Hank Mobley Quartet Hank Mobley Quartet Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Hank Mobley Quartet Hank Mobley Quartet Mp3, Flac, Wma Hank Mobley Quartet Hank Mobley Quartet mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Hank Mobley Quartet Country: US Released: 1975 Style: Hard Bop MP3 version RAR size: 1907 mb FLAC version RAR size: 1439 mb WMA version RAR size: 1495 mb Rating: 4.5 Votes: 326 Other Formats: DTS MP4 VQF RA APE VOX MP1 Tracklist Hide Credits Hank's Prank A1 Written-By – Mobley* My Sin A2 Written-By – Mobley* Avila And Tequila A3 Written-By – Mobley* Walkin' The Fence B1 Written-By – Mobley* Love For Sale B2 Written-By – Cole Porter Just Coolin' B3 Written-By – Mobley* Companies, etc. Record Company – Blue Note Records Record Company – United Artists Records, Inc. Published By – Blue Horizon Music, Inc. Phonographic Copyright (p) – United Artists Music And Records Group, Inc. Credits Bass – Doug Watkins Design [Cover] – Hermansader*, Miles* Drums – Art Blakey Engineer [Recording] – Rudy Van Gelder Liner Notes – Eugene St. Jean Photography By – Francis Wolff Piano – Horace Silver Tenor Saxophone – Hank Mobley Notes US reissue with "A Division Of United Artists Records, Inc." on labels. Barcode and Other Identifiers Matrix / Runout (A-side label): (BN 5066-A) Matrix / Runout (B-side label): (BN 5066-B) Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Hank Mobley Hank Mobley Quartet (10", BLP 5066 Blue Note BLP 5066 US 1955 Quartet Album, Mono) Hank Mobley Hank Mobley Quartet (10", BLP 5066 Blue Note BLP 5066 US 2015 Quartet Album, Mono, RE) Hank Mobley Quartet (CD, CJ28-5128 Hank Mobley Blue Note CJ28-5128 Japan 1989 Mono, RE, RM) Hank Mobley Hank Mobley Quartet (6xFile, none Blue Note none US 2015 Quartet AIFF, Album, Mono, RM, 24-) Quartet: Volume 1 (6xFile, Sinetone AMR 2481 Hank Mobley AMR 2481 2012 MP3, Album, 320) AMR Related Music albums to Hank Mobley Quartet by Hank Mobley Quartet Hank Mobley - A Caddy For Daddy Hank Mobley - Mobley's Message Hank Mobley - Quintet Hank Mobley - Poppin' Hank Mobley - Reach Out! Hank Mobley - Soul Station Hank Mobley - Hi Voltage Lee Morgan With Hank Mobley's Quintet - Introducing Lee Morgan Hank Mobley - Thinking Of Home Hank Mobley, Billy Root, Curtis Fuller, Lee Morgan - Monday Night At Birdland Hank Mobley - The Turnaround Hank Mobley - No Room For Squares.
Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
    [Show full text]
  • Impex Records and Audio International Announce the Resurrection of an American Classic
    Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics.
    [Show full text]
  • Album Covers Through Jazz
    SantiagoAlbum LaRochelle Covers Through Jazz Album covers are an essential part to music as nowadays almost any project or single alike will be accompanied by album artwork or some form of artistic direction. This is the reality we live with in today’s digital age but in the age of vinyl this artwork held even more power as the consumer would not only own a physical copy of the music but a 12’’ x 12’’ print of the artwork as well. In the 40’s vinyl was sold in brown paper sleeves with the artists’ name printed in black type. The implementation of artwork on these vinyl encasings coincided with years of progress to be made in the genre as a whole, creating a marriage between the two mediums that is visible in the fact that many of the most acclaimed jazz albums are considered to have the greatest album covers visually as well. One is not responsible for the other but rather, they each amplify and highlight each other, both aspects playing a role in the artistic, musical, and historical success of the album. From Capitol Records’ first artistic director, Alex Steinweiss, and his predecessor S. Neil Fujita, to all artists to be recruited by Blue Note Records’ founder, Alfred Lion, these artists laid the groundwork for the role art plays in music today. Time Out Sadamitsu "S. Neil" Fujita Recorded June 1959 Columbia Records Born in Hawaii to japanese immigrants, Fujita began studying art Dave Brubeck- piano Paul Desmond- alto sax at an early age through his boarding school.
