The Trailblazers: Six Profiles

Total Page:16

File Type:pdf, Size:1020Kb

The Trailblazers: Six Profiles VOLUME 13 THE NEWS OF AMERICA’S COMMUNITY OF ARCHITECTS NOVEMBER 10, 2006 FACE OF THE AIA DIVERSITY The Trailblazers: Six Profiles by Stephen A. Kliment, FAIA Lankford showed up in Washington man, who eventually founded his own Contributing Editor to great fanfare. Ethridge writes that office. along with “a large front page pic- Following are profiles of six eminent ture of the architect, [the Washington Meanwhile, Lankford thrived. By the trailblazers who thrived in this environ- Bee’s] readers were told that he had 1920s he had won a national reputa- ment. made drawings for the new John Wes- tion, with commissions in 15 states ley A.M.E. Church, and that his draw- and the District of Columbia. John A. Lankford (1876–1946) ings for the True Reformers Building Lankford arrived in Washington in had been ‘submitted to the Engineers His local reputation also bloomed. 1902, followed three years later by Department of the District Govern- “He became in 1925 the first black William S. Pittman (see below). Born ment and have been fully approved.’” registered architect in the District of in 1874 in Potosi, Mo., Lankford came The Bee ended up with the following Columbia after registration became a to town with the commissions to panegyric: requirement in 1924.” Like Pittman, he design the True Reformers Building married well: his wife was the grand- and the John Wesley A.M.E. Church. Lankford became in 1925 daughter of A.M.E Bishop Henry M. He had started an office in Jackson- Turner. ville, Fla. His training was typical of the first black registered the handful of black architects of that architect in the District of In a self-confident, upbeat speech, era, combining design and practical Columbia after registra- Lankford told an audience: construction knowledge. Lankford had spent six years at the Lincoln Insti- tion became a require- tute in Potosi, Mo., where he studied ment in 1924 “mechanical drawing, blacksmithing, carpentry, and engineering,” accord- “The Nation’s capital will see one of ing to the Washington Bee, Washing- the finest structures ever designed by ton’s principal black newspaper of man, notwithstanding the charge that the day. He then moved to Tuskegee, the Negro cannot grasp science … Ala., the college founded by Booker the scientific history of the world will T. Washington, which emerged as the never be complete if it fails to contain fountainhead of solid practical training Professor John A. Lankford, M.S., to for black professionals and crafts. whom the nation’s capital is intro- duced.” Lankford did well in Washington. He was the nation’s first black practicing architect. Aside from churches and fraternal work, his practice included dwellings and small commercial jobs, and much remodeling. For a short D.C., by John Lankford. Reformers Building, Washington, True span he also went into real estate in “The Negro architects and builders a small way, but eventually teamed are doing well in Washington; in fact, up with his brother A. E. Lankford, a it is said that there has never been mechanical and electrical engineer so many Negroes at work for the city and, for a period, with the redoubtable and the government as now, and we John A. Lankford talented and abrasive William Pitt- could today put 500 more to work and VOLUME 13 THE NEWS OF AMERICA’S COMMUNITY OF ARCHITECTS NOVEMBER 10, 2006 FACE OF THE AIA have places to spare. The field is so from Tuskegee with a certificate in ar- Stimson told those present, accord- very great with very little discrimina- chitecture in 1900, obtaining a degree ing to that day’s Washington Bee, tion, and we should grasp this great in architecture from Drexel Institute in in remarks that by any standard are opportunity. In the past three years I Philadelphia, returning to Tuskegee grossly patronizing: have designed for Washington and 15 to teach, finally moving north to join states of the Union nearly $6 mil- Lankford’s office in Washington, D.C. “[I wish] to congratulate you first on lion worth of buildings [a vast sum, in what you have done towards the erec- those days]. I have designed, over- In Boyd’s Directory of the District of tion of this building—what has been hauled, and built in Washington and Columbia, 1906, Pittman marketed done by the colored people of this city vicinity over $700 thousand worth of himself as an architect who spe- and this land. I want to congratulate property during the same time.” cialized in steel construction and you on the fact that this magnificent later prided himself on his ability to building, which I have just inspected, His practice declined with the Depres- do drafting , detailing, tracing, and is the work of a colored architect, Mr. sion, and he ended up working for