AMERICAN EXPERIENCE Presents Academy Award® Nominated Documentary “Last Days in Vietnam”

Total Page:16

File Type:pdf, Size:1020Kb

AMERICAN EXPERIENCE Presents Academy Award® Nominated Documentary “Last Days in Vietnam” AMERICAN EXPERIENCE Presents Academy Award® Nominated Documentary “Last Days in Vietnam” Premieres Tuesday, April 28, 2015 9:00-11:00 p.m. ET on PBS April 1975. During the chaotic final days of the Vietnam War, as the North Vietnamese Army closed in on Saigon, South Vietnamese resistance crumbled. City after city and village after village fell to the North while the few U.S. diplomats and military operatives still in the country contemplated withdrawal. With the lives of thousands of South Vietnamese hanging in the balance, those in control faced an impossible choice––who would go and who would be left behind to face brutality, imprisonment or even death. Directed by Rory Kennedy and airing in conjunction with the 40th anniversary of the fall of Saigon, “Last Days in Vietnam” premieres on AMERICAN EXPERIENCE on Tuesday, April 28, 2015, 9:00-11:00 p.m. ET on PBS (check local listings). The 1973 Paris Peace Accords had forged a tenuous ceasefire between North and South Vietnam, and mandated the removal of almost all U.S. forces. Following this latest ceasefire violation, President Gerald Ford asked Congress for an emergency appropriation to aid the beleaguered South Vietnamese government. The White House expected that neither Congress nor the American people would support a reengagement in Vietnam. Says then-Secretary of State Henry Kissinger, “We knew we were not going to get the $722 million. By that time, it made no big difference, [but] President Ford said first he owed it to Vietnam to make a request.” By early March 1975, huge swaths of territory were overrun daily and, by the end of the month, the North Vietnamese Army had surrounded the capital, preparing to launch its final assault on Saigon––11 months ahead of schedule. To the U.S. diplomats and military operatives still in Saigon, one thing was clear—a Communist victory was inevitable. The Americans grew increasingly concerned for the safety of their South Vietnamese allies, co- workers and friends who faced imprisonment or possibly death in the event of a North Vietnamese victory. As the North Vietnamese troops drew dangerously close to Saigon, U.S. Ambassador Graham Martin, himself the father of a fallen Vietnam veteran, steadfastly refused to discuss an evacuation, both for fear of panicking the South Vietnamese population and out of a stubborn reluctance to admit defeat. With the clock ticking and the city under fire, American officers on the ground found themselves faced with a moral dilemma: whether to follow official policy and evacuate U.S. citizens and their dependents only, or to ignore their orders and save the Vietnamese men, women and children they had come to value and love in their years in Vietnam. At the risk of their careers and possible courts-martial, a handful of individuals took matters into their own hands. Engaging in unsanctioned and often makeshift operations, they waged a desperate effort to evacuate as many South Vietnamese as possible. In the days leading up to the final attack, U.S. Army Captain Stuart Herrington was one of a number of American officers who bypassed the ambassador and organized a “black op” evacuation effort, transporting his South Vietnamese contacts to an airbase and sneaking them aboard an outbound U.S. cargo flights to the Philippines. As the situation became increasingly dire, Department of Defense official and former Navy officer Richard Armitage arrived by plane in Saigon. In consultation with his former counterpart, South Vietnamese Navy Captain Kiem Do, Armitage developed a plan to remove U.S. Navy ships before they fell into Communists’ hands. When evacuation day came, Armitage discovered the Vietnamese sailors had packed the ships with nearly 30,000 South Vietnamese refugees. Recalls Armitage, “I thought it was a lot easier to beg forgiveness than to get permission. So the decision was made.” On April 29, the Saigon airport was attacked, forcing an immediate evacuation. Floating offshore in the South China Sea was the U.S.S. Kirk, part of the fleet sent to facilitate the evacuation of Americans. The crew and the ship––with its single, tiny helipad––was entirely unprepared for the role it was about to play in the scramble to evacuate the city. Soon, a seemingly unending stream of helicopters, piloted not by Americans, but by South Vietnamese airmen fleeing for their lives with their families and friends, descended upon the American destroyer. However, most of the action on that final, fateful day took place at the besieged U.S. Embassy in Saigon, where thousands of South Vietnamese hoping to secure a last-minute evacuation