Alfred Lord Tennyson Papers
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
1 a Lincolnshire Boyhood 2 Cambridge
Notes 1 A LINCOLNSHIRE BOYHOOD 1. J. 0. Hoge, ed., 'Emily Tennyson's Narrative for her Sons', Texas Studies in Literature and Language XIV (1972), 96. 2. H. D. Rawnsley, Memories of the Tennysons (1900), p. 225. 3. See C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', Tennyson Research Bulletin II, iii (1974), 121-3 [hereafter TRB]. 4. A. Pollard, 'Three Horace Translations by Tennyson', TRB IV, i (1982), 16. 5. H. D. Paden, Tennyson in Egypt (1942), p. 103. 6. C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', p. 121. 7. This painting is still at Farringford. I am grateful to Dr Christopher Brown, Chief Curator of the National Gallery, for the attribution. 8. A. G. Weld, Glimpses of Tennyson (1903), p. 12. 9. J. Kolb, ed., The Letters of A. H. Hallam (1981), p. 457. 10. R. B. Martin, Tennyson: The Unquiet Heart (1980), p. 48. 11. E. A. Knies, ed., Tennyson at Aldworth: The Diary off. H. Mangles, (1984), p. 122. 2 CAMBRIDGE 1. C. Tennyson, Alfred Tennyson (1949), p. 55. 2. E. A. Knies, ed., Tennyson at Aldworth: The Diary of f. H. Mangles, p. 97. 3. S. T. Coleridge, Aids to Reflection, ed. D. Coleridge (7th edn, London, 1854), p. 155. 4. Arthur Hallam visited Coleridge at Highgate, but Tennyson, although invited, never went. Coleridge's rude remarks on Tennyson's han dling of metre would not have encouraged him. 5. Shelley's Adonais: A Critical Edition, ed. A. D. Knerr (New York, 1984), pp. 445-6. 6. H. B. Bryant, 'The African Genesis of Tennyson's "Timbuctoo"', TRB, III v (1981), 200. -
Arts, Literary & History Trail
Arts, Literary & History Trail - FRESHWATER - KS4 Alfred, Lord Tennyson Poet Laureate Resident at Farringford House, Freshwater Tennyson was born in Lincolnshire in 1809 and attended Trinity College, Cambridge in 1827 where he received The Chancellor’s Gold Medal (a prestigious award given for poetry) in 1829. His frst solo collection of poems were published soon after. Poetry wriritng was important to Victorians as there was no recorded music at this time. When Tennyson’s poem ‘Maud’ (written in 1854-55) became a frm favourite with British Society, Alfred Lord Tennyson was able to buy Farringford House (now a hotel), on the Isle of Wight, which he initially rented with his wife from 1853. In 1850, he was made Poet Laureate and he held this post for forty years. Heralded as one of the greatest poets in British History, he died, at the age of 83, in 1892. The monument which stands at the top of Tennyson Down (renamed in his honour) was erected after his death. Before your visit... 1. Look at a couple of poems by Tennyson e.g. Crossing the Bar and Break, Break, Break. There are online analysis notes for both poems. Do a comparison with a poem from the GCSE Syllabus. 2. Can you identify which phrases in Tennyson’s poems can be linked to the place he lived - e.g. the sea on a stormy day, the downs in summer? 3. Investigate the frustrations of being in the public eye. Compare Tennyson with JK Rowling, both driven to move house as a result of media attention. -
Blackberry Barn Yarmouth Road | Shalfleet | Isle of Wight | PO30 4NB
Blackberry Barn Yarmouth Road | Shalfleet | Isle of Wight | PO30 4NB Blackberry Barn white format.indd 1 17/10/2019 12:15 Blackberry Barn white format.indd 2 17/10/2019 12:15 Blackberry Barn white format.indd 3 17/10/2019 12:15 STEP INSIDE Blackberry Barn This beautiful barn conversion has been delightfully upgraded to provide character features, with light modern accommodation. The property offers lots of features throughout and is provided with extensive gardens, paddocks and stables. The gated driveway into the home leads into an attractive courtyard area, where a double garage and ample off-road parking is granted to the occupants. The large entrance hall to the home is a welcoming area in which to greet guests, with an attractive staircase leading up to the first floor. The lounge is a beautiful light room and has an attractive central fireplace and views to both the front and rear of the property. The dining area is accessed from here and again gives a superb vantage point over the rear, more formal gardens, ensuring you may appreciate your location over a family Sunday lunch. The kitchen has been upgraded recently and offers attractive light coloured units and ample space for a dining table overlooking the rear paddocks. The current owner has fitted full length doors and windows providing ample natural light and an open outlook. In addition, you will find a well-equipped utility room for all the noisy appliances, with access out the to the rear garden. The first floor has three double bedrooms and a large family bathroom, as well as the master bedroom offering en-suite shower room. -
