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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Television Shows
Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Age and Attitudes VHS-4872 24 Season 1 (Discs 1-3) DVD-2780 Discs Age of AIDS DVD-1721 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs 24 Season 1 (Discs 4-6) DVD-2780 Discs Age of Kings, Volume 2 (Discs 4-5) DVD-6679 Discs 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs Alfred Hitchcock Presents Season 1 DVD-7782 24 Season 2 (Discs 1-4) DVD-2282 Discs Alias Season 1 (Discs 1-3) DVD-6165 Discs 24 Season 2 (Discs 5-7) DVD-2282 Discs Alias Season 1 (Discs 4-6) DVD-6165 Discs 30 Days Season 1 DVD-4981 Alias Season 2 (Discs 1-3) DVD-6171 Discs 30 Days Season 2 DVD-4982 Alias Season 2 (Discs 4-6) DVD-6171 Discs 30 Days Season 3 DVD-3708 Alias Season 3 (Discs 1-4) DVD-7355 Discs 30 Rock Season 1 DVD-7976 Alias Season 3 (Discs 5-6) DVD-7355 Discs 90210 Season 1 (Discs 1-3) c.1 DVD-5583 Discs Alias Season 4 (Discs 1-3) DVD-6177 Discs 90210 Season 1 (Discs 1-3) c.2 DVD-5583 Discs Alias Season 4 (Discs 4-6) DVD-6177 Discs 90210 Season 1 (Discs 4-5) c.1 DVD-5583 Discs Alias Season 5 DVD-6183 90210 Season 1 (Discs 4-6) c.2 DVD-5583 Discs All American Girl DVD-3363 Abnormal and Clinical Psychology VHS-3068 All in the Family Season One DVD-2382 Abolitionists DVD-7362 Alternative Fix DVD-0793 Abraham and Mary Lincoln: A House -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Affordability Now This Is the Second in a Three-Part Series
TODAY PRESIDENT’SMESSAGE “...Where to now, St. Peter?” Affordability Now This is the second in a three-part series. The original article was published in the May 2014 issue of Crop Insurance TODAY ®. Laurie Langstraat, Editor Many of us recall the Seinfeld television series Hannah Wiebelhaus, Assistant Editor which aired for 10 years with 180 episodes. In sitting down to share my thoughts for this President’s Mes- TODAY® IS PROVIDED AS A SERVICE OF NATIONAL CROP INSURANCE SERVICES® sage, I was reminded of Episode #159 “The Serenity TO EDUCATE READERS ABOUT THE RISK Now” (aired October 9, 1997). In this particular ep- MANAGEMENT TOOLS PRODUCERS USE isode, George’s father was “prescribed” to utter the TO PROTECT THEMSELVES FROM phrase “Serenity Now” when he felt his blood pressure THE RISKS ASSOCIATED WITH spiking. PRODUCTION AGRICULTURE. Here is an excerpt from the transcript of that episode: Industry-leading crop insurance reporting TODAY is published quarterly–February, May, Frank Costanza: “Serenity Now! Serenity Now!” August, and November by George Costanza: “What is that?” tools to connect you and your customers National Crop Insurance Services Frank: “Doctor gave me a relaxation cassette. When 8900 Indian Creek Parkway, Suite 600 my blood pressure gets too high, the man on the tape tells Overland Park, Kansas 66210 Tom Zacharias, NCIS President me to say, ‘Serenity Now!’” GAIN EFFICIENCIES WITH THE RCIS PRECISION FARMING TOOL www.ag-risk.org George: “Are you supposed to yell it?” Frank: “The man on the tape wasn’t specific.” If you move, or if your address is incorrect, please Okay, enough levity and stream of consciousness. -
Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. -
10 Years of Lave & Shows
Outline of the LAVE (Life And Values Education) PROGRAMS developed for NCSY by Rabbi Dr. N. Amsel (2002) Below is the outline of the NCSY LAVE Programs. Each lesson consists of a description of the video, goals of the lesson, a step-by-step Q&A and sources in English and Hebrew. For more information about this program, contact Rabbi Nachum Amsel TOPIC TRIGGER VIDEO YEAR I 1. Relationship to Elders and Sensitivity to All Others The Shopping Bag Lady 2. Choices and Priorities in Judaism The Bill Cosby Show 3. Tzedaka, Chesed and Charity: What’s the Difference? Clown 4. Prejudice By and Against Jews Barney Miller 5. Business Ethics and Stealing Archie Bunker: Brings home drill 6. Personal Antisemitism and the Jewish Reaction Archie Bunker: JDL YEAR II 1. Jewish Identity Archie Bunker: Stephanie’s Jewish 2. Snitching: Right or Wrong? One Day At a Time 3. Jewish Prayer and Self-Actualization Taxi 4. Shul Vandalism: The New Antisemitism? Archie Bunker 5. Lashon Hara and the Jewish Concept of Speech Facts of Life YEAR III 1. Israel and Jewish Identity (Double Lesson) Cast a Giant Shadow: (First scene) 2. Cheating and Honesty Better Days 3. Death and Shiva in Judaism Facts of Life 4. The Jewish Attitude to Wealth and Money Twilight Zone 5. Understanding the Palestinian Uprising 48 Hours: (20 minute clip) 6. Being Different and Being Jewish Molly's Pilgrim YEAR IV 1. The Jewish Attitude to Senility Grandma Never Waved Back 2-3. Bad Things Happen to Good People: Some Jewish Approaches Webster 4. Jewish Attitudes to the Mentally Handicapped Kate and Allie 5. -
A Covert Case Study of Bouncers in the Manchester Night-Time Economy