the blueprinting, further claiming he could Pittman. I want to congratulate you on Public Works Administration. He died render in monotone, water color, and the fact that it has been substantially in 1946. Wrote Ethridge: pen and ink, according to the July built by the labor of your own race and 1910 Washington Bee. your own hands.” “[His] significance was his ability to succeed as a black architect in a A year after launching his own Black citizens put up about a quarter world that offered few encourage- practice, Pittman married Portia, the of the $100,000 cost. The rest came ments. A man of great energy, he used daughter of Booker T. Washington, from John D. Rockefeller, Julius Ros- racial solidarity advanced by Booker T. and his father-in-law’s connections enwald, and the Central Association of Washington’s philosophy of self-help (he was also president of Tuskegee the District of Columbia. … Lankford’s churches and frater- Institute), did him no harm. Presi- nal buildings deserve recognition as dent Theodore Roosevelt, who knew Pittman also dabbled in real estate, monuments to the stamina, faith, and Washington, gave the couple a set including an ambitious venture to self-reliance of the black community in of silverware, and shortly afterwards erect an eight-story mixed use bulking a particularly difficult era.” Pittman got to design a home—a to contain a 2,500-seat theater, and William S. Pittman (1875–1958) neat two-story house with a generous aimed at a black customer base, but Pittman left Lankford’s office to hang porch in Fairmount Heights, Md. the venture failed amid charges that out his shingle in 1906, at the age of funds had been mishandled. Mean- 31. As a boy he had worked with his Pittman’s best known while, Pittman’s Washington practice uncle, a seasoned carpenter, then fol- grew, but to what extent it was hard to lowed what had become a traditional building was the YMCA tell because, after the notoriety of the route for black architects, graduating Building on 12th Street in 12th Street YMCA Building, the bulk Washington, D.C. Presi- of his Washington work was small scale—houses, stores, and schools. dent Roosevelt had laid the cornerstone. The But outside Washington, his work dedication in May 1912 flourished, and none drew greater at- tention than his design for the Negro was a celebrated event Exposition Building at the tercentenary celebration of the landing at James- His best known building was the town in 1607. Pittman won a competi- YMCA Building on 12th Street. tion, and was cited as the first black Roosevelt had laid the cornerstone. man to win an architectural commis- The dedication in May 1912 was a sion from the federal government. The celebrated event, and attracted as the building, in traditional neo-Georgian main speaker Secretary for War Henry style, was built by two black contrac- L. Stimson, who would occupy the tors, S. H. Bolling and A.J.Everett, and YMCA Building, Washington, D.C., by William Pittman. YMCA Building, Washington, same post under another Roosevelt. cost $30,000. VOLUME 13 THE NEWS OF AMERICA’S COMMUNITY OF ARCHITECTS NOVEMBER 10, 2006 FACE OF THE AIA Pittman also designed churches and the Massachusetts Institute of Tech- fraternal buildings in Alabama, Texas, nology (class of 1892). The same year North Carolina, and Georgia, where he joined the Tuskegee Institute. There he allegedly out-promoted all other he headed the mechanical industries competitors, black and white, for the department, which included archi- commission to design the Odd Fel- tecture and construction. The main lows auditorium. buildings at Tuskegee were built under his direction: “students learned every Pittman in due course moved his of- phase of architecture, from drafting to fice to Dallas, where he died in 1958. making bricks.” (Taylor was also in pri- vate practice, with a clientele through- Ethridge thus sums up these two out the South. He eventually became careers: “it was the two Washington the first licensed black architect in architects’ application of the theme of Alabama—in 1931, the first year that racial self-help that made their careers licensure was required by that state.) so representative of the era. Neverthe- less, it must be remembered that the Lankford, Pittman, and many other White Hall, Tuskegee University, by Robert Taylor. University, White Hall, Tuskegee almost total dependence on com- black designers and builders studied missions generated within the black under Taylor at Tuskegee. The curricu- In the event, students built 36 out community was a result of attitudes lum there, which came to be known as of 40 buildings, large and small, on and limitations imposed by the domi- the “Tuskegee Machine,” was rooted the Tuskegee campus. Moreover, nant society.” [A black architect was in the teachings of Booker T.
