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Aesthetics (HSA020N207A) | University of Roehampton 09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Aesthetics (HSA020N207A) View Online (Module Validation) 156 items Further Reading - additional to the weekly readings (53 items) The birth of tragedy and other writings - Friedrich Wilhelm Nietzsche, Raymond Geuss, Ronald Speirs, 1999 Book | Further Reading The Disjunctive Theory of Art: The Cluster Account Reformulated - F. Longworth, A. Scarantino, 2010-03-10 Article | Further Reading The Lyotard reader - Jean-Franc ̧ ois Lyotard, Andrew E. Benjamin, 1989 Book | Further Reading On photography - Sontag, Susan, 1979 Book | Essential Reading The principles of art - Collingwood, R. G., 1938 Book | Further Reading The century of taste: the philosophical odyssey of taste in the eighteenth century - Dickie, George, 1996 Book | Further Reading Aesthetics: a critical anthology - Dickie, George, Sclafani, R. J., Roblin, Ronald, c1989 Book | Further Reading An introduction to the philosophy of art - Richard Thomas Eldridge, 2014 Book | Further Reading Schopenhauer - Patrick Lancaster Gardiner, 1963 Book | Further Reading The Routledge companion to aesthetics - Gaut, Berys Nigel, Lopes, Dominic, 2005 Book | Further Reading Languages of art: an approach to a theory of symbols - Goodman, Nelson, 1968 Book | Further Reading Philosophy of the arts: an introduction to aesthetics - Graham, Gordon, 1997 1/11 09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Book | Further Reading The sociology of art - Arnold Hauser, 2013 Book | Further Reading Emotion and the Arts - Mette Hjort, Sue Laver, 1997 Book | Further Reading Aesthetics: the classic readings - David E. Cooper, Peter Lamarque, Crispin Sartwell, 1997 Book | Further Reading Schopenhauer - Janaway, Christopher, 2002 Book | Further Reading Feeling and form: a theory of art developed from 'Philosophy in a new key' - Langer, Susanne Katherina Knauth, 1953 Book | Further Reading Aesthetics and ethics: essays at the intersection - Jerrold Levinson, 2001, ©1998 Book | Further Reading The philosophy of Schopenhauer - Magee, Bryan, 1983 Book | Further Reading Aesthetics - Manns, James W., c1998 Book | Further Reading The primacy of perception: and other essays on phenomenological psychology, the philosophy of art, history and politics - Merleau-Ponty, Maurice, Edie, James M., 1964 Book | Further Reading Beauty restored - Mothersill, Mary, c1991 Book | Further Reading The birth of tragedy: out of the spirit of music - Nietzsche, Friedrich, Tanner, Michael, Whiteside, Shaun, 2003 Book | Further Reading Poetries and sciences: a reissue of science and poetry (1926, 1935) with commentary - Richards I A., 1970 Book | Further Reading Aesthetics and the sociology of art - Janet Wolff, 1983 Book | Further Reading Aesthetics and subjectivity: from Kant to Nietzche - Andrew Bowie, 2003 Book | Further Reading Distinction: a social critique of the judgement of taste - Pierre Bourdieu, 1984 Book | Further Reading The principles of art - R. G. Collingwood, 1938 2/11 09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Book | Further Reading A companion to aesthetics - Stephen Davies, 2009 Book | Further Reading What is art? - H. Curtler Book | Further Reading The transfiguration of the commonplace: a philosophy of art - Arthur C. Danto, c1981 Book | Further Reading Definitions of art - Stephen Davies, 1991 Book | Further Reading The century of taste: the philosophical odyssey of taste in the eighteenth century - George Dickie, 1996 Book | Further Reading The century of taste: the philosophical odyssey of taste in the eighteenth century - George Dickie, 1996 Book | Further Reading Aesthetics: a critical anthology - George Dickie, R. J. Sclafani, Ronald Roblin, c1989 Book | Further Reading The ideology of the aesthetic - Terry Eagleton, 1990 Book | Further Reading An introduction to the philosophy of art - Richard Thomas Eldridge, 2014 Book | Further Reading But is it art?: an introduction to art theory - Cynthia A. Freeland, 2001 Book | Further Reading The Routledge companion to aesthetics - Berys Nigel Gaut, Dominic Lopes, 2013 Book | Further Reading Art and illusion: a study in the psychology of pictorial representation - E. H. Gombrich, 2002 Book | Further Reading Philosophy of the arts: an introduction to aesthetics - Gordon Graham, 1997 Book | Further Reading Philosophical aesthetics: an introduction - Oswald Hanfling, Open University. Philosophy of the Arts Course Team, 1992 Book | Further Reading Emotion and the arts - Mette Hjort, Sue Laver, ebrary, Inc, 1997 Book | Further Reading Introductory readings in aesthetics - John Hospers, 1969 3/11 09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Book | Further Reading Encyclopedia of aesthetics - Michael Kelly, 2008 Book | Further Reading Problems of art: Ten philosophical lectures - Susanne K. Langer, 1957 Book | Further Reading Aesthetics - Colin Lyas, 2012, c1997 Book | Further Reading Philosophy looks at the arts: contemporary readings in aesthetics - Joseph Margolis, 