scaled the walls while a U.S. intelligence analyst ran his own underground railroad of evacuees to barges on the Saigon River. In the final hours of the evacuation, Ambassador Graham Martin used American resources meant for his own protection to extract thousands of South Vietnamese during an 18-hour airlift from the embassy compound. “Last Days in Vietnam” anchors a special week of programming related to the Vietnam War, and will be preceded at 8:00 p.m. ET by THE DRAFT, a look at the history of the selective service system in America. Both programs are part of PBS Stories of Service. On Monday, April 27, THE DAY THE 60’S DIED, premiering at 9:00 p.m. ET, chronicles the nation’s upheaval during May 1970, the month in which four students were shot dead at Kent State University during a protest against the Vietnam War. DICK CAVETT’S VIETNAM, following at 10:00 p.m. ET, is a look back at the conversations the talk show host had about the war with a range of high-profile public figures. In conjunction with the film, AMERICAN EXPERIENCE is launching a national outreach campaign, bringing together Vietnamese Americans, veterans and their communities to share their experiences from that turbulent time. The cornerstone of the campaign is the “First Days Story Project,” a partnership with StoryCorps. Forty years after those last days, the First Days Story Project hopes to record the stories of the Vietnamese American and veteran community during their first days in the United States after the war and archive them in the American Folklife Center at the Library of Congress. “Last Days in Vietnam” will be available on DVD and Blu-ray on April 28, 2015, as well as for online viewing at pbs.org/amercanexperience. * * * About the Participants, in order of appearance Stuart Herrington, retired Colonel, U.S. Army, was a captain at the time of the Vietnam War, and served as an intelligence advisor to the South Vietnamese military. Henry Kissinger joined President Richard Nixon’s administration as National Security Advisor in 1969. He later served as Secretary of State and National Security Advisor under Presidents Richard Nixon and Gerald Ford. In 1973, he received the Nobel Peace Prize for his role in negotiating the United States’ withdrawal from Vietnam. Juan Valdez, retired Master Gunnery Sergeant, was the noncommissioned officer in charge of the Marine security guard detachment stationed at the U.S. Embassy in Saigon. He was the last American soldier out of Saigon on April 30, 1975. Frank Snepp served in the Central Intelligence Agency (CIA) from 1968 to 1976. During the Vietnam War, he was a chief analyst of North Vietnamese strategy in Saigon. Kiem Do was a Navy captain in South Vietnam. He served as the Navy’s deputy chief of staff for operations during the war. Ron Nessen was White House Press Secretary serving under President Gerald Ford from 1974 to 1977. Binh Pho was a college student in South Vietnam during the war. Following the war, he spent a year in a re- education camp, but escaped by boat to Malaysia in 1978. He now lives in the U.S. Steve Hasty, retired Colonel, U.S. Marine Corps, served three tours of duty in Southeast Asia during the Vietnam War, the last as a staff sergeant commanding the Marine Security Guard Detachment assigned to the U.S. Consulate General in Can Tho. Rep. Pete McCloskey (R) CA served in the U.S. House of Representatives from 1967 to 1983. In 1972, he ran for President against Richard Nixon on an anti-Vietnam War platform. He served in the U.S. Navy, followed by the U.S. Marine Corps and Marine Corps Reserve. He retired as a colonel. Terry McNamara served as Consul General to Vietnam from 1974 to April 1975. Hugh Doyle was the chief engineer on the U.S.S. Kirk. Gerald Berry, retired Colonel, was a captain in the Marine Corps at the end of the Vietnam War. On April 29, 1975, he was sent to extract Ambassador Graham Martin from the U.S. Embassy and in the process helped airlift hundreds of South Vietnamese over 18 hours. Richard Armitage joined the U.S. Defense Attaché Office in Saigon in 1973, after three combat tours in Vietnam as an ensign in the U.S. Navy. Joseph McBride served with the U.S. State Department in Saigon during the evacuation in 1975. Dam Pham was a Navy lieutenant in South Vietnam during the war. Jim Laurie was an NBC News Correspondent stationed in Saigon covering the wars in Vietnam and Cambodia. Mike Sullivan, retired Master Sergeant, was a staff sergeant in the Marine Security Guard and assistant to Master Sergeant Juan Valdez, serving to protect the U.S. Embassy in Saigon. Paul Jacobs, retired Commander, U.S. Navy, was a captain and Commanding Officer of the U.S.S. Kirk at the time of the Vietnam War. Miki Nguyen, a South Vietnamese native, was six years old when his family evacuated Saigon in 1975.
