VINEET PANDEY's SAHITYA Classes
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1 a Lincolnshire Boyhood 2 Cambridge
Notes 1 A LINCOLNSHIRE BOYHOOD 1. J. 0. Hoge, ed., 'Emily Tennyson's Narrative for her Sons', Texas Studies in Literature and Language XIV (1972), 96. 2. H. D. Rawnsley, Memories of the Tennysons (1900), p. 225. 3. See C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', Tennyson Research Bulletin II, iii (1974), 121-3 [hereafter TRB]. 4. A. Pollard, 'Three Horace Translations by Tennyson', TRB IV, i (1982), 16. 5. H. D. Paden, Tennyson in Egypt (1942), p. 103. 6. C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', p. 121. 7. This painting is still at Farringford. I am grateful to Dr Christopher Brown, Chief Curator of the National Gallery, for the attribution. 8. A. G. Weld, Glimpses of Tennyson (1903), p. 12. 9. J. Kolb, ed., The Letters of A. H. Hallam (1981), p. 457. 10. R. B. Martin, Tennyson: The Unquiet Heart (1980), p. 48. 11. E. A. Knies, ed., Tennyson at Aldworth: The Diary off. H. Mangles, (1984), p. 122. 2 CAMBRIDGE 1. C. Tennyson, Alfred Tennyson (1949), p. 55. 2. E. A. Knies, ed., Tennyson at Aldworth: The Diary of f. H. Mangles, p. 97. 3. S. T. Coleridge, Aids to Reflection, ed. D. Coleridge (7th edn, London, 1854), p. 155. 4. Arthur Hallam visited Coleridge at Highgate, but Tennyson, although invited, never went. Coleridge's rude remarks on Tennyson's han dling of metre would not have encouraged him. 5. Shelley's Adonais: A Critical Edition, ed. A. D. Knerr (New York, 1984), pp. 445-6. 6. H. B. Bryant, 'The African Genesis of Tennyson's "Timbuctoo"', TRB, III v (1981), 200. -
Indian English Literature (Block 1).PMD
GEG S6 04 (M) Exam Code: ENM6D INDIAN ENGLISH LITERATURE SEMESTER VI ENGLISH BLOCK- 1 KRISHNA KANTA HANDIQUI STATE OPEN UNIVERSITY Subject Experts 1. Professor Pona Mahanta, Former Head, Department of English, Dibrugarh University 2. Professor Pradip Acharya, Former Head, Cotton College 3. Professor Bibhash Choudhury, Department of English, Gauhati University Course Co-ordinator (s) : Chayanika Roy, Assistant Professor, KKHSOU and Pallavi Gogoi, Assistant Professor, KKHSOU SLM Preparation Team UNITS CONTRIBUTORS 1 Sanjeeb Kalita, Research Scholar, KKHSOU 2 Chayanika Roy, KKHSOU 3 & 5 Pallavi Gogoi, KKHSOU 4 Dr. Tapati Baruah Kashyap, Lecturer, Beltola Mahavidyalaya Junior College 6 & 7 Dr. Chandrima Goswami, Assistant Professor, Cotton University Editorial Team Content : In-house editing Chayanika Roy, Assistant Professor, KKHSOU Language : Chayanika Roy, Assistant Professor Pallavi Gogoi, Assistant Professor Structure, Format & Graphics : Chayanika Roy, Assistant Professor and Pallavi Gogoi, Assistant Professor, KKHSOU November, 2019 ISBN No. This Self Learning Material (SLM) of the Krishna Kanta Handiqui State Open University is made available under a Creative Commons Attribution-Non Commercial-Share Alike 4.0 License (international): http://creativecommons.org/licenses/by-nc-sa/4.0/ Printed and published by Registrar on behalf of the Krishna Kanta Handiqui State Open University. Head Office : Patgaon, Rani Gate, Guwahati - 781017; Web : www.kkhsou.in / web_new City Office : Housefed Complex, Dispur, Guwahati-781006 The University acknowledges -
Ways of Reading: Advanced Reading Skills for Students of English
1111 2 3 4 5 6111 7 Ways of Reading 8 9 Third Edition 1011 1 2 Praise for the second edition: 3 ‘Thorough, clear, thought-provoking and stimulating, Ways of Reading is 4 the best available introduction to literary studies and the issues connected 5 with reading.’ 6222 Jean Jacques Weber, University Centre Luxembourg 7 8 ‘Ways of Reading is a valuable and immensely usable book . Its range 9 of text samples is admirably wide-ranging and eclectic.’ John McRae, Language and Literature 2011 1 Ways of Reading is a well-established core textbook that provides the reader 2 with the tools to analyse and interpret the meanings of literary and non-literary 3 texts. 