Black History Month 2018

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Black History Month 2018 During the second week of BHM, we are highlighting local Black history around the UK and events near you! BLACK HISTORY Take a look at our list below! MONTH Oxford University College is one of the oldest colleges in Oxford and it also played an important role in Black History. It was there that Oxford's first black student 2018 graduated when Christian Cole from Sierra Leone studied Classics in 1873. London See the annual Black History Month lecture at Oxford University here. London has some of the most exciting Black History Manchester Month content going. The highly popular Black History Pablo Fanque the entertainer, was born William Darby in Norwich. Walks are some of the most insightful walks in the UK. Pablo was 11 when he first joined the circus as an orphaned You can book here and find out other activities across the apprentice. In his forties he established stables at Wigan, he toured the capital here. country with his own show and often partnered with the famous clown Nottingham WF Wallett. Nottingham has long had a strong Black presence both in history and population: “Fists of Defiance: Tommie Smith 50 years on from Mexico ’68” George Africanus is a Nottingham legend. After surviving slavery, Fri 12 October 2018 18:15 – 20:00 he was one of the first black entrepreneurs of the 18th century. To celebrate its 50th anniversary, The University of Manchester Winston Murphy is a war hero who served in the merchant navy is hosting Tommie Smith to Manchester. There will be a short between 1940 to 1945. documentary about the event and its aftermath, followed by a Louise Garvey is a nurse who has promoted equality in the health Leicester discussion between Tommie Smith and a Q&A. Click here. service since the 1960s. She wrote the book Nursing Lives of Black Newarke Houses Museum People in Nottingham. SATURDAY 13 OCTOBER 11:00AM - 3:00PM Celebrate the 100 year anniversary of Nelson Mandela’s birth and South Africa’s ‘long walk Events: to freedom’ at Newarke Houses with an exhibition of art, crafts and photographs, an adult ‘Why Afrikan / Black history is hidden from British Society’ lecture and free children’s crafts. Find more information here! Mon 15 October 2018 19:00 – 21:00 Derby https://www.blackhistorymonth.org.uk/article/listings/region/nottingham/afrikan- ‘On The Sideline – Africans in World War 1’ black-history-hidden-british-society/ 27TH OCTOBER 2018- Potters House Church, Derby Explore the history of African involvement in WW1. The event is free and African food will be on sale. For more details click here Milton Keynes Birmingham BWIR (British West Indies Regiment), Men of The King’s African Rifles: Thomas Richards was born in West Bromwich in 1874 and Exhibition Leeds worked as pavement artist, including a spell working for a 13th September 2018 - 11th October 2018 ‘Where We Began’ grocer in Hanley, Stoke on Trent. He earned around £4 a week, BWIR is heritage exhibition commemorating the sacrifices and 6 Oct 2018 7:45pm- Carriageworks which is around £1,400 today! There are a host of events on in contributions of the two million Africans and West Indians affected by The UK’s first Theatre Company of Sanctuary, Stand Birmingham this month and you can find them here. The Great War. It commemorates Armed Forces Remembrance Day and and Be Counted present a wild and vivid vision of the marks the Centenary of The Great War in 2018. future, combining storytelling, movement and live music. Five performers from across the globe challenge existing notions of ‘home’ in this multilingual celebration of personal identity. There are an infinite amount of Black History events taking place all over the country. We have only shortlisted a few, but if you have some free time please have a look at https://www.blackhistorymonth.org.uk/listings/ for more events! .
Recommended publications
  • Circus Friends Association Collection Finding Aid
    Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G.