Recommended publications
  • RESUME [V6.0].Cwk
    Robert Charles Doyle 1317 Ridge Avenue Steubenville, Ohio 43952 Phone: (740) 282-8156 [email protected] Education Ph. D Bowling Green State University, American Culture Studies, 1987. M. A. Pennsylvania State University, Comparative Literature, 1976. B. A. Pennsylvania State University, Liberal Arts, German, 1967. Present Academic Employment (2001 - present) Professor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2007 to the present. Previous Academic Employment (1974 - 2001) Associate Professor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2001-2007 Instructor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2000-2001. Professeur and Maître de Conferences (Professor and Visiting Associate Professor), American Civilization, Département d’Etudes Anglaises et Nord-Américaines, Université Strasbourg, France, 1995-1998. Instructor (Part-Time), American Civilization, Department of Foreign Languages, Université Robert Schuman, Strasbourg, France, 1996-1997. Professor (Fulbright), American Studies, Englisches Seminar, Westfälische Wilhelms-Universität, Münster, Germany, 1994-1995. Lecturer, American Studies, Department of English, Penn State University, University Park, 1988-1994. Lecturer (Part-Time), American Studies, Division of Continuing Education, Penn State University, University Park and Abington Campus, 1987-1988. Graduate Fellow (Teaching, 1984-86; Non-Service, 1986-1987), American Culture Doctoral Program, Bowling Green State University, Bowling Green, Ohio, 1984-1987. Lecturer (Part-Time), American Studies, Division of Continuing Education, Penn State University, University Park, 1974-1977. Technical Adviser/Consultant Historical and Technical Advisor. Hart’s War. Dir. Gregory Hoblit, with Bruce Willis. MGM/UA (Warhart Productions), 2000-2001. Historical and Applied Research Consultant, Joint Personnel Recovery Agency (USAF), Ft. Belvoir, Virginia, 1998-2000.
    [Show full text]
  • VIETNAM VETERAN THEATRICAL NARRATIVES by Amanda Boyle Submitted to the Graduate Degree Program In
    MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES By Amanda Boyle Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Henry Bial ________________________________ Jane Barnette ________________________________ Rebecca Rovit ________________________________ Nicole Hodges Persley ________________________________ Adrian Lewis Date Defended: May 9, 2016 The Dissertation Committee for Amanda Boyle certifies that this is the approved version of the following dissertation: MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES ________________________________ Chairperson Henry Bial Date approved: May 12, 2016 ii Abstract This dissertation is a study of Vietnam War veteran narratives and how they are presented on stage. I argue that these plays are a form of commemoration of the Vietnam War and those who fought in it. I eXamine three plays: Medal of Honor Rag (1976) by Tom Cole, Still Life (1982) by Emily Mann, and Tracers (1983) by John DiFusco, et al. There are hundreds of plays and musicals written directly about the war. Through a dramaturgical methodology I combine teXtual analysis, production research, interviews with two of the three playwrights, academic scholarship on the plays, my own staged reading of Still Life in February 2015, and select oral/written histories from Vietnam veterans to illustrate how the plays function as commemorative-storytelling of the veteran experience. Each chapter is a dramaturgical case study that could be used for production. The plays each have a wide range of topics, motifs, and themes, many of which I address, including the overlapping themes of wounding (moments of injury and psychological repercussions), coming home (surviving the war and returning home), and commemorating (via medals and memorials).