4 Six sections, split into self-contained units with their own activities and 5 notes for further reading, cover: 6 • basic techniques and problem-solving 7 • language variation 8 • attributing meaning 9 • poetic uses of language 3011 • narrative 1 • media texts. 2 This third edition has been substantially revised and redesigned throughout 3 with many fresh examples and exercises. References have been updated, the 4 overall organization of the book has changed and new material has been added 5 to include information on electronic sources and the Internet, plus a completely 6 new unit: Ways of Reading drama analyses plays as a dramatic performance 7 and a dramatic text. 8 Martin Montgomery is Director of the Scottish Centre for Journalism Studies; 9 Nigel Fabb is Professor of Literary Linguistics; and Tom Furniss is Senior 4011 Lecturer in English Studies, all at the University of Strathclyde. -
ENGLISH ELECTIVE Directorate of Distance Education TRIPURA
ENGLISH ELECTIVE BA [English] Fourth Semester Paper G4 Directorate of Distance Education TRIPURA UNIVERSITY Reviewer Deb Dulal Halder Assistant Professor, Kirori Mal College, Delhi University Authors Suchi Agrawal: Unit (1) © Suchi Agrawal, 2017 Prof Sanjeev Nandan Prasad: Unit (2.0-2.2) © Prof Sanjeev Nandan Prasad, 2017 Prateek Ranjan Jha: Units (2.3-2.4, 3, 4) © Reserved, 2017 Vikas Publishing House: Unit ( 2.5-2.10) © Reserved, 2017 Books are developed, printed and published on behalf of Directorate of Distance Education, Tripura University by Vikas Publishing House Pvt. Ltd. All rights reserved. No part of this publication which is material, protected by this copyright notice may not be reproduced or transmitted or utilized or stored in any form of by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the DDE, Tripura University & Publisher. Information contained in this book has been published by VIKAS® Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, the Publisher and its Authors shall in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use. Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT. LTD. E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 • Fax: 0120-4078999 Regd. Office: 7361, Ravindra Mansion, Ram Nagar, New Delhi 110 055 • Website: www.vikaspublishing.com • Email: [email protected] SYLLABI-BOOK MAPPING TABLE English Elective Syllabi Mapping in Book Unit I: Indian English Novel Unit 1: Indian English Novel: The R.K. -
Symbol and Mood in Tennyson's Nature Poetry Margery Moore Taylor
University of Richmond UR Scholarship Repository Master's Theses Student Research 1971 Symbol and mood in Tennyson's nature poetry Margery Moore Taylor Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the English Language and Literature Commons Recommended Citation Taylor, Margery Moore, "Symbol and mood in Tennyson's nature poetry" (1971). Master's Theses. 1335. https://scholarship.richmond.edu/masters-theses/1335 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. SYJYIBOL AND MOOD IN TENNYSON•S NATURE POETRY BY MA1"1GERY MOORE TAYLOR A THESIS SUBI.'IITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS JUNE, 1971 Approved for the Department of English and the Graduate School by: Cha rman of the Department of English c:;Dean ofJ'.� the (JG�e . � School CONTENTS INTRODUCTION CHAPTER I: NATURE AND SYMBOLISM CHAPTER II: NATURE AND MOOD CONCLUSION BIBLIOGRAPHY INTRODUCTION The purpose of this paper is to show Tennyson's preoccupation with nature in his poetry, his use of her as a projector of moods and s.ymbolism, the interrelation of landscape with depth of feeling and narrative or even simple picturesqueness. Widely celebrated as the supreme English poet and often called the Victorian Oracle,1 Tenny son may well be considered the best exemplar of the nine teenth century. -
1. Feb 16.Prof. Zankhana Jani