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  • Tag Fine Arts Presents
    TAG FINE ARTS PRESENTS Peter Dean’s inspired re-creation of the circus poster behind one of the Beatles’ most memorable songs. Sergeant Pepper. Side One. Track Seven. Being for the Benefit of Mr Kite “And of course, Henry the Horse dances the waltz...” On an album of psychedelia and surreality, Being for the Benefit of Mr Kite still manages to stand out. Initially banned by the BBC for what it perceived as drug references, in fact much of the song’s ornate language was taken directly from a circus poster John Lennon had bought in an antique shop in 1967. Pablo Fanque’s Circus Royal promised dancing horses and legendary contortionists which appealed to Lennon’s sense of the ridiculous. “I had all the words staring me in the face one day when I was looking for a song,” he said. “I hardly made up a word.” Peter Dean, a London designer and lifelong Beatles fan, has painstakingly recreated this poster, using the traditional printing methods used to create the original poster in 1843. He explains, “I’ always longed to own a copy of the Mr. Kite poster, but as a designer, I couldn’t accept the poor imitations that were available. So I decided to do it properly.” Dean called on renowned wood-engraving artist Andy English to recreate the two circus characters on the poster, while Graham Bignell, who runs New North Press in Shoreditch, London, matched the Victorian metal and wooden typefaces on the original using his extensive collection of Victorian type. Dean says, “I feel privileged to have worked with Andy and Graham.
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  • What Is Circus Today? Explorations Through 250 Years of British Circus by Professor Vanessa Toulmin in the Beginning
    What is Circus Today? Explorations through 250 Years of British Circus by Professor Vanessa Toulmin In the Beginning In 1768 a uniquely British invention created from entertainment popular in late Georgian London was born. The innovator was Philip Astley who with his wife Patty, a gifted equestrienne, and his horse Gibraltar, gave riding displays at Glover’s ‘Halfpenny Hatch’ between Neptune and Angel Streets in April 1768. On this site Mr and Mrs Astley developed scenes of horsemanship and later incorporated older forms of entertainment such as acrobatics, performers from the street and clowns to draw the crowds. It was this combination of speciality skills that developed into the circus entertainment we recognise today.1 As we celebrate 250 years from when modern circus combination of performance genres within a ring was created, the narratives and histories that are of a set diameter quickly became global and being revealed, especially in the United Kingdom, by the early nineteenth century circus could be demonstrate the complex and global history of the found in thirteen different countries including the genre that is circus; an evolving language of visual United States in 1793, Canada in 1797, Mexico in and physical performance.2 The Astleys settled at 1802, Russia in 1816. Within the European and Westminster Bridge Road where initially they used an North American traditions evolutions in popular open-air circular arena, then built a partially covered entertainment from the music hall to the menagerie ‘amphitheatre’ styled ‘Astley’s British Riding School‘ tradition of previous centuries played a key part which opened in 1770.
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  • War Circus Life Cards
    YOUR WAR CIRCUS STORY YOUR WAR CIRCUS STORY Name : Nationality: Name: Nationality: FRED BRADNA Alsatian/German/ ROMAN PROSKE Austrian American Date of birth: Born: Date of Birth: Born: 21/9/1898 Vienna 28/5/1871 Strasbourg Alsace, France In the ring: At the age of 14 run away from home to work with animals Married: BRADNA, ELLA in Africa. You become a Lion Tamer in East Africa. In the Ring: Show director & agent for Ringling Brothers Circus, USA 1914: Aged 16, set off to Europe to join the Army 1913: Seeing the war on the horizon, went to Europe to scout for acts 1915: there is no news of you - you are making your way to fight. to bring over to America, inc. the Konyot family from Hungary 1916: Arrived in Austria joined the Austrian Infantry in September. 1915: Many of the best acts have gone to Europe, called to fight. Fought Russians in Poland. 1916: It’s a difficult task keeping peace among the 18 nationalities that 1917 ish: Found Russian’s under your bed whils slacking off on a works in the Circus, rivalry & discontent. march to battle. Later in an abandoned farm house you found a dead 1917: American Army spurned you, as had been a German soldier. woman in a wooden chest, then the Cossacks arrived on horsebox and 1918: Ringling’s folded their Big Top a month before the end of the you hid in a dung heap. season and sent everything to Bridgeport, home of Barnum and Bailey. 1918: Wounded and discharged, returned to Circus.