    [Show full text]
  • Fall 1999 Participant
    Fall 1999 | Pitzer College Participant Patchwork Leaves: Fall Begins Again President’s Message Public Service and Pitzer College California Gov. Gray Davis this summer challenged California’s public colleges and universities to make community service a graduation requirement to instill in graduates a “service ethic.” ¶ This proposal was greeted with enthusiasm by many. Others, including educators and administrators with the California public university system, wondered how they could structure and support such an effort. Will such a requirement improve the education of their students or be an unwieldy add-on? ¶ At Pitzer College, we can take pride in the knowledge that a “service ethic”— educating for social responsibility—has long been a part of our own ethos. It is now one of our stated educational objectives and it permeates our academic curriculum. At Pitzer, service and responsibility to society are ideas that have found life in virtually everything we do. And we are not the only ones who think so. ¶ The Commission of the Western Association of Schools and Colleges, or WASC, praised Pitzer College for setting a standard of community involvement that other colleges would do well to emulate. ¶ Here’s what WASC’s visiting committee said about such a standard: “WASC only has nine standards; we add, as well as urge by WASC, consideration of a tenth, at least with respect to Pitzer College. Pitzer College, through its emphasis on social responsibility and intercultural understanding as well as interdisciplinary perspectives, has developed a remarkable relationship with the domestic community surrounding it, as well as with international communities throughout the world.
    [Show full text]
  • Special Programming on the Vietnam War and the 40 Anniversary of the Fall of Saigon to Air on CPTV This April
    For Immediate Release Contact: Carol Sisco [email protected] (860) 275-7212 cpbn.org, cptv.org, wnpr.org Special Programming on the Vietnam War and the 40th Anniversary of the Fall of Saigon to Air on CPTV This April • My Lai: American Experience airs on Tuesday, April 21 at 9 p.m. • The Draft premieres Monday, April 27 at 9 p.m., followed by Dick Cavett’s Vietnam at 10 p.m. • The Day the 60s Died premieres Tuesday, April 28 at 8 p.m., followed by Last Days in Vietnam: American Experience at 9 p.m. and Lost Child: Sayon’s Journey at 11 p.m. HARTFORD, Conn. (April 3, 2015) – CPTV/Connecticut Public Television will present special programming in April focusing on the fall of Saigon and the Vietnam War. The programming begins with an encore airing of My Lai: American Experience on Tuesday, April 21 at 9 p.m. This film focuses on the 1968 My Lai massacre – known as one of the worst atrocities in American military history – and its subsequent cover-up, as well as the heroic efforts of the soldiers who broke ranks to try to halt the massacre and bring it to light. Other programs airing in April include The Draft, premiering Monday, April 27 at 9 p.m., exploring the history of the selective service system in America; and Dick Cavett’s Vietnam, premiering April 27 at 10 p.m., featuring a look back at conversations the talk show host had about the war with a number of public figures. Additional programming includes The Day the 60s Died, airing Tuesday, April 28 at 8 p.m., preceding the premiere of Last Days in Vietnam: American Experience at 9 p.m.
    [Show full text]
  • Journey to the Academy Awards: an Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016)
    Journey to the Academy Awards: An Investigation of Oscar-Shortlisted and Nominated Documentaries (2014-2016) PRELIMINARY KEY FINDINGS By Caty Borum Chattoo, Co-Director, Center for Media & Social Impact American University School of Communication | Washington, D.C. February 2016 OVERVIEW For a documentary filmmaker, being recognized by the Academy of Motion Picture Arts & Sciences for an Oscar nomination in the Best Documentary Feature category is often the pinnacle moment in a career. Beyond the celebratory achievement, the acknowledgment can open up doors for funding and opportunities for next films and career opportunities. The formal recognition happens in three phases: It begins in December with the Academy’s announcement of a shortlist—15 films that advance to a formal nomination for the Academy’s Best Documentary Feature Award. Then, in mid-January, the final list of five official nominations is announced. Finally, at the end of February each year, the one winner is announced at the Academy Awards ceremony. Beyond a film’s narrative and technical prowess, the marketing campaigns that help a documentary make it to the shortlist and then the final nomination list are increasingly expensive and insular, from advertisements in entertainment trade outlets to lavish events to build buzz among Academy members and industry influencers. What does it take for a documentary film and its director and producer to make it to the top—the Oscars shortlist, the nomination and the win? Which film directors are recognized—in terms of race and gender?
