AMERICAN EXPERIENCE Presents Academy Award®-Nominated Film Last Days in Vietnam in Conjunction with 40Th Anniversary of the Fall of Saigon

Total Page:16

File Type:pdf, Size:1020Kb

AMERICAN EXPERIENCE Presents Academy Award®-Nominated Film Last Days in Vietnam in Conjunction with 40Th Anniversary of the Fall of Saigon AMERICAN EXPERIENCE Presents Academy Award®-Nominated Film Last Days in Vietnam in Conjunction with 40th Anniversary of the Fall of Saigon Premieres Tuesday, April 28, 2015 9:00-11:00 p.m. ET on PBS April 1975. During the chaotic final days of the Vietnam War, as the North Vietnamese Army closed in on Saigon, South Vietnamese resistance crumbled. City after city and village after village fell to the North while the few U.S. diplomats and military operatives still in the country contemplated withdrawal. With the lives of thousands of South Vietnamese hanging in the balance, those in control faced an impossible choice––who would go and who would be left behind to face brutality, imprisonment, or even death. AMERICAN EXPERIENCE presents the Academy Award®-nominated film Last Days in Vietnam, directed by Rory Kennedy, on Tuesday, April 28, 2015, 9:00-11:00 p.m. ET (check local listings) on PBS. Scheduled in conjunction with the 40th anniversary of the fall of Saigon, the broadcast will contain additional footage not seen during the film’s theatrical release. In 1973, the Paris Peace Accords had forged a tenuous ceasefire and limited U.S. military involvement to the presence of approximately six thousand non-combat troops and advisors. While President Nixon promised a swift military response should the North Vietnamese violate the agreement, his abrupt departure from the White House in late 1974 left in its wake a Congress unwilling to appropriate funds to Vietnam or put U.S. soldiers back in harm’s way. By early March 1975, huge swaths of territory were overrun daily by the North Vietnamese Army, and by the end of the month, they had surrounded the capital, preparing to launch their final assault on Saigon. As the inevitability of a communist victory became clear, the U.S. diplomats and military operatives still in Saigon grew increasingly concerned for the safety of their South Vietnamese allies, co-workers, and friends. Even the most ambitious U.S. evacuation plan allowed for the transport of just a few thousand South Vietnamese refugees. By April 25, the number of people in Saigon wishing to flee swelled far beyond that projection. Yet even as the North Vietnamese troops drew close to Saigon, U.S. Ambassador Graham Martin, himself the father of a fallen Vietnam veteran, steadfastly refused to discuss an evacuation, both for fear of panicking the South Vietnamese population and out of a stubborn reluctance to admit defeat. With the clock ticking and the city under fire, American officers on the ground found themselves faced with a moral dilemma: whether to follow official policy and evacuate U.S. citizens and their dependents only, or to ignore orders and evacuate the men, women, and children they had come to value and love in their years in Vietnam. At the risk of their careers and possible courts-martial, a handful of individuals took matters into their own hands. Engaging in unsanctioned and often makeshift operations, they waged a desperate effort to get as many South Vietnamese out of the country as possible. On April 29, the airport in Saigon was bombed, leaving few options for evacuation. What ensued was a desperate scramble to board one of the helicopters carrying refugees to a small fleet of ships floating just offshore in the South China Sea. U.S. Navy ships, initially sent to offer support and protection to Americans, rapidly and unexpectedly played a central role in the frantic evacuation, taking aboard both American and South Vietnamese helicopters, and countless evacuees. However, most of the action on that final, fateful day took place at the besieged