vision Statement The vision of the Chesapeake Bay Maritime Museum is to be the premier maritime museum for studying, exhibiting, preserving and celebrating the important history and culture of the largest estuary in the United States, the Chesapeake Bay. Sign up for our e-Newsletter and stay up-to-date on all of the news and events at the Museum. Email [email protected] to be added to our mailing list. Keep up-to-date on Facebook. facebook.com/mymaritimemuseum Follow the Museum’s progress on historic Chesapeake boat 15 9 PHOTO BY DICK COOPER 2023 2313 restoration projects and updates on the (Pictured front row, from left) George MacMillan, Don Goodliffe, Pam White, Connie Robinson, Apprentice For a Day Program. Mary Sue Traynelis, Carol Michelson, Audrey Brown, Molly Anderson, Pat Scott, Paul Ray, Paul Chesapeakeboats.blogspot.com Carroll, Mike Corliss, Ron Lesher, Cliff Stretmater, Jane Hopkinson, Sal Simoncini, Elizabeth A general education forum Simoncini, Annabel Lesher, Irene Cancio, Jim Blakely, Edna Blakely. and valuable resource of stories, links, and information for the curious of minds. FEATURES (Second row, from left) David Robinson, Ann Sweeney, Barbara Reisert, Roger Galvin, John Stumpf, 3 CHAIRMAN’S MESSAGE 12 LIFELINES 15 Bob Petizon, Angus MacInnes, Nick Green, Bill Price, Ed Thieler, Hugh Whitaker, Jerry Friedman.
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Carving Horse Portraits in Relief : Patterns and Complete Instruction for Five Horses Pdf, Epub, Ebook
CARVING HORSE PORTRAITS IN RELIEF : PATTERNS AND COMPLETE INSTRUCTION FOR FIVE HORSES PDF, EPUB, EBOOK Kurt Koch | 64 pages | 01 Sep 2002 | Independent Publishers Group | 9781565231801 | English | Chicago, IL, United States Carving Horse Portraits in Relief : Patterns and Complete Instruction for Five Horses PDF Book Basic termsWoods used in relief carving How to transfer your pattern Band saw cutting your blank The basic tool kit Five Stages of relief carving Basic tool cuts Simple flower carving. Becoming acquainted with the phases of relief carving , its different styles, and the various cuts that are associated with each style, will prepare you to start your relief carving career. Your hot tipped pen can permanently set those small graphite smudges or pattern lines into the work as you begin the burning. Both of these areas are shaded. At high temperatures and solid fills you can achieve solid black areas in your work. Modify a staple remover to create a fierce but functional dragon for your desk. The greatest contrast of those tones are found in the barn roof overhangs where the pure white of the snow meets the darkest black tone of the barn wall shadows. Take the time to research if you are unsure which path to take. These areas of pale value will be strengthened as you do further work on your art. Just in the St. Where this same tail feather rolls forward and over the 3-cent frame it becomes the highlighted area that receives light, so you will be shading the frame as the underneath element. A unique look at the grandfather of caricature carving's lesser known work.
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2021 Fair Book Is Dedicated in Memory Of
MIDWAY Pre-Register by July 6th Register free online at: osceolacountyfairgrounds.com from June 7th - July 17th TABLE OF CONTENTS OFFICERS & BOARD OF DIRECTORS ....................... 3 BAKED GOODS………………………...………….38 SUPERINTENDENTS DUTIES ..................................... 3 CANNING…………………………………………..38 POLICY FOR SELECTING A CHAMPION FANCY WORK ........................................................ 39 FOR CONFORMATION .................. 3 CERAMICS ............................................................... 39 FAIRGROUNDS RULES AND REGULATIONS ......... 4 SHOP CAREERS ...................................................... 40 EXHIBITORS RULES AND REGULATIONS ........... 4-9 ARTS ......................................................................... 40 Animal Specific Rules ............................................... 6 CRAFTS .................................................................... 41 Small Animal Market Guide ..................................... 7 PHOTOGRAPHY ..................................................... 41 Market Poultry .......................................................... 7 FIRST AID & SAFETY ............................................ 41 Market Rabbits .......................................................... 7 SCIENCES ................................................................ 42 Market Goats ............................................................. 7 CONSERVATION/NAT RESOURCES ................... 42 Dairy Beef ................................................................. 7
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Woodworking, B
