Metrical Psalmody in Print and Practice for My Parents Metrical Psalmody in Print and Practice
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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Preface V 1-0-0
The Psalms in metre Preface !1 © Dru Brooke-Taylor 2015, the author’s moral rights have been asserted. For further information both on copyright and how to use this material see https://psalmsandpsimilar.wordpress.com v 1.0.0 : 11 iii 2015 !2 Table of Contents What this site is about 5 How to find what you are looking for 5 Copyright IP etc 6 UK copyright 9 How to use this collection 10 1. Liturgical Rules 10 The Lectionary:- 11 Service of the Word:- 11 Morning and Evening Prayer:- 11 Compline:- 11 Holy Communion:- 11 Daily Prayer:- 11 Book of Common Prayer:- 11 2. A Plea for more Imaginative Arrangements 12 3. Metre 12 The Three Standard Metres 12 Other metres 15 4. Table of Abbreviations 16 5. Some useful links 16 The Words 17 1. The problem with Psalms 18 2. The three solutions to the Problem 18 The first option 18 The second option 18 The third option 19 3. The translation tension 19 4. Why Common Metre 21 5. The traditional versions 22 A. Sternhold and Hopkins (SH) – the Old Version 22 B. Tate and Brady (TB) – the New Version 23 C. Rous (R) – the Scottish Version 23 D. Isaac Watts (W) – the Dissenters’ Version 25 E. Other versions 26 6. Doxologies in various metres 26 CM 26 Milton’s version 26 LM 26 SM 26 10,10,10,10 26 10,10,11,11 – (Ps 104 metre) 27 8,7,8,7 27 888 888 27 866888 – Ps 121 metre 27 Ps 122 metre 27 668668 28 888866 – Ps 125 metre 28 6666 4444 – Ps 148 metre 28 7676D 28 !3 7,7,7,7 7,7 28 The Tunes 28 1. -
CALVIN BIBLIOGRAPHY 1989 Compiled By
CALVIN BIBLIOGRAPHY 1989 compiled by PETER DE KLERK NOTE: In this bibliography the closest English equivalents have been substituted for some of the non-English characters. I. BIBLIOGRAPHIES De Klerk, Peter. "Calvin bibliography 1988" Calvin Theological Journal 23 (1988) 195-221. "The status of the Calvin bibliography" in Calvinus servus Christi. Die Referate des Internationalen Kongresses für Calvinforschung vom 25. bis 28. August 1986 in Debrecen. Hrsg. von Wilhelm Heinrich Neuser. Budapest: Presseabteilung des Ráday- Kollegiums, 1988. Pp. 263-264. II. CALVIN'S WORKS Α. WORKS [Institutes of the Christian religion] (1536) (in Japanese) Tokyo: Kyobun-ban, 1986. Institución de la religión Cristiana. Traducida y publicada por Cipriano de Valera en 1597, reeditada por Luis de Usoz y Río en 1858, nueva edición revisada en 1967. Buenos Aires/Grand Rapids: Nueva Creación, 1988. B. SELECTED WORKS "Calvijn aan Koning Sigismund August van Polen" (Brief d.d. 9 december 1552), vertaald door Willem Balke, De Waarheidsvriend 73 (1985) 145,148,160-161. "[Faux] privilège rédigé [en Latin] par Jean Calvin," tr. par Bernard Roussel, in Olivétan, traducteur de la Bible. Actes du Colloque Olivétan, Noyon, mai 1985, présentés par Georges Casalis et Bernard Roussel. Paris: Les Éditions du Cerf, 1987. Pp. 163-168. "Préface de Jean Calvin au Nouveau Testament de la Bible de 1535" in Olivétan, traducteur de la Bible. Actes du Colloque Olivétan, Noyon, mai 1985, présentés par Georges Casalis et Bernard Roussel. Paris: Les Éditions du Cerf, 1987. Pp. 177-189. Also entitled "Épître à tous amateurs de Jésus-Christ et de son évangile" (1535) in ha vraie piété. -
A Guide to Resources for SINGING and PRAYING the PSALMS
READ PRAY SING A Guide to Resources for SINGING and PRAYING the PSALMS – WELCOME – Voices of the Past on the Psalter We are delighted you have come to this conference, and I pray it has been helpful to you. Part of our aim is that you be encouraged and helped to make use of the Psalms in your own worship, using them as a guide for prayer and Dietrich Bonhoeffer singing. To that end we have prepared this booklet with some suggested “Whenever the Psalter is abandoned, an incomparable treasure vanishes from resources and an explanation of metrical psalms. the Christian church. With its recovery will come unsuspected power.” Special thanks are due to Michael Garrett who put this booklet together. We Charles Spurgeon have incorporated some material previously prepared by James Grant as well. “Time was when the Psalms were not only rehearsed in all the churches from day to day, but they were so universally sung that the common people As God has seen fit to give us a book of prayers and songs, and since he has knew them, even if they did not know the letters in which they were written. so richly blessed its use in the past, surely we do well to make every use of it Time was when bishops would ordain no man to the ministry unless he knew today. May your knowledge of God, your daily experience of him be deeply “David” from end to end, and could repeat each psalm correctly; even Councils enhanced as you use his words to teach you to speak to him. -
Famous Men of the Renaissance & Reformation Free
FREE FAMOUS MEN OF THE RENAISSANCE & REFORMATION PDF Robert G Shearer,Rob Shearer | 196 pages | 01 Sep 2000 | Greenleaf Press | 9781882514106 | English | United States Protestant Reformers - Wikipedia We offer thousands of quality curricula, workbooks, and references to meet your homeschooling Famous Men of the Renaissance & Reformation. To assist you in your choices, we have included the following symbol next to those materials that specifically reflect a Christian worldview. If you have any questions about specific products, our knowledgeable Homeschool Specialists will be glad to help you. What would you like to know about this Famous Men of the Renaissance & Reformation Please enter your name, your email and your question regarding the product in the fields below, and we'll answer you in the next hours. You can unsubscribe at any time. Enter email address. Welcome to Christianbook. Sign in or create an account. Search by title, catalog stockauthor, isbn, etc. Bible Sale of the Season. By: Rob ShearerCyndy Shearer. Wishlist Wishlist. More in Greenleaf Guides Series. Write a Review. Advanced Search Links. Product Close-up This product is not available for expedited shipping. Add To Cart. Famous Men of the Middle Ages. Exploring Creation with Zoology 3 Notebooking Journal. Science in the Ancient World. Softcover Text, Vol. The Magna Charta. Revised Edition. The Door in the Wall. Sword Song. Famous Men of Greece--Student's Book. Maps and additional content are included where appropriate. Perfect for oral or written work! May be used with students from 2nd grade through high school. Related Products. Robert G. Rob ShearerCyndy Shearer. Cynthia Shearer. -
