DOCSLIB.ORG

Biography: Editor, Biographer, and Bookseller

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Biography: Editor, Biographer, and Bookseller Ms Coll/Miles Miles, Barry, 1943- Papers, 1958-2000. 15.5 linear ft. (ca. 5,000 items in 33 boxes). Biography: Editor, biographer, and bookseller. Manager, London's Better Books, 1965; owner/manager, Indica Bookshop, 1966-1970, which specializes in modern literature, especially post-war American and British authors; editor of International Times and of little literary magazines, including Long Hair, and Trees. He has recorded numerous spoken word albums and is the author of Ginsberg; a biography. Summary: Correspondence, manuscripts, photographs, and printed materials concerned with Miles' literary activities in London, which include a number of small literary magazines which he edited during the mid- sixties. Included are 30 letters and manuscripts from William S. Burroughs and a body of material relevant to Miles' and J. Maynard's William S. Burroughs: a Bibliography, 1953-1973, published in 1978, and many letters and manuscripts from Allen Ginsberg. In addition there are 7 letters and manuscripts from Richard Brautigan, 3 letters from Lawrence Ferlinghetti, 5 letters from Michael McClure, 19 letters and manuscripts from Gerard Malanga, and 13 letters and manuscripts from Brian Patten, and files from numerous authors, including some from other countries. Part 2: Research materials and working files for his biography of Allen Ginsberg, published by Simon & Schuster in 1989, with later revised editions. These files include photocopies of Ginsberg's letters to many associates, photocopies of Ginsberg's journal notebooks from 1953 until 1985, and 166 tape cassettes of interviews of and about Allen Ginsberg. Organization: Selected items cataloged; remainder arranged. (Box 1: Cataloged correspondence, A-Z; Box 2: Cataloged manuscripts, A-Z; Box 3-5: Arranged correspondence, manuscripts, & printed materials; Box 6/7: Original Allen Ginsberg letters & manuscripts, shelved in the vault; Boxes 8-34: Part 2, Research materials & working files for his biography of Allen Ginsberg, including photocopies of Ginsberg's journals, Boxes 23-26, and audio tapes of interviews, Boxes 33-34). William Burroughs letters are available on microfilm. Finding aids: Contents list, 91p. Available for faculty, students, and researchers engaged in scholarly or publication projects. Reader must use microfilm of materials specified above. Permission to publish materials must be obtained in writing from the Librarian for Rare Books & Manuscripts. 1. Brautigan, Richard. 2. Burroughs, William S., 1914- 3. Carr, Lucien, 1924?- 4. Ferlinghetti, Lawrence. 5. Ginsberg, Allen, 1926- 6. McClure, Michael. 7. Malanga, Gerard, 1943- 8. Patten, Brian, 1946- 9. Snyder, Gary, 1930- 10. Whalen, Philip. 11. Booksellers and bookselling 12. Little magazines—London (England). 13. Poetry. 14. Beats. 15. Beat literature. 16. Advertsements. 17. Announcements. 18. Audio cassettes. 19. Bibliographies. 20. Broadsides. 21. Brochures. 22. Catalogs (trade). 23. Collages. 24. Diaries. 25. Drafts (literary). 26. Drawings. 27. Essays. 28. Galley proofs. 29. Genealogies. 30. Handbills. 31. Lists. 32. Indexes. 33. Interviews. 34. Invitations. 35. Invoices. 36. Itineraries. 37. Manuscripts (literary). 38. Notebooks. 39. Notes. 40. Obituaries. 41. Photographs. 42. Photoprints. 