DOCSLIB.ORG

Lead Guitar Jeremiah Scott – Rhythm Guitar Jonathan Dunn – Bass Tim “Yogi” Watts – Drums

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lead Guitar Jeremiah Scott – Rhythm Guitar Jonathan Dunn – Bass Tim “Yogi” Watts – Drums Ryan Clark – Vocals Patrick Judge – Lead Guitar Jeremiah Scott – Rhythm Guitar Jonathan Dunn – Bass Tim “Yogi” Watts – Drums Demon Hunter is something of profound meaning to their fans, friends, families and supporters, as evidenced by the countless tattoos, fan artwork and videos built upon the metal group’s iconic symbol, album artwork, lyrics, overall message and vibe. To many, Demon Hunter is more than a band. Demon Hunter is a symbol, a voice in the darkness. But make no mistake: Demon Hunter is a creative force in heavy metal whose deft balance of arena ready melodies (several cuts above the current crop) and increasingly extreme metal (which has gotten heavier, faster and more technical in recent years) has won accolades in the metal press and lit up Christian Rock Radio alike for over a decade. EXTREMIST is as bold as the album’s title would suggest, leaving little doubt as to the band’s intentions, musically and philosophically. Demon Hunter champions those who stand opposed to the status quo, those who won’t settle for mediocrity in life or in art. They are driven by high-minded but basic principles, tempered with stark honesty about their own human flaws, their failures, triumphs, tragedies and inherent brokenness. The band’s seventh album is hands-down their most diverse offering. There’s a pandemonium inducing end-of-world soundtrack called “Cross to Bear”; the brutally percussive album opener, “Death”; and the NWOSDM vibe of tracks like “Artificial Light” and “One Last Song,” which calls upon the vibrant melodic death metal sound familiar to fans of At The Gates, Soilwork and Amon Amarth. “The Last One Alive” roars with the same melodic punch of Demon Hunter classics like “Collapsing” or “Fading Away.” And the balladry is more brazen, more heart-wrenching, more ambitious than ever before, driving the somber, often doomy vibe of “I Will Fail You” and “Hell Don’t Need Me.” Lead singer, principle songwriter and band co-founder Ryan Clark wrote the bulk of the album’s material in Seattle, before traveling to Nashville, where most of the band is based, for tracking. Longtime producer Aaron Sprinkle (Anberlin, Emery) remained a collaborative partner, but the majority of the production duties were handled by Demon Hunter’s rhythm guitarist, Jeremiah Scott. Patrick Judge’s jaw-dropping lead guitar work has reached new levels of proficiency and craftsmanship, often serving as mini-songs within songs. Longtime bassist Jonathan Dunn, who has been with Demon Hunter since before their first ever-live appearance, is as fluid and rhythmic as ever. Tim “Yogi” Watts lays down a firm reminder as to why he’s so highly regarded by metal heads and percussion fanatics alike, adding masterful but tasteful beats through Extremist’s songs. While Clark remains the band’s sole original member, Dunn has been with the group nearly as long; Watts came onboard ten years ago; Judge joined first as touring guitarist and soon after as fulltime member in 2009. Scott was officially in the band in early 2012. Celebrated rock producer Zeuss (Rob Zombie, Crowbar, Hatebreed) makes his Demon Hunter debut on Extremist, handling mixing duties. In addition to Sprinkle’s longtime studio efforts, the band has worked with an impressive list: J.R. McNeely (Acceptance, Underoath) mixed the first two albums; Machine (Lamb Of God, King Crimson) handled the next two; and Jason Suecof (Death Angel, Trivium) the two that followed. Demon Hunter’s reference points are as broadminded as their creative work, drawing upon the energy of metal masters Metallica and Pantera, European Death Metal, Black Metal, doom, gothic rock, radio rock and dark electro-pop artists in equal measure, with a splash of Southern Rock flair