International Multidisciplinary Multidisciplinary e-Journal e –Journal ( ISSN 2 277- 4262) Prof. Zankhana ISSN Jani 2277 .(109-116- 4262 ) Early Indian Poetry in Queen’s Language Prof. Zankhana Jani English Department, C.N Arts & B.D Commerce College, Kadi Introduction: The history of Indian English literature played a vital role in the enrichment of the history of world literature. Though Indian English Literature is not so much older, it took very high place in global context especially poetry. Indian English poetry is the oldest and most mature form of Indian literature. The history of Indian English poetry passed through many phases of time and development. The effects of social milieu, political atmosphere, and historical background of India have been seen in Indian poetry. The year 1947 draws a line which divides Indian English Poetry into Pre-Independence Indian English Poetry and Post-Independence Indian English Poetry. Indian English Poetry begins with Henry Louis Vivian Derozio who got his poetic collection, titled, Poems published from Baptist Mission Press, Kolkata in 1827. Since then, it has been flowing continuously though its beginning is derivative and imitative. With the passage of time, it gets its own Indian rhythm and develops an idiom which is wholly Indian in spirit. Let us look up the history of the Indian poetry in English. First Phase of the Poetry: Before the time of the first phase, there were many poets and poetry which has been completely ignored, even forgotten. Many critical works tried to explore that forgotten works and poets. The first phase of Indian poetry was the period of literary renaissance in India. -
Edward Lear's Lines of Flight
Journal of the British Academy, 1, 31–69. DOI 10.5871/jba/001.031 Posted 18 July 2013. © The British Academy 2013 Edward Lear’s lines of flight Chatterton Lecture on Poetry read 1 November 2012 by MATTHEW BEVIS Abstract: ‘Verily I am an odd bird’, Edward Lear wrote in his diary in 1860. This article examines a range of odd encounters between birds and people in Lear’s paint ings, illustrations, and poems. It considers how his interest in birds—an interest at once scientific and aesthetic—helped to shape his nonsense writings. I suggest that poetic and pictorial lines of flight became, for Lear, a means of exploring the claims that art might make on our attention. Keywords: Edward Lear, poetry, painting, flight, birds, Charles Darwin, nonsense, evolution, Alfred Tennyson. until now I never knew That fluttering things have so distinct a shade. Wallace Stevens, ‘Le Monocle de Mon Oncle’ (1918) ‘If you cannot tell me how the shadows of the blessed jackdaws will fall I don’t know what I shall do’, wrote Edward Lear to William Holman Hunt in 1852.1 The poet’s feeling for the life of things was often enhanced by his regard for their fleeting effects. ‘Myriads of pigeons!’, he later exclaimed, ‘And when they fly, their shadows on the ground!’2 Notwithstanding the lessons of Plato’s cave, shadows, for Lear, inhabit the realm of the knowable; they are not simply a mistake, or a deception, or a diversion from the real. At once copies and reanimations, shadows may also stand as an analogue for art. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Studies in Tennyson Poems of Tennyson
1920. COPTBIGHT, 1889. 1891. 1892. 1897, 1898. BY CHARLES SCRIBNEB's SONS Published February, 1920 PR. 558% V4 THE 8CRBNER PRESS BY HENRY VAN DYKE The Valley of Vision Fighting for Peace The Unknown Quantity The Ruling Passion The Blue Flower Out-of-Doors in the Holy Land Days Off Little Rivers Fisherman's Luck Poems, Collection in one volume Golden Stars The Red Flower The Grand Canyon, and Other Poems The White Bees, and Other Poems The Builders, and Other Poems Music, and Other Poems The Toiling of Felix, and Other Poems The House of Rimmon Studies in Tennyson Poems of Tennyson CHARLES SCRIBNER'S SONS STUDIES IN TENNYSON <J / A YOUNG WOMAN OF AN OLD FASHION WHO LOVES ABT NOT