6 A COVERT CASE STUDY OF BOUNCERS IN THE MANCHESTER NIGHT-TIME ECONOMY 6.1 Manchester as a case study: my biographical and experiential backyard 124 6.2 Covert passing in a demonized subculture: body capital and interaction rituals 126 6.3 The door order and door code: folklore, stories, trust, fictive kinship, masculinity, dirty work and private policing 129 6.4 Managing situated ‘ethical moments’ on the door 138 6.5 An optic on violence 142 6.6 Emotionality, embodiment and risk-taking in ethnography 145 6.7 Conclusions: the post-fieldwork self in a study that never quite finishes 147 6.8 Learning exercise 149 07_Calvey_Ch_06.indd 123 2/28/2017 10:53:56 AM Covert research This chapter focuses on a covert retrospective participant observation case study of bouncers in the night-time economy of Manchester in the United Kingdom. I will discuss my case study, comparing it to the work of other researchers who have explored this specific area, as well as others who might echo my research journey. 6.1 Manchester as a case study: my biographical and experiential backyard The location of Manchester, the UK, for the case study, which is where I live and work, is highly strategic. The city is saturated in popular culture, being named Gunchester, Gangchester and Madchester in the past, and has been well documented by a range of popular journalists and commentators (Haslam, 1999; Swanton, 1997, 1998; Walsh, 2005; Wilson, 2002). The development of club cul- tures in Manchester has been specifically linked to urban regeneration (Lovatt, 1996). -
The Lily- White Boys
The Library of America • Story of the Week From William Maxwell: Later Novels & Stories (The Library of America, 2008 ), pages 726 –730 . Originally published in The Paris Review , Summer/Fall 1986 . Reprinted in All the Days and Nights: The Collected Stories of William Maxwell (1995) . Copyright © 1995 by William Maxwell. Used by permission of Alfred A. Knopf, a division of Random House, Inc. The Lily- White Boys he Follansbees’ Christmas party was at teatime on Christ - T mas Day, and it was for all ages. Ignoring the fire laws, the big Christmas tree standing between the two front windows in the living room of the Park Avenue apartment had candles on it. When the last one was lit, somebody flipped a light switch, and in the hush that fell over the room the soft yellow candle - light fell on the upturned faces of the children sitting on the floor in a ring around the base of the tree, bringing tears to the eyes of the susceptible. The tree was strung with loops of gold and silver tinsel and popcorn and colored paper, and some of the glass ornaments— the hardy tin soldier, the drum, the nut - meg, and the Man in the Moon— went all the way back to Beth Follansbee’s childhood. While the pres ents were being distributed, Mark Follansbee stood by with a bucket of water and a broom. The room smelled of warm wax and balsam. The big red candles on the mantelpiece burned down slowly in their nest of holly. In the dining room, presiding over the cut- glass punch bowl, Beth Follansbee said, “You let the peaches sit all day in a quart of vodka, and then you add two bottles of white wine and a bottle of champagne— be a little careful, it isn’t as innocuous as you might think,” and with her eyebrows she signaled to the maid that the plate of water - cress sandwiches needed refilling. -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
The Transom Review February, 2003 Vol
the transom review February, 2003 Vol. 3/Issue 1 Edited by Sydney Lewis Gwen Macsai’s Topic About Gwen Macsai Gwen Macsai is an award winning writer and radio producer for National Public Radio. Her essays have been heard on All Things Considered, Morning Edition and Weekend Edition Saturday with Scott Simon since 1988. Macsai is also the creator of "What About Joan," starring Joan Cusack and author of "Lipshtick," a book of humorous first person essays published by HarperCollins in February of 2000. Born and bred in Chicago (south shore, Evanston), Macsai began her career at WBEZ-FM and then moved to Radio Smithsonian at the Smithsonian Institution in Washington, DC. After working for NPR for eight years she moved to Minneapolis, MN where "Lipshtick" was born, along with the first of her three children. Then, one day as she tried to wrangle her smallish-breast-turned-gigantic- snaking-fire-hose into the mouth of her newborn babe, James L. Brooks, (Producer of the Mary Tyler Moore Show, Taxi, The Simpsons and writer of Terms of Endearment, Broadcast News and As Good As It Gets), called. He had just heard one of her essays on Morning Edition and wanted to base a sitcom on her work. In 2000, "What About Joan" premiered. The National Organization for Women chose "What About Joan" as one of the top television shows of that season, based on its non- sexist depiction and empowerment of women. Macsai graduated from the University of Illinois and lives in Evanston with her husband and three children. Copyright 2003 Atlantic Public Media Transom Review – Vol.