43. Poems. 44. Posters. 45. Press releases. 46. Resumes. 47. Reviews. 48. Scripts. 49. Silkscreen prints. 50. Artists. 51. Authors. 52. Biographers. 53. Editors. 54. Poets. ID: NYCR88-A24 HR - 8/92 HR - 5/02 Barry MILES Papers -1- Cataloged correspondence: Berkson, Bill Berrigan, Ted Brautigan. Richard Burroughs, William S. - Or) Charters, Ann Carr, Lucien Clark, Tom di Prima, Diane Fainlight, Harry Ferlinghetti, Lawrence Finlay, Ian Hamilton Ginsberg, Allen Giorno, John Gysin, Brion Box 1 Hollo, Anselm Kelly, Robert Laughlin, James LaVigne, Robert Lucie-Smith, Edward McClure, Michael Malanga, Gerard Olson, Charles Miles, Barry Orlovsky, Peter Owens, Rochelle Padgett, Ron Patchen, Miriam Patten, Brian Plymell, Charles Sanders, Ed Saroyan, Aram Swallow, Alan Snyder, Gary Tambimuttu Wakoski, Diane «- Williams, Jonathan Whalen, Philip Cataloged manuscripts: Ashbery, John Berrigan, Ted Brautigan, Richard Burroughs, William S, -- Box 2 di Prima, Diane Corso, Gregory Fainlight, Harry Ginsberg, Allen Hollo, Anselm Kelly, Robert Lamantia, Philip Malanga, Gerard Micheline, Jack Owens, Rochelle Patten, Brian Plymell, Charges Warhol, Andy Barry MILES Papers -2- Arranged correspondence and manuscripts (and printed materials) Ableman, Paul Agel, Jerome Aldrich, Michael Andrews, George Ballard, J. G. Barnett, Anthony Belart, Gerard Berner, Jeff Bierkens, Jef Birot, Mme Pierre Albert Bizot, Jean Francois Blazek, Douglas Bly, C. (Mrs. Robert) Bowering, George Brautigan, Richard Breger, Udo Burroughs, William S. Butler, Bill Butterworth, Michael Calder, John Callahan, James Box 3 Carroll, Donald Cassidy, Daniel Patrick, Jr. Christo City Lights Books Clements, Marshall Cobbing, Bob Cohen, Ira Combs, Tram Congden, Kirby Critchley, Julian Crozier, Andrew Cunliffe, Dave (& Tina Morris) De Loach, Allen di Prima, Diane Douglas, Alan Dowden, George Doyle, Kirby Durgnat, Raymond Dyke, Dick Elbert, Joyce Evans, Paul . Fainlight, Barry Fancher, Edwin Fanchette, Jean Fawcett, Anthony Fay, Robert Federman, Raymond Ferlinghetti, Lawrence Finlay, Ian Hamilton Fisher, Allen Fisher, Roy Fowler, John E. Froge, Gait Furnival, John Barry MILES Papers -3- Gamier, Pierre Gibson, Morgan Ginsberg, Allen Giorno, John Goliard Press Gomringer, Eugen Gordon, Giles Grinberg, Miguel Gyson, Brion Hansen, Al Hartmann, Walter Harwood, Lee Hazard, Geoffrey Heliczer, Piero Henri, Adrian Herman, Jan Box k Hollo, Anselm Holmes, David Horovitz, Frances Horovitz, Michael Houedard, Dom Silvester Houston, Libby Inman, Will Jay, Peter Johnson, B. S. Keen, Jeff Keys, John Kupferberg, Tuli Lawson, Andrew Lebel, Jean-Jacques Levy, D. A. Lewis, Harry Lionni, Paolo Lord, Sterling Lucie-Smith, Edward McBride, Bob & Dick McCarthy, Cavan McClure, Michael McGilvery, Laurence McNamara, Tom Malanga, Gerard Marlowe, Alan Maurer, Monique Maynard, Joe Mikriammos, Philippe Miller, Jeffrey Miller, Peter Montgomery, George Morris, Richard Morris, Tina Mottram, Eric . Murray, David New Yorker Magazine Box 5 Nuttall, Jeff Olson, Charles Parnell, Martin Patchen, Miriam Barry MILES Papers Patten, Brian Perret, Christopher Pickard, Tom Pivano, Fernanda Sottsas Ploog, Jurgen Plymell, Charles Pociao Randall, Margaret Rattray, David Box 5 Rayworth, Tom Resnick, Marcia Ricard, Albert Rene Richter, Daniel Rutherford, Malcolm Sanders, Ed Saroyan, Aram Shayer, Michael Shepp, Archie Sinclair, John Smith, Alexander Sommerville, Ian Spratley, Joanna Sullivan, Beris