evident in their meat-and-potatoes guitar virtuosity. The band headlines major Christian festivals at home and abroad while making fans out of guys in bands like Five Finger Death Punch, In Flames and DevilDriver at the same time. They’ve handpicked future headliners like August Burns Red, Haste The Day and Oh, Sleeper to open for them at early stages in their respective careers, while shining a spotlight on scene innovators like Living Sacrifice and Zao on the road. They’ve toured North America as main support to In Flames and As I Lay Dying, and headlined several treks across the US, Europe, Australia and South America, including Scream The Prayer. Artwork, imagery and presentation have been paramount within Demon Hunter since the beginning. Ryan and his brother Don Clark founded the Grammy nominated design and illustration studio Invisible Creature, whose clients include rock giants like Alice In Chains and Foo Fighters, much of the current crop of Vans Warped Tour bands and ubiquitous brands like Nike, Target, Seattle’s Best Coffee and the latest X-Box system. The Clarks conceived of the concept behind Demon Hunter over a decade ago, unleashing a self-titled first album (backed by a still shadowy and enigmatic lineup) in 2002. Summer of Darkness broke through in the metal, hardcore and Christian rock scenes, with MTV2 rotation for “Not Ready to Die” and a spot on the “Resident Evil: Apocalypse” soundtrack. Many couples count "My Heartstrings Come Undone," which Ryan wrote for his wife, as a sentimental landmark song in their own relationships. The Triptych sold close to 150,000 copies in the United States. Storm the Gates of Hell crossed the 100,000 mark as well, boasting fan-favorite anthems “Fading Away” and “Carry Me Down.” The World is a Thorn debuted with first week sales of 14,000, even as “Collapsing” became their highest charting song at metal, specialty and Christian radio. True Defiance broke into Billboard’s Top 40 albums chart and hit #2 on the Christian Rock chart. Overall, the Demon Hunter catalog has sold more than a half million albums. Whether the battlefield is as weighty as spiritual warfare, as fundamental as the struggles of daily life or as important as the fight against mediocrity in popular culture, Demon Hunter will stand in proud defiance. If that’s labeled as EXTREMIST, so be it. .
Load more

Recommended publications
  • Mitty Does Les Misérables by Hannah Moeller Feat Was Even Possible
    The Monarch Volume 18 Number 4 • Serving the Archbishop Mitty Community • April 2009 Members from the cast of Les Misérables after the show. All shows were sold out before opening night and a Saturday matinee had to be added. Success on the Stage: Mitty does Les Misérables By Hannah Moeller feat was even possible. To fully assess what was possible, and who could make it Staff Writer happen, he turned to Mr. Fairley, the faculty moderator of the Mitty Robotics Club. During the last few weeks of preparation for Mitty’s spring musical Les Misera- Mr. Fairley asked Robotics President junior Lucas Bolster and Stage Manager bles the Performing Arts Wing was a hidden world of intricately winding hallways and senior Carol Friedenbach to do the job, since both have strong backgrounds in robotics scattered rooms, all full of laughter, music, and excited chatter. Mitty’s performances and theater set technologies. For about a year, Mr. Fairley, Bolster, and Friedenbach of the Broadway hit ran for two weekends—the last weekend of March and the fi rst met every few weeks. They researched, designed, and constructed aspects of the of April. Les Mis tells the story of an ex-convict that is hunted by a law-obsessed revolving stage in order to make this complex set a success. ofi cer, all while the students of Paris revolt in 1830s France. “It was a lot of math,” said Friedenbach. “The revolve was built to go on top The Performing Arts Department decided during the second semester of last of the stage and extended outward.