ONLY FOE ITS OWN SAKE BUT BECAUSE IT ENNOBLES LIFE WHO READS POETRY NOT TO KILL TIME BUT TO FILL IT WITH BEAUTIFUL THOUGHTS AND WHO STILL BELIEVES IN GOD AND DUTY AND IMMORTAL LOVE I DEDICATE THIS BOOK PREFACE 1 HIS volume is intended to be a companion to my Select Poems of Tennyson. I have put it second in the pair because that is its right place. Criticisms, com^ ments, interpretations, are of comparatively little use until you have read the poetry of which they treat. Like photographs of places that one has not seen, they lack the reviving, realizing touch of remembrance. The book contains a series of essays, written at dif- ferent times, printed separately in different places, and collected, substantially, in a book called The Poetry of Tennyson, which was fortunate enough to find many friends, and has now, I believe, gone out of print. -
Publishing Swinburne; the Poet, His Publishers and Critics
UNIVERSITY OF READING Publishing Swinburne; the poet, his publishers and critics. Vol. 1: Text Submitted for the degree of Doctor of Philosophy Department of English Language and Literature Clive Simmonds May 2013 1 Abstract This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of Poems and Ballads in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and shows how Swinburne responded. The third and central chapter turns to consider the periodical press, important throughout his career not just for reviewing but also as a very significant medium for publishing poetry. Chapter 4 on marketing looks closely at the business of producing and of selling Swinburne’s output. Finally Chapter 5 deals with some aspects of his career after the move to Putney, and shows that while Theodore Watts, his friend and in effect his agent, was making conscious efforts to reshape the poet, some of Swinburne’s interests were moving with the tide of public taste; how this was demonstrated in particular by his volume of Selections and how his poetic oeuvre was finally consolidated in the Collected Edition at the end of his life. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. -
Kabir's Poems Macmillan and Co., Limited London Bombay Calcutta Melbourne the Macmillan Company New York Boston Chicago Dallas San Francisco
Estate of the late Rev. G. StaAley Russell ^ fit QrrH v / KABIR'S POEMS MACMILLAN AND CO., LIMITED LONDON BOMBAY CALCUTTA MELBOURNE THE MACMILLAN COMPANY NEW YORK BOSTON CHICAGO DALLAS SAN FRANCISCO THE MACMILLAN CO. OF CANADA, LTD. TORONTO ONE HUNDRED POEMS OF KABIR TRANSLATED BY RABINDRANATH TAGORE ASSISTED BY EVELYN UNDERBILL MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1915 COPYRIGHT 688073 INTRODUCTION THE poet Kabir, a selection from whose songs is here for the first time offered to English readers, is one of the most interesting personalities in the history of Indian mysticism. Born in or near Benares, of Mohammedan parents, and probably about the year 1440, he became in early life a disciple of the celebrated Hindu ascetic Rama- nanda. Ramananda had brought to Northern India the religious revival which Ramanuja, the great twelfth- century reformer of Brahmanism, had initiated in the South. I This revival was in part a reaction against the increasing formalism of the orthodox vi KABIR'S POEMS cult, in part an assertion of the de- mands of the heart as against the intense intellectualism of the Vedanta philosophy, the exaggerated monism which that philosophy proclaimed. It took in Ramanuja's preaching the form of an ardent personal devotion to the God Vishnu, as representing the personal aspect of the Divine " Nature : that mystical religion of " love which everywhere makes its appearance at a certain level of spiritual culture, and which creeds and philosophies are powerless to kill. Though such a devotion is in- digenous in Hinduism, and finds expression in many passages of the Bhagavad Gita, there was in its mediaeval revival a large element of syncretism.