WOOD SCIENCE PROJECT GUIDELINES GOALS: A. To develop an appreciation for woodworking, B. To understand the uses of different kinds of wood. C. To Learn to measure, cut, sand and finish a wood project C. To learn safe, proper use of woodworking tools and related items. D. To learn how to prepare wood for finishing and to select the proper finish for the intended use of the project created E. Appreciate wood as a valuable and renewable energy source F. Explore wood carving, wood harvesting, tooling, refinishing and antiquing. Learning Activities & Suggestions: Develop a step by step procedures for each item to be made. This procedure should include, but is not limited to, the following: 1. Determine what is to be accomplished. 2. Draw to scale or use a print to determine the amount of stock required, construction steps, and changes etc. 3. Rough cut the stock. 4. Machine to drawing or print. 5. Finish. A series of woodworking bulletins and resources books are available at the 4-H office. Advanced and Intermediate members are encouraged to develop their own project designs. GUIDELINES: Woodworking Introductory (suggested ages 9-12) The member is to exhibit three different items that he/she made of elementary nature. The items may include bookracks, cutting board’s etc. Power tools may be used at the discretion of the leader. Prints of plans should be included with the exhibit. Intermediate (suggested ages 12-15) Two different items are to be exhibited which show increased skill in workmanship. Items in this class should have some type of jointer such as spline and miter or mortise and tenon.
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Overlay Ornament Match the Pattern Using a Curved Jig on a Scroll Length Instead of 10” and Turn a Separate Saw
drilled for eyes and mouth using a hemisphere to accept more than 3/8” diameter so you can’t jig on a drill press. Then the blank is sawn to choke up on the rod as much, then use a 5” Overlay Ornament match the pattern using a curved jig on a scroll length instead of 10” and turn a separate saw. Some slight carving is done to accent the wooden handle. sun’s features. Eyes are turned and inserted. A finial blank is hollowed convex using the hollowing jig, then reversed and turned. A hanger is made from twisted and then flattened wire to give a chain effect, and the ornament is assembled. The Cutting Tool Prepare 1/2” drill rod for the cutting tool by cutting it 10” long. Ensure the ends are reasonably square and bevel them slightly as in the top image of Figure #1. Select a 3/16” square tool bit and an I drill bit. If you use a different sized bit you can determine the round hole it will fit best into with a set of drill gauges as in the bottom image of Figure #1. Smiling Sun Overlay Ornament. Yellowheart sun, Maple cap, Blue shatterproof ornament. Introduction Figure #2: Center drill and drill a hole for the tool bit in the rod. Originally I was going to call this article Obtarsia Ornament (for intarsia on an orb). But Now drill and tap the rod for a set screw. I used I make a batch of ornaments for relatives and a 1/8” long 1/4x20 set screw.
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Dept Y-01 Dairy Cattle; Heifers
DEPT Y-01 DAIRY CATTLE; HEIFERS ENTRIES MEMBERS NAME CLUB Top Dairy Educational Exhibit Morgan Howard Holy Cross Registered Holstein Jr. Champion Nick Hoffmann Lakeview Registered Holstein Jr. Reserve Champion Luke Hamm Holy Cross Registered Holstein Jr. Honorable Mention Kayla Burger Town & Country Registered Holstein Sr. Champion Caryn Hamm Holy Cross Registered Holstein Reserve Sr. Champion Kayla Hamm Holy Cross Registered Holstein Sr. Honorable Mention Josie Robinson Holy Cross Registered Holstein Grand Champion Caryn Hamm Holy Cross Registered Holstein Reserve Grand Champion Kayla Hamm Holy Cross Grade Holstein Jr Champion Elizabeth Holmes Knellsville Grade Holstein Reserve Jr. Champion Scarlett Wielbeski Town & Country Grade Holstein Jr. Honorable Mention Molly Fyhrlund Knellsville Grade Holstein Sr. Champion Kayla Hamm Holy Cross Grade Holstein Reserve Sr. Champion Logan Bell Knellsville Grade Holstein Sr. Honorable Mention Payton Rychtik Knellsville Reserve Champion Brown Swiss Paige Kurlinski Lakeview Grand Champion Brown Swiss Briana Heinen Knellsville Sr. Dairy Showmanship Payton Rychtik Knellsville Int. Dairy Showmanship Zach Rusch Town & Country Jr. Dairy Showmanship Audrey Hosseini Covered Bridge Sr. Best Fitted By Exhibitor Kayla Hamm Holy Cross Jr. Best Fitted By Exhibitor Elizabeth Holmes Knellsville Int. Best Fitted by Exhibitor Nick Hoffmann Lakeview Large Club Herd Holy Cross Small Club Herd Lindenwood Jr. Supreme Champion Elizabeth Holmes Knellsville Jr. Supreme Reserve Champion Amanda Fix Town & Country Grade Holstein Grand Champion Kayla Hamm Holy Cross Grade Holstein Reserve Grand Champion Logan Bell Knellsville Senior Supreme Champion Caryn Hamm Holy Cross Senior Supreme Reserve Champion Kayla Hamm Holy Cross Large Club Herdsmanship-1st Pl. Holy Cross Large Club Cloverleaf / Little Kohler / Herdsmanship-2nd Pl.