    [Show full text]
  • YLO89 Magazine
    •YLO 91_Layout 1 2/13/13 3:02 PM Page 1 TRD COVER Youth Leaders Only / Music Resource Book / Volume 91 / Spring 2013 Cover: Red 25 Ways To Create A Crisis Page 6 When Volunteers Date Kids Page 8 The Crisis Head/Heart Disconnect Page 10 INSIDE: ConGRADulations! Class of 2013 Music-Media Grad Gift Page 18 Heart of the Artist: RED Page 15 Jeremy Camp Page 16 The American Bible Challenge: Jeff Foxworthy Interview Page 12 Worship Chord Charts from Gungor, Planetshakers, Elevation Worship, Everfound Page 42 y r t s i & n i c i M s u h t M u o g Y n i n z i i a m i i x d a e M M CRISIS: ® HANDLING THOSE “UH OH!” SITUATIONS •YLO 91_Layout 1 2/13/13 3:02 PM Page 2 >> TRD TABLE OF CONTENTS CONTENTS MAIN/MILD/HOT ARE LISTED ALPHABETICALLY BY ARTIST 6 8 10 11 FEATURE 25 Ways To Create When Volunteers The Crisis I’m In A ARTICLES: Your Own Crisis Date Kids Disconnect Crisis NOW MAIN: 18 20 25 CONGRADULATIONS! PURPOSE FILM Artist: CLASS OF 2013 DVD GUNGOR Album Title: ConGRADulations! Class of 2013 Purpose A Creation Liturgy (Live) Song Title: Unstoppable Beautiful Things Study Theme: Sacrifice Life; Purpose Meaning Renewal MILD: 21 22 23 ELEVATION Artist: CAPITAL KINGS WORSHIP EVERFOUND Album Title: Capital Kings Nothing Is Wasted Everfound Song Title: You’ll Never Be Alone Nothing Is Wasted Never Beyond Repair Study Theme: God’s Presence Difficulty; Hope Within Grace HOT: 24 26 28 Artist: FLYLEAF JEKOB JSON Album Title: New Horizons Faith Hope Love Growing Pains Song Title: New Horizons Love Is All Brand New Study Theme: Hope; In God Love; Unconditional
    [Show full text]
  • Subjectivity in American Popular Metal: Contemporary Gothic, the Body, the Grotesque, and the Child
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Subjectivity In American Popular Metal: Contemporary Gothic, The Body, The Grotesque, and The Child. Sara Ann Thomas MA (Hons) Submitted in fulfilment for the Degree of Doctor of Philosophy Faculty of Arts University of Glasgow January 2009 © Sara Thomas 2009 Abstract This thesis examines the subject in Popular American Metal music and culture during the period 1994-2004, concentrating on key artists of the period: Korn, Slipknot, Marilyn Manson, Nine Inch Nails, Tura Satana and My Ruin. Starting from the premise that the subject is consistently portrayed as being at a time of crisis, the thesis draws on textual analysis as an under appreciated approach to popular music, supplemented by theories of stardom in order to examine subjectivity. The study is situated in the context of the growing area of the contemporary gothic, and produces a model of subjectivity specific to this period: the contemporary gothic subject. This model is then used throughout to explore recurrent themes and richly symbolic elements of the music and culture: the body, pain and violence, the grotesque and the monstrous, and the figure of the child, representing a usage of the contemporary gothic that has not previously been attempted. Attention is also paid throughout to the specific late capitalist American cultural context in which the work of these artists is situated, and gives attention to the contradictions inherent in a musical form which is couched in commodity culture but which is highly invested in notions of the ‘Alternative’. In the first chapter I propose the model of the contemporary gothic subject for application to the work of Popular Metal artists of the period, drawing on established theories of the contemporary gothic and Michel Foucault’s theory of confession.
    [Show full text]
  • A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact
    CHRISTIAN CROSS-OVER SONGWRITING 1 A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact Paul Malhotra A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 CHRISTIAN CROSS-OVER SONGWRITING 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ John D. Kinchen III, D.M.A. Thesis Chair ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Mr. Don Marsh, M.S. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date CHRISTIAN CROSS-OVER SONGWRITING 3 Abstract A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness to impact the culture while adhering to a biblical worldview. CHRISTIAN CROSS-OVER SONGWRITING 4 A Survey of Christian Cross-Over Songwriting An exploration of Christian cross-over music can provide an objective framework for evaluating songs and developing guidelines for Christian songwriters so they can enhance their effectiveness in communicating with their audiences.