Part Two Patrons and Printers
PART TWO PATRONS AND PRINTERS CHAPTER VI PATRONAGE The Significance of Dedications The Elizabethan period was a watershed in the history of literary patronage. The printing press had provided a means for easier publication, distribution and availability of books; and therefore a great patron, the public, was accessible to all authors who managed to get Into print. In previous times there were too many discourage- ments and hardships to be borne so that writing attracted only the dedicated and clearly talented writer. In addition, generous patrons were not at all plentiful and most authors had to be engaged in other occupations to make a living. In the last half of the sixteenth century, a far-reaching change is easily discernible. By that time there were more writers than there were patrons, and a noticeable change occurred In the relationship between patron and protge'. In- stead of a writer quietly producing a piece of literature for his patron's circle of friends, as he would have done in medieval times, he was now merely one of a crowd of unattached suitors clamouring for the favours and benefits of the rich. Only a fortunate few were able to find a patron generous enough to enable them to live by their pen. 1 Most had to work at other vocations and/or cultivate the patronage of the public and the publishers. •The fact that only a small number of persons had more than a few works dedicated to them indicates the difficulty in finding a beneficent patron. An examination of 568 dedications of religious works reveals that only ten &catees received more than ten dedications and only twelve received between four and nine. -
I. a Humanist John Merbecke
Durham E-Theses Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550) Kim, Hyun-Ah How to cite: Kim, Hyun-Ah (2005) Renaissance humanism and John Merbecke's - The booke of Common praier noted (1550), Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2767/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Hyun-Ah Kim A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Durham University Department of Music Durham University .2005 m 2001 ABSTRACT Hyun-Ah Kim Renaissance Humanism and John Merbecke's The booke of Common praier noted (1550) Renaissance humanism was an intellectual technique which contributed most to the origin and development of the Reformation. -
Introduction to the Genevan Psalter
Introduction to the Genevan Psalter David T. Koyzis, Redeemer University College, Ancaster, Ontario, Canada The chief liturgical book of God’s people For millennia the biblical psalter has been the chief liturgical book of God’s people of the old and new covenants. The Psalms are unique in that they simultaneously reflect the full range of human experience and reveal to us God’s word. In them we hear expressions of joy and lament, cries for revenge against enemies, confession of sin, acknowledgement of utter dependence on God, recitations of his mighty acts in history, and finally songs of praise and adoration. With the rest of the Old Testament, Christians share the biblical Psalter with the Jewish people, with whom it originates. Many of the Psalms are ascribed to David himself, and there is even a tradition making him the author of the entirety of the book. While there is no certainty to the ascriptions traditionally prefacing each psalm, it is likely that many of them do indeed originate with the revered founder of the Judaic dynasty. If the latest of the psalms were composed during the Persian and perhaps even into the Hasmonean eras, then the Psalter was compiled over the better part of a millennium of Jewish history before being finalized sometime during the second temple period. Translated into Greek as part of the Septuagint, the Psalms naturally found their way into early Christian usage as well. The New Testament writers see in several of the Psalms, for example Psalms 2, 8, 22, 41, 69, 110 and 118, a foretaste of the coming Messiah. -
The Account Book of a Marian Bookseller, 1553-4
THE ACCOUNT BOOK OF A MARIAN BOOKSELLER, 1553-4 JOHN N. KING MS. EGERTON 2974, fois. 67-8, preserves in fragmentary form accounts from the day-book of a London stationer who was active during the brief interval between the death on 6 July 1553 of Edward VI, whose regents allowed unprecedented liberty to Protestant authors, printers, publishers, and booksellers, and the reimposition of statutory restraints on publication by the government of Queen Mary. The entries for dates, titles, quantities, paper, and prices make it clear that the leaves come from a bookseller's ledger book. Their record of the articles sold each day at the stationer's shop provides a unique view of the London book trade at an unusually turbulent point in the history of English publishing. Before they came into the holdings of the British Museum, the two paper leaves (fig. i) were removed from a copy of William Alley's The poore mans librarie (1565) that belonged to Thomas Sharpe of Coventry. They are described as having been pasted at the end ofthe volume *as a fly leaf, and after their removal, William Hamper enclosed them as a gift in a letter of 17 March 1810 to the Revd Thomas Frognall Dibdin (MS. Egerton 2974, fois. 62, 64). The leaves are unevenly trimmed, but each measures approximately 376 x 145 mm overall. Because of their format they are now bound separately, but they formed part of a group of letters to Dibdin purchased loose and later bound in the Museum, so they belong together with MS. -