U.S. Embassy in Saigon, where thousands of South Vietnamese scaled the walls in hopes of securing a last-minute evacuation. As desperation rose and time grew short, Ambassador Graham Martin used American resources meant for his own protection to extract thousands of South Vietnamese during an airlift from the embassy compound. In conjunction with Last Days in Vietnam, AMERICAN EXPERIENCE is launching a national outreach campaign, bringing together Vietnamese Americans, U.S. veterans, and their communities to share their experiences from that turbulent time. The cornerstone of the campaign is the “First Days Story Project,” a partnership with StoryCorps. Forty years after those last days, the “First Days Story Project” is recording the stories of the Vietnamese American and veteran communities during their first days in the United States after the war and will archive them in the American Folklife Center at the Library of Congress. These stories will be published as part of a comprehensive multimedia digital experience, launching April 2015. Last Days in Vietnam anchors a special week of programming related to the Vietnam War, and will be preceded at 8:00 p.m. ET by THE DAY THE ’60s DIED, which chronicles the nation’s upheaval during May 1970, the month in which four students were shot dead at Kent State University during a protest against the Vietnam War. Premiering on Monday, April 27 at 9:00 p.m. ET, THE DRAFT takes a look at the turbulent history of this American institution and dives into the discussion of how mandatory military service has defined our nation. DICK CAVETT’S VIETNAM, following at 10:00 p.m. ET, is a look back at the conversations the talk show host had about the war with a range of high-profile public figures. Both Last Days in Vietnam and THE DRAFT are part of PBS Stories of Service. Last Days in Vietnam will be available on DVD and Blu-ray on April 28, 2015, as well as for online viewing at pbs.org/amercanexperience. * * * About the Participants, in order of appearance Stuart Herrington, retired Colonel, U.S. Army, was a captain at the time of the Vietnam War, and served as an intelligence advisor to the South Vietnamese military. Henry Kissinger joined President Richard Nixon’s administration as National Security Advisor in 1969. He later served as Secretary of State and National Security Advisor under Presidents Richard Nixon and Gerald Ford. In 1973, he received the Nobel Peace Prize for his role in negotiating the United States’ withdrawal from Vietnam. Juan Valdez, retired Master Gunnery Sergeant, was the noncommissioned officer in charge of the Marine Security Guard detachment stationed at the U.S. Embassy in Saigon. He was the last American soldier out of Saigon on April 30, 1975. Frank Snepp served in the Central Intelligence Agency (CIA) from 1968 to 1976. During the Vietnam War, he was a chief analyst of North Vietnamese strategy in Saigon. Kiem Do was a Navy captain in South Vietnam. He served as the Navy’s deputy chief of staff for operations during the war. Ron Nessen was White House Press Secretary serving under President Gerald Ford from 1974 to 1977. Binh Pho was a college student in South Vietnam during the war. Following the war, he spent a year in a re- education camp but escaped by boat to Malaysia in 1978. He now lives in the U.S. Steve Hasty, retired Colonel, U.S. Marine Corps, served three tours of duty in Southeast Asia during the Vietnam War, the last as a staff sergeant commanding the Marine Security Guard detachment assigned to the U.S. Consulate General in Can Tho. Rep. Pete McCloskey, (R) CA, served in the U.S. House of Representatives from 1967 to 1983. In 1972, he ran for President against Richard Nixon on an anti-Vietnam War platform. He served in the U.S. Navy, followed by the U.S. Marine Corps and Marine Corps Reserve. He retired as a colonel. Terry McNamara served as Consul General to Vietnam from 1974 to April 1975. Hugh