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On the Purple Circuit with Bill Kaiser Volume 9, Number 1 the SIDNEY MORRIS ISSUE
On The Purple Circuit With Bill Kaiser Volume 9, Number 1 THE SIDNEY MORRIS ISSUE WELCOME TO ON THE PURPLE CIRCUIT! An ongoing issue is censorship of the arts. CORPUS CHRISTI is an example with the outrageous imposition of a We exist to promote GLQBT theatre and performance fatwah against Terrence McNally after the London throughout the world and invite you to join in that endeavor! production. Also closer to home was the difficulty that Daylight Zone had in finding a space for their production- This is the Sidney Morris Issue. Sidney is one of our pioneer Kudos to Theatre Double in Philadelphia for providing space! Gay playwrights. Based in New York his plays are part of our culture and still available for production. While in poor health, Lastly I want to speak again about the treatment of he is still writing and has an important message for Playwrights. We would have no productions without them. I producers in his article DO US! in this issue. He also is the really feel that PC theatres have to be as responsible as first interviewee of my Oral History Project and I thank him straight ones about scripts. If you have a staff shortage-find for that (as well as Tom O'Neil who did the interview and Ty some volunteers to either read for you or send unsolicited Wilson who did the camerawork). scripts back in their SASEs in a reasonable length of time. I know that Producers have their share of woes too and we all As you know I believe in theatre and activism. -
Homecoming Court Announced Mccormick 470 Voters Didn't Sound Bad Compared with Other Elections
Marshall University Marshall Digital Scholar The Parthenon University Archives 10-27-1994 The Parthenon, October 27, 1994 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, October 27, 1994" (1994). The Parthenon. 3306. https://mds.marshall.edu/parthenon/3306 This Newspaper is brought to you for free and open access by the University Archives at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Oct. 27, 1994 MARSHALL UNIVERSITY Thursday Mostly sunny High in upper 50s • VOTING Homecoming Court announced McCormick 470 voters didn't sound bad compared with other elections By Jason Philyaw is Lynn "I think it College of Business senator. Reporter Celdran, a is great to be The senior representative Huntington able to rep and Ms. Marshall will be an Students who voted. for graduate stu .resent Mar nounced at halftime at Homecoming Court this week dent, who has shall Uni- Saturday's football game did not have the chance to vote a master of versity," against The Citadel. for Mr. Marshall There was no arts degree in Phillips Running for the Homecom need. teaching. said. ing Queen are Kristin Butcher, There were no freshman and Stephanie Mr.~/ "There a Huntington broadcast jour sophomore male applicants and Hayhurst, DtMl!Plti/U,1 were actu nalism major, and Penny only one from both the junior Pennsboro ally two Copen, an Elizabeth public re and senior classes. -
Enjoyed Nationally & Internationally!
Made in Melbourne! Enjoyed Nationally AUGUST 2012 & Internationally! AUGUST 2012 Issue 93 q comment: ART IN YOUR HANDS ArtsView has been developed to promote and support Melbourne and Sydney’s artists and galleries with Publisher & Editor exhibitions updated monthly. Brett Hayhoe +61 (0) 422 632 690 [email protected] An easy way to stay up-to-date with current and upcoming exhibitions from your favourite artists as well Editorial as the best way to discover new and emerging artists. [email protected] Showcasing hundreds of works of art each month, ArtsView gives you an in-depth preview of exhibitions Sales and Marketing and allows discerning art viewers to find art in their [email protected] area. Design With a wide variety of styles and art on show, ArtsView Uncle Brett Designs & Graphics puts them all in one place with Maps and Collection quick view tools to make finding art at Australia’s Contributing Writers Evan Davis, Alan Mayberry, Tasman Anderson, largest commercial galleries quicker and easier. Barrie Mahoney, Brett Hayhoe, Chris Gregoriou, Pete Dillon, Matthew Baker- ArtsView : FREE on the iTunes App Store Johnson, Nathan Miller, Briand Bedford, Max Jimenez Cover picture DnM owners with compliments of Daniel Martin Bailey Photographic Contributions Alan Mayberry (gh, q drag), Avril Holderness-Roddam (flamingos), Daniel Martin Bailey (dnm, feature) Distribution [email protected] ISSN 1449-499X QMAGAZINE PO Box 7479, St. Kilda Road, Melbourne Victoria 8004 www.qmagazine.com.au LEGAL DISCLAIMER Q Magazine is a free publication and can only be distributed through selected outlets. Views expressed in Q Magazine do not necessarily represent the opinions of the publisher/editor. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Jeremias Lucas Tavares