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  • Sgt. Pepper's Lonely Hearts Club Band: Lyrics
    MUSC-21600 Freeze Sgt. Pepper’s Lonely Hearts Club Band: Lyrics 1. Sgt. Pepper’s Lonely Hearts Club Band It was twenty years ago today, Sergeant Pepper taught the band to play. They’ve been going in and out of style, But they’re guaranteed to raise a smile. So may I introduce to you the act you’ve known for all these years? Sergeant Pepper’s Lonely Hearts Club Band. We’re Sergeant Pepper’s Lonely Hearts Club Band, We hope you will enjoy the show, We’re Sergeant Pepper’s Lonely Hearts Club Band, Sit back and let the evening go. Sergeant Pepper’s lonely, Sgt. Pepper’s lonely, Sergeant Pepper’s Lonely Hearts Club Band. It’s wonderful to be here. It’s certainly a thrill. You’re such a lovely audience, We’d like to take you home with us. We’d love to take you home. I don’t really want to stop the show, But I thought you might like to know That the singer’s gonna sing a song And he wants you all to sing along. So let me introduce to you, The one and only Billy Shears, And Sergeant Pepper’s Lonely Hearts Club Band, yeah. 2. With a Little Help from My Friends What would you do if I sang out of tune? Would you stand up and walk out on me? Lend me your ears and I’ll sing you a song, And I’ll try not to sing out of key. Oh, I get by with a little help from my friends.
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  • The Last Days of John Lennon
    Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24
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  • John Turner Collection Items Published
    John Turner Collection Items published: Historical Hengler's circus Pt. 1-5, 1780 to 1856 by John M. Turner History of Ginnett's circus by John M. Turner James Newsome: genius of the ring / by John M. Turner. Twentieth century circus people: a dictionary of British circus biography / by John M. Turner. Vol.1-4, 1901-1950 Wombwell's travelling menagerie / by John M. Turner Black Victorians / Black Victoriana / edited by Gretchen Holbrook Gerzina Volume 1 and Volume 11 Victorian Arena – The Performers Box One 1. Collection of photocopies from Cooke’s handbills 2. MSS Diary of Mrs Henry Cooke’s Diary 1857 3. MSS Diary of Mrs Henry Cooke’s Diary 1859 4. Envelope of research: Cookes and Ducrow Huline Family Berringtons Obituaries-Pul Ruppert and The Great Alzano Indian Circus Performers The Great Sequah (Rowley) 5. Copy of ‘Victorian Arena: The Performers. A Dictionary of British Circus Biography Volume One’ by John Turner. 6. 5 volumes of 20th Century Circus Performers by John Turner. 7. 2 lists of corrections and updates 8. Arthur Fenwick research 9. Notes and research no Liverpool 1890-1918, History of leaving Liverpool maps and leaving Liverpool items. 10. Liverpool Packet number 2: Liverpool set in its context of Merseyside and Deeside. 11. Notebook, diary and research on Astley 12. Scrapbook containing newspaper cuttings mainly from the 60s and mostly variety and music Hall. 13. Envelope containing 19 Postcards, 2 Blackpool Tower Circus Programmes, 2001 and Billy Smart Programme 1998 14. Photocopies of circus playbills: Zoological Gardens, Hull with the Female Blondin Edwin G- OVESTE’S Scarborough Circus.