Doyle was the Chief Engineer on the USS Kirk. Gerald Berry, retired Colonel, was a captain in the Marine Corps at the end of the Vietnam War. Richard Armitage joined the U.S. Defense Attaché Office in Saigon in 1973 after three combat tours in Vietnam as an ensign in the U.S. Navy. Joseph McBride served with the U.S. State Department in Saigon during the evacuation in 1975. Dam Pham was a Navy lieutenant in South Vietnam during the war. Jim Laurie was an NBC News Correspondent stationed in Saigon, covering the wars in Vietnam and Cambodia. Mike Sullivan, retired Master Sergeant, was a staff sergeant in the Marine Security Guard and assistant to Master Sergeant Juan Valdez, serving to protect the U.S. Embassy in Saigon. Paul Jacobs, retired Commander, U.S. Navy, was a captain and Commanding Officer of the USS Kirk at the time of the Vietnam War. Miki Nguyen, a South Vietnamese native, was six years old when his family evacuated Saigon in 1975. About the Filmmakers Directed and Produced by Rory Kennedy Written by Mark Bailey & Keven McAlester Edited by Don Kleszy Original Music Gary Lionelli Director of Photography Joan Churchill, A.S.C. Produced by Keven McAlester For AMERICAN EXPERIENCE Senior Producer Sharon Grimberg Executive Producer Mark Samels A Moxie Firecracker Production for AMERICAN EXPERIENCE. Rory Kennedy (Director/Producer) is an Emmy Award-winning independent documentary filmmaker, as well as co-founder and president of Moxie Firecracker Films. Her films cover an array of issues ranging from poverty to politics to human rights. Her work has been shown on PBS, HBO, A&E, MTV, and Lifetime. Her most recent project, Ethel, premiered at the 2012 Sundance Film Festival, was broadcast on HBO, and nominated for five Primetime Emmys. Kennedy has directed and produced more than 25 documentaries, including Ghosts of Abu Ghraib (Primetime Emmy Award for Best Non-Fiction Film, 2007); Thank You, Mr.
Recommended publications
  • RESUME [V6.0].Cwk
    Robert Charles Doyle 1317 Ridge Avenue Steubenville, Ohio 43952 Phone: (740) 282-8156 [email protected] Education Ph. D Bowling Green State University, American Culture Studies, 1987. M. A. Pennsylvania State University, Comparative Literature, 1976. B. A. Pennsylvania State University, Liberal Arts, German, 1967. Present Academic Employment (2001 - present) Professor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2007 to the present. Previous Academic Employment (1974 - 2001) Associate Professor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2001-2007 Instructor, United States History, Department of History, Franciscan University of Steubenville, Steubenville, Ohio, 2000-2001. Professeur and Maître de Conferences (Professor and Visiting Associate Professor), American Civilization, Département d’Etudes Anglaises et Nord-Américaines, Université Strasbourg, France, 1995-1998. Instructor (Part-Time), American Civilization, Department of Foreign Languages, Université Robert Schuman, Strasbourg, France, 1996-1997. Professor (Fulbright), American Studies, Englisches Seminar, Westfälische Wilhelms-Universität, Münster, Germany, 1994-1995. Lecturer, American Studies, Department of English, Penn State University, University Park, 1988-1994. Lecturer (Part-Time), American Studies, Division of Continuing Education, Penn State University, University Park and Abington Campus, 1987-1988. Graduate Fellow (Teaching, 1984-86; Non-Service, 1986-1987), American Culture Doctoral Program, Bowling Green State University, Bowling Green, Ohio, 1984-1987. Lecturer (Part-Time), American Studies, Division of Continuing Education, Penn State University, University Park, 1974-1977. Technical Adviser/Consultant Historical and Technical Advisor. Hart’s War. Dir. Gregory Hoblit, with Bruce Willis. MGM/UA (Warhart Productions), 2000-2001. Historical and Applied Research Consultant, Joint Personnel Recovery Agency (USAF), Ft. Belvoir, Virginia, 1998-2000.
