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University of Cape Town (UCT) in Terms of the Non-Exclusive License Granted to UCT by the Author
The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town "The Advancement of Art" Policy and Practice at the South African National Gallery 1940-1962 Qanita Lilla LLLQANOOI A dissertation submitted in fulfillment of the requirements for the award of the degree of Master of Arts in Art History UniversityFaculty of the of Humanities Cape Town University of Cape Town 2004 This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: 3 May 2004 Contents Abstract Acknowledgements ii List of Illustrations iii Introduction 1 Chapter One 11 The South African National Gallery: the establishment of a colonial museum 187 1- 1940 Chapter Two 26 Edward Roworth's Directorship: Art and rhetoric at the South African National Gallery 1940-1947 Chapter Three 49 Debate and Debacle at the South African National Gallery 1947 Chapter Four 77 Painting a nation: the emerging discourse of South African art in 1948 Chapter Five 101 Innovation and intervention at the South African National Gallery: John Paris' Directorship 1949-1962 Conclusion Town 121 Bibliography 125 Figures Cape 1-22 Appendices Appendix A: Letter from the South Africanof National Gallery denying access to archives Appendix B: List of works sold from the South African National Gallery, from the 1947 Stratford Report University Abstract This thesis is an enquiry into the policies and practices that shaped the South African National Gallery in the 1940s and 1950s. -
Die Oorsprong Van Die ' Paadekraal-Gelofte'
Die oorsprong van die ' Paadekraal-Gelofte' Kálmán Papp Krugersdorp Abstract The Origin of the ‘Paardekraal Vow’ Contrary to common belief that the ‘1880 Vow' was taken at Paarde kraal, on the restoration o f the Republic on 13 December 1880, the writer has documentary proof that this ‘Vow’ was in existence almost two years before that date. An agreement is said to have been signed by a number o f the Boers at Wonderfontein, where they had gathered between 10 and 13 January 1879 to claim the restoration o f the Republic. Both these minutes and the Transvaal press ignored this agreement as it was feared that they would lead to premature armed resistance. The Paar dekraal Festival Commission became aware o f the agreement in 1945 and adopted it as the ‘Vow o f 1880' in their 1946 programme. 1. PROBLEEMSTELLING Van 1946 tot op hede verskyn daar elke jaar op die feesprogram van Paardekraal, benewens die bekende gelofte van Bloedrivier van 1838, ook 'n ‘gelofte’ van 1880. Dit kan ook die ‘Paardekraal-gelofte’ genoem word omdat daar in die algemeen aan vaar word dat dit in 1880 afgelè is toe die Zuid-Afrikaansche Republiek, na die annek- sasie van 1877, by Paardekraal herstel is. Hierdie ‘gelofte’ word ook beskou as ’n hemuwing en bevestiging van die gelofte van 1838 deur die volk by Paardekraal. So byvoorbeeld skryf ds C J Mans : Dit lyk dus asof ons die saak so moet voorstel dat met die klipstapeling te Paardekraal die gelofte van 1838 in daardie noodsituasie van ons ge- skiedenis hemu en bevestig is en dat hierdie gelofte en sy hemuwing die fondament is waarop die ‘heilig verbond’ van Paardekraal ontstaan het as ’n eed van trou aan volk en vaderland en ’n verbintenis om tot die dood toe te stry vir die herstel van die verlore vryheid. -
JEWISH FFAIRS AFFAIRS JEWISH AFFAIRS JEWISH Chanukah 2017