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  • Contrasts in the Lived Experience of Race in the Nineteenth
    Gretchen Holbrook Gerzina, ed.. Black Victorians/Black Victoriana. New Brunswick and London: Rutgers University Press, 2003. x + 222 pp. $62.00, cloth, ISBN 978-0-8135-3214-1. Reviewed by Norman A. Etherington Published on H-SAfrica (January, 2004) Contrasts in the Lived Experience of Race in Black Victoriana, scholars who go in search of a the Nineteenth-Century United States and Victori‐ collective black experience in the nineteenth cen‐ an Britain tury "colonize the Victorians" (p. 187). They are Any attempt to recover the "black experience" made "to stand for the racist Other in binary op‐ of Victorian Britain faces formidable obstacles. position to our implicit nonracist Self." As no self- Who was "black" in the nineteenth century? To identified black communities emerge from what extent can such a racial identification be as‐ archival records, scholars who look for blacks in signed to people from diverse cultures and na‐ Victorian Britain inevitably end up studying indi‐ tionalities? Racial epithets such as "nigger" cer‐ viduals. tainly existed in the nineteenth century but were David Killingray's quest for "persons of applied to a much larger portion of humanity African descent and origin in Victorian Kent" fo‐ than those who had African ancestors. The term cuses on newspapers and photographs. People "black" had a wide currency in the Victorian era identified as "Negro" in newspaper reports get in‐ but carried little of the intellectual resonance the cluded in his survey; people who may have word acquired when certain Americans cast aside African ancestors but who cannot be specifically self-identification as "Negroes" in the 1960s in fa‐ identified are inevitably ignored.
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  • BWTB June 21St 2015
    1 Playlist Fathers Day June 21st 2015 2 OPEN/9AM Today we will honor the FATHER…by playing only Beatles and solo Beatles songs pertaining to MEN, BOYS, Songs with Men’s names or titles such as King…or Mister…and of course songs about Dad’s and being a Father…and if we have time maybe some songs about SUMMER as this is June 21st the 1st day of SUMMER 2015…but let’s start with the MEN…or in this case…the boy. The Beatles - This Boy – Meet The Beatles US EP Four By The Beatles /Past Masters I flip of I Want To Hold You Hand in UK The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 3 The Beatles - Baby, You’re A Rich Man - Non-LP track (Lennon-McCartney) Lead vocal: John The Beatles’ fifteenth single release for EMI’s Parlophone label. The Beatles were contractually obligated to deliver four new songs for inclusion in the “Yellow Submarine” animated film project. “Baby, You’re A Rich Man” was the first song 4 recorded especially for that project. Earlier in the year, George Harrison’s initial offering for the “Sgt. Pepper” album, “Only A Northern Song,” had been rejected for that album and was now being earmarked for use in the “Yellow Submarine” animated film. But with the rush-release of “All You Need Is Love” as a single following the “Our World” world television transmission on June 25, 1967, a B-side was needed.
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  • Derrick Adams
    vigogallery.com DERRICK ADAMS EDUCATION ColumbiA University, New York NY. MFA 2003 PrAtt Institute, Brooklyn NY. BFA 1996 SOLO EXHIBITIONS + PERFORMANCES 2019 Derrick Adams: Beauty World, Frieze New York, Vigo Gallery London 2019 Derrick Adams: New Icons, MAry Boone, New York 2019 Derrick Adams: Interior Life, Luxembourg & DAyan, New York 2018 Derrick Adams: "People Person" Recent Works from the Deconstruction Worker Series, Anne de Villepoix, PAris 2018 Derrick Adams: Transmission, Museum of ContemporAry Art, Denver, CO 2018 Derrick Adams: Sanctuary Museum of Arts And Design, New York, NY 2017 Derrick Adams: Black White & Brown, PrimAry Projects, MiAmi, FL 2017 Figures in the Urban Landscape, Tilton GAllery, New York, NY 2017 Repose, UTA Artist SpAce, Los Angeles, CA 2017 Tell Me Something Good, RhonA HoffmAn GAllery, ChicAgo, IL 2017 Derrick Adams: Patrick Kelly, The Journey Countee Cullen LibrAry, The Studio Museum in HArlem, New York, NY 2017 Network, California AfricAn AmericAn Museum, Los Angeles, CAliforniA 2017 Future People, Stony IslAnd Arts BAnk, Rebuild FoundAtion, ChicAgo, IL 2017 The Builders, 1947, Savannah College of Art and Design, Savannah, GA (performance) 2016 Float, Vigo GAllery, London 2016 Finding Derrick 6 to 8, The MetropolitAn Museum of Art, New York NY (performance) 2016 NYON, Pioneer Works, Brooklyn (installation and performance) 2016 Project for Empty Space, NewArk NJ, Culture Club 2016 Crossroad: A Social Sculpture, Bemis Centre for ContemporAry Arts (installation and performance) 2016 Black and White and