    [Show full text]
  • REFLECTION REFLECTION the Freedom Riders of the Civil Rights Movement
    REFLECTION REFLECTION The Freedom Riders of the Civil Rights Movement “I’m taking a trip on the Greyhound bus line, I’m riding the front seat to New Orleans this time. Hallelujah I’m a travelin’, hallelujah ain’t it fine, Hallelujah I’m a travelin’ down freedom’s main line.” This reflection is based on the PBS documentary, “Freedom Riders,” which is a production of The American Experience. To watch the film, go to: http://to.pbs.org/1VbeNVm. SUMMARY OF THE FILM From May to November 1961, over 400 Americans, both black and white, witnessed the power of nonviolent activism for civil rights. The Freedom Riders were opposing the racist Jim Crow laws of the South by riding bus lines from Washington, D.C., down through the Deep South. These Freedom Rides were organized by the Congress of Racial Equality (CORE). Despite the violence, threats, and extraor- dinary racism they faced, people of conscience, both black and white, Northern and Southern, rich and poor, old and young, carried out the Freedom Rides as a testimony to the basic truth all Americans hold: that the government must protect the constitutional rights of its people. Finally, on September 22, 1961, segregation on the bus lines ended. This was arguably the movement that changed the force and effectiveness of the Civil Rights Movement as a whole and set the stage for other organized movements like the Selma to Montgomery March and the March on Washington for Jobs and Freedom. This documentary is based on the book Freedom Riders: 1961 and the Struggle for Racial Equality by Raymond Arsenault (http://bit.ly/1Vbn4sy).
    [Show full text]
  • Surprise, Security, and the American Experience Jan Van Tol
    Naval War College Review Volume 58 Article 11 Number 4 Autumn 2005 Surprise, Security, and the American Experience Jan van Tol John Lewis Gaddis Follow this and additional works at: https://digital-commons.usnwc.edu/nwc-review Recommended Citation van Tol, Jan and Gaddis, John Lewis (2005) "Surprise, Security, and the American Experience," Naval War College Review: Vol. 58 : No. 4 , Article 11. Available at: https://digital-commons.usnwc.edu/nwc-review/vol58/iss4/11 This Book Review is brought to you for free and open access by the Journals at U.S. Naval War College Digital Commons. It has been accepted for inclusion in Naval War College Review by an authorized editor of U.S. Naval War College Digital Commons. For more information, please contact [email protected]. Color profile: Disabled Composite Default screen van Tol and Gaddis: Surprise, Security, and the American Experience BOOK REVIEWS HOW COMFORTABLE WILL OUR DESCENDENTS BE WITH THE CHOICES WE’VE MADE TODAY? Gaddis, John Lewis. Surprise, Security, and the American Experience. Cambridge, Mass.: Harvard Univ. Press, 2004. 150pp. $18.95 John Lewis Gaddis is the Robert A. U.S. history, American assumptions Lovell Professor of History at Yale Uni- about national security were shattered versity and one of the preeminent his- by surprise attack, and each time U.S. torians of American, particularly Cold grand strategy profoundly changed as a War, security policy. Surprise, Security, result. and the American Experience is based on After the British attack on Washington, a series of lectures given by the author D.C., in 1814, John Quincy Adams as in 2002 addressing the implications for secretary of state articulated three prin- American security after the 11 Septem- ciples to secure the American homeland ber attacks.
    [Show full text]
  • AFS 2390 Introduction to African-American Literature: Literature and AFS - AFRICAN AMERICAN Writing Cr
    AFS 2390 Introduction to African-American Literature: Literature and AFS - AFRICAN AMERICAN Writing Cr. 3 Satisfies General Education Requirement: Diversity Equity Incl Inquiry, STUDIES Intermediate Comp Pre-2018, Intermediate Comp Post-2018 Introduction to major themes and some major writers of African- AFS 1010 Introduction to African American Studies Cr. 3 American literature, emphasizing modern works. Reading and writing Satisfies General Education Requirement: Diversity Equity Incl Inquiry, about representative poetry, fiction, essays, and plays. Offered Every Social Inquiry Term. An interdisciplinary approach to exploring several broad issues, topics, Prerequisites: ENG 1020 with a minimum grade of C, ENG 1020 with a theories, concepts and perspectives which describe and explain the minimum grade of P, ENG 1050 with a minimum grade of C, College Level experiences of persons of African descent in America, the Continent, and Exam Program with a test score minimum of BC-BD, (AA) Exempt from the diaspora. Offered Every Term. Gen Ed MACRAO with a test score minimum of 100, Michigan Transfer AFS 2010 African American Culture: Historical and Aesthetic Roots Cr. 4 Agreement with a test score minimum of 100, or (BA) Competencies Satisfies General Education Requirement: Cultural Inquiry, Civ and Waiver with a test score minimum of 100 Societies (CLAS only), Diversity Equity Incl Inquiry Equivalent: ENG 2390 Examination of the historical, traditional and aesthetic bases of a variety AFS 2600 Race and Racism in America Cr. 3 of cultural forms -- language, literature, music -- of the Black experience. Satisfies General Education Requirement: Diversity Equity Incl Inquiry Offered Every Term. Examination of the nature and practice of racism in American society AFS 2210 Black Social and Political Thought Cr.
