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Multiple Jeopardy and Consciousness of Black Women in Hidden Figures Film

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Multiple Jeopardy and Consciousness of Black Women in Hidden Figures Film MULTIPLE JEOPARDY AND CONSCIOUSNESS OF BLACK WOMEN IN HIDDEN FIGURES FILM A Thesis Submitted to Faculty of Adab and Humanities In Partial Fulfillment of the Requirements for the Degree of Strata One (S1) FARISA NAJMI FAUZIAH NIM 11140260000034 DEPARTMENT OF ENGLISH LITERATURE FACULTY OF ADAB AND HUMANITIES UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2019 ABSTRACT Farisa Najmi Fauziah, Multiple Jeopardy and Consciousness of Black Women in Hidden Figures Film. A thesis: Department of English Literature, Faculty of Adab and Humanities, Universitas Islam Negeri Syarif Hidayatullah Jakarta, 2019. This research aims to show that black women, as they represented in Hidden Figures film, have multiple jeopardy which means that there are systems of inequality that work with and through each other to shape their experience uniquely. Furthermore, this research also aims to show whether their multiple jeopardy leads to the raising of consciousness that helps each character to fight the injustices. The method used in this research is descriptive qualitative. The theory of multiple jeopardy and consciousness by a black feminist scholar, Deborah K. King is used to support the analysis. The result shows that white men are on the top of hierarchy status, while black women are in the subordinate position along with white women and black men. Though the three groups share a similar subordinate status, it is revealed that black women multiple jeopardy made them experienced incomparable discrimination compared to other groups. Black women even ironically discriminated by black men and white women who are also in the subordinate position. In short, black women's position is not equal to black men and white women, but below them. Hence, there are many obstacles for them to pursue their own liberty. Moreover, it is revealed that their unique position helps them gained the multiple consciousness that black women have but no other group has. This consciousness is important because it made them able to understand that they do not have to accept the systematic discrimination that shaped the inequalities in their daily experience and bravely fight for the injustices. In conclusion, women who burdened by multiple jeopardy also have multiple consciousness that leads them to pursue their liberty. Keywords: women, black feminism, multiple jeopardy, Deborah K. King, consciousness i APPROVAL SHEET MULTIPLE JEOPARDY AND CONSCIOUSNESS OF BLACK WOMEN IN HIDDEN FIGURES FILM A Thesis Submitted to Faculty of Adab and Humanities In Partial Fulfillment of the Requirements for the Degree of Strata One (S1) FARISA NAJMI FAUZIAH 11140260000034 Approved by: Advisor, Ida Rosida, M.Hum (Day/Date: Monday/November 11, 2019) DEPARTMENT OF ENGLISH LITERATURE FACULTY OF ADAB AND HUMANITIES UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 2019 ii LEGALIZATION Name : Farisa Najmi Fauziah NIM : 11140260000034 Title : Multiple Jeopardy and Consciousness of Black Women in Hidden Figures Film This thesis entitled above has been defended before the Faculty of Adab and Humanities Examination Committee on December 20th, 2019. It has already been accepted as partial fulfillment of the requirements for the degree of strata one. Jakarta, December 20th, 2019 Examination Committee Signature Date 1. Hasnul Insani, PhD. (Chair) 197605012008012010 2. M. Agus Suriadi, M. Hum. (Secretary) 197808012014111001 3. Ida Rosida, M.Hum (Advisor) 4. Arief Rahman Hakim, M.Hum.(Examiner I) 5. Inayatul Chusna, M.Hum. (Examiner II) 197801262003122002 iii DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no same material previously published or written by another person which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institutes of higher learning, except where due acknowledgement has been made in text. Jakarta, 20th December 2019 Farisa Najmi Fauziah iv ACKNOWLEDGEMENT In the Name of Allah, the Most Gracious, the Most Merciful. All the praises and thanks be to Allah, the Lord of the 'Alamin for the eternal guidance and blessings to the writer so she could complete her thesis. May the peace and blessings of Allah be upon our beloved Prophet Muhammad, his family, and his companions. Deepest gratitude to writer’s parents: Renny Nurbaeny and Iwan Setiawan for giving her everlasting support, patience, and love. To writer’s grandmother, Siti Zakiah who always reminds her to be a good person that loves to help other people. Their prayers which always accompany the writer in every step she takes, make it possible for the writer’s to face any challenges in her journey. Also to her sisters Savira, Alina, Nadine, and her brother Tival who always bring her happiness. May Allah always bless our family. Special gratitude to Ida Rosida, M. Hum for being a great advisor. The writer is thankful for her advices and patience as they made it possible for the writer to finish her thesis with joy. May Allah bless her and her family. The writer would like to declare her deepest gratitude for: 1. Saiful Umam, Ph. D., the dean of Faculty of Adab and Humanities, State Islamic University of Syarif Hidayatullah Jakarta. 2. Hasnul Insani, Ph. D., as the head of English Literature Department. 3. M. Agus Suriadi, M. Hum., as the secretary of English Literature Department. 4. All the lectures in the Department of English Literature. 5. Huge thanks to Jehan Shofiah, Ainul Mardliyah, Farha Dinanti Kirli, Fena Basafiana, Ariestia Anindita, Debby Praditya Andini, Rahayu Utaminingsih, and Zaki Ari Setiawan for being writer’s best friends. May all the good things in life come to you all. 6. Thanks to fellow classmates and friends who helped the writer’s a lot: Laili, Abu, Guntur, Bobi, Mul, Nabil, Ghesty, Laila, Fazaky, Ningdyah, Wina, v Arika, Abu, Obi, Qusye, Fikar, Andi, Icha, Puput, Rakan, Tamara, and all of writer’s friends in Class B and Literature Class. 7. People that the writer’s met in Rusabesi, thank you for the knowledge and laugh that we share together. Jakarta, 20th December 2019 vi TABLE OF CONTENTS ABSTRACT ...................................................................................................................i APPROVAL SHEET .................................................................................................... ii LEGALIZATION ........................................................................................................ iii DECLARATION.......................................................................................................... iv ACKNOWLEDGEMENT ............................................................................................ v TABLE OF CONTENTS ............................................................................................ vii CHAPTER I ..................................................................................................................1 INTRODUCTION .........................................................................................................1 A. Background of Study .........................................................................................1 B. Focus of the Research ........................................................................................4 C. Research Questions............................................................................................4 D. Research Objective ............................................................................................4 E. Research Significance ........................................................................................4 F. Research Methodology ......................................................................................4 a. Research Method ...........................................................................................4 b. Data Analysis Technique ...............................................................................5 c. Research Instrument .....................................................................................5 d. Unit of Analysis ..............................................................................................5 e. Research Time and Place ...............................................................................5 CHAPTER II .................................................................................................................6 THEORETICAL FRAMEWORK ...............................................................................6 A. Previous Research .............................................................................................6 CHAPTER III ............................................................................................................. 15 RESEARCH FINDINGS ............................................................................................ 15 A. Characters ....................................................................................................... 16 1. Katherine Johnson ....................................................................................... 16 2. Dorothy Vaughan......................................................................................... 17 3. Mary Jackson ............................................................................................... 18 B. Multiple Jeopardy of Black Women ............................................................... 19 1. Black Women and White Women ..............................................................
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