Tambimuttu Tarn, Nathaniel Thatcher, Brian Torrance, Chris (& Michael Dyle) Wagnon, Drew Wake, Brian Wall rich, Larry Weissner, Carl Welsh, David Wilentz, Ted Williams, Heathcote Williams, Jonathan Wyatt, Ian Catalogs & flyers Box 6 Cataloged Correspondence shelved in Vault Ginsberg, Allen (Original letters may not be used without the permission of the Librarian for Rare Books and Manuscripts. Reader must use photocopies in Box 1) -5- An Inventory of the Barry Miles Papers, Aug 15, 1987 Letters from William S. Burroughs to Barry Miles 1. t Is July 17, 1964 [WSB in Tangier to BM in London] [Starting magazine, Reich's Orgone accumulators] 2. t Is Oct 28, 1964 [WSB in Tangier to BM in London] [Discusses the 3-column technique and encloses ms for a new magazine] + ts 5p hollograph pagination. "Who Is The Written Third Walks Beside You?" [a cut-up using a line from Eliot's "Waste Land" as a starting point.] Published in "Tzarad Anthology. Copy enclosed. 3. a p/c Nov 20, 1964 [WSB in Tangier "'to BM in London] [Gives NYC address] 4. a p/c n.d.^f Dec ember 1972] [W^B in London to BM in NYC][Xmas card] 5. a Is n.d. [December 1973] [WSB in London to BM in NYC][Xmas card]-., 6. t Is Nov 30, 1970 2p with lOp enclosure. [WSB in London to BM in NYC][NYC and Hubbard, founder •-.£ Scientology] + ts carbon "The Reactive Mind" lOp with hollograph pagination. 7. t Is May 23, 1970 [WSB in London to BM in NYC][Andy Warhol, magazines, C a] 2p 8. "t Is Aug 30, 1970. [WSB in London to BM in Cherry Valley, NY][Corso, Hubbard, His article on Scientology] 9. t Is Dec 13, 1970 [WSB in London to BM in NYC][Scientology] 10. t Is April 10, 1972 [WSB in London to BM in Sedlescombe, Sussex] [re selling his archives. 11. t Is 2p July 20, 1973 [WSB in London to BM in NYC] [Details regarding sale of Burroughs' archives 12. t Is Aug 14, 1973 [WSB in London to BM in NYC][Archives. Dutch Schultz] 13. t Is Dec 16, 1974 [WSB in NYC to BM in London][Decribed reading tour w/John Giorno. Ginsberg] 14. t Is Jan 30, 1975 [WSB in NYC to BM in London][Re disposing of contents his apt] 15. t Is Nov 8, 1975 [WSB in NYC to BM in London] [Archives sale and bibliography] -6- 16. t Is [to Richard Aaron] Feb 25, 1973 [WSB in London to RA in Ollon, Suisse][regarding the Catalogue of the WSB Archive by Miles that Aaron published.] 17. t Is Jan 20, 1976. [WSB in NYC to BM in London][re: WSB intro to BM's Bibliography of his work.] + ts 6p "Introduction for Miles' Bibliography of WSB" 18. t Is March 22, 1976 [WSB in NYC to BM in London][Re; Bibliography] 19. t Is April 20, 1976 [WSB in NYC to BM in London][London flat, Ian Sommerville's death.] 20 t Is June 22, 1976 [WSB in NYC to BM in London][Port of Saints, articles Cravdaddy magazine and financial matters.] 21. ts [carbon] MOB (My Own Business) dated Dec 9, 1969 4p 22. ts [carbon] 8p [1965] [contemporary with the Paris Review interview] -Y- s letters to William Burroughs* [all carbon copies unless stated] TL Nov 17, 1967, Ip TL Teb 12, 1968, lp TL Aug 4, 1970, 2p [from Ginsberg's farm] TL Nov 18, 1970, lp TL April 17, 1972 Cable: Burroughs to Miles, May 31, 1972 Cable: Burroughs to Miles, June 23, 1972 Cable: Burroughs to Miles, July 12, 1972 TL July 27, 1972, lp TL Aug 22, 1972, 2 sides Cable: Burroughs to Miles, Aug 23, 1972 [Photocopy] Deed of Partnership between W. S.Burroughs and Brion Gysin, Oct 30, 1972, regarding the description and sale of their joint-archives.