    [Show full text]
  • Religious Diversity in America an Historical Narrative
    Teaching Tool 2018 Religious Diversity in America An Historical Narrative Written by Karen Barkey and Grace Goudiss with scholarship and recommendations from scholars of the Haas Institute Religious Diversity research cluster at UC Berkeley HAASINSTITUTE.BERKELEY.EDU This teaching tool is published by the Haas Institute for a Fair and Inclusive Society at UC Berkeley This policy brief is published by About the Authors Citation the Haas Institute for a Fair and Karen Barkey is Professor of Barkey, Karen and Grace Inclusive Society. This brief rep- Sociology and Haas Distinguished Goudiss. “ Religious Diversity resents research from scholars Chair of Religious Diversity at in America: An Historical of the Haas Institute Religious Berkeley, University of California. Narrative" Haas Institute for Diversities research cluster, Karen Barkey has been engaged a Fair and Inclusive Society, which includes the following UC in the comparative and historical University of California, Berkeley, Berkeley faculty: study of empires, with special CA. September 2018. http:// focus on state transformation over haasinstitute.berkeley.edu/ Karen Munir Jiwa time. She is the author of Empire religiousdiversityteachingtool Barkey, Haas Center for of Difference, a comparative study Distinguished Islamic Studies Published: September 2018 Chair Graduate of the flexibility and longevity of Sociology Theological imperial systems; and editor of Union, Berkeley Choreography of Sacred Spaces: Cover Image: A group of people are march- Jerome ing and chanting in a demonstration. Many State, Religion and Conflict Baggett Rossitza of the people are holding signs that read Resolution (with Elazar Barkan), "Power" with "building a city of opportunity Jesuit School of Schroeder that works for all" below.
    [Show full text]
  • The Kennedy Women: the Saga of an American Family Free
    FREE THE KENNEDY WOMEN: THE SAGA OF AN AMERICAN FAMILY PDF Laurence Leamer | 935 pages | 29 Sep 1996 | Random House USA Inc | 9780449911716 | English | New York, United States The Kennedy Women: The Saga of an American Family by Laurence Leamer The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is The Kennedy Women: The Saga of an American Family. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Great insight into the Kennedy clan through the perspective of the women; this is considered THE "go to" book on the subject. For a less dense tome, see "The Kennedy Wives" which was released around or so which The Kennedy Women: The Saga of an American Family includes an account of Vicky Reggie Kennedy, Ted's second wife, and does not include the Kennedy sisters per se. Verified purchase: Yes Condition: Pre-owned. Big book! Leamer is a wonderful writer and easy to read. Well, they're only human and this book very respectfully describes that I would definately recommend this book and am planning on sending it off to a sister who wants to read it as well! I am from the Kennedy generation, I admired the kennedys, I have read tons of magazines,books,etc over the years. I was very sad when we The Kennedy Women: The Saga of an American Family Ted Kennedy and that started me being interested in the Kennedys again.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • Plane Fell Fast, Probe Finds
    Marlins beat Red Sox, 10-7; Martinez to miss next start with sore shoulder – C1 VOLUME 256 O NUMBER 20 THE BRIGHT SIDE 72 pages Today: Sunny, less humid, 80 Tomorrow: Sunny, 80 50 cents High tide: 5:33 a.m., 6:04 p.m. * abcde Full report: Page B8 TUESDAY, JULY 20, 1999 Hub teacher’s body is found after 8 days No decision on murder charge By Kera Ritter and Carlos Monje Jr. GLOBE STAFF AND GLOBE CORRESPONDENT PEMBROKE – The emotional eight-day search for a 27- year-old Boston teacher who disappeared July 11 after her car broke down near the Cape Cod Canal ended yesterday when the body of Melissa Gosule was found in a makeshift grave near the Chafin Reservoir. The body was discovered by volunteer searchers in an area just off a dirt road near Plymouth Street, close to the Halifax line, police said. The body had been under dirt and vegetation but heavy rain yesterday had removed some of the covering. ‘‘It was obviously an attempt to hide the body,’’ Plymouth County District Attorney Michael Sullivan said last night at a news conference. Sullivan said the body has not been positively identified as Gosule but evidence at the scene suggests ‘‘there is no GLOBE STAFF PHOTO / BILL GREENE reason to believe it’s anyone but Melissa.’’ State Police divers began their job as part of search and recovery efforts yesterday in waters 2 miles south of Gay Head. Michael Gentile, 31, ofFalmouth, a stranger to Gosule who allegedly gave her a ride on the night she disappeared, has been charged with kidnapping her.
