'Home Truths' on Intersectionality
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An Intersectional Feminist Approach
GUIDING PRINCIPLE 1 AN INTERSECTIONAL FEMINIST APPROACH An intersectional approach to feminism acknowledges that while women share similar experiences of discrimination, harassment, sexism, inequality and oppression on the basis of their sex and gender, not all women are equally disadvantaged or have equal access to resources, power and privilege. An intersectional approach to feminism requires analysis and action that is not only gendered, but considers how other forms of systemic oppression and discrimination – such as racism, homophobia, transphobia, biphobia or ableism – can intersect with and impact on women’s experiences of gender, inequality, discrimination, harassment, violence or abuse. In the context of addressing violence against women, an intersectional approach recognises that the way women experience gender and inequality can be different based on a range of other cultural, individual, historical, environmental or structural factors including (but not limited to) race, age, geographic location, sexual orientation, ability or class. This approach also recognises that the drivers, dynamics and impacts of violence women experience can be compounded and magnified by their experience of other forms of oppression and inequality, resulting in some groups of women experiencing higher rates and/or more severe forms of violence, or facing barriers to support and safety that other women do not experience. DVRCV stands in solidarity with and supports work that addresses other forms of discrimination and oppression. We actively promote and give voice to this work and support those leading it to consider gender in their approach, just as we consider how our work to address violence against women can challenge other forms of oppression that women experience. -
Thinking Intersectionally About Women, Race, and Social Control Kimberlé W
From Private Violence to Mass Incarceration: Thinking Intersectionally About Women, Race, and Social Control Kimberlé W. Crenshaw ABSTRACT UCLA LAW REVIEW UCLA LAW The structural and political dimensions of gender violence and mass incarceration are linked in multiple ways. The myriad causes and consequences of mass incarceration discussed herein call for increased attention to the interface between the dynamics that constitute race, gender, and class power, as well as to the way these dynamics converge and rearticulate themselves within institutional settings to manufacture social punishment and human suffering. Beyond addressing the convergences between private and public power that constitute the intersectional dimensions of social control, this Article addresses political failures within the antiracism and antiviolence movements that may contribute to the legitimacy of the contemporary punishment culture, both ideologically and materially. AUTHOR Kimberlé W. Crenshaw is Professor of Law at UCLA and Columbia Law Schools. I have benefited tremendously from the comments, suggestions, and helpful insights of Luke Charles Harris, Devon Carbado, George Lipsitz, Barbara Tomlinson, Gary Peller, Joseph Doherty, Stephanie Bush-Baskette, Monique Morris, and the participants of the African American Policy Forum’s Social Justice Writers Workshop. Allen Secretov, Scott Dewey, Ezra Corral, and Stephanie Plotin provided excellent research assistance. I would also like to express my gratitude to the UCLA Law Review for sponsoring this symposium, to the participants who shared their work and insights, and to my colleagues in the Critical Race Studies Program who contributed to the symposium’s success. Lastly, I would like to thank my faculty co-leads on this symposium, Jyoti Nanda and Priscilla Ocen, who worked tirelessly to see this important symposium come to fruition. -
Intersectionality and Feminist Politics Yuval-Davis, Nira