Load more

Recommended publications
  • Still Not a British Subject: Race and UK Poetry
    Editorial How to Cite: Parmar, S. 2020. Still Not a British Subject: Race and UK Poetry. Journal of British and Irish Innovative Poetry, 12(1): 33, pp. 1–44. DOI: https:// doi.org/10.16995/bip.3384 Published: 09 October 2020 Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and repro- duction in any medium, provided the original author and source are credited. See http://creativecommons. org/licenses/by/4.0/. Open Access: Journal of British and Irish Innovative Poetry is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Sandeep Parmar, ‘Still Not a British Subject: Race and UK Poetry.’ (2020) 12(1): 33 Journal of British and Irish Innovative Poetry. DOI: https://doi. org/10.16995/bip.3384 EDITORIAL Still Not a British Subject: Race and UK Poetry Sandeep Parmar University of Liverpool, UK [email protected] This article aims to create a set of critical and theoretical frameworks for reading race and contemporary UK poetry. By mapping histories of ‘innova- tive’ poetry from the twentieth century onwards against aesthetic and political questions of form, content and subjectivity, I argue that race and the racialised subject in poetry are informed by market forces as well as longstanding assumptions about authenticity and otherness.
    [Show full text]
  • Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
    Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration.
    [Show full text]
  • Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies At
    Lawrence Ferlinghetti, Poet Who Nurtured the Beats, Dies at 101 An unapologetic proponent of “poetry as insurgent art,” he was also a publisher and the owner of the celebrated San Francisco bookstore City Lights. By Jesse McKinley Feb. 23, 2021 Lawrence Ferlinghetti, a poet, publisher and political iconoclast who inspired and nurtured generations of San Francisco artists and writers from City Lights, his famed bookstore, died on Monday at his home in San Francisco. He was 101. The cause was interstitial lung disease, his daughter, Julie Sasser, said. The spiritual godfather of the Beat movement, Mr. Ferlinghetti made his home base in the modest independent book haven now formally known as City Lights Booksellers & Publishers. A self-described “literary meeting place” founded in 1953 and located on the border of the city’s sometimes swank, sometimes seedy North Beach neighborhood, City Lights, on Columbus Avenue, soon became as much a part of the San Francisco scene as the Golden Gate Bridge or Fisherman’s Wharf. (The city’s board of supervisors designated it a historic landmark in 2001.) While older and not a practitioner of their freewheeling personal style, Mr. Ferlinghetti befriended, published and championed many of the major Beat poets, among them Allen Ginsberg, Gregory Corso and Michael McClure, who died in May. His connection to their work was exemplified — and cemented — in 1956 with his publication of Ginsberg’s most famous poem, the ribald and revolutionary “Howl,” an act that led to Mr. Ferlinghetti’s arrest on charges of “willfully and lewdly” printing “indecent writings.” In a significant First Amendment decision, he was acquitted, and “Howl” became one of the 20th century’s best-known poems.