1987 Book | Further Reading Sublime understanding : aesthetic reflection in Kant and Hegel - Kirk Pillow, 2003 Book | Further Reading Poetries and sciences: a reissue of Science and Poetry (1926, 1935) with commentary - Richards I A., 1970 Book | Further Reading Art and imagination: a study in the philosophy of mind - Roger Scruton, 1982, c1974 Book | Further Reading Aesthetics: an introduction to the philosophy of art - Anne Sheppard, 1987 Book | Further Reading Art and its objects - Richard Wollheim, c1980 Book | Further Reading Week 1 - Hume's Standard of Taste (7 items) Of the standard of taste - David Hume, 2008 Chapter | Essential Reading | This extract has been digitised for your convenience. Print copies are also available in the Library. Hume's Standard of Taste: The Real Problem - Jerrold Levinson, 2002 Article | Further Reading Hume's aesthetic theory: taste and sentiment - Dabney Townsend, 2001 Book | Further Reading Rethinking Hume's Standard of Taste - Theodore A. Gracyk, 19940401 Article | Further Reading Hume's Double Standard of Taste - James Shelley, 19941001 Article | Further Reading The Cambridge companion to Hume - David Fate Norton, 1993 Book | Further Reading | P. Jones, 'Hume's literary and aesthetic theory' 4/11 09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Aesthetics from classical Greece to the present: a short history - Monroe C. Beardsley, 1975 Book | Further Reading | Chapter 8 Week 2 - Kant: Beauty and Disinterestedness (15 items) Critique of Judgement - Immanuel Kant, 2008 Chapter | Essential Reading | pp. 131-146. This extract has been digitised for your convenience. Print copies are also available in the Library. Kant's theory of taste: a reading of the Critique of aesthetic judgment - Henry E. Allison, ebrary, Inc, 2001 Book | Further Reading | Chapters 3-5 Kant's theory of taste: a reading of the Critique of aesthetic judgment - Henry E. Allison, 2001 Book | Further Reading | Chapters 3-5 An introduction to Kant's critique of judgement - Douglas Burnham, 2000 Book | Further Reading | Chapter 1 Kant and the claims of taste - Paul Guyer, 1997 Book | Further Reading Kant's Critique of the power of judgment: critical essays - Paul Guyer, 2003 Book | Further Reading Kant's aesthetic theory: an introduction - Salim Kemal, 1997 Book | Further Reading Kant's aesthetic theory - Donald Wesley Crawford, 1974 Book | Further Reading Routledge philosophy guidebook to Kant on judgment - Robert Wicks, 2007 Book | Further Reading Interpreting Kant's critiques - Karl Ameriks, 2003 Book | Further Reading The Theory of Beauty - E F (Edgar Frederick) 1876-1 Carritt, 2016 Book | Further Reading Aesthetics from classical Greece to the present: a short history - Monroe C. Beardsley, 1975 Book | Further Reading Kantian aesthetics pursued - Anthony Savile, c1993 Book | Further Reading The critique of judgement: [with] preface to the first edition, 1790 - Immanuel Kant, James 5/11 09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Creed Meredith, Infomotions, Inc, Virginia Polytechnic Institute and State University, 2001 Book | Further Reading Critique of judgment - Immanuel Kant, J. H. Bernard, ©1951 Book | Further Reading Week 3 - Kant: Beauty and Sensus Communis (10 items) Critique of Judgement - Immanuel Kant, 2008 Chapter | Essential Reading | pp. 138-148 Additionally, sections 12 and 21. This extract has been digitised for your convenience. Print copies are also available in the Library. Kant's theory of taste: a reading of the Critique of aesthetic judgment - Henry E. Allison, 2001 Book | Further Reading | Esp. Chapters 6-8 An introduction to Kant's critique of judgement - Douglas Burnham, 2000 Book | Further Reading | Chapter 2 Kant and the claims of taste - Paul Guyer, 1997 Book | Further Reading Kant's aesthetic theory: an introduction - Salim Kemal, 1997 Book | Further Reading Kant's Critique of the power of judgment: critical essays - Paul Guyer, 2003 Book | Further Reading Kant's aesthetic theory - Donald Wesley Crawford, 1974 Book | Further Reading Routledge philosophy guidebook to Kant on judgment - Robert Wicks, 2007 Book | Further Reading | Chapter 1 Interpreting Kant's critiques - Karl Ameriks, 2003 Book | Further Reading | Part 3 Kantian aesthetics pursued - Anthony Savile, c1993 Book | Further Reading Fine Art, Genius and Creativity: Kant (5 items) Critique Of Judgement, The - Immanuel Kant, 2000 Book | Essential Reading | Sections 43-49 Kant Studies | Articles Webpage | Further Reading | Proulx: Kant and the Problem of Genius Kant's theory
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  • Doing Justice to Traditional Aesthetic Theories: Weitz Reconsidered