    [Show full text]
  • AMERICAN EXPERIENCE “The Great War” Premieres Monday-Wednesday, April 10-12, 2017
    AMERICAN EXPERIENCE “The Great War” Premieres Monday-Wednesday, April 10-12, 2017 Three-Part Series Explores How World War I Forever Changed America and the World (BOSTON, MA) — Scheduled in conjunction with the 100th anniversary of America’s entry into the war on April 6, 1917, AMERICAN EXPERIENCE “The Great War,” a three-part, six-hour documentary, will premiere Monday, April 10, through Wednesday, April 12, 9:00-11:00 p.m. ET (check local listings) on PBS. Featuring the voices of Campbell Scott, Blythe Danner, Courtney Vance and others, “The Great War” is executive produced by Mark Samels and directed by award-winning filmmakers Stephen Ives, Amanda Pollak and Rob Rapley. Drawing on the latest scholarship, including unpublished diaries, memoirs and letters, “The Great War” tells the rich and complex story of World War I through the voices of nurses, journalists, aviators and the American troops who came to be known as “doughboys.” The series explores the experiences of African- American and Latino soldiers, suffragists, Native-American “code talkers” and others whose participation in the war to “make the world safe for democracy” has been largely forgotten. “The Great War” also explores how a brilliant PR man bolstered support for the war in a country hesitant to put lives on the line for a foreign conflict; how President Woodrow Wilson steered the nation through almost three years of neutrality, only to reluctantly lead America into the bloodiest conflict the world had ever seen, thereby transforming the United States into a dominant player on the international stage; and how the ardent patriotism and determination to support America’s crusade for liberty abroad led to one of the most oppressive crackdowns on civil liberties at home in American history.
    [Show full text]
  • Navies and Soft Power Historical Case Studies of Naval Power and the Nonuse of Military Force NEWPORT PAPERS
    NAVAL WAR COLLEGE NEWPORT PAPERS 42 NAVAL WAR COLLEGE WAR NAVAL Navies and Soft Power Historical Case Studies of Naval Power and the Nonuse of Military Force NEWPORT PAPERS NEWPORT 42 Bruce A. Elleman and S. C. M. Paine, Editors U.S. GOVERNMENT Cover OFFICIAL EDITION NOTICE The April 2010 Deepwater Horizon oil-rig fire—fighting the blaze and searching for survivors. U.S. Coast Guard photograph, available at “USGS Multimedia Gallery,” USGS: Science for a Changing World, gallery.usgs.gov/. Use of ISBN Prefix This is the Official U.S. Government edition of this publication and is herein identified to certify its au thenticity. ISBN 978-1-935352-33-4 (e-book ISBN 978-1-935352-34-1) is for this U.S. Government Printing Office Official Edition only. The Superinten- dent of Documents of the U.S. Government Printing Office requests that any reprinted edition clearly be labeled as a copy of the authentic work with a new ISBN. Legal Status and Use of Seals and Logos The logo of the U.S. Naval War College (NWC), Newport, Rhode Island, authenticates Navies and Soft Power: Historical Case Studies of Naval Power and the Nonuse of Military Force, edited by Bruce A. Elleman and S. C. M. Paine, as an official publica tion of the College. It is prohibited to use NWC’s logo on any republication of this book without the express, written permission of the Editor, Naval War College Press, or the editor’s designee. For Sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-00001 ISBN 978-1-935352-33-4; e-book ISBN 978-1-935352-34-1 Navies and Soft Power Historical Case Studies of Naval Power and the Nonuse of Military Force Bruce A.