    [Show full text]
  • Squatting – the Real Story
    Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd.
    [Show full text]
  • Everything Lost
    Everything Lost Everything LosT THE LATIN AMERICAN NOTEBOOK OF WILLIAM S. BURROUGHS GENERAL EDITORS Geoffrey D. Smith and John M. Bennett VOLUME EDITOR Oliver Harris THE OHIO STATE UNIVERSITY PRESS / COLUMBUS Copyright © 2008 by the Estate of William S. Burroughs. All rights reserved. Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914–1997. Everything lost : the Latin American notebook of William S. Burroughs / general editors: Geoffrey D. Smith and John M. Bennett ; introduction by Oliver Harris. p. cm. Includes bibliographical references. ISBN-13: 978-0-8142-1080-2 (alk. paper) ISBN-10: 0-8142-1080-5 (alk. paper) 1. Burroughs, William S., 1914–1997—Notebooks, sketchbooks, etc. 2. Burroughs, William S., 1914–1997— Travel—Latin America. I. Smith, Geoffrey D. (Geoffrey Dayton), 1948– II. Bennett, John M. III. Title. PS3552.U75E63 2008 813’.54—dc22 2007025199 Cover design by Fulcrum Design Corps, Inc . Type set in Adobe Rotis. Text design and typesetting by Jennifer Shoffey Forsythe. Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanance of Paper for Printed Library Materials. ANSI Z39.49-1992. 9 8 7 6 5 4 3 2 1 coNtents ACKNOWLEDGMENTS vii INTRODUCTION BY OLIVER HARRIS ix COMMENTS ON THE TEXT BY GEOFFREY D. SMITH xxvii NOTEBOOK FACSIMILE 1 TRANSCRIPT AND FAIR COPY (with notes and variant readings) 105 ABOUT THE EDITORS 217 acknoWledgments First and foremost, the editors wish to thank James Grauerholz, literary execu- tor of the William S. Burroughs estate, for permission to publish this seminal holograph notebook.
    [Show full text]
  • One Nation: Power, Hope, Community
    one nation power hope community power hope community Ed Miliband has set out his vision of One Nation: a country where everyone has a stake, prosperity is fairly shared, and we make a common life together. A group of Labour MPs, elected in 2010 and after, describe what this politics of national renewal means to them. It begins in the everyday life of work, family and local place. It is about the importance of having a sense of belonging and community, and sharing power and responsibility with people. It means reforming the state and the market in order to rebuild the economy, share power hope community prosperity, and end the living standards crisis. And it means doing politics in a different way: bottom up not top down, organising not managing. A new generation is changing Labour to change the country. Edited by Owen Smith and Rachael Reeves Contributors: Shabana Mahmood Rushanara Ali Catherine McKinnell Kate Green Gloria De Piero Lilian Greenwood Steve Reed Tristram Hunt Rachel Reeves Dan Jarvis Owen Smith Edited by Owen Smith and Rachel Reeves 9 781909 831001 1 ONE NATION power hope community Edited by Owen Smith & Rachel Reeves London 2013 3 First published 2013 Collection © the editors 2013 Individual articles © the author The authors have asserted their rights under the Copyright, Design and Patents Act, 1998 to be identified as authors of this work. All rights reserved. Apart from fair dealing for the purpose of private study, research, criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, electrical, chemical, mechanical, optical, photocopying, recording or otherwise, without the prior permission of the copyright owner.
    [Show full text]
  • The Impact of Allen Ginsberg's Howl on American Counterculture
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl.
