DOCSLIB.ORG

Alamogordo News, 07-07-1910 Alamogordo Print

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alamogordo News, 07-07-1910 Alamogordo Print University of New Mexico UNM Digital Repository Alamogordo News, 1900-1913 New Mexico Historical Newspapers 7-7-1910 Alamogordo News, 07-07-1910 Alamogordo Print. Co. Follow this and additional works at: https://digitalrepository.unm.edu/alamogordo_news Recommended Citation Alamogordo Print. Co.. "Alamogordo News, 07-07-1910." (1910). https://digitalrepository.unm.edu/alamogordo_news/340 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Alamogordo News, 1900-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Published Every Thursday o the Most Beautiful Towq ir New Mexico. VOL. XIV. No. 24. ALAMOGORDO, NEW MEXICO, Till liSDAY, JILY 7, 1910. PRICE ." CENTS COUNTY 10 JEFFRIES KNOCKED OUT CHAIRMAN flURSUM I GOV. MILLS I EEC- - MAKE NEW STOCK ROUND SHLEi HOT IN . IN FIFTEENTH Qeneral Effect Will be Reduction Will be Conducted Week of Jan- Former World's Champion Was in no To Convene at Albuquerque July One Hundred Delegates Will of Valuations uary 16-2- 1 Eleventh Frame Constitution Condition to Fight EQUALITY ADD FAIRNESS $25,000.00 IN PURSES IMPORTANT BUSINESS ELECTION TO BE HELD A GOOD BASIS TO BE AWARDED Outpointed and Beaten by the Negro at Every TO BE TRANSACTED' SEPTEMBER 6 The sctefoa of the board of The classification and premium Stage of the Fight A call for a meeting of the To the People of the Territory of Boantf commissioners which he-.'a- n list for the Sixth Annual Nation- members of the the Territorial New Mexico: Tuesday was one of the long- - al Western Stock Show has just Republican Central Committee I, the undersigned. Governor t't and most trying which the leen issued. The next show will Tht fourth of July, the date because manifestly Jeffries had for New Mexico is hereby made 'of New Mexico, in accordance Imard has ever held. The bulk 'beheld in Denver during the set for a big pugilistic battle for not "come back," but instead to be held at the Commercial w ith the provisions of an act of championship had "gone" back. of the work was in the nature of week of January 10-2- and to the heavyweight Club in the City of Albuquerque. Congress entitled: readjustment of equalization, judge from the premium list it of the world, appeared to the Jeffries never has had the at (10) ten o'clock on Monday, "An Act to enable the people fight fans to very slow about heart, the spirit or consti-meetin- Xhe seeeioo commenced Tuesday will be the greatest show ever be the instinct July 11th (eleventh), 1910; said of New Mexico to form a g morning, was continued until held in the West. There are rolling around : but finally it ar- of the natural tighter and scrap- to be held for the pur- - 'tution and state government and en- re-- das-ttime- rived, and DOW it is history. per. He never has lacked - two o'clock Tuesday night, 1 several new features to the d pose of discussing and formulat- be admitted into the Union on Wednesday morning and lification. Among the new The result of the fight brought durance, grit and courage, and ing plans relative to the election an equal footing with the origin until about three tures is a separate classification disappointment and chagrin to when ho was tit his assimilation and selection of delegates te be al states; and to enable the peo k in the afternoon. The for agricultural colleges so that many eiunusiasis, ano 10 a iewim iiuuitiini as marxeious. chosen for the purpose of formu- - pie of Arizona to form a consti .1 i . I It Krnllirllt fll'OII fl t ItlíTí. í.f CAíl- - In tflitt lilvifr ficrlifr U'llipll MT&fl..- illut ' ceiling w so lenginy that inese institutions...... win..i not'" - - -j lating a constitution for the State tution and state government ami it will not be possible for Mr. compete against the individual ness. Jim Jetlries lias iieen tlie one mo many, averse conditions of New Mexico: also for the pur- - be admitted into the Unioti on follow had more to do with his ' Bowman to complete the report exhibitors in the fat stock das-- j idol of the ring ers for defeat pose of transacting such other an equal looting w ith the origin i i a j.1 r t r i many years, in man negro ja-- in time for The Nkws to publish 'ses. This is the first of the big: ami ins ueieat uiuI'l.lrne jonn business as may be deemed prop- - al States," son, in this iaaae. I shows to adopt this plan and it! meant the smashing ot an mol. ins ring adversary. Jim er and pertinent for the welfare w hich Act was approved June The town lots in Alamogordo was done to encourage the west Jack Johnson, the negro, proved j Jeffries w as beaten, and realized of the Republican party. 