J EEWISHW I S H A FFFAIRSFA I R S Chanukah 2017 Price R50,00 incl. VAT Registered at the GPO as a Newspaper ISSN 0021 • 6313 Chanukah 2017 = FRONT Cover.indd 1 2017/11/26 08:28:57 AM JHB 61401/OJ Fine financial form Planning ahead can set you up for a financially secure future, especially when you have a trusted partner by your side. At Investec, we continuously explore Out of the Ordinary ways to help create and manage your wealth through Specialist Banking, Asset Management and Wealth & Investment. www.investec.com Specialist Banking Asset Management Wealth & Investment Investec Limited and its subsidiaries, including Investec Bank Limited - 1969/004763/06, registered credit providers and authorised financial service providers. Johannesburg 011 286 7000 Cape Town 021 416 1000 Durban 031 575 4000 Pretoria 012 427 8300 Port Elizabeth 041 396 6700. Chanukah 2017 = FRONT Cover.indd 2 2017/11/26 08:28:57 AM Pg 1 - 5 = Chanukah - Contents 2017.indd 1 2017/11/26 09:20:09 AM MISSION EDITORIAL BOARD In publishing JEWISH AFFAIRS, the SA EXECUTIVE EDITOR Jewish Board of Deputies aims to produce a cultural forum which caters for a wide David Saks SA Jewish Board of Deputies variety of interests in the community. The journal will be a vehicle for the publication of ACADEMIC ADVISORY BOARD articles of significant thought and opinion on Suzanne Belling Author and Journalist contemporary Jewish issues, and will aim to Dr Louise Bethlehem Hebrew University of Jerusalem encourage constructive debate, in the form of Marlene Bethlehem SA Jewish Board of Deputies reasoned and researched essays, on all matters Cedric Ginsberg University of South Africa of Jewish and general interest. -
Inventory of the Private Collection of JJ De Klerk PV35
Inventory of the private collection of JJ de Klerk PV35 Contact us Write to: Visit us: Archive for Contemporary Affairs Archive for Contemporary Affairs University of the Free State Stef Coetzee Building P.O. Box 2320 Room 109 Bloemfontein 9300 Academic Avenue South South Africa University of the Free State 205 Nelson Mandela Drive Park West Bloemfontein Telephone: Email: +27(0)51 401 2418/2646/2225 [email protected] PV35 JJ de Klerk FILE NO SERIES SUB-SERIES DESCRIPTION DATES 1/1/ 1 AGENDAS, 1/1 General No files MINUTES AND DECISIONS 1/1/1/1 1 AGENDAS, 1/1 General 1/1/1 Agendas: Agenda and motions for 1963 - MINUTES AND Agendas meeting of the executive of the 1975 DECISIONS National Party of Transvaal Pretoria 4 September 1962; Agenda and motions for meeting of the executive of the National Party of Transvaal Pretoria 3 September 1963; Draft agenda congress 3 - 5 September 1963; Minutes of the executive meeting 8 September 1964; Agenda J G Strijdom Monument fund for a meeting of the financial committee 7 December 1964; Agenda J G Strijdom Monument fund for a meeting of the executive of the financial committee 25 November 1965; Agenda J G Strijdom Monument fund for a meeting of the executive of the financial committee 4 April 1966; Agenda and minutes of the first session of a joint meeting of the Senate and the House of Assembly 1 March 1971; Notice and agenda for joint meeting of Committees (Cuttings service for library of Parliament memo attached) 7 February 1975; Agenda for a meeting of the Honourable the Executive Council Cape Town 15 April 1975; Agenda for a special meeting of the Town Council of Krugersdorp 19 September 1975. -
Artist Index
Fine Art Auctioneers Consultants 2 PUBLIC AUCTION B Y Fine Art Auctioneers Consultants Modern, Post-War and Contemporary Art Monday 11 November 2019 One Session at 7 pm VENUE Strauss & Co’s new Sale Room, 89 Central Street, Houghton, Johannesburg GPS Co-ordinates: S 26.153056, E 28.058056 PREVIEW Wednesday 30 October to Sunday 10 November from 10 am to 4 pm WALKABOUT Saturday 9 November and Sunday 10 November at 11 am LECTURES Monday 4 November at 7 pm: South African History Painting Saturday 9 November at 3 pm: South African Artists and Paris ENQUIRIES AND CATALOGUES Office: +27 (0) 11 728 8246 Fax: +27 (0) 11 728 8247 ABSENTEE AND TELEPHONE BIDS Tel: +27 (0) 11 728 8246 +27 (0) 82 336 8761 [email protected] Fax: +27 (0) 86 565 9324 PAY M E N T Tel: +27 (0) 11 728 8246 Debbie Watson [email protected] CONDITION REPORTS [email protected] www.straussart.co.za ILLUSTRATED CATALOGUE R 220.00 ALL LOTS ARE SOLD SUBJECT TO THE CONDITIONS OF BUSINESS PRINTED AT THE BACK OF THIS CATALOGUE 4 Contents 3 Auction Information 6 Contacts 7 Buying at Strauss & Co 10 Lots 1–213 One Session at 7 pm Modern, Post-War and Contemporary Art 181 Conditions of Business 185 Bidding Form 186 Shipping Instruction Form 188 Artist Index COVER Lot 64 Penny Siopis Act I Scene II (detail) INSIDE FRONT COVER Lot 31 Alexis Preller Icon Barbare (Adam) (detail) INSIDE BACK COVER Lot 29 Andrew Verster Hot Lands #1 (detail) BACK COVER Lot 31 Alexis Preller Icon Barbare (Adam) (detail) PAGE 2 Lot 24 Adolph Jentsch Landscape with Lone Oryx (detail) LEFT -