    [Show full text]
  • Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 12-2013 "Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957 Kayla D. Meyers College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Studies Commons Recommended Citation Meyers, Kayla D., ""Obscene Odes on the Windows of the Skull": Deconstructing the Memory of the Howl Trial of 1957" (2013). Undergraduate Honors Theses. Paper 767. https://scholarworks.wm.edu/honorstheses/767 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “Obscene Odes on the Windows of the Skull”: Deconstructing The Memory of the Howl Trial of 1957 A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in American Studies from The College of William and Mary by Kayla Danielle Meyers Accepted for ___________________________________ (Honors, High Honors, Highest Honors) ________________________________________ Charles McGovern, Director ________________________________________ Arthur Knight ________________________________________ Marc Raphael Williamsburg, VA December 3, 2013 Table of Contents Introduction: The Poet is Holy.........................................................................................................2
    [Show full text]
  • Word Is Seeking Poetry, Prose, Poetics, Criticism, Reviews, and Visuals for Upcoming Issues
    Word For/ Word is seeking poetry, prose, poetics, criticism, reviews, and visuals for upcoming issues. We read submissions year-round. Issue #30 is scheduled for September 2017. Please direct queries and submissions to: Word For/ Word c/o Jonathan Minton 546 Center Avenue Weston, WV 26452 Submissions should be a reasonable length (i.e., 3 to 6 poems, or prose between 50 and 2000 words) and include a biographical note and publication history (or at least a friendly introduction), plus an SASE with appropriate postage for a reply. A brief statement regarding the process, praxis or parole of the submitted work is encouraged, but not required. Please allow one to three months for a response. We will consider simultaneous submissions, but please let us know if any portion of it is accepted elsewhere. We do not consider previously published work. Email queries and submissions may be sent to: [email protected]. Email submissions should be attached as a single .doc, .rtf, .pdf or .txt file. Visuals should be attached individually as .jpg, .png, .gif, or .bmp files. Please include the word "submission" in the subject line of your email. Word For/ Word acquires exclusive first-time printing rights (online or otherwise) for all published works, which are also archived online and may be featured in special print editions of Word For/Word. All rights revert to the authors after publication in Word For/ Word; however, we ask that we be acknowledged if the work is republished elsewhere. Word For/ Word is open to all types of poetry, prose and visual art, but prefers innovative and post-avant work with an astute awareness of the materials, rhythms, trajectories and emerging forms of the contemporary.
    [Show full text]
  • Snedeker: "Closing Time"
    Closing Time George Snedeker In his novels, William Burroughs constructs a complex mythological structure. The tropes of evolution and religion are central to novels like Nova Express and The Western Lands. In this essay, I will argue that these novels are political/philosophical representations of contemporary society. Burroughs moves concrete political conflicts to the plane of metatheoretical reflections by means of the construction of grand mythological frameworks. He rarely ever addresses politics directly. Instead, he offers movie-like narratives that the reader is forced to reconnect to everyday reality. Both the cut-ups and his fragmented narratives try to force the reader into the work of reconstructing the existential field of action. There are no blueprints or programs for action to guide our struggles in his novels. Burroughs' radicalism was a radicalism of the imagination. He tried to revive the capacity to dream and imagine alternative worlds, not to get stuck in this highly corrupt universe of thought. How does one think his/her way out of a prisonhouse of language and the symbolic order of domination? This is why there is so much emphasis on individual and collective struggles for personal liberty in his novels. I will argue that Burroughs understood the quest for freedom in both quotidian and global terms. In books like The Wild Boys, Cities of the Red Night and The Place of Dead Roads there is a clear attempt to formulate a collective struggle against the cosmic and social forces of evil. In The Wild Boys, this struggle takes the form of the politics of the imaginary.