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  • PLACES of ENTERTAINMENT in EDINBURGH Part 1 the SOUTH SIDE
    PLACES OF ENTERTAINMENT IN EDINBURGH Part 1 THE SOUTH SIDE Compiled from Edinburgh Theatres, Cinemas and Circuses 1820 – 1963 by George Baird In Memory of my wife, Betty, 25 August 1932 – 21 December 1999 2 TABLE OF CONTENTS Foreword 5 19 NICOLSON STREET 7 Ducrow’s Circus, 1820; Royal Amphitheatre, 1830; James Thorpe Cooke’s Circus, 1846; Pablo Fanque’s Amphitheatre, 1853; Dunedin Hall, 1854; Cooke’s Royal Circus, 1858; Sanger’s Circus and Hippodrome, 1859; Dunedin Hall demolished, replaced by Southminster, 1863; Hengler’s Circus, 1863; Three Fires; Southminster fire, 1875; Queen’s Theatre, 1875; Queen’s Theatre fire, 1877; Weldon’s Circus, 1877; Watson’s Grand Cirque, 1879; Newsome’s Circus, 1879; Newsome’s fire, 1887; Newsome’s re-opened, 1888; Site of Newsome’s Circus acquired by H.E. Moss, 1890; Moss’ Empire Palace of Varieties opened 1892; First Moving Pictures in Edinburgh shown in Empire, 1896; Empire fire May 1911, death of Lafayette and nine members of staff; Temporary Home in Theatre Royal; Empire reopened August 1911; Saturday night visits to the Empire by the author prior to the 1914 War; Theatre closed from November 12th 1927 to September 29th 1928 for reconstruction; Re-opened on 1 October 1928 with a production of ‘Showboat’; New Wing added to South side 1938, and internal changes to provide Luxury Waiting Rooms and Lounges, and to eliminate congestion; Christmas and New Year Season, 1961/’62; Last performances of ‘Oklahoma’, given on January 27th 1962; Sale of Empire to Mecca Bingo, 1963; New Empire Casino opened March 1963 MR H.E.MOSS’s ACTIVITIES IN EDINBURGH 18 Born near Manchester, 1852; Myriorama operator at the age of 16; Manager of a theatre in Greenock; Moved to Edinburgh in 1875 and became tenant of the Gaiety, Chambers Street; Bought the Gaiety, No.
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  • DEFINITION of a TOURIST GUIDE Tom Hooper on the European Standard Use of Phrase ‘Tourist Guide’
    UNKNOWN WARRIOR 100 Ruth Polling on a significant centenary At 11:00 on 11 November 1920 Britain Of course, the scale of loss meant that marked the exact moment when the only a tiny fraction of the bereaved Armistice had ended the fighting of were able to attend the funeral but the First World War two years those who could not attend were still previously. Standing on Whitehall, in able to pay their respects. After the the presence of the Unknown Warrior, funeral service the Abbey opened to King George V stepped forward to the the public and it is estimated that Cenotaph and joined the nation in two 40,000 people had visited the unfilled minutes of silent reflection. What grave by the end of the day. Such was happened that day still shapes the desire of people to say goodbye to remembrance in this country a a loved one at the grave that the hundred years later. The Cenotaph and Unknown Warrior Abbey’s original plans for three days of The story of the Unknown Warrior is (Photograph from Imperial War Museum) visiting had to be abandoned and well known to London Blue Badge 1,250,000 people visited the Abbey tourist guides, but one hundred years on it is difficult for us to before the grave was filled on 18 November. As newspapers imagine the emotion of the funeral. The day before, as the noted at the time, the huge number of flowers and cards left coffin had been bought by train from Dover, thousands were not addressed to the Unknown Warrior but to named gathered along the railway line to see the train pass.
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