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Science Fiction in Argentina: Technologies of the Text in A
Revised Pages Science Fiction in Argentina Revised Pages DIGITALCULTUREBOOKS, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. Revised Pages Science Fiction in Argentina Technologies of the Text in a Material Multiverse Joanna Page University of Michigan Press Ann Arbor Revised Pages Copyright © 2016 by Joanna Page Some rights reserved This work is licensed under the Creative Commons Attribution- Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2019 2018 2017 2016 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Page, Joanna, 1974– author. Title: Science fiction in Argentina : technologies of the text in a material multiverse / Joanna Page. Description: Ann Arbor : University of Michigan Press, [2016] | Includes bibliographical references and index. Identifiers: LCCN 2015044531| ISBN 9780472073108 (hardback : acid- free paper) | ISBN 9780472053100 (paperback : acid- free paper) | ISBN 9780472121878 (e- book) Subjects: LCSH: Science fiction, Argentine— History and criticism. | Literature and technology— Argentina. | Fantasy fiction, Argentine— History and criticism. | BISAC: LITERARY CRITICISM / Science Fiction & Fantasy. | LITERARY CRITICISM / Caribbean & Latin American. Classification: LCC PQ7707.S34 P34 2016 | DDC 860.9/35882— dc23 LC record available at http://lccn.loc.gov/2015044531 http://dx.doi.org/10.3998/dcbooks.13607062.0001.001 Revised Pages To my brother, who came into this world to disrupt my neat ordering of it, a talent I now admire. -
“War of the Worlds Special!” Summer 2011
“WAR OF THE WORLDS SPECIAL!” SUMMER 2011 ® WPS36587 WORLD'S FOREMOST ADULT ILLUSTRATED MAGAZINE RETAILER: DISPLAY UNTIL JULY 25, 2011 SUMMER 2011 $6.95 HM0811_C001.indd 1 5/3/11 2:38 PM www.wotw-goliath.com © 2011 Tripod Entertainment Sdn Bhd. All rights reserved. HM0811_C004_WotW.indd 4 4/29/11 11:04 AM 08/11 HM0811_C002-P001_Zenescope-Ad.indd 3 4/29/11 10:56 AM war of the worlds special summER 2011 VOlumE 35 • nO. 5 COVER BY studiO ClimB 5 Gallery on War of the Worlds 9 st. PEtERsBuRg stORY: JOE PEaRsOn, sCRiPt: daVid aBRamOWitz & gaVin YaP, lEttERing: REmY "Eisu" mOkhtaR, aRt: PuPPEtEER lEE 25 lEgaCY WRitER: Chi-REn ChOOng, aRt: WankOk lEOng 59 diVinE Wind aRt BY kROmOsOmlaB, COlOR BY maYalOCa, WRittEn BY lEOn tan 73 thE Oath WRitER: JOE PEaRsOn, aRtist: Oh Wang Jing, lEttERER: ChEng ChEE siOng, COlORist: POPia 100 thE PatiEnt WRitER: gaVin YaP, aRt: REmY "Eisu" mOkhtaR, COlORs: ammaR "gECkO" Jamal 113 thE CaPtain sCRiPt: na'a muRad & gaVin YaP, aRt: slaium 9. st. PEtERsBuRg publisher & editor-in-chief warehouse manager kEVin Eastman JOhn maRtin vice president/executive director web development hOWaRd JuROFskY Right anglE, inC. managing editor translators dEBRa YanOVER miguEl guERRa, designers miChaEl giORdani, andRiJ BORYs assOCiatEs & JaCinthE lEClERC customer service manager website FiOna RussEll WWW.hEaVYmEtal.COm 413-527-7481 advertising assistant to the publisher hEaVY mEtal PamEla aRVanEtEs (516) 594-2130 Heavy Metal is published nine times per year by Metal Mammoth, Inc. Retailer Display Allowances: A retailer display allowance is authorized to all retailers with an existing Heavy Metal Authorization agreement. -
A Paródia Do Drama Shakespeariano Como Evolução Das Histórias Em Quadrinhos