    [Show full text]
  • The Divine Comedy Inferno • Purgatory • Paradise • a Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno
    Dante The Divine Comedy Inferno • Purgatory • Paradise • A Life of Dante POETRY Read by Heathcote Williams with John Shrapnel Inferno 1 Canto I 7:43 2 Canto II 7:27 3 Canto III 7:45 4 Canto IV 8:02 5 Canto V 8:16 6 Canto VI 6:55 7 Canto VII 7:44 8 Canto VIII 7:28 9 Canto IX 7:34 10 Canto X 7:29 11 Canto XI 5:51 12 Canto XII 7:03 13 Canto XIII 7:21 14 Canto XIV 7:50 15 Canto XV 5:58 16 Canto XVI 7:39 2 17 Canto XVII 6:30 18 Canto XVIII 7:36 19 Canto XIX 6:35 20 Canto XX 6:29 21 Canto XXI 6:18 22 Canto XXII 7:11 23 Canto XXIII 8:00 24 Canto XXIV 7:45 25 Canto XXV 7:17 26 Canto XXVI 7:36 27 Canto XXVII 6:21 28 Canto XXVIII 7:43 29 Canto XXIX 7:10 30 Canto XXX 7:57 31 Canto XXXI 7:55 32 Canto XXXII 6:35 33 Canto XXXIII 8:34 34 Canto XXXIV 8:30 Time: 4:10:30 3 Purgatory 35 Canto I 8:16 36 Canto II 8:01 37 Canto III 8:24 38 Canto IV 8:45 39 Canto V 8:23 40 Canto VI 9:01 41 Canto VII 7:35 42 Canto VIII 8:11 43 Canto IX 9:00 44 Canto X 8:20 45 Canto XI 8:14 46 Canto XII 7:54 47 Canto XIII 9:07 48 Canto XIV 8:05 49 Canto XV 8:31 50 Canto XVI 8:11 4 51 Canto XVII 8:13 52 Canto XVIII 7:53 53 Canto XIX 8:17 54 Canto XX 8:28 55 Canto XXI 8:11 56 Canto XXII 8:12 57 Canto XXIII 7:44 58 Canto XXIV 8:55 59 Canto XXV 8:06 60 Canto XXVI 8:28 61 Canto XXVII 8:09 62 Canto XXVIII 7:47 63 Canto XXIX 7:20 64 Canto XXX 7:55 65 Canto XXXI 7:58 66 Canto XXXII 8:32 67 Canto XXXIII 8:59 Time: 4:33:28 5 Paradise 68 Canto I 8:42 69 Canto II 8:36 70 Canto III 6:38 71 Canto IV 7:48 72 Canto V 7:47 73 Canto VI 7:44 74 Canto VII 8:12 75 Canto VIII 7:41 76 Canto IX 7:48
    [Show full text]
  • Tomberg Rare Books Corrected Proof
    catalog one tomberg rare books CATALOG ONE: Rare Books, Mimeograph Magazines, Art & Ephemera PLEASE DIRECT ORDERS TO: tomberg rare books 56 North Ridge Road Old Greenwich, CT 06870 (203) 223-5412 Email: [email protected] Website: www.tombergrarebooks.com TERMS: All items are offered subject to prior sale. Please email or call to reserve. Returns will be accepted for any reason with notification and within 14 days of receipt. Payment is expected with order and may be made by check, money order, credit cards or Paypal. Institutions may be billed according to their needs. Reciprocal courtesies to the trade. ALL BOOKS are first edition (meaning first printing) hardcovers in original dust jackets; exceptions noted. All items are guaranteed as described and in very good or better condition unless stated otherwise. Autograph and manuscript material is guaranteed and may be returned at any time if proven not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Medial mail can be requested and billed. INTERNATIONAL SHIPPING will vary depending upon destination and weight. Above: Item 4 Left: Item 19 Cover: Item 19, detail 1. [Artists’ Books]. RJS & KRYSS, T.L. DIALOGUE IN PALE BLUE Cleveland: Broken Press, 1969. First edition. One of 200 copies, each unique and assembled by hand. Consists entirely of pasted in, cut and folded blue paper constructions. Oblong, small quarto. Stiff wrappers with stamped labels. Light sunning to wrappers, one corner crease. Very good. rjs and tl kryss were planning on a mimeo collaboration but the mimeograph broke, leaving them with only paper.
    [Show full text]