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The Case for Reconnecting Southeast Washington DC
1 Reimagining DC 295 as a vital multi modal corridor: The Case for Reconnecting Southeast Washington DC Jonathan L. Bush A capstone thesis paper submitted to the Executive Director of the Urban & Regional Planning Program at Georgetown University’s School of Continuing Studies in partial fulfillment of the requirements for Masters of Professional Studies in Urban & Regional Planning. Faculty Advisor: Howard Ways, AICP Academic Advisor: Uwe S. Brandes, M.Arch © Copyright 2017 by Jonathan L. Bush All Rights Reserved 2 ABSTRACT Cities across the globe are making the case for highway removal. Highway removal provides alternative land uses, reconnects citizens and natural landscapes separated by the highway, creates mobility options, and serves as a health equity tool. This Capstone studies DC 295 in Washington, DC and examines the cases of San Francisco’s Embarcadero Freeway, Milwaukee’s Park East Freeway, New York City’s Sheridan Expressway and Seoul, South Korea’s Cheonggyecheon Highway. This study traces the history and the highway removal success using archival sources, news circulars, planning documents, and relevant academic research. This Capstone seeks to provide a platform in favor DC 295 highway removal. 3 KEYWORDS Anacostia, Anacostia Freeway, Anacostia River, DC 295, Highway Removal, I-295, Kenilworth Avenue, Neighborhood Planning, Southeast Washington DC, Transportation Planning, Urban Infrastructure RESEARCH QUESTIONS o How can Washington’s DC 295 infrastructure be modified to better serve local neighborhoods? o What opportunities -
Toni Braxton Announces North American Fall Tour
FOR IMMEDIATE RELEASE TONI BRAXTON ANNOUNCES NORTH AMERICAN FALL TOUR Detroit (August 8, 2016) – Seven-time GRAMMY Award-winning singer, songwriter and actress Toni Braxton announces her North American tour. Kicking off on Saturday, October 8 in Oakland, Braxton will tour more than 20 cities, ending with a show in Atlantic City, NJ on Saturday, November 12. Most recently, Braxton released “Love, Marriage & Divorce,” a duets album with Kenny “Babyface” Edmonds. The album took off behind “Hurt You,” the Urban AC #1 duet hit co-written by Toni Braxton & Babyface (with Daryl Simmons and Antonio Dixon), and produced by Babyface. The two also shared the win for Best R&B Album at the 2015 GRAMMY Awards. Today, with over 67 million in sales worldwide and seven GRAMMY Awards, Braxton is recognized as one of the most outstanding voices of this generation. Her distinctive sultry vocal blend of R&B, pop, jazz and gospel became an instantaneous international sensation when she came forth with her first solo recording in 1992. Braxton stormed the charts in the 90’s with the releases of “Toni Braxton” and “Secrets,” which spawned the hit singles and instant classics; “Another Sad Love Song,” “Breathe Again,” “You’re Makin’ Me High,” and “Unbreak My Heart.” Today, Braxton balances the demands of her career with the high priorities of family, health and public service as she raises her two sons Denim and Diezel. This year Toni was the Executive Producer of the highly-rated Lifetime movie “Unbreak My Heart” which was based on her memoir and she is the star of the WEtv hit reality series Braxton Family Values in its fifth season. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Vogue Diagnoses: the Functions of Madness in Tewentieth
VOGUE DIAGNOSES: THE FUNCTIONS OF MADNESS IN TEWENTIETH- CENTURY AMERICAN LITERATURE by TAYLOR DONNELLY A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2012 DISSERTATION APPROVAL PAGE Student: Taylor Donnelly Title: Vogue Diagnosis: The Functions of Madness in Twentieth-Century American Literature This dissertation has been accepted and approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English by: Elizabeth Wheeler Chair Mary Wood Member Enrique Lima Member Forest Pyle Member Elizabeth Reis Outside Member and Kimberly Espy Vice President for Research & Innovation/ Dean of the Graduate School Original signatures are on file with the University of Oregon Graduate School Degree awarded June 2012 ii © 2012 Taylor Donnelly iii DISSERTATION ABSTRACT Taylor Donnelly Doctor of Philosophy Department of English June 2012 Title: Vogue Diagnoses: The Functions of Madness in Twentieth-Century American Literature Fiction and drama have engaged with madness across the epistemes of the American twentieth century. Given the prominence of the subject of madness, both historically and literarily, we need a unified methodology for analysis and action. As a subfield of disability studies, “mad studies” deals specifically with representations of mental distress rather than physical otherness, examining how “madness” enables writers to convey certain meanings or produce certain stories. In minor characters, these meanings are infused into characters’ actantial function within the symbolic model of disability: madness works as a device for plot, psychological depth (of other characters), and thematic resonance. -