UNIVERSIDADE FEDERAL DE CAMPINA GRANDE CENTRO DE HUMANIDADES UNIDADE ACADÊMICA DE LETRAS CURSO DE LICENCIATURA EM LETRAS: LÍNGUA INGLESA JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. Monografia apresentada ao Curso de Licenciatura em Letras - Língua Inglesa do Centro de Humanidades da Universidade Federal de Campina Grande, como requisito parcial para obtenção do título de Licenciado em Letras – Língua Inglesa. Orientadora: Professora Dra. Sinara de Oliveira Branco. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA Monografia de conclusão de curso apresentada ao curso de Letras – Língua Inglesa da Universidade Federal de Campina Grande, como requisito parcial à conclusão do curso. Aprovada em 11 de Julho de 2019 Banca Examinadora: _______________________________________________________________ Orientadora: Profa. Dra. Sinara de Oliveira Branco – UFCG _______________________________________________________________ Profa. Dra. Danielle Dayse Marques de Lima – UFCG _______________________________________________________________ Prof. Dr. Suênio Stevenson Tomaz da Silva – UFCG Campina Grande - PB 2019 AGRADECIMENTOS Primeiramente, gostaria de agradecer a essa força – ainda tão pouco explicada – que foi batizada com diversos nomes no decorrer da história da humanidade e que eu gosto de me referir como natureza. Toda minha vida fui guiado por essa força – nunca estive só. Quero agradecer à minha família – minhas duas mães, Finha e Dona Donzica, meu irmão, Jonas e minha cunhada, Day – que sempre me amaram e torceram por mim. -
Nancy Malone Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8hq420r No online items Nancy Malone papers, ca. 1946-2000s Finding aid prepared by Liz Graney and Sue Hwang assisted by Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2014 The Regents of the University of California. All rights reserved. Nancy Malone papers, ca. PASC 254 1 1946-2000s Title: Nancy Malone papers Collection number: PASC 254 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 35.0 linear ft.(62 boxes, 2 record cartons, and 4 flat boxes) Date (inclusive): ca. 1946-2000 Abstract: Nancy Malone began her career at the age of six, modeling and appearing on live radio and television programs. She went on to become an accomplished actor, director and producer and was a co-founder of Women in Film, the nonprofit organization dedicated to supporting women's roles within the entertainment industry. The collection consists of material representing Malones' involvement in various projects as actress, director and producer, her association with Women in Film, her contributions to the advancement of the entertainment community and her various achievements outside of the industry. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Malone, Nancy Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. -
What Is the English Constitution? the Answer of John James Park in the Crucial Year 1832*§
What is the English Constitution? The Answer of John James Park in the Crucial Year 1832*§ ugo bruschi assistant professor of medieval and modern legal history at the university of bologna alma mater studiorum davide rossi assistant professor of medieval and modern legal history at the university of trieste Summary 1. Constitutional developments from the Glorious Revolution to the Act of Settlement. – 2. The affirmation of the role of Prime Minister and of rule by Cabinet. – 3. Towards the crucial year. – 4. The long, eventful road to the Representation of the People Act. – 5. The Dogmas of the Constitution. Abstract From the 1688 revolution to the beginning of 19th century, the English constitution un- derwent a deep transformation. While the divine right of Kings and the royal prerogative * Both form and contents of the lectures delivered in Trieste in March 2012 are here echoed to a reasonable extent (Triestine Lectures, Faculty of Law, field: History and Technique of European Codes and Constitutions). Footnotes are thus limited to references to actual quotations and to an essential bibliography. This paper is the forerunner of a forthcoming book that will include the Italian translation of J. J. Park’s work The Dogmas of the Constitution, along with its examination. As such, it was thought of, planned, discussed and revised together by both contributors. However, as the needs of each individual CV are involved as well, it is necessary to point out that the first and second para- graph come under UGO BRUSCHI’s authorship, whereas the third, fourth and fifth paragraph un- der DAVIDE ROSSI’S. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Mentors Screenwriting & Filmmaking Mentorship & Competition