    [Show full text]
  • VIETNAM VETERAN THEATRICAL NARRATIVES by Amanda Boyle Submitted to the Graduate Degree Program In
    MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES By Amanda Boyle Submitted to the graduate degree program in Theatre and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Henry Bial ________________________________ Jane Barnette ________________________________ Rebecca Rovit ________________________________ Nicole Hodges Persley ________________________________ Adrian Lewis Date Defended: May 9, 2016 The Dissertation Committee for Amanda Boyle certifies that this is the approved version of the following dissertation: MEN, MEMORY, AND MEMORIAL: VIETNAM VETERAN THEATRICAL NARRATIVES ________________________________ Chairperson Henry Bial Date approved: May 12, 2016 ii Abstract This dissertation is a study of Vietnam War veteran narratives and how they are presented on stage. I argue that these plays are a form of commemoration of the Vietnam War and those who fought in it. I eXamine three plays: Medal of Honor Rag (1976) by Tom Cole, Still Life (1982) by Emily Mann, and Tracers (1983) by John DiFusco, et al. There are hundreds of plays and musicals written directly about the war. Through a dramaturgical methodology I combine teXtual analysis, production research, interviews with two of the three playwrights, academic scholarship on the plays, my own staged reading of Still Life in February 2015, and select oral/written histories from Vietnam veterans to illustrate how the plays function as commemorative-storytelling of the veteran experience. Each chapter is a dramaturgical case study that could be used for production. The plays each have a wide range of topics, motifs, and themes, many of which I address, including the overlapping themes of wounding (moments of injury and psychological repercussions), coming home (surviving the war and returning home), and commemorating (via medals and memorials).
    [Show full text]
  • Fall 1999 Participant
    Fall 1999 | Pitzer College Participant Patchwork Leaves: Fall Begins Again President’s Message Public Service and Pitzer College California Gov. Gray Davis this summer challenged California’s public colleges and universities to make community service a graduation requirement to instill in graduates a “service ethic.” ¶ This proposal was greeted with enthusiasm by many. Others, including educators and administrators with the California public university system, wondered how they could structure and support such an effort. Will such a requirement improve the education of their students or be an unwieldy add-on? ¶ At Pitzer College, we can take pride in the knowledge that a “service ethic”— educating for social responsibility—has long been a part of our own ethos. It is now one of our stated educational objectives and it permeates our academic curriculum. At Pitzer, service and responsibility to society are ideas that have found life in virtually everything we do. And we are not the only ones who think so. ¶ The Commission of the Western Association of Schools and Colleges, or WASC, praised Pitzer College for setting a standard of community involvement that other colleges would do well to emulate. ¶ Here’s what WASC’s visiting committee said about such a standard: “WASC only has nine standards; we add, as well as urge by WASC, consideration of a tenth, at least with respect to Pitzer College. Pitzer College, through its emphasis on social responsibility and intercultural understanding as well as interdisciplinary perspectives, has developed a remarkable relationship with the domestic community surrounding it, as well as with international communities throughout the world.