Recommended publications
  • 2016 Annual Report Message from the VP
    2016 Annual Report Message from the VP: Dear FMD Colleagues, We all worked hard in 2016 so that Duke University could continue to be one of the most prestigious Universities in the country. Facilities Management is an incredible team with a wide variety of skills and the dedication necessary to keep the campus operating smoothly. Three words come to mind when I think of 2016: Construction, Collaboration, and Commitment. FY 2016 was the year of the crane on Duke’s campus; there have never been more construction cranes on campus at one time than over the past year. More than 1.6 million square feet was renovated or constructed on campus this year. As a result, our department had to adapt in order to manage the growth. To manage Duke’s growing campus, our department has to work together. This year four collaborative teams were created to help us do our job more effectively: 1. A Project Steering Team was created to ensure projects receive proper review in a timely fashion. 2. A Critical Systems Team, made up of engineers and operations staff, was created to manage high performance buildings, such as French Science and CIEMAS. 3. A Quality Assurance Team consisting of staff from Project Management, Utilities & Engineering, and Facility Operations was created to improve the transition from construction to occupied buildings. The team is charged with making certain all systems work as designed and can be properly maintained. 4. Lastly, University Environmental Services is working to identify best practices as it relates to a standardized level of service for highly visible areas, starting with the new West Union.
    [Show full text]
  • Community Builders
    Architectural Lighting Design Awards Architensions A Tax Credit for Green Projects architectmagazine.com BLA A Grand Rapids Hub by UrbanWorks The Journal of The American LAMAS Crowding, Density, and COVID-19 Institute of Architects Flipping Agency in Architecture Community Builders Gathering has taken on a whole new meaning, but the winners of the AIA Awards for Architecture show that thoughtful design will always foster connection. treat your building like a work of art photo by Javier Callejas Today’s LEDs may last up to 50,000 hours, but then again, Kalwall will be harvesting sunlight into museum-quality daylighting™ without using any energy for a lot longer than that. The fact that it also filters out most UV and IR wavelengths, while insulating more like a roof than a skylight, is just a nice bonus. ® FACADES | SKYROOFS | SKYLIGHTS | CANOPIES schedule a technical consultation at KALWALL.COM FIRE RATED GLASS #1 MADE IN THE USA USA-MADEUSA-MADE ISIS BESBEST T PROJECT: ORLANDO VA MEDICAL CENTER IN ORLANDO, FL ARCHITECT: RLF ARCHITECTS PRODUCTS: FIRE RESISTIVE & HURRICANE RATED SUPERLITE II-XL 60 & 120 IN GPX HURRICANE WALL SYSTEM SAFTI FIRST is the first and only vertically integrated USA-manufacturer of fire rated glass and framing today, offering competitive pricing and fast lead times. UL and Intertek listed. All proudly USA-made. Visit us today at safti.com to view our complete line of fire rated glass, doors, framing and floors. To learn why SAFTI FIRST is the #1 USA-manufacturer of fire rated glass, watch our new video at safti.com/usa-made.