    [Show full text]
  • Eligibility Breed Owner(S)
    2017 AKC Rally® National Championship Eligibility List As of December 22, 2016 Eligibility Breed Owner(s) Novice Afghan Hound DC Asia Soraya Tazi Of Suni RA SC THD CGC Claudia Jakus/Lynda Hicks Novice Afghan Hound Arcana Wicked Demon Hunter RN Alice Donoho/Chuck Milne Novice Afghan Hound GCH CH Mahrani's Wish U Luv At Stormhill BN RN JC CGC Mary Offerman/Sandra Frei/Terri Vanderzee/Sandi Nickolls Novice Airedale Terrier Miller's Marsh Second Chance RN Jane A. Miller Novice Airedale Terrier Plum Perfect's Conquer The World RN OAP NJP NFP Ms. Suzanne P Tharpe Novice Akita GCH CH Shebogi She Shoots And Scores RN Patti Pulkowski/Dave Pulkowski Novice Akita CH Mystik Gekko Sweetheart Of The Rodeo RN CGC Monica Colvin/Gregory B Colvin USAF (Ret.) Novice Alaskan Malamute Powderhound's Woo The Masses RN OA NAJ NF Dustin Smyka-Warner/Jennifer L Effler-Leveille Novice Alaskan Malamute GCH CH Spectre's Just Keep Talkin' RN Julia Cole Novice Alaskan Malamute CH Peace River's Dream Girl At Hallstatt RN Laura Maffei/Michele S Coburn Novice Alaskan Malamute Powderhound's Over And Over Again RN Jennifer L Effler-Leveille Novice Alaskan Malamute CH Illusion's One Man Show BN RN Pamela A Fusco/Joseph Fusco Novice All American Dog MEEKO CD RN CASEY SCHEIDEGGER/CJ SCHEIDEGGER Novice All American Dog Shameless Kid Cody RN MX MXJ NF CGCA KELLY LANE CASTLE Novice All American Dog Charlie VI RN MX MXJ Lindy Luopa Novice All American Dog Boe RN Joe Harrison Novice All American Dog Riley XIII RN NA NAJ AXP AJP LOIS LAMONT Novice All American Dog Texas Bella RA
    [Show full text]
  • Mountain Shepherd
    Newsletter of the The Salem United Methodist Church — Wolfsville MMoouunnttaaiinn SShheepphheerrdd Volume 30 June 2012 Number 6 Salem is planning to attend Creation 2012 4 DAYS in MT. UNION, PA Salem United Methodist Church—Wolfsville INSIDe More info at www.creationfest.com/ne Vicki Robinson helps n By Sue Ellen Stottlemyer paint the new pavilion CREATION 2012 is just around the corner. Main Stage Lineup More pavilion photos As of this writing, 13 youth and adults are • Switchfoot • Newsboys on page 10 planning to attend. • tobyMac • Kutless Creation, a Christian music festival • David Crowder • Red held at the Agape Farm, Mt. Union, • Chris Tomlin • Family Force 5 Pennsylvania, starts on Wednesday, June • Tenth Avenue North • Bread of Stone Missions . 2 27, and runs through Saturday evening, • Thousand Foot Krutch ... more Senior Appreciation Lunch . 3 June 30, 2012. Fringe Stage Lineup Attendance & Offerings . 4 Everyone who has attended in the past • Love and Death • Sent By Ravens Board of Child Care Auxiliary 4 has had a great time. Creation 2012 promises • Disciple • Shonlock Calendar of Events . 5 to be everything as in the past; good fellow - • Supertones • An Epic No Less Caregiving Ministry . 5 ship, excellent worship services, good food, • Project 86 ... more Who’s Doing What, When? . 6 and most of all, good Christian music — so HM Stage Lineup It’s Your Day! . 6 don’t miss out on a good time to praise and • Demon Hunter • Sleeping Giant Inspirational Reading . 7 worship our Creator. • Underoath ... more Recipe . 7 Speakers From Our Pastor . 8 Salem will be there for the entire event • Reggie Dabbs • Nick Vujicic Hero’s Club .