    [Show full text]
  • A Celebration of Comic Genius W.C. Fields
    The Film Committee OF The National Arts Club Presents W.C. Fields Commemorative U.S. Postage Stamp Performing Arts Series, First Class, Issued January 29, 1980, W.C. Fields 100th Birthday. Ceremony at the Academy of Motion Picture Arts and Sciences. If I can make them laugh and through that laughter make this old world seem just a little brighter, then I am satisfied. - W.C. Fields The mission of The National Arts Club is to stimulate, foster and promote public interest in the arts and educate the American peo- A Celebration of ple in the fine arts. It was founded in 1898 by Charles de Kay, a literary and art critic for The New York Times. The Tilden Mansion at 15 Gramercy Park South, a National Historic Landmark, has been Comic Genius W.C. Fields home of The National Arts Club since 1906. www.nationalartsclub.org Wednesday, June 27, 2018 at 8:00 PM W.C. FIELDS is the “Icon of American Culture and Humor” (Librarian of Program Agenda Congress, 2000). His career spans the world’s modern entertainment heritage from the Bowery to vaudeville throughout the world on nearly every continent, Introductions back to Broadway as star on stage, silent films, talking films in Hollywood, and Gary Shapiro, Co-Chair of The National Arts Club Film Committee radio. The Timelessness of W.C. Fields’ art and humor is as relevant today as Background context – Dr. Harriet Fields before. There is no instance in the human condition that we cannot find solace in the art of W.C. Fields, for humor is the best medicine of all.
    [Show full text]
  • Special Programming on the Vietnam War and the 40 Anniversary of the Fall of Saigon to Air on CPTV This April
    For Immediate Release Contact: Carol Sisco [email protected] (860) 275-7212 cpbn.org, cptv.org, wnpr.org Special Programming on the Vietnam War and the 40th Anniversary of the Fall of Saigon to Air on CPTV This April • My Lai: American Experience airs on Tuesday, April 21 at 9 p.m. • The Draft premieres Monday, April 27 at 9 p.m., followed by Dick Cavett’s Vietnam at 10 p.m. • The Day the 60s Died premieres Tuesday, April 28 at 8 p.m., followed by Last Days in Vietnam: American Experience at 9 p.m. and Lost Child: Sayon’s Journey at 11 p.m. HARTFORD, Conn. (April 3, 2015) – CPTV/Connecticut Public Television will present special programming in April focusing on the fall of Saigon and the Vietnam War. The programming begins with an encore airing of My Lai: American Experience on Tuesday, April 21 at 9 p.m. This film focuses on the 1968 My Lai massacre – known as one of the worst atrocities in American military history – and its subsequent cover-up, as well as the heroic efforts of the soldiers who broke ranks to try to halt the massacre and bring it to light. Other programs airing in April include The Draft, premiering Monday, April 27 at 9 p.m., exploring the history of the selective service system in America; and Dick Cavett’s Vietnam, premiering April 27 at 10 p.m., featuring a look back at conversations the talk show host had about the war with a number of public figures. Additional programming includes The Day the 60s Died, airing Tuesday, April 28 at 8 p.m., preceding the premiere of Last Days in Vietnam: American Experience at 9 p.m.
    [Show full text]