www.ssoar.info Intersectionality and Feminist Politics Yuval-Davis, Nira Postprint / Postprint Zeitschriftenartikel / journal article Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: www.peerproject.eu Empfohlene Zitierung / Suggested Citation: Yuval-Davis, N. (2006). Intersectionality and Feminist Politics. European Journal of Women's Studies, 13(3), 193-209. https://doi.org/10.1177/1350506806065752 Nutzungsbedingungen: Terms of use: Dieser Text wird unter dem "PEER Licence Agreement zur This document is made available under the "PEER Licence Verfügung" gestellt. Nähere Auskünfte zum PEER-Projekt finden Agreement ". For more Information regarding the PEER-project Sie hier: http://www.peerproject.eu Gewährt wird ein nicht see: http://www.peerproject.eu This document is solely intended exklusives, nicht übertragbares, persönliches und beschränktes for your personal, non-commercial use.All of the copies of Recht auf Nutzung dieses Dokuments. Dieses Dokument this documents must retain all copyright information and other ist ausschließlich für den persönlichen, nicht-kommerziellen information regarding legal protection. You are not allowed to alter Gebrauch bestimmt. Auf sämtlichen Kopien dieses Dokuments this document in any way, to copy it for public or commercial müssen alle Urheberrechtshinweise und sonstigen Hinweise purposes, to exhibit the document in public, to perform, distribute auf gesetzlichen Schutz beibehalten werden. Sie dürfen dieses or otherwise use the document in public. Dokument nicht in irgendeiner Weise abändern, noch dürfen By using this particular document, you accept the above-stated Sie dieses Dokument für öffentliche oder kommerzielle Zwecke conditions of use. vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
" We Are Family?": the Struggle for Same-Sex Spousal Recognition In
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be fmrn any type of computer printer, The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reprodudion. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e-g., maps, drawings, &arb) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to tight in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and Mite photographic prints are available for any photographs or illustratims appearing in this copy for an additional charge. Contact UMI directly to order. Bell 8 Howell Information and Leaning 300 North Zeeb Road, Ann Arbor, MI 48106-1346 USA 800-521-0600 "WE ARE FAMILY'?": THE STRUGGLE FOR SAME-SEX SPOUSAL RECOGNITION IN ONTARIO AND THE CONUNDRUM OF "FAMILY" lMichelIe Kelly Owen A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto Copyright by Michelle Kelly Owen 1999 National Library Bibliothiique nationale l*B of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services sewices bibliographiques 395 Wellington Street 395. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
T Scholarship to Rethink the Relationship Between Race and Gender for Everyone
Difference and Domination Maxine Baca Zinn Bonnie Thornton Dill he experiences of women of color have challenged feminist T scholarship to rethink the relationship between race and gender for everyone. Since the 1980s, women’s studies scholars have increas- ingly acknowledged that differences among women arise from in- equalities of power and privilege. For African American women, Latinas, Asian American women, and Native American women, gen- der is part of a larger pattern of unequal social relations; how gender is experienced depends on how it intersects with other inequalities. While women’s studies scholars are now seeking to emphasize the importance of diversity to understanding women’s lives, acknowledg- ing diversity is not enough. Today we face the new task of going beyond the mere recognition and inclusion of differences, to permit- ting them to reshape the basic concepts and theories of the discipline. We must avoid the current fashion in mass culture, where “ethnicity becomes spice, seasoning that can liven up the dull dish that is mainstream white culture” (hooks 1992:21). The growing diversity movement in gender studies is occurring just as the United States is undergoing a demographic shift from a predominantly WhiteEuropean or Anglo population rooted in West- ern culture to one characterized by increased racial and cultural diversity. The combination of population changes with efforts to rethink and revise social and cultural ideology has generated a back- lash-fear that the United States may become a mostly non-White and non-Western society. Intellectual attacks labeling multiculturalism as divisive, political exploitation of people’s fears of difference, and increases in racially directed violence are examples of this backlash. -
Feminisms 1..277