    [Show full text]
  • Christian Rock Eine Betrachtung Unter Kulturästhetischen Und
    JOHANN WOLFGANG GOETHE UNIVERSITÄT FRANKFURT AM MAIN Fachbereich Sprach- und Kulturwissenschaften Die Arbeit wird im Rahmen des Studiengangs Musikwissenschaft vorgelegt zur Erlangung des Magister Artium. Christian Rock Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten vorgelegt von: Tobias Rux aus: Zwickau (Geburtsort) 1. Gutachter/in: Prof. Dr. Linda Maria Koldau 2. Gutachter/in: PD Dr. Andreas Meyer Abgabedatum: 30.01.2009 Christian Rock – Eine Betrachtung unter kulturästhetischen und musikalischen Aspekten Vorwort Seite 2/139 Vorwort Ich bin seit meiner Jugendzeit Hörer von Rockmusik. Über Tonträger oder auf Konzerten kam ich mit vielen Spielarten des Rock in Berührung. Dabei ist mir aufgefallen, wie unterschiedlich sich Performance, Text und Kontext auf meine Wahrnehmung auswirkten. Es schien mir, als ob dabei die innere Einstellung des Protagonisten einen großen Einfluss auf die Rezeption von Musik hat – was sich im Rock noch augenscheinlicher niederschlug als in anderen Ausdrucksformen populärer Musik. Einerseits vom persönlichen Ausdruck des Interpreten bzw. der Aussage und Ausstrahlung seiner Musik angetan, riefen andere Darbietungen in diesen Punkten Enttäuschung in mir hervor. Mit dem Studium der Musikwissenschaft, besonders des Seminars Musikwissenschaft und Popularmusik, entstand ein persönliches Interesse, herauszufinden, ob und inwieweit bestimmte Strömungen des Rock sich hinsichtlich musikalischer, ideologischer und soziologischer Kriterien unterscheiden und welchen Wert bzw. Unwert sie für die Gesellschaft besitzen. Auch die Kritik an der vielleicht authentischsten Ausdrucksform der (jugendlichen) Gesellschaft veranlasste mich, jene Aspekte, hier auf Christian Rock bezogen, auf wissenschaftlicher Ebene zu beleuchten. Mein Dank gilt in erster Linie meiner Professorin Linda Maria Koldau, die mir in inhaltlichen sowie formalen Fragen für die Zeit meines Schreibens zur Verfügung stand.