    [Show full text]
  • AMERICAN EXPERIENCE “The Gilded Age” Premieres Tuesday, February 6 on PBS
    AMERICAN EXPERIENCE “The Gilded Age” Premieres Tuesday, February 6 on PBS New Documentary Explores the Tumultuous Era That Set the Stage for Modern America (BOSTON, MA) — Thirty years after the Civil War, America had transformed itself into an economic powerhouse and was fast becoming the world’s leading producer of food, coal, oil and steel. But the transformation had created stark new divides in wealth, class and opportunity. By the end of the 19th century, the richest 4,000 families in the country — less than one percent of all Americans — possessed nearly as much wealth as the other 11.6 million families combined. The simultaneous growth of a lavish new elite and a struggling working class sparked passionate and violent debate over questions still being asked today: How is wealth best distributed, and by what process? Should the government concern itself with economic growth or economic justice? Are we two nations — one for the rich and one for the poor — or one nation where everyone has a chance to succeed? A compelling portrait of an era of glittering wealth contrasted with extreme poverty, “The Gilded Age” is produced and directed by Sarah Colt and executive produced by Mark Samels. The film premieres on AMERICAN EXPERIENCE on Tuesday, February 6, 2018, 9:00-11:00 p.m. ET (check local listings) on PBS. “We often hear pundits say we’re living in a second Gilded Age,” said Mark Samels, AMERICAN EXPERIENCE executive producer. “Once again, people are questioning whether America is fulfilling its promise, if there really is equal opportunity for everyone.
    [Show full text]
  • Program Listings” Christopher C
    WXXI-TV/HD | WORLD | CREATE | AM1370 | CLASSICAL 91.5 | WRUR 88.5 | THE LITTLE PROGRAMPUBLIC TELEVISION & PUBLIC RADIO FOR ROCHESTER LISTINGSAPRIL 2015 AUCTION APRIL 18-MAY 2 WXXI WXXI.org/auction AUCTION CAR WXXI’s Online Auction – it’s like 2015 MAGNETIC FORD FOCUS eBay, only better because you VALUE: $20,380 not only score great buys, you help support your local public broadcasting station. A 2015 Ford Focus, original artwork, travel packages, jewelry, classes, electronics – thousands FamILY PACK OF of items are up for bid starting 2015-2016 AMERKS TICKETS Saturday, April 18 at WXXI. VALUE: $72 org/auction. Log on now and register for a bidder’s account. When you register, activate your MONA LISA existing account, or sign up to BY PETER MAX receive Auction emails, you’ll VALUE: $34,000 automatically receive two free tickets to the Little Theatre. THE AUCTION IS SPONSORED BY: If you overbid on any item valued at $25 or more, you’ll STERLING SILVER receive special coupons for BRACELET BY RAQUELLE BIANCO Cabot Cheese, The Distillery, HTB VALUE: $500 and Hedonist Chocolates. PRESS HTBPRESS.COM BACKSTAGE PASS WITH FIRST INVERSION FRIDAY, APRIL 17 AT 1 P.M. ON CLASSICAL 91.5 DETAILS INSIDE >> LAST DAYS IN VIETNAM TUESDAY, APRIL 21 AT 7 P.M. AT THE LITTLE THEATRE DETAILS INSIDE >> WXXI AUCTION CAR •••••••••••••••••••••••••••••••••••••••••••••••••••2015•• •M•AG•N•E•TIC• •FOR••D• F•OCU••S•••• 4-DOOR, 5-PASSENGER SEDAN, REMOTE KEYLESS ENTRY, APRIL 18- MAY 2 31MPG, AC Log on to WXXI.org/auction now! VALUE: $20,380 2015 FEATURED ARTISTS IN ADDITION TO ORIGINAL ARTWORKS, THESE 3 FEATURED ARTISTS WILL BE OFFERING LIMITED EDITION PRINTS OF THEIR WORK ON THE 2015 AUCTION.