    [Show full text]
  • Hank Mobley Éÿ³æ¨‚Å°ˆè¼¯ ĸ²È¡Œ (ĸ“Ⱦ‘ & Æ—¶É—´È¡¨)
    Hank Mobley 音樂專輯 串行 (专辑 & 时间表) Roll Call https://zh.listvote.com/lists/music/albums/roll-call-7360871/songs Tenor Conclave https://zh.listvote.com/lists/music/albums/tenor-conclave-3518140/songs Hi Voltage https://zh.listvote.com/lists/music/albums/hi-voltage-5750435/songs No Room for Squares https://zh.listvote.com/lists/music/albums/no-room-for-squares-7044921/songs Hank Mobley Sextet https://zh.listvote.com/lists/music/albums/hank-mobley-sextet-5648411/songs Mobley's Message https://zh.listvote.com/lists/music/albums/mobley%27s-message-6887376/songs Straight No Filter https://zh.listvote.com/lists/music/albums/straight-no-filter-7621018/songs Jazz Message No. 2 https://zh.listvote.com/lists/music/albums/jazz-message-no.-2-6168276/songs Breakthrough! https://zh.listvote.com/lists/music/albums/breakthrough%21-4959667/songs A Slice of the Top https://zh.listvote.com/lists/music/albums/a-slice-of-the-top-4659583/songs The Turnaround! https://zh.listvote.com/lists/music/albums/the-turnaround%21-7770743/songs A Caddy for Daddy https://zh.listvote.com/lists/music/albums/a-caddy-for-daddy-4655701/songs https://zh.listvote.com/lists/music/albums/the-jazz-message-of-hank-mobley- The Jazz Message of Hank Mobley 7743041/songs https://zh.listvote.com/lists/music/albums/hank-mobley-and-his-all-stars- Hank Mobley and His All Stars 5648413/songs Far Away Lands https://zh.listvote.com/lists/music/albums/far-away-lands-5434501/songs Third Season https://zh.listvote.com/lists/music/albums/third-season-7784949/songs Hank Mobley Quartet
    [Show full text]
  • Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
    DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • The Autobiography of Patience Loader Rozsa Archer
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2006 Recollections of Past Days: The Autobiography of Patience Loader Rozsa Archer Sandra Ailey Petree Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the United States History Commons Recommended Citation Archer, P. L., & Petree, S. A. (2006). Recollections of past days: The autobiography of Patience Loader Rozsa Archer. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Recollections of Past Days The Autobiography of PATIENCE LOADER ROZSA ARCHER Edited by Sandra Ailey Petree Recollections of Past Days The Autobiography of Patience Loader Rozsa Archer Volume 8 Life Writings of Frontier Women A Series Edited by Maureen Ursenbach Beecher Volume 1 Winter Quarters The 1846 –1848 Life Writings of Mary Haskin Parker Richards Edited by Maurine Carr Ward Volume 2 Mormon Midwife The 1846 –1888 Diaries of Patty Bartlett Sessions Edited by Donna Toland Smart Volume 3 The History of Louisa Barnes Pratt Being the Autobiography of a Mormon Missionary Widow and Pioneer Edited by S. George Ellsworth Volume 4 Out of the Black Patch The Autobiography of Effi e Marquess Carmack Folk Musician, Artist, and Writer Edited by Noel A. Carmack and Karen Lynn Davidson Volume 5 The Personal Writings of Eliza Roxcy Snow Edited by Maureen Ursenbach Beecher Volume 6 A Widow’s Tale The 1884–1896 Diary of Helen Mar Kimball Whitney Transcribed and Edited by Charles M.