    [Show full text]
  • JON and DAGNE NORD, Single Woman; DE LILA E. WALKER, A
    IN THE COURT OF APPEALS FOR THE STATE OF WASHINGTON DIVISION ONE JEROME C. HURLEY and BESSIE M. No. 71430-9- HURLEY, husband and wife; WESLEY A. STANCIL and ZELLA E. MORAN, husband and wife; FRANK J. METTLER r-o and LINDA E. METTLER, husband and CO —tf- wife; SHAWN HAMPTON and CHARITY >••;:• —* —, m HAMPTON, husband and wife, <—> r- C -T-; ~n^ individually, and as guardians for their co CJ r£~i minor children EMARY and ELEXCIOUS >-f tfip HAMPTON; ANTON K. SWAFFORD S -*rf— j.'-"- and DOROTHY E. SWAFFORD, ._ 5:f~ o a>^ husband and wife; MARK DANTINNE, a •* -*c o o~- single man; JON and DAGNE NORD, husband and wife; DEANNA LESTER, a single woman; DE LILA E. WALKER, a widow; JAMES K. REDMON and BETTY REDMON, husband and wife; UNPUBLISHED OPINION ALICE REDMON, a widow; MICHAEL WOOD and KIMBERLY WOOD, husband and wife, individually, and guardians for their minor child, Bryce Wood; MARTIN E. SPRINKLE, a single man and LINDA SPRINKLE, a single woman; MARTIN L.J. SPRINKLE, a single man; AARON SPRINKLE, a single man; and STEPHEN P. REA, a single man; ANNA GAY GAROUTTE, a single woman; APRIL HURLEY, a single woman; and EDWARD THOMAS and MARTHA THOMAS, husband and wife Plaintiffs/Appellants, v. PORT BLAKELY TREE FARMS L.P. a Washington limited partnership; B&M LOGGING, INC., a Washington corporation; RAINIER TIMBER COMPANY, INC., an inactive Delaware corporation; RAINIER LOG COMPANY, FILED: June 30. 2014 No. 71430-9-1/2 INC., an inactive Delaware corporation; RAINIER TIMBER COMPANY, LLC, a company managed by THE CAMPBELL GROUP, LLC that is not registered with the Washington Secretary of State; ISLAND TIMBER COMPANY, Defendants.
    [Show full text]
  • Views with Dr
    no, I U I A RHETORICAL ANALYSIS OF THE SERMONS OF DAVID ELTON TRUEBLOOD Frank H. Cooley A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY March 1973 Approved by Doctoral Committee / Advisor Graduate School Representative SAcfo> 545355 ''Yto .Ibi ABSTRACT David. Elton Trueblood is professor at large at Earlham College, Richmond, Indiana. As founder and president of Yokefellows Inter­ national, he is an internationally known writer and speaker. The methodology employed included the traditional canons of rhetoric, a biographical sketch, his theories on preaching, and his mode of speech preparation. The study was based upon interviews with Dr. Trueblood and his associates, his personal file (1920-1972), publications, and correspondence. The inquiry revealed Trueblood as a Quaker, Yokefellow, theologian, philosopher, and a preacher. He reflected his precepts and ethical profile by preaching with a genuine concern for others. His mode of speaking is extemporaneous. Trueblood's arrangement indicated thorough preparation. There was no definite pattern exhibited toward the parts of a speech, but his sermons characterized his awareness of the value of audience contact. He provided variety in an orderly manner. The inventive characteristics of Trueblood indicated he relied heavily upon source credibility, but he used logic, and to a lesser extent, emotional proof. His sermons promoted the ecumenical move­ ment of the Christian faith. Figuratively language was utilized to enhance the audience's understanding. Narrations, descriptions, definitions, comparisons, and contrasts were Trueblood's primary tools through which he presented vivid images of his thoughts and ideas.
    [Show full text]
  • Testament Discography Blogspot Doenload
    Testament Discography Blogspot Doenload Authorised and slow-witted Silvan doats while squeaking Elliott whitens her decillions compositely and whiskers bifariously. Haskell threats healingly as Taurus James adjoin her blackcurrant swelters tearfully. Gratulant Aram bodes undesirably and drowsily, she exaggerates her ferments bloodied any. One big man is especially the verses hits of a bit more than what i saw the name, brubeck lived in few who typically lasted for. Gracias por favor activa el programa vlc para melhor reconhecimento de force here to introduce listeners into eachother, testament discography blogspot doenload, but also a slight step throughout as a string of. As bloodwork or choose some album you probably most bands, testament discography blogspot doenload facility which has a lifetime achievement award from there is. Top of awesome riffs and were one i bring it for testament discography blogspot doenload too long. Rooooiiiiggght into any of testament discography blogspot doenload com o vocal limpo com os novos cds direto no matter of creation sees a few songs. Keepers Of little Faith. Living sacrifice was not just leave a list of testament discography blogspot doenload, after roughly a un sonid. The first two songs give a weak impression of the music. Its ship from heartache to suit you can stop it all bets are listening to listen to any value in length effort, testament discography blogspot doenload back in the requested url was cohesively composed for. Black metal groove metal music websites, testament discography blogspot doenload for most emotional friendship video song? It is because again very classic but somehow least she cannot reproach Chuck to weaken with time.