20, A. D., 1910, do hereby order to be Jeffries' superior at every that he was beaten, he wi re pla ed upon an entirely m w em exhibitors. Another new before Proxies held by residents of an election to be held on Tues-th- e schedule. The general effect of feature is a separate classification stage of the game. ever entered the ring. The years counties w herein members day, the 6th day of September, could only lof idleness, not w this new will be to re- - for the purebred steers according Jeffries hit Johnson unmixed ith may reside will be recognized. A. D., 1910, to choose one hun- - and very dissipation, duce valuations. Individual lot to breed. The premium list has at rare internals then had deprived him of All Republicans who have the! lred (100) delegates to form a Alamo-gord- lightly, while Johnson was able j the qualities which had made of owners will pay taxes on o been made most attractive to welfare of the republican party constitutional convention for said hit Jeffries freely whenever him the greatest human righting lots on precisely the same western stociunen w ho are eiven to at heart are cordially invited and Territory, for the purpose oí . he From the beginning machine that ever U.i,t.,-.,orn.,rations- In the a chame to w in a mod nart of Phased. breathed. requested to be present and framing a constitution for the of negro had When he stepped into readjustment of valuations, orno the $25.000 of pama. the the the the ring make suggestions for the benefit proposed State of New Mexico, s wl,,te completely at his on Monday afternoon only the .,.h.t,.ri..l r.-ti,,- were The show asso. iation announces " of the Committee. Every mem- - I further specify and announce, and the result never was old gameness responded to the uiad while in Other caaes in-- 1 the construction of two new fire- - ber is earnestly requested to be: in accordance with the require -- .. ' in doubt. roll call the neetness of foot, Gov-prox- i,i.s wmra mndp. nroof nermanent show hnildinm present either in person or by ments of said Act that the y. - of eye, three-stor- v TMa light had been widely her- j the clearness the quick The iucW anDointed to serve One will be a large, This meeting constitutes ernor, Chief Justice, and Secre-th- e ness of mind, and the perfectly in the election of August 2, tobarn, connected with the ampin aided as the greatest pugilistic initial step preliminary to tary of said Territory, did on the net-wor- two-orpor- seasoned k of 1 at event in history of the muscles, decide Bpea the matter of disin-- theatre, and the other is a the the consideration of ways and j 28th day of June, A. D., 1910, all had deserted, leaving only ion of the village of Ala story building to be used for "squared circle." The amount means to be considered which apportion the said delegates to the hulk, the of mogordo, were Byron Sherry, i and offices. The new of publicity given to this fight shell the former may be conducive to bringing! be selected, equitably among w as perhaps ten times as great world's champion. But w ith his Alf Hunter and James J. Hill. buildings will coat about I7ÓJMH about a safe and sound policy in the several counties of said Ter-th- e gameness still intact, hedeliber- - ' The board also appointed reg- - and will make the total cost of as that given to any previous adoption of a constitution ritory in accordance with the istratioc boards and judges of the show buildings erected to tight. But in no way did it which will necessarily form the voting population as shown by up Flection to servo in the election 'date about 1860,000. Copies of measure to the expectations. (continued on page five) ground work for all future legis- - the vote cast at the election for 11, to be held on September whettlthe premium list can be had by lation affecting the new state of Delegate in Congress in Baid Ter-Ne- w delegates to the constitutional writing to the Secretary of the Park Lighted Wright is Judge Mexico. Therefore no ritory in the year A. D., 1908. convention will be chosen. The Western 8tock Show, Stockyards county can afford not to be rep- -' and that the number of dele- The installation of four aloe--1 Thk News has just received registratiofl for precinct Station Denver, June JT.
Load more

Recommended publications
  • Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory
    DANGEROUSLY FREE: OUTLAWS AND NATION-MAKING IN LITERATURE OF THE INDIAN TERRITORY by Jenna Hunnef A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Jenna Hunnef 2016 Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory Jenna Hunnef Doctor of Philosophy Department of English University of Toronto 2016 Abstract In this dissertation, I examine how literary representations of outlaws and outlawry have contributed to the shaping of national identity in the United States. I analyze a series of texts set in the former Indian Territory (now part of the state of Oklahoma) for traces of what I call “outlaw rhetorics,” that is, the political expression in literature of marginalized realities and competing visions of nationhood. Outlaw rhetorics elicit new ways to think the nation differently—to imagine the nation otherwise; as such, I demonstrate that outlaw narratives are as capable of challenging the nation’s claims to territorial or imaginative title as they are of asserting them. Borrowing from Abenaki scholar Lisa Brooks’s definition of “nation” as “the multifaceted, lived experience of families who gather in particular places,” this dissertation draws an analogous relationship between outlaws and domestic spaces wherein they are both considered simultaneously exempt from and constitutive of civic life. In the same way that the outlaw’s alternately celebrated and marginal status endows him or her with the power to support and eschew the stories a nation tells about itself, so the liminality and centrality of domestic life have proven effective as a means of consolidating and dissenting from the status quo of the nation-state.
    [Show full text]
  • Mabel Normand
    Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne.
    [Show full text]
  • STUDIO TITRE ORIGINAL TITRE FRANCAIS Année Durée Métrage KEYSTONE MAKING a LIVING POUR GAGNER SA VIE 1914 13' 301.75 1B KEYST
    STUDIO TITRE ORIGINAL TITRE FRANCAIS année durée métrage KEYSTONE MAKING A LIVING POUR GAGNER SA VIE 1914 13' 301.75 1b KEYSTONE KID AUTO RACES AT VENICE, CAL CHARLOT EST CONTENT DE LUI 1914 11' 130.45 1/2b KEYSTONE MABEL'S STRANGE PREDICAMENT CHARLOT À L'HÔTEL 1914 17' 292 1b KEYSTONE A THIEF CATCHER 1914 ? 290 1b KEYSTONE BETWEEN SHOWERS CHARLOT ET LE PARAPLUIE 1914 15' 289.55 1b KEYSTONE A FILM JOHNNIE CHARLOT FAIT DU CINÉMA 1914 15' 287.75 1b KEYSTONE TANGO TANGLES CHARLOT DANSEUR 1914 12' 300 1b KEYSTONE HIS FAVORITE PASTIME CHARLOT EST TROP GALANT 1914 16' 288.35 1b KEYSTONE CRUEL, CRUEL LOVE CHARLOT MARQUIS 1914 16' 288 1b KEYSTONE THE STAR BOARDER CHARLOT AIME LA PATRONNE 1914 16' 291.7 1b KEYSTONE TWENTY MINUTES OF LOVE CHARLOT ET LE CHRONOMÈTRE 1914 20' 288.65 KEYSTONE MABEL AT THE WHEEL MABEL AU VOLANT 1914 18' 588.25 2b KEYSTONE CAUGHT IN A CABARET CHARLOT GARÇON DE CAFÉ 1914 9' 583.4 2b KEYSTONE CAUGHT IN THE RAIN CHARLOT ET LA SOMNAMBULE 1914 16' 295 1b KEYSTONE A BUSY DAY MADAME CHARLOT 1914 6' 133.80 1/2b KEYSTONE THE FATAL MALLET LE MAILLET DE CHARLOT 1914 18' 341.40 1b KEYSTONE HER FRIEND THE BANDIT LE FLIRT DE MABEL 1914 16' 300.25 1b KEYSTONE THE KNOCKOUT CHARLOT ET FATTY SUR LE RING 1914 27' 624.85 2b KEYSTONE MABEL'S BUSY DAY CHARLOT ET LES SAUCISSES 1914 10' 290 1b KEYSTONE MABEL'S MARRIED LIFE CHARLOT ET LE MANNEQUIN / 1914 17' 295 1b KEYSTONE LAUGHING GAS CHARLOT DENTISTE 1914 16' 303.25 1b KEYSTONE THE PROPERTY MAN GARÇON DE THÉÂTRE 1914 28' 585.20 2b KEYSTONE THE FACE ON THE BARROOM FLOOR CHARLOT ARTISTE PEINTRE
    [Show full text]
  • Igor Andrade Pontes
    UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTE E COMUNICAÇÃO SOCIAL PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO IGOR ANDRADE PONTES OS CAMINHOS DE CARLITOS: A exibição dos filmes de Charles Chaplin no Rio de Janeiro, suas histórias e seus personagens (1914-1922) Niterói 2016 IGOR ANDRADE PONTES OS CAMINHOS DE CARLITOS: A exibição dos filmes de Charles Chaplin no Rio de Janeiro, suas histórias e seus personagens (1914-1922) Dissertação apresentada ao Programa de Pós- Graduação em Comunição, Linha Estudos do Cinema e do Audiovisual, da Universidade Federal Fluminense, como requisito parcial para obtenção do título de Mestre em Comunicação, sob orientação do Prof. Dr. Rafael de Luna Freire. Niterói 2016 Ficha Catalográfica elaborada pela Biblioteca Central do Gragoatá P814 Pontes, Igor Andrade. Os caminhos de Carlitos: a exibição dos filmes de Charles Chaplin no Rio de Janeiro, suas histórias e seus personagens (1914-1922) / Igor Andrade Pontes. – 2016. 171 f. ; il. Orientador: Rafael de Luna Freire. Dissertação (Mestrado em Comunicação) – Universidade Federal Fluminense, Instituto de Arte e Comunicação Social, 2016. Bibliografia: f. 168-171. 1. Cinema; aspecto histórico. 2. Cinema mudo. 3. Chaplin, Charles, 1889- 1977. 4. Rio de Janeiro, RJ. I. Freire, Rafael de Luna. II. Universidade Federal Fluminense. Instituto de Arte e Comunicação Social. III. Título. CDD 791.43 2 Para Maria Flor e Pedro, que cresceram com esta pesquisa. 3 AGRADECIMENTOS À minha esposa, Natália, companheira e amiga. Ao meu orientador, Rafael de Luna Freire, por sua paciência, compreensão e constante disponibilidade. Por seu interesse e confiança em meu trabalho. Pelos valiosos conselhos. Pela orientação sempre esclarecedora e pelas atenciosas correções e indicações durante a realização do texto desta dissertação.
    [Show full text]
  • International Charlie Chaplin Conference Ohio University, Zanesville, Ohio | October 28-30, 2010 TENTATIVE Conference Schedule As of October 18, 2010
    Charlie in the Heartland: International Charlie Chaplin Conference Ohio University, Zanesville, Ohio | October 28-30, 2010 TENTATIVE Conference Schedule as of October 18, 2010 THURSDAY, October 28, 2010 Time & Location Session Information 8:00 am – 5:00 pm Registration and Book Sale - Campus Center Atrium 9:00 am – 9:30 am Welcome Ceremony, Dean James Fonseca, Elson Auditorium The Immigrant, featuring a new score composed and performed by David Schubach, organist, introduced by Amy Underwood (OU Zanesville Elson Hall Auditorium) 9:30 am – 10:30 am Dr. Frank Scheide, University of Arkansas, and Hooman Mehran, Elson Auditorium “The Beginning of a Love Affair with the American Dream: Charlie Chaplin’s Early Journeys into the Heartland” (Elson Hall Auditorium) 10:30 am – 10:45 am Break 10:45 am – 12:00 pm A. Chaplin and Immigration (Rm T430) B. Ben Model, MoMa Silent Film Series, Concurrent Panels Alan Punches, Chair “Undercranking: The Magic Behind the Slapstick” – Locations: a. “Chaplin’s The Immigrant and the Silent introduced by Bill Christy (Elson Hall Auditorium) Response to American Immigration A. Campus Ctr T430 Restriction” B. Elson Auditorium Tim Prchal, Oklahoma State University b. “Charles Chaplin, the Immigrant” Anna P. Murta, University of Arkansas c. “Charles Chaplin and His ‘Exile’ in America” Herbert Krill, Vienna, Austria 12:00 pm – 1:15 pm Lunch on your own (Consider Subway or Roberta’s Café, located in The Campus Center) 1:15 pm – 2:15 pm Essanay and Mutual Films Screening (Work, One A.M., The Pawnshop) Ben Model, organist, introduced by Elson Auditorium Bill Christy ( Elson Hall Auditorium) 2:30 pm – 3:45 pm A.
    [Show full text]
  • Comedy: Violence, Change, Survival
    Comedy: Violence, Change, Survival ”The predominant theme in comedy: A study of Violence, Change and Survival.” Case study: Marx Brother & W.C. Fields Content Content: Acknowledgment Introduction 1 General introduction. Chapter One - The Invention of Comedy 5 Historical development - Comedy. Chapter Two – The Theme: Survival 13 Thematic analysis - The concept of surviving in Comedy. Chapter Three – The Theme: Change 31 Thematic analysis - the concept of changing in Comedy. Chapter Four – The Theme: Violence 39 Thematic analysis - the concept of violence in Comedy. Chapter Five – Case Study: Marx Brothers & W.C. Fields 55 The theme of surviving in Marx Brothers and violence in W.C. Fields. Chapter Six – Conclusion 77 Concluding remarks. Acknowledgment Behind the scenes, groups, institutions, and many individuals have been of assistance in the creation of this thesis. First and foremost I would like to thank Jan Anders Diesen, for his patience, support, and encouragement. There has been one person, throughout out this thesis that has been there for me, have guided me, gave me hope, a vital person in the writing of this thesis. Me. So I thank, myself, I really do. (Let The Comedy Begin) Introduction ”It's a funny old world. A man's lucky if he gets out of it alive.” W.C. Fields You're Telling Me! (1934) In this master thesis, I will investigate specific themes or motives that have predominant existence in the genre comedy. By theme, i mean recurring motive associated with a particular person, place, or idea, in Opera this is called Leitmotif, literally meaning leading motif. In this thesis, I am in search, of the theme violence, change, and survival, which are archetypal themes in the genre comedy.
    [Show full text]
  • Read Kindle > Charlie Chaplin Centennial: Keystone (Paperback)
    GIFG98DRNEBN > Doc ^ Charlie Chaplin Centennial: Keystone (Paperback) Ch arlie Ch aplin Centennial: Keystone (Paperback) Filesize: 1.14 MB Reviews It in a of the most popular publication. It is actually rally intriguing throgh looking at time period. Your daily life span is going to be change the instant you total reading this publication. (Mrs. Shanna Mann) DISCLAIMER | DMCA NCJ2PUFWH1N4 » Kindle Charlie Chaplin Centennial: Keystone (Paperback) CHARLIE CHAPLIN CENTENNIAL: KEYSTONE (PAPERBACK) Apocalypse Later Press, United States, 2016. Paperback. Condition: New. Adele Hentz (illustrator). Language: English . Brand New Book ***** Print on Demand *****.In 1914, Keystone Studios boss Mack Sennett, the King of Comedy, put his newest hire to work. Charles Chaplin made 36 pictures there during his first year on the screen: 35 shorts and a feature, Tillie s Punctured Romance. He started out as merely an actor, tasked with replacing the departing Ford Sterling, and he certainly did that. However, he took on other roles too, from building gags to writing scripts and, halfway through the year, directing his own films. He learned as he went, picking up knowledge everywhere, but he taught as much as he learned, bringing his vaudeville training to the Hollywood screen and reinventing film comedy in the process. By the end of the year, Chaplin was a star. To celebrate and reairm his unparalleled contribution to cinema, film critic Hal C F Astell of Apocalypse Later reviewed each of these 36 films in 2014 on the centennials of their original release dates. In doing so, he experienced them as audiences of the time experienced them, watching this new talent grow and mature.
    [Show full text]
  • The Chaplin Craze: Charlie Chaplin and the Emergence of Mass-Amusement Culture
    THE CHAPLIN CRAZE: CHARLIE CHAPLIN AND THE EMERGENCE OF MASS-AMUSEMENT CULTURE JACK RUNDELL PhD UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE AUGUST 2014 Abstract This thesis explores the relationship between Charlie Chaplin’s early career and films (1914-1916) and the emergent mass-amusement culture of the late nineteenth and early twentieth centuries in America. It combines empirical research into mass- amusement history with close readings of Chaplin’s early films in order to illuminate the close and previously minimally explored relationship between Chaplin’s film- making and popularity on the one hand, and the broader early twentieth-century history of mass-amusement culture on the other. The thesis approaches its subject through the specific phenomenon of amusement ‘crazes’. It takes three selectively illustrative examples – roller skating, popular dance forms and moving pictures – through which to explore the specific debates and controversies these amusements generated and the social and cultural aspirations and concerns that drove them. This cultural-historical research is used to re-read Chaplin films, enabling topical allusions and cultural subtexts to come newly into focus. It also provides the context for a fresh interpretation of Chaplin’s sensational rise to fame in the mid-1910s as a cultural phenomenon symptomatic of a wider landscape of contemporary frenetic and popular crazes. The thesis challenges two principal assumptions that underlie prevailing critical approaches to Chaplin’s early career, unquestioningly grounded, as they are, in the privileged status conventionally ascribed to his later, and better-known feature films. These assumptions are: (1) that Chaplin’s early films are chiefly of interest for the ways in which they teleologically anticipate later developments in his film- making; and (2) that Chaplin’s distinctive qualities and cultural value are always to be understood in qualitative contrast to the dominant imperatives of contemporary slapstick and the larger mass-amusement culture to which slapstick belonged.
    [Show full text]
  • Charlie Chaplin Films Keystone Films
    Charlie Chaplin Films The Star Boarder - April 4 Keystone Films - All made in 1914 Other English Titles: Making a Living - Feb. 2 Hash-House Hero, Other English Titles: Landlady's Pet A Busted Johnny In Love with his Landlady Troubles Directed by George Nichols Doing His Best Directed by Henry Lehrman Mabel at the Wheel - April 18 Other English Titles: Kid Auto Races at Venice - Feb. 7 His Daredevil Queen Other English Titles: Hot Finish The Children's Automobile Race Directed by Mabel Normand (?) and Directed by Henry Lehrman Mack Sennett Mabel's Strange Predicament - Feb. 9 Twenty Minutes of Love - April 20 Other English Titles: Other English Titles: Hotel Mixup He Loved Her So Directed by Henry Lehrman and Mack Cops and Watches Sennett Love -Friend Directed by Charles Chaplin Between Showers - Feb. 28 Other English Titles: Caught in a Cabaret - April 27 The Flirts Other English Titles: Charlie and the Umbrella The Waiter In Wrong Jazz Waiter Directed by Henry Lehrman Faking with Society Directed by Mabel Normand (?) A Johnnie Film - March 2 and Charles Chaplin Other English Titles: Movie Nut Caught in the Rain - May 4 Million Dollar Job Other English Titles: Charlie at the Studio Who Got Stung? Directed by George Nichols At It Again In the Park (spurious title) Tango Tangles - March 9 Directed by Charles Chaplin Other English Titles: Charlie Recreation A Busy Day - May 7 Music Hall Other English Titles: Directed by Mack Sennett Lady Charlie Militant Suffragette His Favorite Pastime - March 16 Directed by Charles Chaplin (?) Other English Titles: The Bonehead The Fatal Mallet - June 1 Reckless Fling Other English Titles: Directed by George Nichols The Pile Driver The Rival Suitors Cruel, Cruel Love - March 26 Hit Him Again Other English Titles: Directed by Mack Sennett Lord Helpus Directed by George Nichol Her Friend the Bandit - June 4 Other English Titles: Mabel's Flirtation A Thief Catcher The Knockout - June 11 His New Profession - Aug.
    [Show full text]
  • Partners 24 3
    PRESSKIT OPENING - Chaplin's World™ © Bubbles Incorporated. A. Easy Street: London childhood B. The Circus: the beauty of silence C. The film studio: quiet on the set! INDEX D. Production secrets: behind the clown, a genius of cinema E. Hollywood Boulevard F. The illusions of waxworks - 3.3 The park 4. STAGING 22 1. WELCOME MESSAGES 06 4.1 The Savoir-faire of Grévin 2. FOREWORD 12 4.2 The Savoir-faire of the Compagnie des Alpes 2.1 A manor as a backdrop 2.2 The children and family life 5. GENERAL PLAN: 2. 3 The integration of Charlie Chaplin in the local community WITH THE SUPPORT OF CHAPLIN’S WORLD PARTNERS 24 3. CLOSE UP: CHAPLIN’S WORLD, MAN AND ARTIST 16 5.1 Principal partner 3.1 The Manoir 5.2 Strategic partners A. Ground floor 5.3 Event partner a. Chaplin in the news : a citizen of the world. The library: a self- taught writer c. The living room: music at all costs B. First floor a. Family albums: a family not so different from others b. Celebrities: recognition without borders 3.2 The Studio 2 3 9. WIDE-ANGLE SHOT: PRACTICAL INFORMATION 35 9.1 The museum space 9.2 Address ANNEX 9.3 Opening hours 9.4 Prices 9.5 Access 9.6 The gift shop - 9.7 “The Tramp” café-restaurant 6. MONTAGE: HISTORY OF THE PROJECT 26 9.8 Events 6.1 History 9.9 Press contacts 6.2 Thanks 6.3 Partners in the development of the museum project 6.4 Major dates 7.
    [Show full text]
  • Charlie Chaplin Film List for Your Notes on the Films: Created by Ednapurviance.Org
    Charlie Chaplin Film List For your notes on the films: created by ednapurviance.org Charlie Chaplin Films Keystone Films - All made in 1914 Making a Living - Feb. 2, 1914 Other English Titles: A Busted Johnny Troubles Doing His Best Directed by Henry Lehrman Kid Auto Races at Venice - Feb. 7, 1914 Other English Titles: The Children's Automobile Race Directed by Henry Lehrman Mabel's Strange Predicament - Feb. 9, 1914 Other English Titles: Hotel Mixup Directed by Henry Lehrman and Mack Sennett Between Showers - Feb. 28, 1914 Other English Titles: The Flirts Charlie and the Umbrella In Wrong Directed by Henry Lehrman A Johnnie Film - March 2, 1914 Other English Titles: Movie Nut Million Dollar Job Charlie at the Studio Directed by George Nichols Tango Tangles - March 9, 1914 Other English Titles: Charlie Recreation Music Hall Directed by Mack Sennett His Favorite Pastime - March 16, 1914 Other English Titles: The Bonehead Reckless Fling Directed by George Nichols Cruel, Cruel Love - March 26, 1914 Other English Titles: Lord Helpus Directed by George Nichol The Star Boarder - April 4, 1914 Other English Titles: Hash-House Hero Landlady's Pet In Love with his Landlady Directed by George Nichols Mabel at the Wheel - April 18, 1914 Other English Titles: His Daredevil Queen Hot Finish Directed by Mabel Normand (?) and Mack Sennett Twenty Minutes of Love - April 20, 1914 Other English Titles: He Loved Her So Cops and Watches Love -Friend Directed by Charles Chaplin Caught in a Cabaret - April 27, 1914 Other English Titles: The Waiter Jazz Waiter
    [Show full text]
  • Song and Silence: a Guidebook to Bards and Rogues
    TABLE OF CONTENTS TABLE OF CONTENTS Step 5: Craft the Trap ..................................30 Repairing and Resetting Mechanical Introduction…………...………… 4 Traps ............................................................30 What This Book Is And Is Not..........................4 Variant: Helpful “Traps” .................................31 How to Use This Book .....................................4 90 Sample Traps ...........................................32 Variant: What Disabling a Device Means .......32 Chapter 1: Prestige Classes .......5 New Ways to Use Skills ...................................36 Dread Pirate ......................................................5 The Fine Art of Hiding .................................36 Requirements .................................................5 Concealed Weapons ....................................37 Class Skills ....................................................6 Variant: Tougher Tumble Checks ................37 Class Features ...............................................6 Feats.................................................................38 Dungeon Delver ...............................................7 Acrobatic ......................................................38 Requirements .................................................7 Alluring ..........................................................38 Class Skills ....................................................7 Arterial Strike ................................................38 Class Features ...............................................8
    [Show full text]