Collecting South African Art in the 1930S: the Role of Martin Du Toit
Historia 53,1, Mei/May 2008, pp 162-196 Collecting South African Art in the 1930s: The Role of Martin du Toit ∗ Jeanne van Eeden Introduction This article indicates the role Professor Marthinus (Martin) Lourens du Toit (1897-1938) played as a patron of South African visual art in the 1930s. During the time that he was head of the Department of Afrikaans Art and Culture at the University of Pretoria between 1931 and 1938, Martin du Toit (Figure 1) initiated a series of art exhibitions in the Macfadyen Hall to display the work of contemporary, often contentious artists. The university wished to support artists and provided this exhibition space free of charge. As a token of appreciation, many artists donated an artwork at the end of the exhibition.1 Du Toit used these exhibitions as a starting point in building up a representative collection of South African art, which he augmented with donations from artists and art collectors. This article suggests that Martin du Toit and the Department of Afrikaans Art and Culture fulfilled an important role by attempting to instil an appreciation for art in Pretoria through regular exhibitions and by laying the foundations for an institutional art collection. This form of academic patronage of South African artists seems to have been rare in the 1930s, and took place during a decisive period regarding the politicised debates concerning ethnicity, modernism, nationalism, and national art, and their relation to cultural identity and artistic expression. In this article, I refer to relevant aspects of these issues and relate them to the discourse of art collecting in the 1930s where possible,2 but do not engage in a discussion of the artworks as such. -
South African and International Art
The Vineyard Hotel, Newlands, Cape Town 6 March – 5pm South African and International Art Day Sale Lots 361–490 Lot 373 Jacob Hendrik Pierneef, Marone, Dist Lydenburg (detail) 361 362 361 362 Follower of Sir Peter LELY Albert WENBAUM ENGLISH 18TH CENTURY FRENCH, RUSSIAN 1890–1943 Portrait of Hortense Mancini, Musicien Duchesse de Mazarin signed; inscribed with the title, the artist’s inscribed with the sitter’s details on a label name and address in Paris on the reverse adhered to the reverse oil on canvas oil on canvas, in a hand-carved giltwood frame 60 by 49 cm, in original artist’s hand- PROVENANCE 44,5 by 37 cm painted frame PROVENANCE Acquired from the artist by R – Parnham House, Dorset R – the current owner’s aunt 132 363 Leo VON KÖNIG GERMAN 1871–1944 A Young Boy with his Hobby-horse signed and dated 1903 oil on canvas 115,5 by 66 cm R – 133 364 365 364 Accompanied by a copy of l’Atelier Pons 365 André LANSKOY certifi cate of authenticity Joan MIRÓ FRENCH/RUSSIAN 1902–1976 PROVENANCE SPANISH 1893–1983 l’Atelier Pons, Paris Stone Lithograph L’Entraîneuse - brun, 1969 EXHIBITED signed and inscribed ‘EH’ in pencil in University of Johannesburg, Rendezvous: Focus signed and numbered 5/75 in pencil in the margin the margin Original Lithography, 2010 Published by Maeght, Paris colour lithograph on Japanese paper colour lithograph on Rives paper image size: 65 by 50 cm LITERATURE sheet size: 85,5 by 60,5 cm Paul Boulitreau (2010) Rendezvous: Focus Original R – Lithography. -
Spring Auction Bedford, E