    [Show full text]
  • 52-57Feature Abele N Magaziner.Indd
    Loyal Classmen At the turn of the 20th century, Julian Abele and Louis Magaziner—a black man and an immigrant Jew—were standouts in Penn’s School of Fine Arts about to launch distinguished careers in architecture. They were also beginning what would be a lifelong friendship. A Magaziner descendant and Abele admirer investigates what brought them together. By Amy Cohen fi rst heard of Julian Francis Abele Who They Were Pennsylvania Museum and School of Ar1902 in 2006 when I was teach- Both Abele and Magaziner achieved no- Industrial Art (now the University of the Iing African American history at table careers—especially so as both came Arts) and then enrolled at Penn’s School Philadelphia’s Julia R. Masterman from marginalized groups, Abele a black of Fine Arts when he was 17 years old. High School. I was intrigued to discover man and Magaziner an immigrant and Upon his graduation in 1902, he was that we had a personal connection of a Jew. only the third African American in the sorts—Abele had been a close friend of Abele had the more distinguished nation to earn a degree in architecture. my great-granduncle Louis Magaziner pedigree. He was born into a prominent He went on to study at the Pennsylvania Ar1900, who was a fellow architecture black family in Philadelphia, a distant Academy of the Fine Arts, becoming the student in Penn’s then School of Fine relative of the esteemed 18th century fi rst black person to receive a certifi cate Arts. At that time, I was a busy teacher religious and civil rights leader, Absalom in architectural drawing.
    [Show full text]
  • Julian Abele: Architect and the Beaux Arts Uncovers the Life and Career of One of the First Beaux Arts Trained African Amer­Ican Architects
    Julian Abele Julian Abele: Architect and the Beaux Arts uncovers the life and career of one of the first beaux arts trained African Amer ican architects. Overcoming racial segregation at the beginning of the twentieth century, Abele received his architecture degree from the University of Pennsylvania in 1902. Wilson traces Abele’s progress as he went on to become the most formally educated architect in America. Abele later contributed to the architectural history of America by designing over 200 buildings during his career includ- ing the Widener Memorial Library (1913) at Harvard University and the Free Library of Philadelphia (1917). Architectural history is a valuable resource for those studying architecture. As such this book is beneficial for academics and students of architecture and architectural historians with a particular interest in minority discussions. Dreck Spurlock Wilson is a graduate of Iowa State University, USA and the University of Chicago, USA. He was an Associate Professor of Architectural History at Howard University and Lecturer in Landscape Architecture at Morgan State University and is a licensed landscape architect. Dreck is the editor and a contributing author of the Biographical Dictionary of African Amer ican Architects, 1865–1945 also published by Taylor & Francis. Minorities in Architecture The new Minorities in Architecture series by Taylor & Francis brings to light research from across the globe by and about underrepresented archi- tects to present leading perspectives on a diverse range of topics. Against the background of race, ethnicity and gender, and the intersections between them, it provides the reader with the latest scholarship in the field of archi- tecture.
    [Show full text]
  • Collection V36
    Collection V36 Horace Trumbauer Collection ca. 1898-ca. 1947 2 boxes, 112 flat files, 16 rolled items, 4 lin. feet Contact: The Historical Society of Pennsylvania 1300 Locust Street, Philadelphia, PA 19107 Phone: (215) 732-6200 FAX: (215) 732-2680 http://www.hsp.org Inventoried by: Cary Majewicz Inventory Completed: May 2008 Restrictions: None © 2008 The Historical Society of Pennsylvania. All rights reserved. Horace Trumbauer collection Collection V36 Horace Trumbauer Collection, ca. 1898-ca. 1947 2 boxes, 112 flat files, 16 rolled items, 4 lin. feet Collection V36 Abstract Horace Trumbauer was born in Philadelphia in 1868 and became one of the city’s leading architects in the early middle part of the 20th century. He established his own firm in 1890 and, with a team of talented designers, began designing mostly private residences. In 1894, he completed “Grey Towers” for William Welsh Harrison in Glenside, Pennsylvania. Several years later, he designed “Chelton House” for George W. Elkins and “Lynnewood Hall” for P.A.B. Widener, both in Elkins Park, Pennsylvania. He also created residences in other states such as New Jersey, New York, and Rhode Island. By the middle of his career, Trumbauer had begun designing commercial and public buildings as well. Locally, he designed the Philadelphia Museum of Art in Fairmount Park and parts of the Free Library. He also designed buildings for Jefferson Medical College and the Hahnemann Medical College. He designed several college and university buildings throughout the country, most notably much of Duke University’s campus in Durham, North Carolina. He also designed Widener Library at Harvard University in Cambridge, Massachusetts.