    [Show full text]
  • Discografía De BLUE NOTE Records Colección Particular De Juan Claudio Cifuentes
    CifuJazz Discografía de BLUE NOTE Records Colección particular de Juan Claudio Cifuentes Introducción Sin duda uno de los sellos verdaderamente históricos del jazz, Blue Note nació en 1939 de la mano de Alfred Lion y Max Margulis. El primero era un alemán que se había aficionado al jazz en su país y que, una vez establecido en Nueva York en el 37, no tardaría mucho en empezar a grabar a músicos de boogie woogie como Meade Lux Lewis y Albert Ammons. Su socio, Margulis, era un escritor de ideología comunista. Los primeros testimonios del sello van en la dirección del jazz tradicional, por entonces a las puertas de un inesperado revival en plena era del swing. Una sentida versión de Sidney Bechet del clásico Summertime fue el primer gran éxito de la nueva compañía. Blue Note solía organizar sus sesiones de grabación de madrugada, una vez terminados los bolos nocturnos de los músicos, y pronto se hizo popular por su respeto y buen trato a los artistas, que a menudo podían involucrarse en tareas de producción. Otro emigrante aleman, el fotógrafo Francis Wolff, llegaría para unirse al proyecto de su amigo Lion, creando un tandem particulamente memorable. Sus imágenes, unidas al personal diseño del artista gráfico Reid Miles, constituyeron la base de las extraordinarias portadas de Blue Note, verdadera seña de identidad estética de la compañía en las décadas siguientes mil veces imitada. Después de la Guerra, Blue Note iniciaría un giro en su producción musical hacia los nuevos sonidos del bebop. En el 47 uno de los jóvenes representantes del nuevo estilo, el pianista Thelonious Monk, grabó sus primeras sesiones Blue Note, que fue también la primera compañía del batería Art Blakey.
    [Show full text]
  • Jazzflits 01 09 2003 - 01 09 2021
    1 19de JAARGANG, NR. 361 16 AUGUSTUS 2021 IN DIT NUMMER: 1 BERICHTEN 5 JAZZ OP DE PLAAT Eve Beuvens, Steve Cole, Flat Earth Society Orchestra, Ben van de Dungen, Gerry Gibbs e.a. EN VERDER (ONDER MEER): 10 Lee Morgan (Erik Marcel Frans) 16 Europe Jazz Media Chart Augustus 18 J AAR JAZZFLITS 01 09 2003 - 01 09 2021 NR. 362 KOMT 13 SEPT. UIT ONAFHANKELIJK JAZZPERIODIEK SINDS 2003 BERICHTEN CORONA-EDITIE FESTIVAL GENT JAZZ TREKT 20.000 BEZOEKERS In de tien dagen dat Gent Jazz ‘Back to Live’ duurde (van 9 tot en met 18 juli), passeerden zo’n twintigdui- zend mensen de festivalkassa. Van- wege de coronacrisis was op het laatste moment een speciale editie van het jaarlijkse zomerfestival in elkaar gezet met veel Belgische mu- sici. Maar ook de pianisten Monty Alexander, Tigran Hamasyan en ac- cordeonist Richard Galliano kwamen naar Gent. Festivaldirecteur Ber- trand Flamang sprak na afloop van een succesvol evenement. Cassandra Wilson tijdens het North Sea Jazz Festival 2015. (Foto: Joke Schot) Flamang: “In mei leek het er nog op dat deze editie niet zou doorgaan. Maar op CASSANDRA WILSON, STANLEY CLARKE twee maanden tijd zijn we erin geslaagd EN BILLY HART BENOEMD TOT NEA JAZZ MASTER om een coronaveilig evenement op po- ten te zetten.” Bezoekers konden zich Drummer Billy Hart, Bassist Stanley Clarke en zangeres niet vrij bewegen. Ze zaten per bubbel Cassandra Wilson zijn Benoemd tot NEA Jazz Master aan stoelen en tafels onder een giganti- 2022. Saxofonist Donald Harrison ontvangt de A.B. Spell- man NEA Jazz Masters Fellowship for Jazz Advocacy.