    TRAMES, 2002, 6(56/51), 3, 266–279 DOING JUSTICE TO TRADITIONAL AESTHETIC THEORIES: WEITZ RECONSIDERED Marek Volt University of Tartu Abstract. In the very first lines of his famous article – ‘The Role of Theory is Aesthetics’ – Morris Weitz tells us that each of the great art theories (Emotionalism, Voluntarism, Formalism, Intuitionism, Organicism) converges in a logically vain attempt to provide the defining properties of art. He tries to examine some of the aesthetic theories in order to see if they include adequate statements about the nature of art. But instead of giving us exact descriptions of these theories, he provided us with only a very scant summary. Thus, even if Weitz were correct in thinking that all theories converged in an essential definition of art, he does not provide any further arguments for his conviction. Some aestheticians (Diffey, Tilghman, Matthews, Snoeyenbos) have tried to do justice to the traditional theories by suggesting that aesthetic theories were not attempting to offer essentialist definitions of art. Unfortunately, those critics left untouched the aesthetic theories offered by Weitz. Therefore, in order to evaluate (1) Weitz’s account of aesthetic theories and (2) to see if the criticisms concerning his account strike home, it is necessary to consider just theories mentioned by Weitz. My paper confirms a view that within aesthetic theories a variety of purposes can be recognised. For instance, the explanation and re-evaluation of art, and the completion of metaphysical system. I. Weitz and his critics The famous article of Morris Weitz (1968) – ‘The Role of Theory in Aesthetics’ – has raised many objections since it was published.1 Perhaps the chief objection is that Weitz did not take into account the possibility that art can be defined in terms of non-manifest properties.
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  • 11 12 Aesthetics in the Academy
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    Book Reviews Nigel Warburton, The Art Question (London; New York: Routledge, 2003), pp. xii, 147. This is a short, admirably lucid, introduction to the philosophy of art centred around the question “What is Art?” Warburton follows tradition in understanding this Socratic question as a demand for the nature or essence of art; or, in modern analytic terms, the specification of the necessary and sufficient conditions for something to count as a work of art. The book aims “to lay bare a range of indefensible positions, revealing the counter-arguments and counter-examples that undermine these positions” (p. 4). After a brief opening chapter on the relation of the art question to philosophy, Warburton discusses in successive chapters, the limitations and inadequacies of Clive Bell’s Theory of Significant Form, R.G. Collingwood’s Expressive Theory, the Family Resemblance Theory of Morris Weitz, and the Institutional Theory of George Dickie. The book ends by casting doubt on whether art has an essence at all, and so, on the whole project of pursuing the art question. Despite the freshness and ease of the writing style, the approach is rather hackneyed. Although Warburton does a good job of summarizing the relevant theories, particularly Collingwood, the book cannot help but strike one as a rehearsal of all too familiar criticisms of an all too familiar project. Surely we know by now that essentialist definitions in any area of philosophy confront a dilemma: either they are trivial, or false. One horn is the danger of vicious circularity, defining the key concept narrowly in terms that simply presuppose it e.g.
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  • “The Role of Theory in Aesthetics”1
    “The Role of Theory in Aesthetics”1 Morris Weitz Theory has been central in aesthetics and is still the preoccupation of the philosophy of art. Its main avowed concern remains the determination of the nature of art which can be formulated into a definition of it. It construes definition as the statement of the necessary and sufficient properties of what is being defined, where the statement purports to be a true or false claim about the essence of art, what characterizes and distinguishes it from everything else. Each of the great theories of art—Formalism, Voluntarism, Emotionalism, Intellectualism, Intuitionism, Organicism—converges on the attempt to state the defining properties of art. Each claims that it is the true theory because it has formulated correctly into a real definition the nature of art; and that the others are false because they have left out some necessary or sufficient property. Many theorists contend that their enterprise is no mere intellectual exercise but an absolute necessity for any understanding of art and our proper evaluation of it. Unless we know what art is, they say, what are its necessary and sufficient properties, we cannot begin to respond to it adequately or to say why one work is good or better than another. Aesthetic theory, thus, is important not only in itself but for the foundations of both appreciation and criticism. Philosophers, critics, and even artists who have written on art, agree that what is primary in aesthetics is a theory about the nature of art. Is aesthetic theory, in the sense of a true definition or set of necessary and sufficient properties of art, possible? If nothing else does, the history of aesthetics itself should give one enormous pause here.
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