Feminisms The Key Debates Mutations and Appropriations in European Film Studies Series Editors Ian Christie, Dominique Chateau, Annie van den Oever Feminisms Diversity, Difference, and Multiplicity in Contemporary Film Cultures Edited by Laura Mulvey and Anna Backman Rogers Amsterdam University Press The publication of this book is made possible by grants from the Netherlands Organisation for Scientific Research (NWO). Cover design: Neon, design and communications | Sabine Mannel Lay-out: japes, Amsterdam Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 676 7 e-isbn 978 90 4852 363 4 doi 10.5117/9789089646767 nur 670 © L. Mulvey, A. Backman Rogers / Amsterdam University Press B.V., Amsterdam 2015 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents Editorial 9 Preface 10 Acknowledgments 15 Introduction: 1970s Feminist Film Theory and the Obsolescent Object 17 Laura Mulvey PART I New Perspectives: Images and the Female Body Disconnected Heroines, Icy Intelligence: Reframing Feminism(s) and Feminist Identities at the Borders Involving the Isolated Female TV Detective in Scandinavian-Noir 29 Janet McCabe Lena Dunham’s Girls: Can-Do Girls, -
A Queer of Color Critique of Black Justice Discourse in Anti- Transgender Policy Rhetoric Antron D
University of Maryland Law Journal of Race, Religion, Gender and Class Volume 19 | Issue 1 Article 3 When the Spirit Says Dance: A Queer of Color Critique of Black Justice Discourse in Anti- Transgender Policy Rhetoric Antron D. Mahoney Heather Brydie Harris Follow this and additional works at: https://digitalcommons.law.umaryland.edu/rrgc Recommended Citation Antron D. Mahoney, & Heather B. Harris, When the Spirit Says Dance: A Queer of Color Critique of Black Justice Discourse in Anti- Transgender Policy Rhetoric, 19 U. Md. L.J. Race Relig. Gender & Class 7 (). Available at: https://digitalcommons.law.umaryland.edu/rrgc/vol19/iss1/3 This Article is brought to you for free and open access by the Academic Journals at DigitalCommons@UM Carey Law. It has been accepted for inclusion in University of Maryland Law Journal of Race, Religion, Gender and Class by an authorized editor of DigitalCommons@UM Carey Law. For more information, please contact [email protected]. MAHONEY & HARRIS WHEN THE SPIRIT SAYS DANCE: A QUEER OF COLOR CRITIQUE OF BLACK JUSTICE DISCOURSE IN ANTI-TRANSGENDER POLICY RHETORIC ANTRON D. MAHONEY* HEATHER BRYDIE HARRIS** INTRODUCTION In a closed-door forum on July 11, 2017, United States Attorney General Jeff Sessions invoked Martin Luther King, Jr. in a speech given to and in support of the Alliance Defending Freedom (ADF), an anti- LGBT religious freedom group responsible for crafting many early anti- transgender bathroom bills.1 Employing King, Sessions parallels the ra- cial civil rights struggle of the past to the current “important work” of the ADF—by representing a divine moral right that he suggests be pro- tected by the state.2 Besides the personal criticism of Sessions’ civil rights record by Coretta Scott King when he was nominated for federal judgeship in 1986,3 Sessions’ deployment of King seems paradoxical on © 2019 Antron D. -
Santoss73364.Pdf
Copyright by Sônia Beatriz dos Santos 2008 The Dissertation Committee for Sônia Beatriz dos Santos Certifies that this is the approved version of the following dissertation: Brazilian Black Women‟s NGOs and Their Struggles in the Area of Sexual and Reproductive Health: Experiences, Resistance, and Politics Committee: João Costa Vargas, Supervisor Charles R. Hale Chiquita Collins Dorothy Roberts Edmund T. Gordon Sharmila Rudrappa Brazilian Black Women‟s NGOs and Their Struggles in the Area of Sexual and Reproductive Health: Experiences, Resistance, and Politics by Sônia Beatriz dos Santos, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication TO MY FAMILY, specially my dear Paulo, Eliane, Márcia, Mônica, Tia Maria, Tia Lindaura, Tia Tereza, Tio Bertinho, Caio, Ana Beatriz e Roberto; and in memory of my grandmother Felismina da Paixão, my mother Olinda Arminda Rosa dos Santos and my father Orlando dos Santos. To CRIOLA. Acknowledgements I would first like to express my gratitude to the women and men – staff members, collaborators associated to CRIOLA, ACMUN, MARIA MULHER E GRUPO DE MULHERES FELIPA DE SOUSA who contributed to this dissertation by donating their time, energy, testimonies, histories, feelings and emotions, by patiently teaching me about their lives and experiences, and by introducing me to others and help me to navigating throughout the Black feminist networks. Their great generosity helped me to conduct the study and fieldwork. I could not make without them. -
Alice Walker's the Color Purple