    [Show full text]
  • Savoy and Regent Label Discography
    Discography of the Savoy/Regent and Associated Labels Savoy was formed in Newark New Jersey in 1942 by Herman Lubinsky and Fred Mendelsohn. Lubinsky acquired Mendelsohn’s interest in June 1949. Mendelsohn continued as producer for years afterward. Savoy recorded jazz, R&B, blues, gospel and classical. The head of sales was Hy Siegel. Production was by Ralph Bass, Ozzie Cadena, Leroy Kirkland, Lee Magid, Fred Mendelsohn, Teddy Reig and Gus Statiras. The subsidiary Regent was extablished in 1948. Regent recorded the same types of music that Savoy did but later in its operation it became Savoy’s budget label. The Gospel label was formed in Newark NJ in 1958 and recorded and released gospel music. The Sharp label was formed in Newark NJ in 1959 and released R&B and gospel music. The Dee Gee label was started in Detroit Michigan in 1951 by Dizzy Gillespie and Divid Usher. Dee Gee recorded jazz, R&B, and popular music. The label was acquired by Savoy records in the late 1950’s and moved to Newark NJ. The Signal label was formed in 1956 by Jules Colomby, Harold Goldberg and Don Schlitten in New York City. The label recorded jazz and was acquired by Savoy in the late 1950’s. There were no releases on Signal after being bought by Savoy. The Savoy and associated label discography was compiled using our record collections, Schwann Catalogs from 1949 to 1982, a Phono-Log from 1963. Some album numbers and all unissued album information is from “The Savoy Label Discography” by Michel Ruppli.
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • Bound: Documentation and Home- Making
    (Un)Bound: Documentation and home­ making across national borders Swarthmore College Department of Sociology and Anthropology Senior Honors Thesis Submitted: May 2015 Advised by Professor Farha Ghannam Anushka Suketu Mehta Abstract This thesis explores legal/documented immigrants in the United States, and how they perceive 'home' and their identities in light of their mobility and changing locations. In particular, I am interested in the relationship between meanings of home and documentation, examining questions such as: How do citizenship papers shape feelings of belonging and attachment to a particular country? How do Green cards and passports influence one's mobility and understanding of home? Drawing on studies of flexible citizenship, nationalism, post-nationalism, and liminality, my thesis analyzes the narratives of five immigrant women and explores how they define and view home. It argues that home is best understood as a continuous process of making and remaking that is shaped by multiple forces and discourses. This process is informed by specific histories and socio-economic structures, yet it is not fixed and is open to constant transformation. Analyzing documentation as a form of legal capital that both enables and limits mobilities but that can be converted into other forms (including social, cultural, material and symbolic) of capital, I trace how 'home' is constituted by reworking memories of the past and recalling sensory experiences of the immigrants' home country and/or city and negotiating the social and economic realities of their current positionalities as workers, parents, permanent residents and citizens. 2 Acknowledgements This thesis is dedicated to Natasha Mehta, A fellow home-searcher, and my partner in all things 'home.' This thesis would not have been possible without the support and guidance of a variety of people.
    [Show full text]
  • Southeastern Ohio's Soldiers and Their Families During the Civil
    They Fought the War Together: Southeastern Ohio’s Soldiers and Their Families During the Civil War A Dissertation Submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Gregory R. Jones December, 2013 Dissertation written by Gregory R. Jones B.A., Geneva College, 2005 M.A., Western Carolina University, 2007 Ph.D., Kent State University, 2013 Approved by Dr. Leonne M. Hudson, Chair, Doctoral Dissertation Committee Dr. Bradley Keefer, Doctoral Dissertation Committee Members Dr. John Jameson Dr. David Purcell Dr. Willie Harrell Accepted by Dr. Kenneth Bindas, Chair, Department of History Dr. Raymond A. Craig, Dean, College of Arts and Sciences ii Table of Contents Acknowledgements.............................................................................................................iv Introduction..........................................................................................................................7 Chapter 1: War Fever is On: The Fight to Define Patriotism............................................26 Chapter 2: “Wars and Rumors of War:” Southeastern Ohio’s Correspondence on Combat...............................................................................................................................60 Chapter 3: The “Thunderbolt” Strikes Southeastern Ohio: Hardships and Morgan’s Raid....................................................................................................................................95 Chapter 4: “Traitors at Home”:
    [Show full text]