    [Show full text]
  • FREE LIBRARY of PHILADELPHIA, CENTRAL LIBRARY HABS PA-6749 1901 Vine Street PA-6749 Philadelphia Philadelphia Pennsylvania
    FREE LIBRARY OF PHILADELPHIA, CENTRAL LIBRARY HABS PA-6749 1901 Vine Street PA-6749 Philadelphia Philadelphia Pennsylvania PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY National Park Service U.S. Department of the Interior 1849 C Street NW Washington, DC 20240-0001 HISTORIC AMERICAN BUILDINGS SURVEY FREE LIBRARY OF PHILADELPHIA. CENTRAL LIBRARY HABS NO. PA-6749 Location: 1901Vine Street, bounded by 19xth , 20>thUi and Wood Streets, Philadelphia, Philadelphia County, Pennsylvania. The library faces south onto Logan Circle and the Benjamin Franklin Parkway that runs at a diagonal from Vine Street. Owner: The library is part of the Free Library of Philadelphia system and is owned by the City of Philadelphia. Present Use: Central library Significance: The Central Library, built between 1917 and 1927, was designed by well-known architect Horace Trumbauer and his associate Julian Abele and it is the flagship of the Philadelphia Free Library system. Favoring French architecture of the seventeenth and eighteenth centuries, they based their design on the twin Ministere de la Marine and Hotel de Crillon on Place de la Concorde in Paris. The library was the first structure to be erected along the city's new parkway, which was likewise inspired by Parisian precedents, namely the Champs d'Elysee. It too was the work of Horace Trumbauer, with architects Paul Cret, Clarence Zantzinger, and French planner Jacques Greber. Intended as a grand boulevard linking City Hall to the Philadelphia Museum of Art and Fairmount Park, it was later named for Benjamin Franklin. The parkway and the civic structures and monuments that line it were a product of Philadelphia's City Beautiful movement.
    [Show full text]
  • Download Issue As
    Important note: Please share this digital-only edition of Almanac with your colleagues. Read more. UNIVERSITY OF PENNSYLVANIA Tuesday December 8, 2020 Volume 67 Number 21 www.upenn.edu/almanac Mackenzie Fierceton: Sonal Khullar: Yoichiro Mori: 2021 Rhodes Scholar W. Norman Brown Professor Calabi-Simons Professor Mackenzie Fierceton, a University of Penn- Sonal Khullar has joined Penn’s history of Yoichiro Mori, who recently joined Penn as a sylvania May graduate who is currently com- art department as the W. Norman Brown As- professor of mathematics and biology, has been pleting her mas- sociate Professor of appointed Calabi-Simons Professor in Mathemat- ter’s degree at South Asian Studies. ics and Biology, ef- Penn, has been Dr. Khullar came to fective July 1, 2020. awarded a Rhodes Penn from the Uni- An expert in math- Scholarship for versity of Washing- ematical physiol- graduate study at ton, where she was ogy and biophysics, the University of an associate profes- as well as applied Oxford. sor of art history. and numerical anal- Ms. Fierceton Her research, which ysis, Dr. Mori is earned her bach- focuses on the art an internationally elor’s degree in of South Asia from recognized leader political science the 18th century on- in the application from the College ward, has been sup- of mathematics to of Arts & Scienc- ported by grants and important prob- es and is current- fellowships from the lems in biology and ly completing her Mackenzie Fierceton Sonal Khullar American Council biophysics. After clinical master’s in of Learned Societ- completing medi- social work degree after submatriculating into ies, the American Institute of Indian Studies, the cal school at the Yoichiro Mori the School of Social Policy & Practice program Paul Mellon Centre for Studies in British Art, University of Tokyo, he obtained a PhD in in 2018.