LEONARDO VINICIUS MACEDO PEREIRA AI DE TI, YORICK BROWN: A PARÓDIA DO DRAMA SHAKESPEARIANO COMO EVOLUÇÃO DAS HISTÓRIAS EM QUADRINHOS Dissertação apresentada à Universidade Federal de Viçosa, como parte das exigências do Programa de Pós-Graduação em Letras, para obtenção do título de Magister Scientiae. VIÇOSA MINAS GERAIS – BRASIL 2015 Ficha catalográfica preparada pela Biblioteca Central da Universidade Federal de Viçosa - Câmpus Viçosa T Pereira, Leonardo Vinícius Macedo, 1981- P434a Ai de ti, Yorick Brown : a paródia do drama shakespeariano 2015 como evolução das histórias em quadrinhos / Leonardo Vinícius Macedo Pereira. – Viçosa, MG, 2015. viii, 124f. : il. (algumas color.) ; 29 cm. Inclui anexos. Orientador: Sirlei Santos Dudalski. Dissertação (mestrado) - Universidade Federal de Viçosa. Referências bibliográficas: f.105-115. 1. Literatura comparada. 2. Literatura - Adaptação. 3. Histórias em quadrinhos. 4. Paródia. 5. Shakespeare, William,1564-1616 . I. Universidade Federal de Viçosa. Departamento de Letras. Programa de Pós-graduação em Letras. II. Título. CDD 22. ed. 809 LEONARDO VINICIUS MACEDO PEREIRA AI DE TI, YORICK BROWN: A PARÓDIA DO DRAMA SHAKESPEARIANO COMO EVOLUÇÃO DAS HISTÓRIAS EM QUADRINHOS Dissertação apresentada à Universidade Federal de Viçosa, como parte das exigências do Programa de Pós-Graduação em Letras, para obtenção do título de Magister Scientiae. APROVADA: 13 de março de 2015. __________________________ __________________________ Fulvio Torres Flores Nilson Adauto Guimarães da Silva ____________________________ -
Res Futurae, 14 | 2019 Sept Rencontres Du 9E Type Entre Un Médium (La BD) Et Un Genre (La SF) 2
ReS Futurae Revue d’études sur la science-fiction 14 | 2019 Présence de la science-fiction dans la bande dessinée d’expression française Sept rencontres du 9e type entre un médium (la BD) et un genre (la SF) Seven encounters of the ninth kind between a medium (bande dessinée) and a genre (science fiction) Alain Boillat Édition électronique URL : http://journals.openedition.org/resf/3969 ISSN : 2264-6949 Éditeur Université de Limoges Ce document vous est offert par Université de Tours Référence électronique Alain Boillat, « Sept rencontres du 9e type entre un médium (la BD) et un genre (la SF) », ReS Futurae [En ligne], 14 | 2019, mis en ligne le 21 décembre 2019, consulté le 26 décembre 2019. URL : http:// journals.openedition.org/resf/3969 Ce document a été généré automatiquement le 26 décembre 2019. Sept rencontres du 9e type entre un médium (la BD) et un genre (la SF) 1 Sept rencontres du 9e type entre un médium (la BD) et un genre (la SF) Seven encounters of the ninth kind between a medium (bande dessinée) and a genre (science fiction) Alain Boillat NOTE DE L'AUTEUR Pour les références aux publications de bande dessinée, nous renvoyons aux bibliographies qui accompagnent chaque article. Nos remerciements à Laurent Gerbier pour son suivi de l’élaboration du dossier. 1 Le genre de la science-fiction doit beaucoup à la capacité fabulatrice qui consiste à dessiner les contours d’artefacts technologiques et d’environnements urbains du futur, ou de mondes découverts par les pionniers de la conquête spatiale en spéculant, à partir de ce qui existe, sur ce qui pourrait exister ou aurait pu exister, et à inscrire ces « visions » dans un récit qui tend à métaphoriser des enjeux de société contemporains de la production des œuvres. -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
Starlog Magazine
THE MATRIX SCIENCE FICTION FILMS*TV*VIDEO Indiana Carrie-Anne 4 Jones' wild iss & the death JANUARY #318 r women * of Trinity Exploit terrain to gain tactical advantages. 'Welcome to Middle-earth* The journey begins this fall. OFFICIAL GAME BASED OS ''HE I.l'l't'.RAKY WORKS Of J.R.R. 