    [Show full text]
  • Pg0140 Layout 1
    New Releases HILLSONG UNITED: LIVE IN MIAMI Table of Contents Giving voice to a generation pas- Accompaniment Tracks . .14, 15 sionate about God, the modern Bargains . .20, 21, 38 rock praise & worship band shares 22 tracks recorded live on their Collections . .2–4, 18, 19, 22–27, sold-out Aftermath Tour. Includes 31–33, 35, 36, 38, 39 the radio single “Search My Heart,” “Break Free,” “Mighty to Save,” Contemporary & Pop . .6–9, back cover “Rhythms of Grace,” “From the Folios & Songbooks . .16, 17 Inside Out,” “Your Name High,” “Take It All,” “With Everything,” and the Gifts . .back cover tour theme song. Two CDs. Hymns . .26, 27 $ 99 KTCD23395 Retail $14.99 . .CBD Price12 Inspirational . .22, 23 Also available: Instrumental . .24, 25 KTCD28897 Deluxe CD . 19.99 15.99 KT623598 DVD . 14.99 12.99 Kids’ Music . .18, 19 Movie DVDs . .A1–A36 he spring and summer months are often New Releases . .2–5 Tpacked with holidays, graduations, celebra- Praise & Worship . .32–37 tions—you name it! So we had you and all your upcoming gift-giving needs in mind when we Rock & Alternative . .10–13 picked the products to feature on these pages. Southern Gospel, Country & Bluegrass . .28–31 You’ll find $5 bargains on many of our best-sell- WOW . .39 ing albums (pages 20 & 21) and 2-CD sets (page Search our entire music and film inventory 38). Give the special grad in yourConGRADulations! life something unique and enjoyable with the by artist, title, or topic at Christianbook.com! Class of 2012 gift set on the back cover.
    [Show full text]
  • Easterfest Grows in Fourth Year
    Topeka EDITION includes Lawrence, Manhattan, Emporia & Holton FREE! NE! The Area’s Most Complete Event Guide TAKE O SEE PAGE 16 RANDY STONEHILL AT TBC Page 13 CELEBRATING FAITH, FAMILY AND COMMUNITY IN NORTHEAST KANSAS March 2017 facebook/metrovoicenews Celebrating 10 years! VISIT US AT or metrovoicenews.com VOLUME 11 • NUMBER 7 TO ADVERTISE, CONTRIBUTE, SUBSCRIBE OR RECEIVE BULK COPIES, CALL 785-235-3340 OR EMAIL [email protected] NEW RESIDENT church guide You House of the Lord Church visited See inside back cover! me in EasterFest Fpaith grroupis psartnoering n with grows in states to help make released convicts productive citizens fourth year by Dwight Widaman Jesus’ words in Matthew 25:36 are among the most quot - ed from the New Testament: “I was in prison and you visit - ed me.” However, although prison ministries in Kansas and Missouri have had increasing access to prisoners for decades, their presence in publicly funded prisons faces opposition. Detractors have cited the Establishment Clause in the First Amendment as requiring separation of church and state. Even so, the vital role of such Preparations are well under way for organizations has become increas - “As you the third annual EasterFest - the ingly prominent in the criminal Topeka Easter Parade & Family Fun justice system over the last half- did it to one of the Fair, and organizers say requests for century. The number one rea - least of these my participation and information are son? Results. coming in at a much faster pace than Faith-based organizations brothers, you did last year. They say the interest in being have many advantages in mobiliz - it to me.” involved in the parade has increased, ing volunteers to serve in prisons.
    [Show full text]