A Dictionary of the Isle of Wight Dialect, and of Provincialisms Used in the Island; with Illustrative Anecdotes and Tales; to W
y ; A DICTIONARY OF THE ISLE OF WIGHT DIALECT, And of ProYincialisins used in the Island WITH ILLUSTRATIVE ANECDOTES AND TALES; TO WHICH 18 APPENDED THE CHEISTMAS BOYS' PLAY, AN ISLE OF WIGHT " HOOAM HARVEST," AND SONGS SUNG BY THE PEASANTRY; FORMING % ¥tjfa$nri| uf %mn\nv ^nnmv^s nnt ©ustoms OF FIFTY YEARS AGO. BY W. H. LONG. (Subscribers' Edition.) London : REEVES & TURNER, 196 Strand, W.C. Isle of Wight : G. A. BRANNON & CO., "COUNTY PRESS," St, James's Square, Newport, 1886, LIST OF SUBSCRIBERS. Mrs. Aston, Bargato Street, Southampton. J. R. Blake, Esq., Stone House, Blackwater, I.W. A. Brannon, Esq., Gatcombe Newbarn, I.W. Lieut.-Gen. The Hon. Somerset J, G. Calthorpe, J. P., Woodlands Vale, Ryde, I.W. J. L. Cantelo, Esq., River Avon Street, Liverpool. J. F. Childs, Esq., Southsea. C. Conquest, Esq., 66 Denbigh Street, London. J. Cooke, Esq., Langton House, Gosport. The Rev. Sir W. H. Cope, Bart., Bramshill, Hants. Colonel Crozier, West Hill, Yarmouth, I.W. Colonel L. D. H. Currie, Ventnor, I.W. Dr. G. H. R. Dabbs, Highfields, Shanklin, I.W. A. Harbottle Estcourt, Esq., Deputy Governor of the Isle of Wight, Standen Elms, I.W. Sidney Everett, Esq., Fairmount, Shanklin, I.W. A. T. EvERiTT, Esq., Portsmouth. W. Featon Fisher, Esq., St. Bartholomew's Hospital, London. J. Lewis Ffytche, Esq., F.S.A., Freshwater, I.W. Mrs. PYeming, Roude, I.W. T. Francis, Esq., Havant. Messrs. W. George's Sons, Bristol. J. Griffin, Esq., J. P., Southsea. Dr. J. Groves, Carisbrooke, I.W. A. Howell, Esq., Carnarvon, Southsea. T. -
Symbol and Mood in Tennyson's Nature Poetry Margery Moore Taylor
University of Richmond UR Scholarship Repository Master's Theses Student Research 1971 Symbol and mood in Tennyson's nature poetry Margery Moore Taylor Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the English Language and Literature Commons Recommended Citation Taylor, Margery Moore, "Symbol and mood in Tennyson's nature poetry" (1971). Master's Theses. 1335. https://scholarship.richmond.edu/masters-theses/1335 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. SYJYIBOL AND MOOD IN TENNYSON•S NATURE POETRY BY MA1"1GERY MOORE TAYLOR A THESIS SUBI.'IITTED TO THE GRADUATE FACULTY OF THE UNIVERSITY OF RICHMOND IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS JUNE, 1971 Approved for the Department of English and the Graduate School by: Cha rman of the Department of English c:;Dean ofJ'.� the (JG�e . � School CONTENTS INTRODUCTION CHAPTER I: NATURE AND SYMBOLISM CHAPTER II: NATURE AND MOOD CONCLUSION BIBLIOGRAPHY INTRODUCTION The purpose of this paper is to show Tennyson's preoccupation with nature in his poetry, his use of her as a projector of moods and s.ymbolism, the interrelation of landscape with depth of feeling and narrative or even simple picturesqueness. Widely celebrated as the supreme English poet and often called the Victorian Oracle,1 Tenny son may well be considered the best exemplar of the nine teenth century. -
Arts, Literary & History Trail
Arts, Literary & History Trail - FRESHWATER - KS3 Alfred, Lord Tennyson Poet Laureate Resident at Farringford House, Freshwater Tennyson was born in Lincolnshire in 1809 and attended Trinity College, Cambridge in 1827 where he received The Chancellor’s Gold Medal (a prestigious award given for poetry) in 1829. His frst solo collection of poems were published soon after. Poetry wriritng was important to Victorians as there was no recorded music at this time. When Tennyson’s poem ‘Maud’ (written in 1854-55) became a frm favourite with British Society, Alfred Lord Tennyson was able to buy Farringford House (which is now a hotel), on the Isle of Wight, which he initially rented with his wife from 1853. In 1850, he was made Poet Laureate and he held this post for forty years. Heralded as one of the greatest poets in British History, he died, at the age of 83, in 1892. The monument which stands at the top of Tennyson Down (renamed in his honour) was erected after his death. Before you visit: 1. Research the life of Alfred, Lord Tennyson (he had a large family which was dominated by a ‘diffcult’ patriarch. 