'I'OI.KIKN www.lordoftherings.com * f> Sunita ft* NUMBER 318 • JANUARY 2004 THE SCIENCE FICTION UNIVERSE ^^^^ INSIDEiRicinE THISti 111* ISSUEicri ir 23 NEIL CAIMAN'S DREAMS The fantasist weaves new tales of endless nights 28 RICHARD DONNER SPEAKS i v iu tuuay jfck--- 32 FLIGHT OF THE FIREFLY Creator is \ 1 *-^J^ Joss Whedon glad to see his saga out on DVD 36 INDY'S WOMEN L/UUUy ICLdll IMC dLLIUII 40 GALACTICA 2.0 Ron Moore defends his plans for the brand-new Battlestar 46 THE WARRIOR KING Heroic Viggo Mortensen fights to save Middle-Earth 50 FRODO LIVES Atop Mount Doom, Elijah Wood faces a final test 54 OF GOOD FELLOWSHIP Merry turns grim as Dominic Monaghan joins the Riders 58 THAT SEXY CYLON! Tricia Heifer is the model of mocmodern mini-series menace 62 LANDniun OFAC THETUE BEARDEAD Disney's new animated film is a Native-American fantasy 66 BEING & ELFISHNESS Launch into space As a young man, Will Ferrell warfare with the was raised by Elves—no, SCI Fl Channel's new really Battlestar Galactica (see page 40 & 58). 71 KEYMAKER UNLOCKED! Does Randall Duk Kim hold the key to the Matrix mysteries? 74 78 PAINTING CYBERWORLDS Production designer Paterson STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., Owen 475 Park Avenue South, New York, NY 10016. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Graphic Narrative: Comics in Contemporary Art
An Elective Course for Undergraduate and Graduate Students of any discipline and for English Language Students GRAPHIC NARRATIVE IN CONTEMPORARY LITERATURE & ART: EVOLUTION OF COMIC BOOK TO GRAPHIC NOVEL Basic Requirements: Appropriate language skills required by the University. This course should be of interest to anyone concerned with verbal & visual communications, popular forms, mass culture, history and its representation, colonialism, politics, journalism, writing, philosophy, religion, mythology, mysticism, metaphysics, cultural exchanges, aesthetics, post-modernism, theatre, film, comic art, collections, popular art & culture, literature, fine arts, etc. This course may have a specific appeal to fans and/or to those who are curious about this vastly influential, widely popular, most complex and thought-provoking work of contemporary literature and art form, the ‘Comics’; however it does not presume a prior familiarity with graphic novels and/or comics, just an overall enthusiasm to learn new things from a new angle and an open mind. Prerequisites: FA489: ‘By consent’ selection of students. FA490: Upon successful completion of FA489. Co-requisites: FA489: Freshmen who graduated from a high school with an English curriculum or passed BU proficiency test with an A; & sophomore, junior, senior students. FA490: Successful completion of FA 489. No requisites: FA 49I, FA49J, FA49V. Recommended Preparation: Reading all of the required readings and as many from the suggested reading list. Idea Description: Is ‘comics’ a form of both literature and art? Certainly the answer is “yes” but there are many people who reject the idea, yet many other people call those people old-school intellectuals. However, in recent years, many scholars, critics and faculty alike have accepted ‘comics’, often dubbed by many publishers as ‘graphic novel’, as a respected form of both literature and art. -
Mise En Page 1
COUV vente nov 2012-6_couverture buret nov 2012 26/10/12 12:11 Page2 NERET-MINET&TESSIER BANDES DESSINÉES 12 NOVEMBRE 2012 - 14h00 DROUOT-RICHELIEU Expert : Roland BURET COUV vente nov 2012-6_couverture buret nov 2012 26/10/12 12:11 Page3 BERCK n° 14 CARIN n° 22 GODARD n° 82 FOURNIER n° 72 Illustration de couverture : Wasterlain n° 324 BANDES DESSINÉES Drouot-Richelieu salle 2 9 rue Drouot 75009 Paris Tél. 01 48 00 20 02 LUNDI 12 NOVEMBRE 2012 à 14 h00 Collection Jean-Luc Salomon : éditions originales nombreux albums dédicacés Albums divers Dessins originaux Expositions publiques : Drouot-Richelieu salle 2 Samedi 10 novembre de 11 h00 à 18 h00 Lundi 12 novembre de 11 h00 à 12 h00 Expert : Roland BURET