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Winter 1989 Gems & Gemology
WINTER 1989 Volume 25 No. 4 TABLE OF CONTENTS EDITORIAL Reflections on the 1980s Richard T Liddicoat FEATURE Emerald and Gold Treasures of the Spanish Galleon ARTICLES Nuestra Seiiora de Atocha Robert E. IZane, Robert C. IZammerling, Rhyna Moldes, John I. Koivula, Shane E McClure, and Christopher P. Smith Zircon from the Harts Range, Northern Territory, Australia Maxwell J Faulkner and lames E. Shigley Blue Pectolite from the Dominican Republic Robert E. Woodr~lf/and Emmanuel Fritsch NOTES Reflectance Infrared Spectroscopy in Gemology AND NEW E Martin, H. Merigoux, and P. Zecchini TECHNIQUES Mildly Radioactive Rhinestones and Synthetic Spinel-and-Glass Triplets Knit Nassau and Edward A, Lewand REGULAR Gem Trade Lab Notes FEATURES Gem News Book Reviews Gemological Abstracts Annual Index ABOUT THE COVER: During the 1600s the Spanish conquerors of the New Worldshipped tons of gold, silver, and copper back to their mother country. They also sent back thousands of carats of rough and jewel-set emeralds. This rosary was one of the many emerald treasurers b~oughtup from the sunken Nuestra Senora de Atocha during the past decade. It had been in its underwater tomb for over 350 years. Staff at the GIA Gem Trade Laboratory and their colleagues have examined several of the emerald and gold treasures recovered from the shipwreck; they report their gemological discoveries and observations on the goldwork in this issue. Photo by Shane i? McClure, CIA Gem Trade Laboratory, Santa Monica, CA. Typesetting for Gems & Gemology is by Scientific Composition, Los Angeles, CA. Color separations are by Effective Graphics, Compton, CA. Printing is by Waverly Press, Easton, MD.
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Master Woodworking Artist of the Year” to a Commendable Artist Each Year in Their Field
FFoorreesstt HHeerriittaaggee CCeenntteerr 22002211 JJuurriiieedd EExxhhiiibbiiitt P.O. Box 157 - Broken Bow, Oklahoma 74728 (580) 494-6497 Fax (580) 494-6689 E-mail [email protected] Regulations and Guidelines Contest Rules & Regulations: In 2010, the Forest Heritage Center was recognized by the Senate’s Concurrent Resolution 35 as the “Wood Art Capital of Oklahoma”. This resolution authorized the Forest Heritage Center to convey the title of “Master Woodworking Artist of the Year” to a commendable artist each year in their field. A setting of lush forests, crystal clear streams and an abundance of wildlife surround the Forest Heritage Center and provide the backdrop for this exhibit. The diversity of wood and forestry products are highlighted in the skilled hands of master wood artists with techniques such as carving, turning, marquetry, and intarsia. The entries for the show represent some of the nation’s most intriguing and innovative pieces from the “best of the best” of the wood art community. This exhibit will provide an excellent opportunity for woodworking artists to present their work to the public in a museum gallery setting that features first-class wood art collections as well as other historical forestry exhibits. Eligibility / Entry Guidelines: Woodworking artist 18 years of age or older. Galleries, agents and collectors may not submit artwork on behalf of artists The Forest Heritage Center staff, jurors and judges are not eligible to participate in this exhibit Artwork must be 50% wood or wood composite Artwork must remain in the gallery for the entire exhibit Artwork must be original and completed within the last 2 years.
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