2. Build a timeline of Tennyson’s life which includes his works and major life events (you could use this as a basis to produce a biography of the poet). 3. Look at a couple of poems by Tennyson e.g. The Eagle, and Break, Break, Break. There are online analysis notes for both poems. 4. Poets and writers in the Victorian era experienced a similar type of fame to that of pop stars today. -
Edward Lear's Lines of Flight
Journal of the British Academy, 1, 31–69. DOI 10.5871/jba/001.031 Posted 18 July 2013. © The British Academy 2013 Edward Lear’s lines of flight Chatterton Lecture on Poetry read 1 November 2012 by MATTHEW BEVIS Abstract: ‘Verily I am an odd bird’, Edward Lear wrote in his diary in 1860. This article examines a range of odd encounters between birds and people in Lear’s paint ings, illustrations, and poems. It considers how his interest in birds—an interest at once scientific and aesthetic—helped to shape his nonsense writings. I suggest that poetic and pictorial lines of flight became, for Lear, a means of exploring the claims that art might make on our attention. Keywords: Edward Lear, poetry, painting, flight, birds, Charles Darwin, nonsense, evolution, Alfred Tennyson. until now I never knew That fluttering things have so distinct a shade. Wallace Stevens, ‘Le Monocle de Mon Oncle’ (1918) ‘If you cannot tell me how the shadows of the blessed jackdaws will fall I don’t know what I shall do’, wrote Edward Lear to William Holman Hunt in 1852.1 The poet’s feeling for the life of things was often enhanced by his regard for their fleeting effects. ‘Myriads of pigeons!’, he later exclaimed, ‘And when they fly, their shadows on the ground!’2 Notwithstanding the lessons of Plato’s cave, shadows, for Lear, inhabit the realm of the knowable; they are not simply a mistake, or a deception, or a diversion from the real. At once copies and reanimations, shadows may also stand as an analogue for art. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
Italian Travel Sketches &C., Translated by Elizabeth A. Sharp, from The
THE SCOTT LIBRARY, ITALIAN TRAVEL SKETCHES, &C. ITALIAN TRAVEL SKETCHES, &c, BY HEINRICH HEINE. TRANS- LATED BY ELIZABETH A. SHARP. From the Original With Prefatory Note from the French of Theophile Gautier. London: Walter Scott, Ltd., 24 Warwick Lane, Paternoster Row, 23,/t CONTENTS. ITALIAN TRAVEL SKETCHES : PAGE THE JOURNEY FROM MUNICH TO GENOA . 3 THE TOWN OF LUCCA . IOO LATER NEWS . .165 CONCLUSION . .168 THE TEA-PARTY . .173 THE FRENCH STAGE : CONFIDENTIAL LETTERS ADDRESSED TO M. AUGUST LEWALD. I. ERNST RAUPACH . .176 II. GERMAN AND FRENCH COMEDY . .185 III. PASSION IN FRENCH TRAGEDY . 193 IV. THE INFLUENCE OF POLITICAL LIFE ON THE TRAGIC DRAMA IN FRANCE . 2OO V. THE IMPORTANCE OF NAPOLEON FOR THE FRENCH STAGE .... 2OQ VI. ALEXANDRE DUMAS AND VICTOR HUGO . 2l8 VII. COMEDY IN ENGLAND, FRANCE, AND GER- MANY ...... 228 VIII. THE STAGE -POETS OF THE BOULEVARDS THEATRES ..... 236 APPENDIX: GEORGE SAND . .244 NOTE. IT has been thought advisable to omit from this volume the second part of the Italienische Reisebilder; and, as of more general interest, to add the hitherto untranslated The French Stage: Confidential Letters addressed to M. August Lewald. PREFATORY STUDY ON HEINRICH HEINE. BY THEOPHILE GAUTIER. THE last time that I saw Heinrich Heine was a few weeks before his death ; I had to write a short notice for the re-issue of his works. He lay on the bed where, accord- ing to the doctors, a slight indisposition first held him, but whence he had not been able to rise therefrom for eight years. One was always sure of finding him, as he himself used to say; yet, little by little, solitude encom- passed him more and more; hence his exclamation to Berlioz, on the occasion of an unexpected visit : "You " come to see me ! you are as original as ever ! It was not that he was less loved or less admired, but life entices away with it the most faithful hearts, in spite of themselves: only a mother or a wife would never abandon so persistent a death-agony. -