Tél. 06 80 66 50 36 – [email protected] assisté d’ Alexis CHEVALIER Tél. 06 09 28 13 25 Catalogue en ligne et photos sur www.neret-tessier.com NERET-MINET & TESSIER SAS – Agrément 2001- 014 8 rue Saint-Marc – 75002 Paris Tél. 01 40 13 07 79 – Fax. 01 42 33 61 94 Internet : www.neret-tessier.com Sauf indication contraire, les albums sont en bon état, voire en très bon état. Une dédicace correspond à une inscription manuscrite signée du dessinateur, ou du scénariste. Les dessins reproduits sont signalés par un astérisque. Les albums sont principalement dédicacés « à Jean-Luc ». 1-Attanasio (Sc. Vernes) : Bob Morane, 2 volumes aux éd. Marabout. L'oiseau de feu, EO 1960, Le secret de l'Antarctique, EO 1962. Dessin d'Attanasio dans les deux volumes, dédicace de H. -
Bande Dessinée Dans Les Bibliothèques Publiques (La)
BiBLIOTHEQUE DE 1'ENSSIB 832554D DIPLOME SUPERIEUR DE BIBLIOTHECAIRE Memoire de fin d'etudes Dominique RIBEYRE LA BANDE DESSINEE DAi'IS LES BIBLIOTHEQUES PUBLIQUES Memoire presente sous la direction de Jacques BRETON et de Anne-Marie BERNARD Annee 1986: 22eme promotion ECOLE NATIONALE SUPERIEURE DE BIBLIOTHECAIRES 17-21 Boulevard du 11 Novembre 1918 69100 VILLEURBANNE <51 RIBEYRE (Dominique) La Bande Dessinee dans les bibliotheques publiques/Do.fiinique Ribeyre; sous la dir. de J.Breton et A-iti.BernardVilleurbanne: Ecole Nationale Superieure de Biblithecaires, 1986. - 72 f; 30 cm. iviemoire: E.N.S.B.: Villeurbanne: 1986 Bande Dessinee/Bibliotheque Etude de la Bande Dessinee en Lecture publique. Synthese et propositions. mAB^E DES MATIERES IHTRODUCTIOII P •1 1. LE OIRCUIT DE LA BAMDE DESSINEE p.5 11. Description des etablissements p«5 1£. Les acquisitions P-7 121. La decision d'achat p.7 122. Les instruments d1acquisition p.10 123. La politique d'acquisition p.12 13. Les fournisseurs p.15 14. Le traitement . p.17 141. Le catalogage p.17 142. Le rangement p.18 143. Le pr§t p.19 144. Usure et reliure p.25 2. BILAU P-28 21. Specificite bibliotheconomique de la BD p.28 211. Problemes particuliers a la BD p.28 212. L'attitude des bibliothecaires p.29 22. Le public p.30 221. Description p.30 222. Comportement p.31 223. Demandes p.32 224. La separation entre adultes et enfants p.38 3. Pn.OrOCITIOIIS POUR LA CONSTITUTIOK D'UN SERVICE DE 3D EKT BIBLIOTHE^UE p.42 31. Forme p.42 311. -
The Rip Off Press Mail Order Catalog
Spread some cheer this year, with comix from The Rip Off Press Mail Order Catalog No-Pictures Edition Stuff for sale December 2012 THE NO PICTURES VERSION OF THE RIP OFF PRESS MAIL ORDER CATALOG Need to see pictures of the items we sell? Visit our website! If you don't own a com- WHAT TO DO IN CASE OF ORDER PROBLEMS puter, go to your public library and somebody will be happy to help you log on: www. If there is any problem with your order, probably the quickest and most effective way to ripoffpress.com. After our previous website’s hosting company vanished without a trace deal with it is to send us an e-mail. That way you can get through to us at your conve- in August of 2012, we have not yet gotten online ordering enabled. But you can get a nience, and we will see your message within a few hours at a time when we have access better idea of what you want, then place a mail order from this product listing or from to all of our records. Our e-mail address is [email protected]. If you’re not yet the Adobe PDF format order form available as a download on our home page. one of the millions of people with access to e-mail, you can call us by phone. Please call 530 885-8183. If we’re not there to answer your call you can usually leave a message PLACING YOUR ORDER on our answering machine. You may also notify us of order problems by letter (P.O.