Cultivating Black Lesbian Shamelessness: Alice Walker’s The Color Purple CHRISTOPHER S. LEWIS Ohio State University n her pivotal 1979 essay “Toward a Black Feminist Criticism,” Barbara Smith Ilamented the lack of black lesbian representation in U.S. literary criticism. She explained that “All segments of the literary world—whether establishment, progressive, Black, female, or lesbian—do not know, or at least act as if they do not know, that Black women writers and Black lesbian writers exist” (132). The unprecedented amount of writing by and/or about black lesbians that emerged in the 1970s and 1980s made the question and value of black lesbian writing’s existence of fundamental importance to African American literary studies in particular. Four seminal black lesbian texts—Alice Walker’s The Color Purple, Audre Lorde’s Zami: A New Spelling of My Name, Ntozake Shange’s Sassafrass, Cyprus, & Indigo, and Gloria Naylor’s The Women of Brewster Place—were published in 1982.1 Lesbian-identified writers Ann Allen Shockley, Cheryl Clarke, Alexis De Veaux, Jewelle Gomez, Audre Lorde, Pat Parker, and Alice Walker each began and developed their careers between 1970 and 1990.2 Writers like Octavia Butler, Gayl Jones, Jamaica Kincaid, Toni Morrison, Gloria Naylor, and Ntozake Shange who did not openly identify as lesbian or same-sex desiring also published writing in the 1970s and 1980s that explicitly represented black lesbian characters and/or shared black lesbian writing’s general interest in women’s same-sex relationships.3 These writers were at odds with major male writers of the 1960s and 1970s Black Arts Movement like Amiri Baraka and Eldridge Cleaver because they critiqued what E. -
Multiple Jeopardy in the Works of African American Writers and Maya Angelou P.Jayageetha#1, Dr.S.S
Journal of Interdisciplinary Cycle Research ISSN NO: 0022-1945 Multiple jeopardy in the works of African American writers and Maya Angelou P.Jayageetha#1, Dr.S.S. Jansirani*2. # Research Scholar, PG and Research Department of English, Government Arts College, Trichy, Tamilnadu-22. Abstract— The Twentieth century has been a period of intense literary activity for African American women writers. It was a time when for the first time these talented writers started to write and empress their creative genius, Maya Angelou and women writers started to express themselves truly for the first time. Their works portray their growth, struggle. African American women writers have given readers powerful insights into grim issues such as race, gender and class, but before one makes a deep inquiry into the works of these women writers, it is highly essential to know about their past. Keywords— Ieopardy, Racism, Classicism, Sexism, Pejorative. I. INTRODUCTION The twentieth century has been an epoch making era for the African American literary tradition because of the significant contributions made by African American women writers during this century. African American women writers such as Zora Neale Hurston, Ann Petry, Paule Marshall, Toni Morrison, Alice Walker, Gloria Naylor and many others have rewritten the existing literary traditions by expressing themselves and creating a deep impact on the African American, literary arena. The works of these women writers reverberate with self-expression, thus achieving a canonical status and enriching not only African American but also the American literary world. These writers write not only about themselves, but also about African American women. -
Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory
Journal of Feminist Scholarship Volume 4 Issue 4 Spring 2013 Article 5 Spring 2013 Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann University of New Orleans Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the Feminist, Gender, and Sexuality Studies Commons, Law and Gender Commons, and the Women's History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Mann, Susan A.. 2018. "Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory." Journal of Feminist Scholarship 4 (Spring): 54-73. https://digitalcommons.uri.edu/jfs/vol4/iss4/5 This Viewpoint is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Cover Page Footnote The author wishes to thank Oxford University Press for giving her permission to draw from Chapters 1, 5, 6, 7, and the Conclusion of Doing Feminist Theory: From Modernity to Postmodernity (2012). This viewpoint is available in Journal of Feminist Scholarship: https://digitalcommons.uri.edu/jfs/vol4/iss4/5 Mann: Third Wave Feminism's Unhappy Marriage VIEWPOINT Third Wave Feminism’s Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann, University of New Orleans Abstract: This article first traces the history of unhappy marriages of disparate theoretical perspectives in US feminism. In recent decades, US third-wave authors have arranged their own unhappy marriage in that their major publications reflect an attempt to wed poststructuralism with intersectionality theory.