    [Show full text]
  • Judge Julian Abele Cook.Docx
    Judge Julian Abele Cook, Jr. 1930-2017 Julian Abele Cook, Jr., former Chief Judge of the United States District Court for the Eastern District of Michigan (1989-1996), died May 16, 2017 at his home in Silver Spring, Maryland. He was born on June 22, 1930 to Julian Abele Cook, Sr. and Ruth McNeill Cook in Washington D.C., where he attended public schools, graduating from Dunbar High School in 1948. Judge Cook earned a Bachelor of Arts from the Pennsylvania State University in 1952 and served in the U.S. Army (Signal Corps) from 1952 to 1954. Upon his return, he entered Georgetown University School of Law and earned a Juris Doctor in 1957. He subsequently received a Master of Laws from the University of Virginia School of Law in 1988. Judge Cook was a proud descendant of a prominent civic-minded family in the District of Columbia. His great great grandfather was John Francis Cook, a freed slave who along with other leaders founded the Columbian Harmony Cemetery, the 15th Street Presbyterian Church, and a school for freed slaves. John F. Cook II, his great grandfather, became Recorder of Deeds in Washington D.C. His great uncle, George F. T. Cook, became the first superintendent of colored D.C. public schools. He was also the grandnephew of Julian F. Abele of Philadelphia, who designed Duke University, the Philadelphia Museum of Art, Widener Library at Harvard, and other classic buildings. In his professional life, Judge Cook had a storied legal career that spanned almost 60 years. After graduating from Georgetown, Judge Cook served as a law clerk to the Hon.
    [Show full text]
  • The Sunday Times Frank Gehry's Plans for the Philadelphia Museum
    The Sunday Times Frank Gehry’s plans for the Philadelphia Museum of Art Published: December 31, 2017 by Jeremy Melvin The architect is famous for the flashy exterior of the Bilbao Guggenheim—but his latest museum project will be all but invisible In 2002, Frank Gehry went with his friend the artist Ellsworth Kelly to the Philadelphia Museum of Art. The art world was still buzzing over Gehry’s spectacular Guggenheim Museum in Bilbao, completed five years earlier. So when the director, Anne d’Harnoncourt, recognised the stellar pair in her galleries, she went to greet them. “You’ve done this amazing thing in Bilbao,” Gehry remembers her saying. “Could you be interested in doing something where nothing will be seen on the outside?” D’Harnoncourt knew that however forbidding her “temple of art” seemed from the exterior, it had many hidden qualities and enormous unused spaces. These might provide the galleries, education facilities, shops and cafes that museums need in the 21st century. Exploiting them, though, would mean overcoming the barriers between viewers and exhibits that the great neoclassical museums can imply. The Sunday Times At Philadelphia, this is especially difficult, reflects Timothy Rub, who became director after d’Harnoncourt’s untimely death in 2008. The museum is set on a hill that “falls away quickly in all directions”, so, unlike New York’s Metropolitan or the Art Institute of Chicago, it could not expand, perhaps with radically different architecture, into a surrounding park. The only scope for alteration was internal, so something other than the magic of flamboyantly crinkly titanium-clad forms that made Bilbao so striking was needed.
    [Show full text]
  • 20 on 20 20 Papers
    20 on 20/20 Vision Perspectives on Diversity and Design edited by Linda Kiisk AIA with an introduction by Theodore Landsmark, Esq., Assoc. AIA a publication of the AIA Diversity Committee and Boston Society of Architects © 2003 published by the Boston Society of Architects 52 Broad Street Boston MA 02109 617-951-1433x221 [email protected] www.architects.org Contents 1 Introduction - Isolation and Theodore Landsmark, Esq., Assoc. AIA Diversity in Architecture 5 Editor’s note Linda Kiisk, AIA Invited papers 9 Unedited transcript of the speech Whitney M. Young, Jr. made to the American Institute of Architects in 1968 23 Remarks made at the 2003 American Freeman A. Hrabowki, III Institute of Architects Annual Leadership and Legislative Conference 29 I Need a Sign Kira Alston, Assoc. AIA 33 Reflections on Designing for Diversity Kathryn Anthony, Assoc. AIA, Ph.D. 39 Diversity Needs a New Mascot Darell Fields, Ph.D. 42 Update: Association of Collegiate Bradford Grant, AIA Schools of Architecture and Architecture Education 44 Morgan and Associates: Julia Morgan’s Victoria Kastner Office Practice as Design Metaphor 52 Untold Story: the Black Architect Stephen A. Kliment, FAIA in America 67 The Modernist Black Culture -- Melvin Mitchell, FAIA, NOMA Modern Architecture Nexus 73 Stepping Up to the Plate: Developing Curtis Sartor, Jr., Assoc. AIA, NOMA Replicable Strategies to Facilitate Student Attraction to the Environmental Design Disciplines Peer-reviewed papers 83 Thirteen Ways of Looking at a Black Jill Bambury, RAIC School: Architecture and Identity at a Historically Black University 90 Diversity in Architectural Processes: Lisa C. Henry Benham Identity and the Performance of Place 98 Hampton University Brings Color Shannon Chance to Architecture 102 Maintaining Their Privilege: Carla Corroto, Ph.D.