SBIFF 10-10-10 SCREENWRITING & FILMMAKING MENTORSHIP & COMPETITION MENTORS Guy Smith- Program Director Guy Smith has worked extensively with media, communications and film in his 40 year career at Santa Barbara City College and Antioch University, both as a Dean and faculty member. He has been the lead in helping to establish media arts and film pro- grams at multiple colleges in Southern California. For the past 15 years, he has worked with the Santa Barbara International Film Festival as Director of 10-10-10, the student filmmaking compe- tition. He received his B.A. & M.F.A.in creative writing from San Diego State University before completing doctoral coursework in rhetoric and linguistics at the University of Southern California. Lowell Blank- Screenwriting Mentor Lowell Blank has over twenty-five years’ experience as a producer and executive on both studio and independent productions, including Walt Disney Pictures’ Holes, starring Shia LeBeouf, Sigourney Weaver, Jon Voight, and Patricia Arquette, The Guardian, starring Kevin Costner and Ashton Kutcher, and A Perfect Murder, starring Michael Douglas, Gwyneth Paltrow and Viggo Mortensen. He is currently producing the documentary Mentors: Tony & Santi directed by filmmaker Andrew Davis and the feature film Addict Named Hal from first time writer/director Lane Michael Stanley. Mr. Blank holds a B.A. in Television & Film from San Diego State University and an MFA in Writing & Contemporary Media from Antioch University. He previously served as President of Chicago Pacific Entertainment, Director Davis’ Santa Barbara based production company. Ross Brown - Screenwriting Mentor Ross Brown is the Program Director for the MFA in Writing & Con-temporary Media at Antioch University, Santa Barbara. -
In Praise of Blue Grass
IN PRAISE OF BLUE GRASS JOHN JAMES INGALLS (I833-I900) JOHN JAMES INGALLS was Senator an incantation, surprising as the sea from Kansas from 1873 to 1891. An to the soldiers of Xenophon as they address of his, printed in the Kansas stood upon the shore and shouted Magazine in 1872 and here reprinted "Thalatta!" It was BLUE GRASS, un- in part because copies of it are hard to known in Eden, the final triumph of get, contains a passage that is quoted nature, reserved to compensate her ofteîi. He was an eloqueîit man hut not favorite ofifspring in the new Paradise a scientist. of Kansas for the loss of the old upon the banks of the Tigris and Euphrates. Next in importance to the divine ATTRACTED by the bland softness profusion of water, light, and air. of an afternoon in my primeval winter those three great physical facts which in Kansas^ I rode southward through render existence possible, may be reck- the dense forest that then covered the oned the universal beneficence of bluffs of the North Fork of Wildcat. grass. Exaggerated by tropical heats The ground was sodden with the ooze and vapors to the gigantic cane con- of melting snow. The dripping trees gested with its saccharine secretion, or were as motionless as granite. The last dwarfed by polar rigors to the fibrous year's leaves^ tenacious lingerers, loath hair of northern solitudes, embracing to leave the scene of their brief bravery, between these extremes the maize with adhered to the gray boughs like fragile its resolute pennons, the rice plant of bronze. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Mutant Disco # 1 a Subtle Discolation of the Norm
www.zerecords.com MUTANT DISCO # 1 A SUBTLE DISCOLATION OF THE NORM 01 • Was ( Not Was) • Wheel Me Out • 7:08 02 • Material & Nona Hendryx • Bustin’Out • 6:40 03 • Cristina • Drive My Car • 3:21 04 • Kid Creole & The Coconuts • Annie I’m Not Your Daddy • 6:30 05 • Aural Exciters • Emile (Night Rate) • 6:48 06 • James White & The Blacks • Contort Yourself • 6:18 07 • Lizzy Mercier Descloux • Funky Stuff • 4:12 08 • Garçons • French boy • 3:08 09 • Don Armando’s 2nd Ave. Rhumba Band • Deputy Of Love • 5:29 Featuring Fonda Rae 10 • Gichi Dan • Cowboys & Gansters • 7:28 11 • Cristina • Blame It On The Disco • 7:57 12 • Garçons • Encore l’Amore • 8:55 COMPILATION SELECTED AND PRODUCED BY MICHEL ESTEBAN P & C ZE Records Mundo Ltda © 2011 www.zerecords.com MUTANT DISCO : A Subtle Discolation Of The Norm In 1976 a record was released which could have changed the world. It was by the Disco Dub Band; on the Movers label; an extreme reworking of the O’Jays’ For The Love of Money. Ar- ranged and produced by journalist Davitt Sigerson, it featured steals of James Brown gui- tar motifs, free jazz traces, and stripped down, dubbed out disco. Its reverberations would be felt for many years. Five years on, consciously or not, it could certainly be felt haunting the dancehall that was home to ZE’s Mutant Disco revolution. ZE by that time was ready to burst overground in a riot of colour. A perverse over-the-top Hollywood musical spectacular to complement the grainier, underground pop that could equate to the black and white French new wave films of tortured New York noir novels.