    [Show full text]
  • Winter 2019 a Publication of Volume 28 Number 3
    A PUBLICATION OF VOLUME 28, NUMBER 4 THE MOBILE RIVERINE FORCE ASSOCIATION WINTER 2019 A PUBLICATION OF VOLUME 28 NUMBER 3 THE MOBILE RIVERINE FORCE ASSOCIATIONMobile Riverine Force AssociationFALL 2019 From Gathering of the Troops! Mobile Riverine Force Association Gathering of the Troops! the SeptemberMobile Riverine Force Association 9-11, 2020 Gathering of the Troops! September 9-11, 2020 September 9-11, 2020 From Harry Hahn, President, MRFA; From Harry Hahn, President, MRFA; Radio From Harry Hahn, President, MRFA; We are pleased to inform you that there will be a “Gathering of the Troops,” as we have done in the past, We are pleasedWe to areinform youpleased that there will beto a “Gatheringinform of the you Troops,” that as we have there done in the will past,this Septemberbe a “Gathering, 2020, at the Loews, ofCoronado the ResortTroops,” in San Diego, as California. we have San Diego done is an exciting in the past, this September, 2020, at the Loews, Coronado Resort in San Diego, California. San Diego is an excitingvenue as it offers the Gaslight District with its restaurants and pubs, plus the exciting waterfront in San venuethis as it offers September, the Gaslight District with 2020, its restaurants at andthe pubs, Loews, plus the exciting Coronadowaterfront in San Resort in San Diego, California. San Diego is an exciting Diego. Access to downtown Coronado is a hotel bus ride away. The hotel we will be at is a phenomenal Shack Diego. Access to downtown Coronado is a hotel bus ride away. The hotel we will be at is a phenomenal Message from the Radio Shack resort venue and the nightly as rate it is anoffers incredibly lowthe price Gaslightfor this gorgeous place.
    [Show full text]
  • American and Vietnamese Transnational Peace Efforts Since 1975
    Postwar Journeys: American and Vietnamese Transnational Peace Efforts since 1975 By © 2016 Hang Thi Thu Le-Tormala Submitted to the graduate degree program in History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________________ Dr. Theodore Wilson (Chairperson) __________________________________ Dr. Sheyda Jahanbani (Co-Chairperson) __________________________________ Dr. Jeffrey Moran __________________________________ Dr. Sherrie Tucker __________________________________ Dr. William Tuttle __________________________________ Dr. James Willbanks Date Defended: April 29, 2016 ii The Dissertation Committee for Hang Thi Thu Le-Tormala certifies that this is the approved version of the following dissertation: Postwar Journeys: American and Vietnamese Transnational Peace Efforts since 1975 ______________________________________ Dr. Theodore Wilson (Chairperson) __________________________________ Dr. Sheyda Jahanbani (Co-Chairperson) Date approved: April 29, 2016 iii Abstract This dissertation explores U.S.-Vietnam postwar relations through the transnational peace endeavors of American and Vietnamese ordinary citizens. The subjects of the study included Vietnamese refugees, children of American personnel and Vietnamese women, American and Vietnamese veterans and their families, relatives of fallen soldiers on both sides, and other civilians who experienced the impacts of war one way or another. The dissertation also highlights the
    [Show full text]
  • Vietnamese Refugee Narratives in the Post-9/11 Period Mai-Linh K
    Reframing the Archive: Vietnamese Refugee Narratives in the Post-9/11 Period Mai-Linh K. Hong Bucknell University Downloaded from The final destination of the archive is ...always situated outside its own materi- ality, in the story that it makes possible. —Achille Mbembe (21) http://melus.oxfordjournals.org/ On 31 August 2010, the National Public Radio (NPR) news show All Things Considered began airing “The USS Kirk: Valor at the Vietnam War’s End,” a three-part special series about “one of the most extraordinary humanitarian mis- sions in the history of the US military” conducted in the South China Sea as Saigon fell.1 According to NPR, on 29 April 1975, the Kirk crew guided the landing of sixteen South Vietnamese helicopters on deck, saving two hundred fleeing ref- ugees. Then, the following day, the Kirk entered enemy waters to “rescue” “the remnants of the South Vietnamese navy” (“USS”), a ragtag fleet packed with at Bucknell University on September 20, 2016 thousands more refugees whom the Kirk safely escorted to the Philippines. Although NPR recounts losses along the way, including the death of a refugee baby, the story has a happy ending: most of the rescued refugees safely and grate- fully resettle in the United States. The riveting, highly sentimental series and accompanying online exhibit comprise one recent entry in the ongoing drama of national redemption that has swirled around the doubled figures of the American Vietnam War veteran and the South Vietnamese refugee. While both figures entered the American social imaginary as unpopular and tragically unmoored human remnants of a disastrous war, in recent decades they have—often together, as foils to each other—been gradually recuperated through a racialized, post-war archnarrative that emphasizes US rescue of a racial Other, followed by that Other’s gratitude (Espiritu, Body 82-83).
    [Show full text]