    [Show full text]
  • Introduction
    DukeDuke UniversityUniversity Campus Master Plan MAY 2000 Nannerl Keohane, President, Duke University Tallman Trask, III, Executive Vice-President, Duke University John Pearce, University Architect, Duke University Larry Nelson, Medical Center Architect, Duke University Medical Center Lee Copeland, FAIA Al Levy, FAIA William Porter, Professor, MIT Lesley Bain, AIA Jeff Benesi Ellen Hendriksen rtyrtytryrtyrtytrytrytrytytryt WEINSTEIN COPELAND ARCHITECTS 121 Stewart Street, Suite 200, Seattle, WA 98101 Telephone (206) 443-8606, fax (206) 443-1218 with 119 Pine Street, Suite 400, Seattle, WA 98101 Telephone (206) 624-8154, fax (206) 626-0514 Duke University, Office of the University Architect PO Box 90149, Durham, NC 27708 Telephone (919) 681-6066, fax (919) 681-7614 Email [email protected] “These buildings have been constructed . to be the home of the soul of the University and in the belief that these appropriate and beautiful surroundings will have a transforming influence upon students generation after generation and even upon the character of the institution itself.”1 President William Preston Few, Speech to the Graduating Class 1931 “I believe these buildings have had such an influence over our 105,000 living alumni and on all of us who work and study here—reminding us of the seriousness of our mission while defining a sense of place that fosters camaraderie, spiritual and intellectual growth, a sense of infinite possibility and infinite yearning.” President Nannerl O. Keohane, Spring 2000 Table of Contents I. Introduction - Intent of the Duke Plan I-2 - Elements of the Master Plan I-3 - Context I-4 - Campus History I-4 - Campus Master Plan I-6 - Recent Campus Planning I-8 - Regional Context I-9 II.
    [Show full text]
  • University Considers New Athletic Facility for West Vandals Hit Duke
    THE CHRONICLE MONDAY. APRIL 24, 1989 _ DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15.000 VOL. 84. NO. 139 University considers new athletic facility for West By CHERYL JENKINS less of a problem," Buehler said. The department of athletics is "But during inclement weather, considering plans for a new com­ all the available space is jam­ prehensive sports complex to be med. We definitely need addi­ built on West Campus. tional facilities for indoor According to Tom Butters, di­ activities." rector of athletics, the plans for a He added that Card Gym, center have been discussed which was built in 1930, is open before, but cost concerns "put it until midnight every night, and on the back burner." With the is often filled to capacity. building of a new dormitory and Buehler anticipates the new the ongoing Capital Campaign complex, which would be built on for the Arts and Sciences, there the east side of Wallace Wade were too many programs compet­ stadium, could house six tennis ing for funds, he said. courts, six basketball courts and Recently, however, with the a 200 meter track, as well as building of the new dormitories other facilities. "It could be use­ nearing completion, the subject ful for both club sports and free of the sports center resurfaced. play," he said. He cited new "The current athletic facilities sports centers at Princeton and were built around 50 years ago Emory Universities as possible when the student body was not models for the complex. as large or as active," Butters "Right now we are trying to said.
    [Show full text]