Monday 19 September 2016 Session 1 13:00 Siebrits Library 19 Art Reference Books SEPT 2016 Ex Betty’s Bay BERNARDI PLACE 65 Thomson St. Cnr Glyn St. North, Colbyn Tel: 012 342 3634 SPRING AUCTION BEDFORD, E. ed. Contemporary South African art, 1985-95 : from the South African National Gallery Permanent Collection S.A. Nat. Gallery, 1996 *** pbk cat. Ex libris Warren Siebrits 1 300 - BEDFORD, E. ed. A decade of democracy : South African art 1994- 500 2004 from the permanent collection of Iziko... Double Storey, 2004 **** pbk cat. Published with the exhibition from April to August 2004. Ex libris Warren Siebrits BERMAN, E. Art and artists of South Africa : an illustrated 2 biographical dictionary… 300 - A.A. Balkema, 1970 *** cloth, dw. (Sellotape marks) Ex libris Warren 400 Siebrits BERMAN, E. Art and artists of South Africa : an illustrated 500 - 3 biographical dictionary… (New updated & enlarged ed.) Southern, 1993 **** skivertex, dw. Ex libris Warren Siebrits 600 BERMAN, E. The story of South African painting. Balkema, 1975 *** cloth, dw. (Dw. worn, stain on cover) Ex libris Warren Siebrits 4 200 - HARMSEN, F.* The women of Bonnefoi : the story of the Everard 300 group Van Schaik, 1980 **** plain, dw. Signed (Sellotape marks) Ex libris Warren Siebrits BESTER, R. ed. Figure/ground : reflections on the South African 2 000 - 5 Reserve Bank art collection SARB, 2007 *** plain, ribbon bookmark (Paint spots on cover) Ex libris 3 000 Warren Siebrits 1 COHEN, L.S. Looking at contemporary South African sculpture : OGILVIE, G.* & GRAFF, C.* The dictionary of South African Jackson Hlungwani : a resource book. -
Session5paintings2newfa Upd 14Feb.Indd
The Vineyard Hotel, Conference Centre, Newlands, Cape Town Monday 17 March - 8.00pm Important South African & International Art, including The Property of the RB Stuttaford Will Trust & The Estate Late Mrs DE Stuttaford-Burton Evening Session Paintings Lots 661–762 OPPOSITE Lot 685 Pieter Wenning, An Eating House (detail) 237 PROPERTY OF THE RB STUTTAFORD WILL TRUST & THE ESTATE LATE MRS DE STUTTAFORD-BURTON | LOTS 661-672 International Art 661 661 662 after Giovanni Paolo EUROPEAN SCHOOL PANNINI 19TH CENTURY ITALIAN 1691–1765 Still Life of Flowers A View of the Roman Forum oil on canvas oil on canvas 74,5 by 61,5 cm 89,5 by 94 cm R7 000 – 9 000 R70 000 – 90 000 238 PROPERTY OF THE RB STUTTAFORD WILL TRUST & THE ESTATE LATE MRS DE STUTTAFORD-BURTON | LOTS 661-672 663 after Carl REICHERT AUSTRIAN 1836–1918 Hunting Dogs, a pair signed oil on panel both 15 by 12,5 cm (2) 663 R4 000 – 6 000 NOTES Both with labels adhered to the reverse which state: ‘The original of this picture hung for many years in Tullyallan Castle, Scotland… This replica … was painted by Mr SJ Young, of Salisbury, Southern Rhodesia in Oct 1954’. 664 662 663 Alexander Mark ROSSI BRITISH 1840 – 1916 Portrait of a Young Girl signed and dated 1886 oil on panel 22 by 13,5 cm R15 000 – 20 000 665 André-Eugène-Louis CHOCHON FRENCH 1910 – 2005 Portrait of a Girl in a Hat signed oil on board 63,5 by 48 cm R6 000 – 8 000 664 665 239 PROPERTY OF THE RB STUTTAFORD WILL TRUST & THE ESTATE LATE MRS DE STUTTAFORD-BURTON | LOTS 661-672 South African Art 666 666 PROVENANCE 667 Mrs Ada Stuttaford Robert Gwelo Robert Gwelo GOODMAN LITERATURE GOODMAN Newton Thompson, Joyce. -
Jewish Board of Deputies Ad
J EWISH A FFAIRS Pesach 2011 Price R30,00 incl. VAT Registered at the GPO as a Newspaper ISSN 0021 • 6313 IRELAND/DAVENPORT 66642 IRELAND/DAVENPORT Rejoice in freedom Chag sameach Private Banking • Investment Banking • Asset Management • Property Activities • Capital Markets • Wealth & Investment Australia Botswana Canada Hong Kong India Ireland Mauritius Namibia South Africa Switzerland Taiwan United Kingdom & Channel Islands United States Investec Bank Limited registration number 1969/004763/06. A registered credit provider. An authorised financial services provider. Cape Town 021 416 1000 Durban 031 575 4000 Johannesburg 011 286 7000 Pretoria 012 427 8300 66642 JEWISH AFFAIRS.indd 1 06/04/2011 13:40 Royal Porcelain is a leading designer and manufacturer of stylish and durable tableware, using only the finest quality raw materials and the best techniques from countries such as Germany, the UK and Japan. Royal Porcelain is proud to introduce an exclusive range - Cross Road. This Royal Fine China tableware offers a modern look and a creative combination of colour and design. Ideal for special occasions and everyday use, the alumina finish ensures that it is ultra-strong and chip resistant, as well as freezer to oven, micro- wave safe and dishwasher proof. Available in complete 36-piece dinner set or individual items, this range also includes platters, AD cup & saucer, sugar bowl, creamer, teapot, salt and pepper s hakers, salad and fruit bowl. Luigi Bormioli Gourmet Drinkware has been specifically designed to enhance the taste and aroma of wine, and is in keeping with the style and elegance that has distinguished this brand over the past 60 years. -
Module 3 Gauteng
Tel: +27 11 676 3000 | Web: www.guideacademy.co.za Module 3 Gauteng Gauteng Province GAUTENG ........................................................................................................................................ 7 INTRODUCTION - TRANSVAAL .......................................................... 7 PHYSICAL FEATURES AND BOUNDARIES ........................................................................................... 7 HISTORY ......................................................................................................................................... 7 The Early Inhabitants ................................................................................................................ 7 Early Europeans ........................................................................................................................ 8 Important dates ......................................................................................................................... 8 GAUTENG ECONOMY ..................................................................................................................... 11 Manufacturing ......................................................................................................................... 11 Basic facts and statistics ......................................................................................................... 11 Mining ..................................................................................................................................... -
INTRODUCTION an Afrikaner's Long Walk to Reconciliation Leon Wessels
1 INTRODUCTION An Afrikaner’s long walk to reconciliation Leon Wessels has been through changes since he rode behind Verwoerd in 1964, writes Kevin Ritchie A young man sits atop a white horse, looking resolutely into the camera. The caption tells us he’s part of an honour guard during the erstwhile National Party’s 50th anniversary celebrations in de Wildt, a small town in the old western Transvaal, in 1964. The rider is waiting to escort the then prime minister of apartheid South Africa Hendrik Verwoerd. The caption tells us that the rider would ultimately become the first NP cabinet minister to apologise publicly for apartheid to a democratic South Africa. The rider is Leon Wessels, a co-author of South Africa’s much-lauded Constitution and a two-term commissioner at South Africa’s Human Rights Commission. The picture was taken almost 43 years ago by David Goldblatt, today an internationally acclaimed photographer, then a Jewish South African shopkeeper from a mining village west of Johannesburg with what would become a burning passion for documentary photography. The image, one of 100 photographs of a cross section of Afrikaners taken throughout the 1960’s was first published in 1975 as a book entitled Some Afrikaners Photographed. The book immediately became a cause célèbre, reviled by the Afrikaner establishment and gingerly treated by the English media with even The Sunday Times refusing to run a review of it, because it challenged the official Afrikaner view of racial superiority and divine ordination. This week a new addition, Some Afrikaners Revisited, was released 32 years after the first one and 13 years into South Africa’s democracy.