Studies in Tennyson Poems of Tennyson
1920. COPTBIGHT, 1889. 1891. 1892. 1897, 1898. BY CHARLES SCRIBNEB's SONS Published February, 1920 PR. 558% V4 THE 8CRBNER PRESS BY HENRY VAN DYKE The Valley of Vision Fighting for Peace The Unknown Quantity The Ruling Passion The Blue Flower Out-of-Doors in the Holy Land Days Off Little Rivers Fisherman's Luck Poems, Collection in one volume Golden Stars The Red Flower The Grand Canyon, and Other Poems The White Bees, and Other Poems The Builders, and Other Poems Music, and Other Poems The Toiling of Felix, and Other Poems The House of Rimmon Studies in Tennyson Poems of Tennyson CHARLES SCRIBNER'S SONS STUDIES IN TENNYSON <J / A YOUNG WOMAN OF AN OLD FASHION WHO LOVES ABT NOT ONLY FOE ITS OWN SAKE BUT BECAUSE IT ENNOBLES LIFE WHO READS POETRY NOT TO KILL TIME BUT TO FILL IT WITH BEAUTIFUL THOUGHTS AND WHO STILL BELIEVES IN GOD AND DUTY AND IMMORTAL LOVE I DEDICATE THIS BOOK PREFACE 1 HIS volume is intended to be a companion to my Select Poems of Tennyson. I have put it second in the pair because that is its right place. Criticisms, com^ ments, interpretations, are of comparatively little use until you have read the poetry of which they treat. Like photographs of places that one has not seen, they lack the reviving, realizing touch of remembrance. The book contains a series of essays, written at dif- ferent times, printed separately in different places, and collected, substantially, in a book called The Poetry of Tennyson, which was fortunate enough to find many friends, and has now, I believe, gone out of print. -
Publishing Swinburne; the Poet, His Publishers and Critics
UNIVERSITY OF READING Publishing Swinburne; the poet, his publishers and critics. Vol. 1: Text Submitted for the degree of Doctor of Philosophy Department of English Language and Literature Clive Simmonds May 2013 1 Abstract This thesis examines the publishing history of Algernon Charles Swinburne during his lifetime (1837-1909). The first chapter presents a detailed narrative from his first book in 1860 to the mid 1870s: it includes the scandal of Poems and Ballads in 1866; his subsequent relations with the somewhat dubious John Camden Hotten; and then his search to find another publisher who was to be Andrew Chatto, with whom Swinburne published for the rest of his life. It is followed by a chapter which looks at the tidal wave of criticism generated by Poems and Ballads but which continued long after, and shows how Swinburne responded. The third and central chapter turns to consider the periodical press, important throughout his career not just for reviewing but also as a very significant medium for publishing poetry. Chapter 4 on marketing looks closely at the business of producing and of selling Swinburne’s output. Finally Chapter 5 deals with some aspects of his career after the move to Putney, and shows that while Theodore Watts, his friend and in effect his agent, was making conscious efforts to reshape the poet, some of Swinburne’s interests were moving with the tide of public taste; how this was demonstrated in particular by his volume of Selections and how his poetic oeuvre was finally consolidated in the Collected Edition at the end of his life. -
Tennyson's Poems
Tennyson’s Poems New Textual Parallels R. H. WINNICK To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/944 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. TENNYSON’S POEMS: NEW TEXTUAL PARALLELS Tennyson’s Poems: New Textual Parallels R. H. Winnick https://www.openbookpublishers.com Copyright © 2019 by R. H. Winnick This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work provided that attribution is made to the author (but not in any way which suggests that the author endorses you or your use of the work). Attribution should include the following information: R. H. Winnick, Tennyson’s Poems: New Textual Parallels. Cambridge, UK: Open Book Publishers, 2019. https://doi.org/10.11647/OBP.0161 In order to access detailed and updated information on the license, please visit https://www.openbookpublishers.com/product/944#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ Digital material and resources associated with this volume are available at https://www.openbookpublishers.com/product/944#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher.