DOCSLIB.ORG

Read Kindle > Charlie Chaplin Centennial: Keystone (Paperback)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Kindle > Charlie Chaplin Centennial: Keystone (Paperback) GIFG98DRNEBN > Doc ^ Charlie Chaplin Centennial: Keystone (Paperback) Ch arlie Ch aplin Centennial: Keystone (Paperback) Filesize: 1.14 MB Reviews It in a of the most popular publication. It is actually rally intriguing throgh looking at time period. Your daily life span is going to be change the instant you total reading this publication. (Mrs. Shanna Mann) DISCLAIMER | DMCA NCJ2PUFWH1N4 » Kindle Charlie Chaplin Centennial: Keystone (Paperback) CHARLIE CHAPLIN CENTENNIAL: KEYSTONE (PAPERBACK) Apocalypse Later Press, United States, 2016. Paperback. Condition: New. Adele Hentz (illustrator). Language: English . Brand New Book ***** Print on Demand *****.In 1914, Keystone Studios boss Mack Sennett, the King of Comedy, put his newest hire to work. Charles Chaplin made 36 pictures there during his first year on the screen: 35 shorts and a feature, Tillie s Punctured Romance. He started out as merely an actor, tasked with replacing the departing Ford Sterling, and he certainly did that. However, he took on other roles too, from building gags to writing scripts and, halfway through the year, directing his own films. He learned as he went, picking up knowledge everywhere, but he taught as much as he learned, bringing his vaudeville training to the Hollywood screen and reinventing film comedy in the process. By the end of the year, Chaplin was a star. To celebrate and reairm his unparalleled contribution to cinema, film critic Hal C F Astell of Apocalypse Later reviewed each of these 36 films in 2014 on the centennials of their original release dates. In doing so, he experienced them as audiences of the time experienced them, watching this new talent grow and mature. From early appearances like Kid Auto Races at Venice, Cal to his first classic, Dough and Dynamite, this book takes a fresh look at these Keystone pictures which had languished for years in poor quality prints. Chaplin said that all he needed to make a comedy was a park, a policeman and a pretty girl. Here s where he learned how to do it. Films reviewed include the following: Making a Living Kid Auto Races at Venice, Cal Mabel s Strange Predicament A Thief Catcher Between Showers A Film Johnnie Tango Tangles His Favorite Pastime Cruel, Cruel Love The Star Boarder Mabel... Read Charlie Chaplin Centennial: Keystone (Paperback) Online Download PDF Charlie Chaplin Centennial: Keystone (Paperback) DSHVM3URXNNL \ eBook » Charlie Chaplin Centennial: Keystone (Paperback) You May Also Like Joey Green's Rainy Day Magic: 1258 Fun, Simple Projects to Do with Kids Using Brand-name Products Fair Winds Press, 2006. Paperback. Book Condition: New. Brand new books and maps available immediately from a reputable and well rated UK bookseller - not sent from the USA; despatched promptly and reliably worldwide by... Save eBook » Hands Free Mama: A Guide to Putting Down the Phone, Burning the To-Do List, and Letting Go of Perfection to Grasp What Really Matters! ZONDERVAN, United States, 2014. Paperback. Book Condition: New. 211 x 137 mm. Language: English . Brand New Book. Rachel Macy Stafford s post The Day I Stopped Saying Hurry Up was a true phenomenon on... Save eBook » Read Write Inc. Phonics: Yellow Set 5 Storybook 7 Do We Have to Keep it? Oxford University Press, United Kingdom, 2016. Paperback. Book Condition: New. Tim Archbold (illustrator). 211 x 101 mm. Language: N/A. Brand New Book. These engaging Storybooks provide structured practice for children learning to read the Read... Save eBook » Trini Bee: You re Never to Small to Do Great Things Createspace Independent Publishing Platform, United States, 2013. Paperback. Book Condition: New. 216 x 216 mm. Language: English . Brand New Book ***** Print on Demand *****.Children s Book: Trini Bee An Early Learning - Beginner... Save eBook » Daddyteller: How to Be a Hero to Your Kids and Teach Them What s Really by Telling Them One Simple Story at a Time Createspace, United States, 2013. Paperback. Book Condition: New. 214 x 149 mm. Language: English . Brand New Book ***** Print on Demand *****.You have the power, Dad, to influence and educate your child. You can... Save eBook » R6KGN5DBGA8X / Book ~ Charlie Chaplin Centennial: Keystone (Paperback) Pickles To Pittsburgh: Cloudy with a Chance of Meatballs 2 Atheneum Books for Young Readers, 2000. Paperback. Book Condition: New. No Jacket. New paperbook print book copy of Pickles to Pittsburgh: Cloudy with a Chance of Meatballs 2 written by Judi Barrett. Drawn by Ron Read Book » Electronic Dreams: How 1980s Britain Learned to Love the Computer Audible Studios on Brilliance, United States, 2016. CD-Audio. Book Condition: New. Unabridged. 170 x 135 mm. Language: English . Brand New. Remember the ZX Spectrum? Ever have a go at programming with its stretchy rubber Read Book » Short Stories Collection II: Just for Kids Ages 4 to 8 Years Old 2013. PAP. Book Condition: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Read Book » Star Flights Bedtime Spaceship: Journey Through Space While Drifting Off to Sleep CreateSpace Independent Publishing Platform, 2013. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "Star Flights Bedtime Spaceship" is a charming and fun story with the purpose to help children Read Book » The Whale Tells His Side of the Story Hey God, Ive Got Some Guy Named Jonah in My Stomach and I Think Im Gonna Throw Up B&H Kids. Hardcover. Book Condition: New. Cory Jones (illustrator). Hardcover. 32 pages. Dimensions: 9.1in. x 7.2in. x 0.3in.Oh sure, well all heard the story of Jonah and the Whale a hundred times. But have we Read Book » .
Load more

Recommended publications
  • Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory
    DANGEROUSLY FREE: OUTLAWS AND NATION-MAKING IN LITERATURE OF THE INDIAN TERRITORY by Jenna Hunnef A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto © Copyright by Jenna Hunnef 2016 Dangerously Free: Outlaws and Nation-Making in Literature of the Indian Territory Jenna Hunnef Doctor of Philosophy Department of English University of Toronto 2016 Abstract In this dissertation, I examine how literary representations of outlaws and outlawry have contributed to the shaping of national identity in the United States. I analyze a series of texts set in the former Indian Territory (now part of the state of Oklahoma) for traces of what I call “outlaw rhetorics,” that is, the political expression in literature of marginalized realities and competing visions of nationhood. Outlaw rhetorics elicit new ways to think the nation differently—to imagine the nation otherwise; as such, I demonstrate that outlaw narratives are as capable of challenging the nation’s claims to territorial or imaginative title as they are of asserting them. Borrowing from Abenaki scholar Lisa Brooks’s definition of “nation” as “the multifaceted, lived experience of families who gather in particular places,” this dissertation draws an analogous relationship between outlaws and domestic spaces wherein they are both considered simultaneously exempt from and constitutive of civic life. In the same way that the outlaw’s alternately celebrated and marginal status endows him or her with the power to support and eschew the stories a nation tells about itself, so the liminality and centrality of domestic life have proven effective as a means of consolidating and dissenting from the status quo of the nation-state.
    [Show full text]
  • Glenn Mitchell the TRUE FAREWELL of the TRAMP
    Glenn Mitchell THE TRUE FAREWELL OF THE TRAMP Good afternoon. I’d like to begin with an ending ... which we might call `the Tramp’s First Farewell’. CLIP: FINAL SCENE OF `THE TRAMP’ That, of course, was the finale to Chaplin’s 1915 short film THE TRAMP. Among Chaplin scholars – and I think there may be one or two here today! - one of the topics that often divides opinion is that concerning the first and last appearances of Chaplin’s Tramp character. It seems fair to suggest that Chaplin’s assembly of the costume for MABEL’S STRANGE PREDICAMENT marks his first appearance, even though he has money to dispose of and is therefore technically not a tramp. KID AUTO RACES AT VENICE, shot during its production, narrowly beat the film into release. Altogether more difficult is to pinpoint where Chaplin’s Tramp character appears for the last time. For many years, the general view was that the Tramp made his farewell at the end of MODERN TIMES. As everyone here will know, it was a revision of that famous conclusion to THE TRAMP, which we saw just now ... only this time he walks into the distance not alone, but with a female companion, one who’s as resourceful, and almost as resilient, as he is. CLIP: END OF `MODERN TIMES’ When I was a young collector starting out, one of the key studies of Chaplin’s work was The Films of Charlie Chaplin, published in 1965. Its authors, Gerald D. McDonald, Michael Conway and Mark Ricci said this of the end of MODERN TIMES: - No one realized it at the time, but in that moment of hopefulness we were seeing Charlie the Little Tramp for the last time.
    [Show full text]
  • Alamogordo News, 07-07-1910 Alamogordo Print
    University of New Mexico UNM Digital Repository Alamogordo News, 1900-1913 New Mexico Historical Newspapers 7-7-1910 Alamogordo News, 07-07-1910 Alamogordo Print. Co. Follow this and additional works at: https://digitalrepository.unm.edu/alamogordo_news Recommended Citation Alamogordo Print. Co.. "Alamogordo News, 07-07-1910." (1910). https://digitalrepository.unm.edu/alamogordo_news/340 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Alamogordo News, 1900-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Published Every Thursday o the Most Beautiful Towq ir New Mexico. VOL. XIV. No. 24. ALAMOGORDO, NEW MEXICO, Till liSDAY, JILY 7, 1910. PRICE ." CENTS COUNTY 10 JEFFRIES KNOCKED OUT CHAIRMAN flURSUM I GOV. MILLS I EEC- - MAKE NEW STOCK ROUND SHLEi HOT IN . IN FIFTEENTH Qeneral Effect Will be Reduction Will be Conducted Week of Jan- Former World's Champion Was in no To Convene at Albuquerque July One Hundred Delegates Will of Valuations uary 16-2- 1 Eleventh Frame Constitution Condition to Fight EQUALITY ADD FAIRNESS $25,000.00 IN PURSES IMPORTANT BUSINESS ELECTION TO BE HELD A GOOD BASIS TO BE AWARDED Outpointed and Beaten by the Negro at Every TO BE TRANSACTED' SEPTEMBER 6 The sctefoa of the board of The classification and premium Stage of the Fight A call for a meeting of the To the People of the Territory of Boantf commissioners which he-.'a- n list for the Sixth Annual Nation- members of the the Territorial New Mexico: Tuesday was one of the long- - al Western Stock Show has just Republican Central Committee I, the undersigned.
    [Show full text]
  • Mabel Normand
    Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne.
    [Show full text]
  • STUDIO TITRE ORIGINAL TITRE FRANCAIS Année Durée Métrage KEYSTONE MAKING a LIVING POUR GAGNER SA VIE 1914 13' 301.75 1B KEYST
    STUDIO TITRE ORIGINAL TITRE FRANCAIS année durée métrage KEYSTONE MAKING A LIVING POUR GAGNER SA VIE 1914 13' 301.75 1b KEYSTONE KID AUTO RACES AT VENICE, CAL CHARLOT EST CONTENT DE LUI 1914 11' 130.45 1/2b KEYSTONE MABEL'S STRANGE PREDICAMENT CHARLOT À L'HÔTEL 1914 17' 292 1b KEYSTONE A THIEF CATCHER 1914 ? 290 1b KEYSTONE BETWEEN SHOWERS CHARLOT ET LE PARAPLUIE 1914 15' 289.55 1b KEYSTONE A FILM JOHNNIE CHARLOT FAIT DU CINÉMA 1914 15' 287.75 1b KEYSTONE TANGO TANGLES CHARLOT DANSEUR 1914 12' 300 1b KEYSTONE HIS FAVORITE PASTIME CHARLOT EST TROP GALANT 1914 16' 288.35 1b KEYSTONE CRUEL, CRUEL LOVE CHARLOT MARQUIS 1914 16' 288 1b KEYSTONE THE STAR BOARDER CHARLOT AIME LA PATRONNE 1914 16' 291.7 1b KEYSTONE TWENTY MINUTES OF LOVE CHARLOT ET LE CHRONOMÈTRE 1914 20' 288.65 KEYSTONE MABEL AT THE WHEEL MABEL AU VOLANT 1914 18' 588.25 2b KEYSTONE CAUGHT IN A CABARET CHARLOT GARÇON DE CAFÉ 1914 9' 583.4 2b KEYSTONE CAUGHT IN THE RAIN CHARLOT ET LA SOMNAMBULE 1914 16' 295 1b KEYSTONE A BUSY DAY MADAME CHARLOT 1914 6' 133.80 1/2b KEYSTONE THE FATAL MALLET LE MAILLET DE CHARLOT 1914 18' 341.40 1b KEYSTONE HER FRIEND THE BANDIT LE FLIRT DE MABEL 1914 16' 300.25 1b KEYSTONE THE KNOCKOUT CHARLOT ET FATTY SUR LE RING 1914 27' 624.85 2b KEYSTONE MABEL'S BUSY DAY CHARLOT ET LES SAUCISSES 1914 10' 290 1b KEYSTONE MABEL'S MARRIED LIFE CHARLOT ET LE MANNEQUIN / 1914 17' 295 1b KEYSTONE LAUGHING GAS CHARLOT DENTISTE 1914 16' 303.25 1b KEYSTONE THE PROPERTY MAN GARÇON DE THÉÂTRE 1914 28' 585.20 2b KEYSTONE THE FACE ON THE BARROOM FLOOR CHARLOT ARTISTE PEINTRE
    [Show full text]
  • Igor Andrade Pontes
    UNIVERSIDADE FEDERAL FLUMINENSE INSTITUTO DE ARTE E COMUNICAÇÃO SOCIAL PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO IGOR ANDRADE PONTES OS CAMINHOS DE CARLITOS: A exibição dos filmes de Charles Chaplin no Rio de Janeiro, suas histórias e seus personagens (1914-1922) Niterói 2016 IGOR ANDRADE PONTES OS CAMINHOS DE CARLITOS: A exibição dos filmes de Charles Chaplin no Rio de Janeiro, suas histórias e seus personagens (1914-1922) Dissertação apresentada ao Programa de Pós- Graduação em Comunição, Linha Estudos do Cinema e do Audiovisual, da Universidade Federal Fluminense, como requisito parcial para obtenção do título de Mestre em Comunicação, sob orientação do Prof. Dr. Rafael de Luna Freire. Niterói 2016 Ficha Catalográfica elaborada pela Biblioteca Central do Gragoatá P814 Pontes, Igor Andrade. Os caminhos de Carlitos: a exibição dos filmes de Charles Chaplin no Rio de Janeiro, suas histórias e seus personagens (1914-1922) / Igor Andrade Pontes. – 2016. 171 f. ; il. Orientador: Rafael de Luna Freire. Dissertação (Mestrado em Comunicação) – Universidade Federal Fluminense, Instituto de Arte e Comunicação Social, 2016. Bibliografia: f. 168-171. 1. Cinema; aspecto histórico. 2. Cinema mudo. 3. Chaplin, Charles, 1889- 1977. 4. Rio de Janeiro, RJ. I. Freire, Rafael de Luna. II. Universidade Federal Fluminense. Instituto de Arte e Comunicação Social. III. Título. CDD 791.43 2 Para Maria Flor e Pedro, que cresceram com esta pesquisa. 3 AGRADECIMENTOS À minha esposa, Natália, companheira e amiga. Ao meu orientador, Rafael de Luna Freire, por sua paciência, compreensão e constante disponibilidade. Por seu interesse e confiança em meu trabalho. Pelos valiosos conselhos. Pela orientação sempre esclarecedora e pelas atenciosas correções e indicações durante a realização do texto desta dissertação.
    [Show full text]
  • International Charlie Chaplin Conference Ohio University, Zanesville, Ohio | October 28-30, 2010 TENTATIVE Conference Schedule As of October 18, 2010
    Charlie in the Heartland: International Charlie Chaplin Conference Ohio University, Zanesville, Ohio | October 28-30, 2010 TENTATIVE Conference Schedule as of October 18, 2010 THURSDAY, October 28, 2010 Time & Location Session Information 8:00 am – 5:00 pm Registration and Book Sale - Campus Center Atrium 9:00 am – 9:30 am Welcome Ceremony, Dean James Fonseca, Elson Auditorium The Immigrant, featuring a new score composed and performed by David Schubach, organist, introduced by Amy Underwood (OU Zanesville Elson Hall Auditorium) 9:30 am – 10:30 am Dr. Frank Scheide, University of Arkansas, and Hooman Mehran, Elson Auditorium “The Beginning of a Love Affair with the American Dream: Charlie Chaplin’s Early Journeys into the Heartland” (Elson Hall Auditorium) 10:30 am – 10:45 am Break 10:45 am – 12:00 pm A. Chaplin and Immigration (Rm T430) B. Ben Model, MoMa Silent Film Series, Concurrent Panels Alan Punches, Chair “Undercranking: The Magic Behind the Slapstick” – Locations: a. “Chaplin’s The Immigrant and the Silent introduced by Bill Christy (Elson Hall Auditorium) Response to American Immigration A. Campus Ctr T430 Restriction” B. Elson Auditorium Tim Prchal, Oklahoma State University b. “Charles Chaplin, the Immigrant” Anna P. Murta, University of Arkansas c. “Charles Chaplin and His ‘Exile’ in America” Herbert Krill, Vienna, Austria 12:00 pm – 1:15 pm Lunch on your own (Consider Subway or Roberta’s Café, located in The Campus Center) 1:15 pm – 2:15 pm Essanay and Mutual Films Screening (Work, One A.M., The Pawnshop) Ben Model, organist, introduced by Elson Auditorium Bill Christy ( Elson Hall Auditorium) 2:30 pm – 3:45 pm A.
    [Show full text]
  • Download Catalogue
    Charlie Chaplin Filmography, Films and TV Programmes in the National Film and Television Archive This filmography includes all fiction and non-fiction material held in the NFTVA relating to Charlie Chaplin. There are six main sections: 1) FICTION....................................................................................................... 2 2) OTHER FICTION MATERIAL HELD BY THE NFTVA ................................................ 6 3) UNIDENTIFIED MATERIAL ............................................................................... 9 4) COMPILATIONS ........................................................................................... 10 5) NON-FICTION FOOTAGE RELATING TO CHARLES CHAPLIN ................................ 11 6) DOCUMENTARIES ON CHAPLIN...................................................................... 15 The fiction material is arranged chronologically (information taken from Chaplin by David Robinson, the bfi index The Early Work of Charles Chaplin by Theodore Huff, Film Dope 6 and Film Dope 28) and divided up into the various production companies Chaplin worked under. Note is made on those items not held in the NFTVA. Other fiction material held in the NFTVA refers to fragments, Chaplin imitators, cartoons etc. Compilations are given with their contents where known. The non-fiction material covers newsreels, amateur footage and those documentaries that are not simply compilations, and is arranged chronologically by release date. A short description is given. Lengths of non-fiction items are given
    [Show full text]
  • Comedy: Violence, Change, Survival
    Comedy: Violence, Change, Survival ”The predominant theme in comedy: A study of Violence, Change and Survival.” Case study: Marx Brother & W.C. Fields Content Content: Acknowledgment Introduction 1 General introduction. Chapter One - The Invention of Comedy 5 Historical development - Comedy. Chapter Two – The Theme: Survival 13 Thematic analysis - The concept of surviving in Comedy. Chapter Three – The Theme: Change 31 Thematic analysis - the concept of changing in Comedy. Chapter Four – The Theme: Violence 39 Thematic analysis - the concept of violence in Comedy. Chapter Five – Case Study: Marx Brothers & W.C. Fields 55 The theme of surviving in Marx Brothers and violence in W.C. Fields. Chapter Six – Conclusion 77 Concluding remarks. Acknowledgment Behind the scenes, groups, institutions, and many individuals have been of assistance in the creation of this thesis. First and foremost I would like to thank Jan Anders Diesen, for his patience, support, and encouragement. There has been one person, throughout out this thesis that has been there for me, have guided me, gave me hope, a vital person in the writing of this thesis. Me. So I thank, myself, I really do. (Let The Comedy Begin) Introduction ”It's a funny old world. A man's lucky if he gets out of it alive.” W.C. Fields You're Telling Me! (1934) In this master thesis, I will investigate specific themes or motives that have predominant existence in the genre comedy. By theme, i mean recurring motive associated with a particular person, place, or idea, in Opera this is called Leitmotif, literally meaning leading motif. In this thesis, I am in search, of the theme violence, change, and survival, which are archetypal themes in the genre comedy.
    [Show full text]
  • ÖSTERREICHISCHES FILMMUSEUM Fyf&N Wiener Festwochen 1982
    ÖSTERREICHISCHES FILMMUSEUM fyf&n Wiener Festwochen 1982 DAS CHARLIE CHAPLIN FEST Retrospektive und Ausstellung • 11. bis 29. Mai 1982 UNTER DER PATRONANZ VON LADY CHAPLIN In Zusammenarbeit mit Mo Rothmann, David Robinson, dem National Film Archive, London, dem Museum of Modern Art, Department of Film, New York, dem Münchner Stadtmuseum-Filmmuseum und Det Danske Filmmuseum, Kopenhagen David Robinson zeigt seine Chaplin-Sammlung im Foyer der Albertina. Die Ausstellung ist vom 12. bis 29. Mai 1982 von 10.00 bis 21.00 Uhr geöffnet. 15.00 Uhr 17.00 Uhr 19.00 Uhr 21.00 Uhr DIENSTAG, 11. MAI 1982 Eröffnung des Charlie Chaplin Festes durch Lady Chaplin und Prof. Dr. Helmut Zilk, Amtsführender Stadtrat für Kultur und Burgerdienst CHAPLIN IN WIEN (1931) THE GOLD RUSH (1925) MITTWOCH, 12. MAI 1982 CHAPLIN IN WIEN (1931) MAKING A LIVING (1914) TILLIE S PUNCTURED ROMANCE (1914) THE GOLD RUSH (1925) KID AUTO RACES AT VENICE (1914) MABEL'S STRANGE PREDICAMENT (1914) BETWEEN SHOWERS (1914) A FILM JOHNNIE (1914) TANGO TANGLES (1914) HIS FAVORITE PASTIME (1914) DONNERSTAG, 13. MAI 1982 TILLIES PUNCTURED ROMANCE (1914) THE STAR BOARDER (1914) POLICE (1916) MABEL AT THE WHEEL (1914) CARMEN (1916) TWENTY MINUTES OF LOVE (1914) CAUGHT IN A CABARET (1914) FREITAG, 14. MAI 1982 SUNNYSIDE (1919) POLICE (1916) CAUGHT IN THE RAIN (1914) A DOG S LIFE (1918) A DAY'S PLEASURE (1919) CARMEN (1916) A BUSY DAY (1914) TRIPLE TROUBLE (1918) THE IDLE CLASS (1921) THE FATAL MALLETT (1914) THE KNOCKOUT (1914) MABEL'S BUSY DAY (1914) SAMSTAG, 15. MAI 1982 THE CURE (1917) A DOG S LIFE (1918) MABEL'S MARRIED LIFE (1914) THE BOND (1918) THE IMMIGRANT (1917)* i - 14 TRIPLE TROUBLE (1918) LAUGHING GAS (TUNING HIS IVORIES) SHOULDER ARMS (1918) THE ADVENTURER (1917) (1914) THE PROPERTY MAN (1914) THE FACE ON THE BARROOM FLOOR (1914) THE MASQUERADER (1914) SONNTAG, 16.
    [Show full text]
  • Artistry in Motion
    Artistry in Motion Charlie Chaplin’s Comedies in Historical Perspective Lecturer: PD Dr. Stefan L. Brandt, Guest Professor Winter term 2011/12 Charlie Chaplin – Select Filmography (in chronological order) Making A Living. Dir. Henry Lehrman. Perf. Charles Chaplin, Virginia Kirtley and Alice Davenport. Keystone Film Company, 1914. Kid Auto Races at Venice. Dir. Henry Lehrman. Perf. Charles Chaplin and Henry Lehrman. Keystone Film Company, 1914. The Tramp. Dir. Charlie Chaplin. Perf. Charlie Chaplin, Edna Purviance, Lloyd Bacon. Essanay Studios, 1915. The Immigrant. Dir. Charles Chaplin. Perf. Charles Chaplin, Edna Purviance, Eric Campbell. Mutual Film, 1917. A Dog’s Life. Dir. Charles Chaplin. Perf. Charles Chaplin, Edna Purviance, Dave Anderson. First National Pictures, 1918. The Kid. Dir. Charles Chaplin. Perf. Charles Chaplin, Edna Purviance, Jackie Coogan, Carl Miller. First National Pictures, 1921. Safety Last. Dir. Fred C. Newmeyer and sam Taylor. Perf. Harold Lloyd, Mildred Davis, Bill Strother, Noah Young. Hal Roach Studios, 1923. The Gold Rush. Dir. Charles Chaplin. Perf. Charles Chaplin, Mack Swain, Tom Murray, Henry Bergman. United Artists, 1925. The Circus. Dir. Charles Chaplin. Perf. Charles Chaplin, Merna Kennedy, Al Ernest Garcia, Harry Crocker. United Artists, 1928. City Lights. Dir. Charles Chaplin. Perf. Charles Chaplin, Virginia Cherrill, Florence Lee, Harry Myers. United Artists, 1931. Modern Times. Dir. Charles Chaplin. Perf. Charles Chaplin, Paulette Goddard, Herny Bergman. , 1936. The Great Dictator. Dir. Charles Chaplin. Perf. Charles Chaplin, Paulette Goddard, Jack Oakie, Reginald Gardiner, Billy Gilbert. United Artists, 1940. Monsieur Verdoux. Dir. Charles Chaplin. Perf. Charles Chaplin, Mady Correll, Allison Roddan, Robert Lewis. United Artists, 1947. A King in New York.
    [Show full text]
  • The Chaplin Craze: Charlie Chaplin and the Emergence of Mass-Amusement Culture
    THE CHAPLIN CRAZE: CHARLIE CHAPLIN AND THE EMERGENCE OF MASS-AMUSEMENT CULTURE JACK RUNDELL PhD UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE AUGUST 2014 Abstract This thesis explores the relationship between Charlie Chaplin’s early career and films (1914-1916) and the emergent mass-amusement culture of the late nineteenth and early twentieth centuries in America. It combines empirical research into mass- amusement history with close readings of Chaplin’s early films in order to illuminate the close and previously minimally explored relationship between Chaplin’s film- making and popularity on the one hand, and the broader early twentieth-century history of mass-amusement culture on the other. The thesis approaches its subject through the specific phenomenon of amusement ‘crazes’. It takes three selectively illustrative examples – roller skating, popular dance forms and moving pictures – through which to explore the specific debates and controversies these amusements generated and the social and cultural aspirations and concerns that drove them. This cultural-historical research is used to re-read Chaplin films, enabling topical allusions and cultural subtexts to come newly into focus. It also provides the context for a fresh interpretation of Chaplin’s sensational rise to fame in the mid-1910s as a cultural phenomenon symptomatic of a wider landscape of contemporary frenetic and popular crazes. The thesis challenges two principal assumptions that underlie prevailing critical approaches to Chaplin’s early career, unquestioningly grounded, as they are, in the privileged status conventionally ascribed to his later, and better-known feature films. These assumptions are: (1) that Chaplin’s early films are chiefly of interest for the ways in which they teleologically anticipate later developments in his film- making; and (2) that Chaplin’s distinctive qualities and cultural value are always to be understood in qualitative contrast to the dominant imperatives of contemporary slapstick and the larger mass-amusement culture to which slapstick belonged.
    [Show full text]