(#) Indicates That This Book Is Available As Ebook Or E
ADAMS, ELLERY 11.Indigo Dying 6. The Darling Dahlias and Books by the Bay Mystery 12.A Dilly of a Death the Eleven O'Clock 1. A Killer Plot* 13.Dead Man's Bones Lady 2. A Deadly Cliché 14.Bleeding Hearts 7. The Unlucky Clover 3. The Last Word 15.Spanish Dagger 8. The Poinsettia Puzzle 4. Written in Stone* 16.Nightshade 9. The Voodoo Lily 5. Poisoned Prose* 17.Wormwood 6. Lethal Letters* 18.Holly Blues ALEXANDER, TASHA 7. Writing All Wrongs* 19.Mourning Gloria Lady Emily Ashton Charmed Pie Shoppe 20.Cat's Claw 1. And Only to Deceive Mystery 21.Widow's Tears 2. A Poisoned Season* 1. Pies and Prejudice* 22.Death Come Quickly 3. A Fatal Waltz* 2. Peach Pies and Alibis* 23.Bittersweet 4. Tears of Pearl* 3. Pecan Pies and 24.Blood Orange 5. Dangerous to Know* Homicides* 25.The Mystery of the Lost 6. A Crimson Warning* 4. Lemon Pies and Little Cezanne* 7. Death in the Floating White Lies Cottage Tales of Beatrix City* 5. Breach of Crust* Potter 8. Behind the Shattered 1. The Tale of Hill Top Glass* ADDISON, ESME Farm 9. The Counterfeit Enchanted Bay Mystery 2. The Tale of Holly How Heiress* 1. A Spell of Trouble 3. The Tale of Cuckoo 10.The Adventuress Brow Wood 11.A Terrible Beauty ALAN, ISABELLA 4. The Tale of Hawthorn 12.Death in St. Petersburg Amish Quilt Shop House 1. Murder, Simply Stitched 5. The Tale of Briar Bank ALLAN, BARBARA 2. Murder, Plain and 6. The Tale of Applebeck Trash 'n' Treasures Simple Orchard Mystery 3. -
Blues Bass String Recommendations
Blues Bass String Recommendations Barr is sceptically flavoursome after orientating Orson bivouac his eyas ahead. Indo-Iranian Stearn rustle or damage some overstuffssnow-on-the-mountain immitigably or perceptively, clarifies any however conservatoriums. iatrogenic Berkeley screeches placidly or revenge. Skippy remains Eocene after Salomo As they deliver balanced string bass strings with coating on string Victor Wooten uses super light strings. All the strings listed above will make your bass sound great. This should appeal to a wide range of players, especially those playing modern styles. Blue Steel bass strings. However, the bass guitar has a different musical sound. Double bass Wikipedia. Can you tell us what in particular you find suspect? Some players perform with the sides of one, two, or three fingers, especially for walking basslines and slow tempo ballads, because this is purported to create a stronger and more solid tone. But certainly more difficult on some than others. They are made so that the acoustic instrument musicians feel just as appreciated as they need to be. What are the best bass strings? The good news though is that you only need to know the key points to appreciate which guitar strings will work best for you. Ernie Ball strings, in addition to hundreds of thousands of musicians the world over. For the first week or so on my XLs or boomers I find them to be harsher on my fingers till they are broken in. Having said that, if you want to experiment, then you could try halfwound strings. DR Strings is not just about being colorful. -
Perceptual Fusion of Noise and Complex Tone by Means of Amplitude Modulation
Perceptual Fusion of Noise and Complex Tone by Means of Amplitude Modulation Pär Johansson Master’s Thesis Department of Speech, Music and Hearing The Royal Institute of Technology, Stockholm Abstract This report investigates pulse-synchronised amplitude modulation as a method for perceptual fusion of noise and tone. It is shown that when the noise is amplitude modulated by the waveform envelope of the tone, higher amplitude modulation depth yields stronger fusion. In addition, the evidence suggests that fusion remains constant for tone frequencies from 150 to at least 600 Hz. Sammanfattning Det är numera välkänt att olika former av brus är en väsentlig del av klangfärgen hos de flesta akustiska instrument, vilket ofta förbises vid konstruktionen av elektroniska och digitala musik- instrument. Forskning inom detta område har visat att bruset tillför en ökad realism till syntetiserade instrument, men också att det inte är tillräckligt att bara mixa en ton med vitt brus för att vi skall uppfatta de båda komponenterna som en sammansatt klang – en lyckad sammansmältning eller perceptuell fusion kräver att bruset och tonen är korrelerade. Ett sätt att åstadkomma detta är att amplitudmodulera bruset med tonens frekvens. Detta är ett fenomen som uppstår naturligt i bl a röst, blås- och stråkinstrument. Denna uppsats behandlar dels hur modulationsdjupet påverkar fusionen, dels hur fusionen varierar med tonens frekvens. En enkel modell av ett instrument med en bruskälla skapades, där tonens frekvens och ljudnivå, brusets ljudnivå och modulationsdjupet kunde variera. För att pröva hypoteserna 1) fusionen ökar med modulationsdjupet och 2) fusionen minskar med frekvensen, gjordes lyssnartest vid frekvenserna 150, 300 och 600 Hz. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Star Channels, Feb. 18-24
FEBRUARY 18 - 24, 2018 staradvertiser.com REAL FAKE NEWS English comedian John Oliver is ready to take on politicians, corporations and much more when he returns with a new season of the acclaimed Last Week Tonight With John Oliver. Now in its fi fth season, the satirical news series combines comedy, commentary and interviews with newsmakers as it presents a unique take on national and international stories. Premiering Sunday, Feb. 18, on HBO. – HART Board meeting, live on ¶Olelo PaZmlg^qm_hkAhghenenlkZbemkZglbm8PZm\aebo^Zg]Ûg]hnm' THIS THURSDAY, 8:00AM | CHANNEL 55 olelo.org ON THE COVER | LAST WEEK TONIGHT WITH JOHN OLIVER Satire at its best ‘Last Week Tonight With John hard work. We’re incredibly proud of all of you, In its short life, “Last Week Tonight With and rather than tell you that to your face, we’d John Oliver” has had a marked influence on Oliver’ returns to HBO like to do it in the cold, dispassionate form of a politics and business, even as far back as press release.” its first season. A 2014 segment on net By Kyla Brewer For his part, Bloys had nothing but praise neutrality is widely credited with prompt- TV Media for the performer, saying: “His extraordinary ing more than 45,000 comments on the genius for rich and intelligent commentary is Federal Communications Commission’s (FCC) s 24-hour news channels, websites and second to none.” electronic filing page, and another 300,000 apps rise in popularity, the public is be- Oliver has worked his way up through the comments in an email inbox dedicated to Acoming more invested in national and in- entertainment industry since starting out as a proposal that would allow “priority lanes” ternational news. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
THE PROSE STYLE of CHARLES LAMB. the Ohio State University
This dissertation has been microfilmed exactly as received 69-4958 REECER, George Clay, 1934- THE PROSE STYLE OF CHARLES LAMB. The Ohio State University, Ph.D., 1968 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE PROSE STYLE OP Oi ARIES LAMB DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of ftiilosophy in the Graduate School of The Ohio State University By George Clay Reecer, A.B., M.A, # -a- * -a -a The Ohio State University 1968 Approved by (i . Adviser Department of English VITA February 18, 1934 Born - Glasgow, Kentucky 1956 . • • A.B., Western Kentucky State College 1959-1961 . • Teaching A s s is ta n t, Depart meat of English, Temple University, Phila delphia, Pennsylvania 1961 . • • . M.A., Temple University 1961-1962 . • • Instructor, Temple University 1962-1963 . • • Mershon National Graduate Fellowship, The Ohio S ta te U n iv ersity , Columbus, Ohio 1964-1968 . • • Instructor, American International College, Springfield, Massachusetts FIELDS OF STUDY Major Field: Englieh Wordsworth Professor James V. Logan Studies in Bomantic Poetry and Poetics. Professor James V. Logan Studies in Nineteenth Century Literature. Professor Bioha rd D. A ltio k i i TAELS OF CONTESTS 2*6® INTRODUCTION......................................... ....................................... 1 Chapter I. D IC T IO N ........................................................................... 13 I I . SYNTAX ................. 61 III. STRUCTURE.....................................................................